SKU: AP.36-A219602
UPC: 659359970481. English.
Peter Ilyitch Tchaikovsky (1840-1893) originally dedicated his CONCERTO FOR VIOLIN in D, Op. 35, to Leopold Auer. The Hungarian violinist concluded that it was too difficult. The concerto finally premiered on December 4, 1881, Adolph Brodsky performing the solo part with the Vienna Philharmonic under the direction of Hans Richter. Influential 18th century music critic Eduard Hanslick's complaint about the length of the concerto gradually succumbed to its growing reputation as a challenging yet irresistibly melodic touchstone for aspiring violinists all over the world. Instrumentation: 2.2.2.2: 4.2.1(opt.).0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set. Reprint edition. 11x14 oversized full score.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49000720
ISBN 9783795701437. UPC: 884088407834. 6.0x8.0x0.729 inches. German.
This new Hindemith annual focuses on Hindemith's work in the 1920s. The contents include essays on the 1922 Suite Op. 26, on the opera Cardillac (1926) and on Hindemith's output as a film composer. Music theatre enthusiasts may be particularly interested in the piece about Hindemith's influence on Stephen Sondheim (lyricist for works including West Side Story).
SKU: CA.1702221
Key: G major. Language: all languages.
Among the large numbers of works in different genres, the composer has left eight flute concertos - imaginative examples of early classical style which are worth rediscovering. Carus-Verlag has published one of them in a first edition, making it again accessible. Score and part available separately - see item CA.1702200.
SKU: HL.299614
ISBN 9781540060839. UPC: 888680957643. 9.0x12.0x0.134 inches.
The Hal Leonard Bodhrán Method is designed for anyone just learning to play the bodhrán, regardless of your ability to read notation. Professional bodhrán player and educator Amy Richter (áthas, Danú, et. al.) equips you with the necessary knowledge and skills to play the instrument. The book includes video lessons, showing you how to implement the techniques described within. The videos also feature how to play with other musicians on classic tunes that you are guaranteed to play at your next session! Lessons include: • Parts of the instrument • History of the bodhrán • Positioning and posture • Sticking and articulation patterns • Basic and advanced speed drills • Reels, jigs and other types of tunes.
SKU: BC.204752
SKU: HF.FH-2016
ISBN 9790203420163. 8.3 x 11.7 inches.
1. Arzgebirg, mei Arzgebirg (Bauersachs/Stange); 2. Arzgebirg, wie bist du schie (Gunther/Stange); 3. Gruss dich Gott, mei Arzgebirg (Gunther/Brunner); 4. Wenn de Vugelbeer bluht (Gunther/Stange); 5. Morgnlied (Gunther/Stange); 6. Vergass dei Haamit net (Gunther/Stange); 7. Wu de Walder haamlich rauschen (Gunther/Rau); 8. Feierobnd (Gunther/Kreisel); 9. Himmelschlussele bluh (Gunther/Rau); 10. Viel tausend Vogle singe (Goldberg/Stange); 11. Wannerlied (Gunther/Schonherr); 12. Schwamme-Marsch (Lattermann/Anger); 13. Es Annel mit 'n Kannel (Gunther/Rau); 14. Wenn de Lerich singt (Gunther/Stange); 15. Do draussen in der Haad (Gunther/Brunner); 16. Der Vugelbeerbaam (Volksweise/Kreisel); 17. Harbistlied (Gunther/Kreisel); 18. Wenn's in Winter schneie tut (Peuschel/Stange); 19. De Ufenbank (Gunther/Anger); 20. Schneeschuhfahrer-Marsch (Gunther/Schonherr); 21. Gieh mer mol ruber (Volksweise/Schonherr); 22. Bleibn mer noch e wing do (Gunther/Kreisel); 23. Kinner, guckt naus (Kehrer/Rau); 24. Winterobnd im Arzgebirg (Schonherr/Anger); 25. Derham in Stubel (Gunther/Rau); 26. Hutzenlied (Gunther/Kreisel); 27. Klippellied (Gunther/Schonherr); 28. 's gebirgische Maadel (Volksweise/Anger); 29. Bild dir nischt ei (Gunther/Anger); 30. Heit is wieder Hutzenobnd (Richter/Brunner).
SKU: BR.EOS-1900-15
ISBN 9790004789377. 9 x 12 inches.
The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s.
SKU: BC.197662
SKU: BT.ZEC9788865403440
ISBN 9788865403440. Italian.
SKU: BC.41722
About SMP Primer Level (Early Elementary)
Very beginning music. Five-finger positions with no chords and almost no hand position movement.
SKU: BC.188182
SKU: CA.1702214
SKU: BR.EB-9071
World premiere: Darmstadt, April 7, 1990
ISBN 9790004179468. 11 x 15 inches.
