Violin and Orchestra

SKU: BT.WH33053

Composed by Eivind Buene. Classical. Score Only. Composed 2017. 58 pages. Edition Wilhelm Hansen #WH33053. Published by Edition Wilhelm Hansen (BT.WH33053).

ISBN 9788759840436. English.

Eivind Buenes Violin Concerto - Version for Sinfonietta (2016).Falling Angels / Sound Asleep / Among Voices of the DeadThe Violin Concerto is in three movements with varying instrumentation within the range of a sinfonietta.The movements may be played as individual pieces.Parts are available on hire: hire@ewh.dkOrig. version for Violin and Chamber Orchestra: WH32919.

Violin and Orchestra

SKU: HL.50485236

Composed by Ludwig van Beethoven. Classic. EMB. Solo & Concerto. Book [Softcover]. Op. 61. Editio Musica Budapest #Z40060. Published by Editio Musica Budapest (HL.50485236).

ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas.

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

Violin and Orchestra

SKU: BT.EMBZ40060

Composed by Ludwig van Beethoven. EMB Study Scores. Solo & Concerto. Book Only. Editio Musica Budapest #EMBZ40060. Published by Editio Musica Budapest (BT.EMBZ40060).

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

By Robert Frost. Orchestra Method/Study. Primo Encores. Individual Methods and Studies. Level: Grade 2.5. Music Book. Published by Neil A. Kjos Music Company.

Study Score. By Alexander Glasunow, Alexander Glazunov. (Study Score). Schott. Size 5.25x7.5 inches. 66 pages. Published by Eulenburg.

Orchestra; Violin (Study Score)

SKU: HL.49010208

Composed by Giovanni Battista Viotti. Edited by Alfred Einstein. Arranged by Alfred Einstein. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. 92 pages. Eulenburg Edition #ETP756. Published by Eulenburg Edition (HL.49010208).

ISBN 9783795768256. UPC: 841886018198. 5.25x7.5x0.266 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

By Antonin Dvorak. Arranged by Antoine Cherbuliez. (Study Score). Schott. Size 5.25x7.5 inches. 130 pages. Published by Eulenburg.

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin and orchestra (solo violin, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 184 pages. Duration 30'. Published by Oxford University Press

Orchestra; Violin (Study Score)

SKU: HL.49003321

Study Score. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 2000. 44 pages. Duration 18'. Schott Music #ED 12681. Published by Schott Music (HL.49003321).

ISBN 9790220119804. UPC: 073999369168. 8.0x11.75x0.184 inches.

I did not want to write a virtuoso show-piece, but rather to draw on the orchestra's alertness as an ensemble. The solo part is essentially lyrical and there is no cadenza as such. But I was also conscious of the fact that, as with a baroque concerto, the soloist may also direct the work and does so here. (G. Bryars).

Composed by Antonin Dvorak (1841-1904). Edited by Iacopo Cividini. This edition: Urtext edition. Score. Published by Baerenreiter Verlag (BA.BA10422).

By Ralph Matesky and Ardelle Womack. For Violin. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.

By Franz Schubert (1797-1828). Edited by Michael Kube. For violin/orchestra (Solo Violin/first Violin/second Violin/Viola/Violoncello/ Contrabass). This edition: Stapled, Urtext edition. Stapled. Score. Language: German/English. D 438. 30 pages. Published by Baerenreiter Verlag

By Jules Massenet (1842-1912). Arranged by Marco Tamanini. For violin and concert band. Baton Music Instrumental Series. From the Opera Thais. Grade 3. Score. Duration 4:30. Published by Baton Music

Solo Violin and Orchestra (V-solo,2Fl,2Ob,2Clar-iA, 2bassoon,2Hn,2Trp,Timp,2V ,Va,Vc,Db)

SKU: BA.TP00394

Composed by Felix Bartholdy Mendelssohn. Edited by Clive Brown and R. Larry Todd. This edition: urtext edition. Paperback. Barenreiter Urtext. Late version 1845. Study score. Opus 64. Duration 00:26:00. Baerenreiter Verlag #TP00394_00. Published by Baerenreiter Verlag (BA.TP00394).

ISBN 9790006203086. 22.5 x 16.5 cm inches. Key: E minor. Preface: Todd, R. Larry / Brown, Clive / Sutcliffe, Richard.

This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition ofSong without Words.

This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript, perhaps once previously owned by the dedicatee, French cellist Lisa Barbier Cristiani.

The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).

(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus Mozart (1756-1791). For solo violin and orchestra. This edition: Urtext edition. Paperback. Study score, Anthology. Text Language: German/English. KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Published by Baerenreiter Verlag