By German. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 1700 pages. Published by Subito Music.

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

By Franz Liszt. (DVD). Performance video. DVD . Published by Devine Entertainment Corporation.

Books and Journals

SKU: UT.QC-4

Edited by Roberto Illiano and Rohan H. Stewart-MacDonald. Paperback (Soft Cover). Quaderni Clementiani. Essays by Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanova, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDo. Classical. Books and Journals. 568 pages. Ut Orpheus #QC 4. Published by Ut Orpheus (UT.QC-4).

ISBN 9788881094783. 6.5 x 9.5 inches.

Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner Lott


The career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys.
The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition.
This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.

(In Een Kloostertuin (Latijn)). By A. W. Ketelbey. For Fanfare Band. Light Pieces / Worldly Songs. Grade 3. Score. Published by Molenaar Edition

Concert Band - Grade 2.5

SKU: AP.45789S

Composed by Various. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Medley. Latin; Multicultural. Score. 28 pages. Duration 3:45. Belwin Music #00-45789S. Published by Belwin Music (AP.45789S).

UPC: 038081529479. English. Various.

Three delightful contrasting traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered Asturias by Isaac Albéniz, Granados' Spanish Dance #5 from his Twelve Spanish Dances, and the well-known España Cañi, a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45).

(Uit 'tannhauser' (Deutsch)/Hafa/TTBB). By Richard Wagner (1813-1883). Arranged by S. Tiemersma. For Concert Band. Selections from Operetta / Arrangements of Classical Pieces / Selections of Opera/Musical/Movies/TV / Worldly Songs. Classic Arrangement. Grade 3. Score and Parts

Tirees De L'Opera Prince Igor (Nederlands). Composed by Alexander Borodin (1833-1887). Arranged by A. Thiry. Worldly Songs/Selections from Operetta/Arrangements of Classical Compositions. Classic Arrangement. Full set. Published by Molenaar Edition (ML.010206080).

Concert band - Grade 2

SKU: CL.024-4304-01

Composed by Phillips. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 2 minutes, 45 seconds. C.L. Barnhouse #024-4304-01. Published by C.L. Barnhouse (CL.024-4304-01).

Throughout history events have occurred personally, locally, nationally, and worldly that inspire people to stop a moment and remember those affected. May this hymn evoke a sense of peace as those people and events are remembered.

SKU: WD.080689352973

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral, cantatas. Modern Christian: Sacred. Teacher's resource kit. Word Music #080689352973. Published by Word Music (WD.080689352973).

UPC: 080689352973.

High in the mountains in the impenetrable Agape Fortress, General Agape has called the mighty Agape League together to solve a crisis in Suburbiana City! Calling on the super-powered fruits of the spirit available to every follower of Christ, these heroes must also face an enemy within their own ranks when Ironblade forgets his superhero identity (self-control) and becomes entangled in the pervasive worldly culture. Will the League recover their powers? Will the citizens of Suburbiana City be saved? Will the source of true power - God's Word - finally be utilized before time runs out? Acclaimed children's writer Christy Semsen has delivered another high-powered production that is super-sized in every way: a high-octane story, clever dialogue, dynamic contemporary songs, and uncompromised spiritual truth. Daniel Semsen's cinema-worthy accompaniment tracks positively soar and the always amazing Teacher Resource Kit and performance IVD will grant you all the production power you need.

(German). By Edvard Grieg (1843-1907). Arranged by P Stalmeier. For Concert Band. Arrangements of Classical Pieces / Worldly Songs. Classic Arrangement. Grade 3. Score and Parts

Composed by Albert William Ketelbey. Arranged by Johan De Meij. For concert band and SATB choir. Worldly Songs/Arrangements of Classical Compositions/Light Works. Classic Arrangement. Recorded on The Best of Johan de Meij - 3CD Box (ML.311076720). Grade 4. Full set. Duration 6 minutes, 25 seconds. Published by Molenaar Edition

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 1

SKU: CF.BPS89

Composed by Joseph Compello. SWS FS. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+2+3+2+1+2+3+16 pages. Duration 3 minutes, 2 seconds. Carl Fischer Music #BPS89. Published by Carl Fischer Music (CF.BPS89).

ISBN 9781491140024. UPC: 680160628087. 9 x 12 inches.

This modal piece has a dark, other worldly sound that students love to play. It's as if it is from the past but also very much of the present-the type of music found in movies and video games. As a former band director, Joseph Compello has a knack for writing pieces that students clamor to rehearse. It is great for teaching about modes and will make your students sound their best.

(From South Pacific - Concert band/TTBB/Voice). Composed by Richard Rodgers. Arranged by Johan De Meij. For concert band. Mixed Choir and Band/Worldly Songs. Solo and Band Series. Recorded on The Best of Johan de Meij - 3CD Box (ML.311076720). Grade 4. Full set. Duration 5 minutes, 44 seconds. Published by Molenaar Edition