Ein ganz anderer (neuer?) Baur keine Bindung an einen cantus firmus, keine barocke Form stattdessen vier suitenartig, in lockerer Form aneinander gereihte Satze. Schon die Uberschriften deuten auf Neues; der Gesamt-Titel: Kaleidoskop die einzelnen Teile: Sisyphus, Spiegelung, Artisten, Marionetten; spielerisch frei entworfene Stucke, heiter, besinnlich, humorvoll. 1. Satz: Zwei thematische Bewegungen charakterisieren den Ablauf des Sisyphus eine durch Pausen unterbrochene einstimmige Rollfigur wechselt standig mit einem stereotypen Funfton-Ostinato einem Motiv, das in vielfacher Veranderung wiederkehrt und schliesslich girlandenformig in die Tiefe fallt, symbolisch fur das vergebliche Bemuhen der altgriechischen Sagengestalt. Das zweite Stuck, Spiegelungen, wird ein- und ausgeleitet durch einen melancholischen Gedanken; dieser mundet in einer Gruppe von statischen, streng imitierten, ineinander geschobenen Spiegelklangen. Eine bewegte Figur fuhrt zu einer 5/8-Periode, bei der die Oberstimme um funf Tone kreist; am Ende steht wieder die Spiegelklang-Episode, auf einem Einzelton verloschend: das Ganze ein ruhiges, fast aleatorisch wirkendes Intermezzo. 3. Satz: Eine virtuose Studie mit kreisenden Rastelli-Tongruppen, dodekaphonisch geordneten Quintolen, begleitet von rhythmisch gegenlaufigen Klangimpulsen, immer wieder unterbrochen von rezitativischen Pedal-Bass-Soli. Zum Ende, kraftvolle Zusammenballung aller thematischen Elemente eine artistische Toccata, gipfelnd in dissonanten Klangturmen. Das Finale: Marionetten, eine funfteilige Bruckenform ABCBA. Der Satz fugt sich aus drei thematischen Abschnitten zusammen; der erste: eine abwarts gerichtete Zwolfton-Melodie, in ein Klangfeld mundend, das sich zum vielschichtigen Akkord weitet; der zweite: ein verhulltes Menuett mit funftonigem Bass-Ostinato und marionettenhaft gezirkelten Bewegungen in Melodie und Begleitung; der dritte: ein in streng serieller Manier durchgefuhrter Abschnitt mit spiegel- und krebsformigen Entsprechungen. Formteil B und A schliessen sich als variierte Reprise an. Die Coda wird gebildet von dreifach geschichtetem Trillerfeld, der Zwolfton-Melodie des Anfangs und einer Kadenz mit drei Akkorden in tiefer Lage: ein stiller Ausklang des Kaleidoskops. (Jurg Baur) Bibliography : Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, S. 23-31.World premiere: Darmstadt, April 7, 1990.
SKU: BC.86522
SKU: BA.BA05898-82
ISBN 9790006562930. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: SU.00220629
This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: The Clarinet Solos & Duos collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages The Clarinet Methods, Studies & Ensembles collection makes available eight essential clarinet methods, studies and exercises, as well as over 30 works for clarinet with instruments including duos, trios and quartets by 20 familiar and lesser-known composers from the 18th, 19th and early 20th centuries. Scores and parts are included for many ensemble works. Methods, Studies & Exercises include: Baermann (Complete Method for Clarinet, Op. 63); Klosé (Conservatory Method, 25 Daily Exercises, 30 Studies after Aument); Langenus (Complete Method for Clarinet); Rose (32 Etudes for Clarinet) Ensembles include: Amberg (Fantasiestücke, Suite for Flute, Oboe, Clarinet & Piano); Beethoven (Quintet for Piano and Winds); Brahms (Quintet for Clarinet & Strings, Trio for Clarinet, Cello & Piano); Bruch (8 Piece for Clarinet, Cello & Piano); Cavallini (Rêverie Russe for Flute, Clarinet, and Piano); d'Indy (Trio for Piano, Clarinet, and Cello); Fibich (Quintet for Clarinet, Violin, Cello, Horn, & Piano); Glinka (Trio Pathétique, for Clarinet, Cello, & Piano); Hummel (Serenade No. 1 for Flute, Clarinet, Viola, & Cello); Liadov (8 Russian Folk Dances); Mozart (Twelve Minuets for 2 Clarinets or Basset Horns, Five Divertimenti for 2 Clarinets & Bassoon), Quintet for Clarinet & Strings, Quintet for Piano & Winds, Trio for Clarinet, Viola & Piano); Ravel (Intruduction & Allegro); Reger (Quintet for Clarinet & Strings); Rimsky-Korsakov (Quintet for Piano & Winds); Saint-Saëns (Tarantella for Flute, Clarinet & Piano); Schubert (Der Hirt auf dem Felsen); Schumann (Märchenerzählungen, for Clarinet, Viola & Piano); Spohr (Fantasy & Variations); Titl (Serenade for Violin, Clarinet & Piano); Zemlinsky (Trio for Clarinet, Violin & Cello) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2100+ pages Published by: CD Sheet Music.
SKU: CA.4034020
ISBN 9790007104962. Language: all languages. Illustrator: Christian Richter.
Oil painting (about 1660); portrayal of the inside of the Palace Church, which burnt down in 1774.
SKU: CA.302310
ISBN 9790007173807. Key: G major. Text language: German. Text: Buchner, Kurt Oskar. Text by Kurt Oskar Buchner.
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