| Motown Classics - Instrumental Play-Along Series (Clarinet) Clarinette [Partition + CD] Hal Leonard
(Clarinet). By Various. Violin. Instrumental Folio. Softcover with CD. 24 page...(+)
(Clarinet). By Various.
Violin. Instrumental
Folio.
Softcover with CD. 24
pages.
Published by Hal Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Motown Classics - Instrumental Play-Along Series (Flute) Flûte traversière [Partition + CD] Hal Leonard
(Flute). By Various. Violin. Instrumental Folio. Softcover with CD. 24 pages. ...(+)
(Flute). By Various.
Violin.
Instrumental Folio.
Softcover
with CD. 24 pages.
Published
by Hal Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Motown Classics - Instrumental Play-Along Series (Trumpet)
Trompette [Partition + CD] Hal Leonard
(Trumpet). By Various. Violin. Instrumental Folio. Softcover with CD. 24 pages...(+)
(Trumpet). By Various.
Violin.
Instrumental Folio.
Softcover
with CD. 24 pages.
Published
by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Appalachian Fiddle Music Violon Mel Bay
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 ...(+)
Fiddle - Beginning;
Intermediate; Advanced
SKU: MB.30091
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091). ISBN
9781513466378. 8.75 x
11.75
inches. Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Big Book of Violin Songs Violon [Partition] Hal Leonard
By Various. Instrumental Folio. Softcover. 146 pages. Published by Hal Leonard....(+)
By Various. Instrumental
Folio. Softcover. 146
pages. Published by Hal
Leonard.
(2)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| English, Welsh, Scottish, and Irish Fiddle Tunes Violon [Partition + CD] Oak Publications
Edited by Robin Williamson. For violin. Includes violin solo songbook and exampl...(+)
Edited by Robin
Williamson. For violin.
Includes violin solo
songbook and examples CD.
With standard notation,
chord names, performance
notes and introductory
text. British and folk.
96 pages. 9x12 inches.
Published by Oak
Publications
(3)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Peaceful Melodies Violon - Facile Hal Leonard
For Violin. By Various. Instrumental Folio. Classics, Pop. Softcover. Publishe...(+)
For Violin. By Various.
Instrumental Folio.
Classics,
Pop. Softcover. Published
by
Hal Leonard
$17.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| 300 Fiddle Tunes
Violon [Partition] Centerstream
Fiddle, Violin - Difficulty: medium SKU: HL.235 By Various. Fiddle. Folk....(+)
Fiddle, Violin -
Difficulty: medium
SKU: HL.235 By
Various. Fiddle. Folk.
Solo fiddle songbook.
With performance notes,
introductory text and
standard notation. 96
pages. Published by
Centerstream Publications
(HL.235). ISBN
9781574240566. UPC:
073999567786. 9x12
inches. This
comprehensive collection
of fabulous fiddle tunes
includes reels,
hornpipes, strathspeys,
jigs, waltzes and slow
airs. (13)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Playalong 50/50: Violin - 50 Pop Hits Violon [Partition + Accès audio] Amsco Wise Publications
By Jenni Norey. Playalong 50- 50. Pop & Rock. Book with Online Audio. Com...(+)
By Jenni Norey. Playalong
50-
50. Pop & Rock. Book
with
Online Audio. Composed
2014.
144 pages. Wise
Publications
#MUSAM1007226. Published
by
Wise Publications
$29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Gypsy Fiddler Violon et Piano Boosey and Hawkes
Violin and Piano. By Edward Huws Jones. (Violin). Boosey and Hawkes Chamber Mus...(+)
Violin and Piano. By
Edward Huws Jones.
(Violin). Boosey and
Hawkes Chamber Music.
Size 9x12 inches.
Published by Boosey and
Hawkes.
$33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Gypsy Fiddler Violon Boosey and Hawkes
Violin Part Only. By Edward Huws Jones. (Violin). Boosey and Hawkes Chamber Mus...(+)
Violin Part Only. By
Edward Huws Jones.
(Violin). Boosey and
Hawkes Chamber Music.
Size 9x12 inches. 24
pages. Published by
Boosey & Hawkes.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Hit Songs Violon Hal Leonard
For Violin. By Various. Instrumental Folio. Softcover. 160 pages. Published b...(+)
For Violin. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rodgers and Hammerstein String Colors Violin 2 Violon [Feuillet] Hal Leonard
| | |
| Rodgers & Hammerstein String Colors Violin I Violon [Feuillet] Hal Leonard
| | |
| The Big Book of Disney Songs Violon [Partition] Hal Leonard
(Violin). By Various. Instrumental Folio. Softcover. 80 pages. Published by ...(+)
(Violin). By Various.
Instrumental Folio.
Softcover.
80 pages. Published by
Hal
Leonard
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score) [Conducteur] Schirmer
Composed by Stephen Chatman. For violin, cello and piano. 21st Century, Secular....(+)
Composed by Stephen
Chatman. For violin,
cello and piano. 21st
Century, Secular. Medium.
Full score. Published by
E.C. Schirmer Publishing
$16.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jigs, Reels and Hornpipes Violon Boosey and Hawkes
By Edward Huws Jones. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inch...(+)
By Edward Huws Jones.
(Violin). Boosey and
Hawkes Chamber Music.
Size 9x12 inches. 30
pages. Published by
Boosey and Hawkes.
(1)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Scottish Christmas for Fiddle Violon [Partition] Mel Bay
by Bonnie Rideout. For fiddle and violin. Maggie's Music. Scottish. Level: Beg-I...(+)
by Bonnie Rideout. For
fiddle and violin.
Maggie's Music. Scottish.
Level: Beg-Intermediate.
Book. Solos. Size
8.75x11.75. 64 pages.
Published by Mel Bay
Pub., Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Queen - Updated Edition (Violin) Violon [Partition + Accès audio] Hal Leonard
Instrumental Play-Along. By Queen. Instrumental Play- Along. Rock. Softcover Au...(+)
Instrumental Play-Along.
By
Queen. Instrumental Play-
Along. Rock. Softcover
Audio
Online. 24 pages.
Published
by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet in E minor Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] Eulenburg
From My Life. By Bedrich Smetana. (Study Score). Schott. Size 5.25x7.5 inches. ...(+)
From My Life. By Bedrich
Smetana. (Study Score).
Schott. Size 5.25x7.5
inches. 51 pages.
Published by Eulenburg
Germany (Schott).
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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