Fiddle, Violin - Difficulty: medium

SKU: HL.235

By Various. Fiddle. Folk. Solo fiddle songbook. With performance notes, introductory text and standard notation. 96 pages. Published by Centerstream Publications (HL.235).

ISBN 9781574240566. UPC: 073999567786. 9x12 inches.

This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.

By Frigyes Sandor. Arranged by Albert Renyi. EMB. 63 pages. Published by Editio Musica Budapest.

Violin - Beginning

SKU: MB.30932M

Duets and Ensemble, Saddle-stitched. Keyboard Accompaniment. Book/insert/online audio. 72 pages. Mel Bay Publications, Inc #30932M. Published by Mel Bay Publications, Inc (MB.30932M).

ISBN 9781513466255. 8.75x11.75 inches.

First Lessons Violin Duets contains 47 violin duets for beginning through easy level performance. Duet violin parts and a piano accompaniment part for all the tunes presented in Mel Bay?s First Lessons Violin are included. This versatile duet book works hand in hand with First Lessons Violin, Suzuki and other violin methods. It is useful for violin classes, ensembles, recitals, and performances.This book has accompanying online audio of the duets. The two violin parts are split right and left so that the violinist may perform either part with the recording by changing the stereo balance. Includes access to online audio.

(Grade 1 (Initial)). By Mary Cohen. For Violin. Book; String - Violin Studies or Collection. Faber Edition. Elementary. Published by Faber Music

Written by Mary Cohen. Instructional book for violin. Essential skills and pieces for beginner to grade 1 level. 48 pages. Published by Faber Music.

(Early Classics and Folk Tunes Arranged for Violin and Piano). By Mary Cohen. For Violin. This edition: Violin and Piano. Book; String - Violin Studies or Collection. Faber Edition: Superpieces. Elementary

(Serie IV - Italie 1600-1800). Edited by Alessandro Moccia. For Violin. Facsimiles. Methodes and Traites. Grade 0. 904 pages. Published by Anne Fuzeau Productions - France

International Edition. By Kuang-Hao Huang. This edition: Performance/Accompaniment CD; International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-50115. Published by Alfred Music

(12 Easy Pieces for Beginners - for Individual, Group or Whole-Class Learning). By James Rae. For Violin. Student book. Published by Universal Edition

Violin - Difficulty: easy-medium to medium

SKU: HL.844286

By The Beatles. Chart. Classic Rock, Britpop and Psychedelic Rock. Violin solo songbook (no accompaniment). 64 pages. Published by Hal Leonard (HL.844286).

ISBN 9780793533008. UPC: 073999442861. 9x12 inches.

60 of McCartney and Lennon's greatest, including: All My Loving* Eleanor Rigby* Help!* I Want To Hold Your Hand* Yesterday* more. Includes discography.

International Edition. By Kuang-Hao Huang. This edition: Performance/Accompaniment CD; International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-50107. Published by Alfred Music

Violin Solo

SKU: SU.27120100

For Violin Solo. Composed by Peter Scott Lewis. Score. Subito Music Corporation #27120100. Published by Subito Music Corporation (SU.27120100).

A passionate suite in four movements titled An Opalescent Fantasy, Leaping Green, Quasi-Lullaby, and Roadrunner. Violin Solo Duration: 10'30 Composed: 2007 Published by: Lapis Island Press.

The Irish Fiddle Book. (The Art of Traditional Fiddle Playing). For Violin. Music Sales America. Irish, Traditional, Folk, Celtic. Softcover with CD. 192 pages. Ossian Publications #OMB7. Published by Ossian Publications

Concert Repertoire for Violin arranged by Mary Cohen. For Violin and Piano. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition: Concert Repertoire. Advanced; Intermediate. Published by Faber Music

Solo Violin

SKU: SU.29110060

For Solo Violin. Composed by Wynton Marsalis. Strings, Violin. Unaccompanied. Score. Subito Music Corporation #29110060. Published by Subito Music Corporation (SU.29110060).

1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

Christmas Music. By Uwe Sieblitz. For violin. Published by Edition Dux Verlag (German import).

Violin - Initial-Grade 8

SKU: TL.TCL014597

Trinity College London #TCL 014597. Published by Trinity College London (TL.TCL014597).

ISBN 9780857364326.

This item contains all the scales, arpeggios and studies required for Trinity College London's viola exams for Initial to Grade 8, valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios.

Violin - Initial-Grade 8

SKU: TL.TCL014610

Trinity College London #TCL 014610. Published by Trinity College London (TL.TCL014610).

ISBN 9780857364340.

This item contains all the scales, arpeggios and studies required for Trinity College London's double bass exams for Initial to Grade 8, valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios.

Violin - Initial-Grade 8

SKU: TL.TCL014580

Trinity College London #TCL 014580. Published by Trinity College London (TL.TCL014580).

ISBN 9780857364319.

This item contains all the scales, arpeggios and studies required for Trinity College London's violin exams for Initial to Grade 8, valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios.

(10 Gems for Violin and Piano). Arranged by Edward Huws Jones. For Violin and Piano. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Published by Faber Music

Warm-ups and Essential Exercises for Violin. Composed by Benjamin Bergmann. This edition: Saddle stitching. Sheet music. String. Instruction, Classical. Softcover. 22315. 56 pages. Schott Music #ED22315. Published by Schott Music (HL.49045396).