SKU: LO.10-5762L
ISBN 9780787778767.
Larry Shackley's creativity shines brightly in this extraordinary arrangement! This classic hymn, set to a rollicking four-hand piano accompaniment, features fun and engaging vocal writing that will invigorate both vocalists and congregation. The third verse, thoughtfully set in a reflective manner, provides a perfect contrast to the anthem's overall liveliness. An optional two-hand accompaniment is also available.
SKU: BO.B.3672
Written during the winter of 2007, this work is a metaphor of the three stages of a short but intense love story.The first movement is called Poniente. This is the name of a rainy wind that comes from west. In this sense, west is not only the place where the sun sets, but where night begins. The first movement represents the beginning, the happiness and freshness of something new. The violin evokes freshness and spontaneity over the constant rhythm of the guitar, which plays the higher voice. While the violin signs happily, the guitar, instead of being just its accompaniment, plays the role of a counterpoint with its rhythmical and constant theme.The second movement is called Largo-Balada-Largo and it's divided in two different parts. In the first one, guitar plays alone, reflexive and slow, representing the moments of loneliness of the one that waits for the lovers reunion. In the second movement, violin and guitar begin a dialogue where the violin plays a sweet yearning ballad, while the guitar answers as a baroque counterpoint. At the end, calm comes back, as in the first part of the second movement.The third movement is called Danza ritual and it is the most violent of the three parts. It represents the lovers reunion, the resolution of all the controlled excitement. It's the flame that consumes quickly but intensely. At the end of this part, the violin reintroduces the main theme of the first movement, but with a variation, more intense and dramatic. This dramatic and intense quality is also due to the guitar ostinato, which ends in a hysteric trill. This leads us again to the first part, ending the third movement and this work in a sudden setback, as an interrogation tag.
SKU: BR.OB-15108-30
ISBN 9790004339633. 10 x 12.5 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: BR.OB-15106-16
ISBN 9790004339190. 10 x 12.5 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: BR.PB-15123
In Cooperation with G. Henle VerlagEB 10825 is printed in score form; two copies are needed for performance. Our edition EB 8579 contains a Ferrucci Busoni cadenza for the Piano. Solo concerto; Classical. Full score. 88 pages. Duration 33'. Breitkopf and Haertel #PB 15123. Published by Breitkopf and Haertel (BR.PB-15123).
ISBN 9790004212738. 10 x 12.5 inches.
The C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: AP.43367
UPC: 038081489087. Lat.
With contrapuntal counterlines and vocal parts limited to one octave each, this simple Latin text setting makes it easy for two-part treble and men's groups to impress. An optional trumpet part (included in the publication) heightens the stately feel. Staging suggestions on With a Song!
SKU: FG.55011-824-9
ISBN 9790550118249.
Mikko Heiniö's Alla madre (2007) abandons the traditional virtuoso concerto concept: here a large orchestra engages in dialogue with a solo violin. The first movement is called Arrivo, “Arrival: the soloist literally arrives later, and by degrees, playing his/her first two solos offstage. Even then the orchestra continues to take the initiative for a long time. Not until the second movement, entitled Aura, “Air or Wind, does the initiative pass to the solo violin as it sets light to notes in the orchestra harmony like individual lamps. And not until the end of the second movement and the beginning of the third does the solo violin play completely on its own. The title of the first movement, “Arrival, underlines the event, the dramaturgy, whereas that of the second movement, “Aura, alludes to the texture and the shimmering space. The third movement is the most strongly emotional, as the name Carezza, “Caress suggests.This product includes the solo part and the piano reduction (B4 sized).The orchestral material is available from the publisher. The orchestration: 3(III+picc)3(III+ca)3(III=bcl)3(III=cfg)-4331-13-hp-str.
SKU: BR.PB-15112-07
ISBN 9790004212691. 6.5 x 9 inches.
SKU: HL.35030571
UPC: 888680085872. 5x5 inches.
Joining two worship traditions into one powerful proclamation of faith, this octavo will be useful and meaningful to blended choirs. Lifting hearts and voices before the holiness of God, this popular praise song is perfectly wed to the traditional hymn by carefully combining strong unison singing with modern harmonies that soar with a distinctive power. A must do! Score and Parts (fl, hn, vn 1-2, va, vc, db) available as a digital download.
SKU: BR.OB-15106-19
ISBN 9790004339206. 10 x 12.5 inches.
SKU: ST.C422
ISBN 9790570814220.
