(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus Mozart (1756-1791). For solo violin and orchestra. This edition: Urtext edition. Paperback. Study score, Anthology. Text Language: German/English. KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Published by Baerenreiter Verlag

Orchestra; Violin (Study Score)

SKU: HL.49010216

Composed by Wolfgang Amadeus Mozart. Edited by Rudolf Gerber. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1775. 54 pages. Duration 22'. Eulenburg Edition #ETP 763. Published by Eulenburg Edition (HL.49010216).

ISBN 9790200206647. 5.25x7.5x0.148 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Full Score. By Gyorgy Kurtag. EMB. Size 11.5x16.5 inches. 54 pages. Published by Editio Musica Budapest.

Violin and Orchestra

SKU: BT.SCHEE659

Composed by Joseph Joachim. Classical. Set (Score & Parts). Composed 2003. 39 pages. Simrock #SCHEE659. Published by Simrock (BT.SCHEE659).

Violin, Piano. Mozart, Wa.

By Antonin Dvorak. Arranged by Antoine Cherbuliez. (Study Score). Schott. Size 5.25x7.5 inches. 130 pages. Published by Eulenburg.

Violin and orchestra

SKU: LM.28883

Composed by Brice Pauset. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #28883. Published by Editions Henry Lemoine (LM.28883).

ISBN 9790230988834.

Violin Concerto by Oliver Knussen (1952-). Orchestra. Full Orchestra; Masterworks; Score. Faber Edition. Form: Concerto. 20th Century; Masterwork. Published by Faber Music

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Orchestra; Violin (Study Score)

SKU: HL.49045166

Study Score. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 2011. 72 pages. Duration 16'. Schott Music #ED13695. Published by Schott Music (HL.49045166).

ISBN 9790220135002. UPC: 888680724214. 8.25x11.75x0.276 inches.

Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece. The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centers on a twofold search. First there is the ongoing pursuit to recapture the simple melodic material stated by the solo violin - accompanied by thar harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabas Kelemen and the Halle.

Violin and Orchestra

SKU: BT.WH33053

Composed by Eivind Buene. Classical. Score Only. Composed 2017. 58 pages. Edition Wilhelm Hansen #WH33053. Published by Edition Wilhelm Hansen (BT.WH33053).

ISBN 9788759840436. English.

Eivind Buenes Violin Concerto - Version for Sinfonietta (2016).Falling Angels / Sound Asleep / Among Voices of the DeadThe Violin Concerto is in three movements with varying instrumentation within the range of a sinfonietta.The movements may be played as individual pieces.Parts are available on hire: hire@ewh.dkOrig. version for Violin and Chamber Orchestra: WH32919.

Violin and Orchestra

SKU: BT.EMBZ14872

Composed by László Dubrovay. EMB Contemporary Music. Book Only. Composed 2013. 76 pages. Editio Musica Budapest #EMBZ14872. Published by Editio Musica Budapest (BT.EMBZ14872).

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional concertos besides providing a significant role for wind and percussion instruments in tonality, which creates a specific tone familiar from László Dubrovay's earlier compositions. His Violin Concerto No. 2, completed in April 2011, is dedicated to the internationally noted young Hungarian violinist, Kristóf Baráti, whose extraordinary performing skills inspired the flexible melodiousness and virtuoso perfection of the themes.

Violin & Orchestra

SKU: SU.28100040

For Violin & Orchestra. Composed by Alan Fletcher. Strings, Violin. Accompanied by orchestra, Concerto. Study Score. Subito Music Corporation #28100040. Published by Subito Music Corporation (SU.28100040).

Commissioned by Daniel Hope, the Zurich Chamber Orchestra, New Century Chamber Orchestra, and Savannah FestivalViolin & Orchestra [solo vn; 0100; 2000; stgs] Duration: 26' Composed: 2017 Published by: Distributed Composer Also available: Solo part with piano reduction (Cat #28100041) Performance materials available on rental only:.

Violin and Orchestra

SKU: HL.14004324

Composed by Antonio Bibalo. Music Sales America. 20th Century. Score Only. Composed 2002. Edition Wilhelm Hansen #WH28923. Published by Edition Wilhelm Hansen (HL.14004324).

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin and orchestra (solo violin, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 184 pages. Duration 30'. Published by Oxford University Press

(Piano Reduction and Solo Violin Parts). By Malcolm Arnold (1921-2006). For Piano Reduction and Solo Violin Parts. Duet or Duo; Masterworks; Part(s); String - 2 Violins and Piano. Faber Edition. 20th Century; Masterwork. Published by Faber Music