A delightful single movement work lasting about 4 minutes. Dedicated to the clarinettist Erich Fackert.[bg_collapse view=link color=#4a4949 icon=arrow expand_text=Show More collapse_text=Show Less ]Laurie Holloway has enjoyed an extraordinary successful life as a composer, musician and musical director. His music has always been strongly jazz orientated, and he has played with many of the legendary greats including Gerry Mulligan, Clark Terry and trombonist Bob Brookmeyer. He composed the television themes for: Russell Harty, Pam Ayres, Freddie Starr, Russ Abbott, Punchlines, Game for a Laugh, Blind Date, Child’s Play and Beadle’s About Music Match.Laurie has appeared on television regularly including This is your Life (as a surprise guest for Parkinson, Wogan, Tarbuck, Ernie Wise, Rolf Harris, and Benny Green as well as being a proud owner of the Big Red Book himself). He has been musical director for Engelbert Humperdinck, Judy Garland, Dame Edna Everage, Stéphane Grappelli, The Wogan Show, Marion Montgomery, Gilbert O’Sullivan, Dame Cleo Laine, Elaine Stritch, Sacha Distel, Frankie Howerd, Sammy Cahn, George Hamilton IV, Barry Took, Sir David Frost, Mel Torme, Nana Mouskouri, Clive James, Val Doonican, Kiri Te Kanawa, Ronnie Corbett, Ronnie Barker, Sir Les Patterson, Elaine Paige, Michael Parkinson, Jack Allen, Bob Monkhouse, Judy Garland, Liza Minnelli and Jack Jones.He has been a featured soloist with, and guest conductor of, the LSO and the BBC Concert Orchestra, played on the Last Night of the Proms in Hyde Park, often conducted the BBC radio orchestra, performed on BBC radio 2’s At the Piano, and is currently arranging and conducting for various artists such as Elaine Paige, Dame Kiri Te Kanawa, and Gilbert O’Sullivan. He was the musical director of the hit BBC television series Strictly Come Dancing for many years.His teaching work includes workshops and masterclasses at Canberra School of Music and Melbourne’s Victoria Arts Centre, Australia, the Birmingham Conservatoire, and Wavendon Allmusic Plan. He has composed and arranged several saxophone quartets, clarinet quartets, instrumental works for flute and piano and clarinet and piano, and his two volumes of Pop Preludes (piano tutors) are published by Novello. The Associated Board of the Royal Schools of Music selected his composition Walking Fingers as an examination piece.He has presented matinee concerts at the Barbican where he introduced young musical talent. He and Marion Montgomery have formed the Montgomery Holloway Music Trust a charity, which aims to afford young musical talent (jazz, classical and inspirational) the opportunity to study and perform. The Trust also has a yearly seminar in which Laurie instructs in the Art of Accompaniment. The British Academy of Songwriters, Composers and Authors (BASCA) awarded Laurie the Gold Badge of Merit in 1993 for his services to the music industry.[/bg_collapse]Former Spartan Press Cat. No.: SP870.
SKU: BR.OB-15107-15
ISBN 9790004339350. 10 x 12.5 inches.
One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: BR.OB-15108-19
ISBN 9790004339619. 10 x 12.5 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.In Cooperation with G. Henle Verg.
SKU: BR.OB-15108-15
ISBN 9790004339596. 10 x 12.5 inches.
Mozart's Concerto K. 453 enjoyed great popularity during the composer's lifetime and was widely known through copies and a print. The state of the sources is thus multi-faceted yet unequivocal: the primary source is the rediscovered autograph, which was considered lost after 1945 and was not at the disposal of the Neue Mozart-Ausgabe. The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Stephan Horner to whom Henle has entrusted its urtext editions. Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.In Cooperation wh G. Henle Verlag.
SKU: AP.48827
UPC: 038081561516. English.
Have you ever heard of a bear with wings? Or a biffalo-buffalo-bison? How about a wallaboo? A. A. Milne, best-known as the author of Winnie the Pooh, penned this playful poem about amusing animals, both real and imagined, at a zany zoo. This clever children's choral offers plenty of musical moments (including independent counterlines and logical 2-part harmonies) in between giggles. Perform with a light, bright tone and crisp consonants on the patter-like words. Two likely results: hilarious rehearsals and a roaring crowd!
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: BR.PB-15106
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).
ISBN 9790004211892. 10 x 12.5 inches.
SKU: BR.OB-15106-26
ISBN 9790004339213. 10 x 12.5 inches.
SKU: HL.14040983
French.
The Modal Column is a cycle of paired pieces for piano, starting from the classical structure- prelude-fugue - used by Bach in Das wohltemperierte Klavier. The modes that are being used have a relatively simple octavizing structure, hence an almost infinite variety of combinations that can generate a large number of pieces, impossible to exhaust by a composer. Therein lies the idea of a column, in the sense given by Brancusi, i.e. an endless succession of modules.
In the vision of the author, the mechanism of the mode is a secondary (ancillary) aspect, the primary goal is deciphering the ethos incorporated in it.
The prelude-fugue structure hypostatizesthe musical discourse at the two possible extremes. free-constructed. While Romanian music rules in free areas, like any old music with an (especially oral) tradition, the constructed pieces start from Dutch (Flemish) or Venetian polyphony, which precedes the idea of fugue, understood as a technology of the movement (dynamics) of sound, after the models of Giovanni Gabrieli or Ockeghem.
The Modal Column is first of all the presentation of a melodic world but, as the subtitle indicates, also an investigation into the ethos of Romanian music. The forms in which the pieces are thought are simple, non-ostentatious, the whole cycle being in fact a musical workshop, whose better parts may be worth including in ampler works. Before the succinct description of the six couples in Books I and II, a few observations, necessary from a musicological point of view:
SKU: HL.303992
ISBN 9781540066459. UPC: 888680969325. 9.0x12.0x0.333 inches.
THE FIFTH BOOK of the title refers to what Stephen Hartke considers his fifth book of madrigals, only two of which books are actually for voices, with the others being for string instruments. Hartke writes madrigals for string instruments due to their inherent singing quality, but also due to the fluid structural character of the madrigal as a genre that often responds in quite mercurial ways to the emotional unfolding of its text. These five movements are thus abstract madrigals whose larger outlines, shifts in mood, and various internal reminiscences are intended to convey a private, unspoken drama. Commissioned for the Brentano String Quartet by the Frankfurt Burgerstiftung im Holzhausenschlosschen sponsored by the Ernst Max von Grunelius-Stiftung.
SKU: BR.PB-15111-07
ISBN 9790004212684. 6.5 x 9 inches.
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