(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional
Editing by Doris Gazda).
By George Frideric Handel
Federigo Fiorillo. Edited
by Larry Clark, Leopold
Auer, Doris Gazda.
Arranged by William
Strasser. For Violin,
Violin and Piano. Book.
96 pages. Published by
Carl Fischer
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C545. Published by
Clifton Edition
(ST.C545).
ISBN
9790570815456.
Combines and replaces the
two original publications
of Sounds of a
Rainbow Book 1 from
Spartan Press (SP950-1),
into this volume that
includes both duets and
violin and piano versions
in one
volume.
Whether a
student or a great
artist, the desire to
make a beautiful sound is
a constant in the life of
any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grade
1 Former Spartan Press
Cat. No.: SP950 and
SP951.
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C546. Published by
Clifton Edition
(ST.C546).
ISBN
9790570815463.
Whether a student or a
great artist, the desire
to make a beautiful sound
is a constant in the life
of any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grade
2 Former Spartan Press
Cat. No.: SP952 and
SP953.
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C547. Published by
Clifton Edition
(ST.C547).
ISBN
9790570815470.
Whether a student or a
great artist, the desire
to make a beautiful sound
is a constant in the life
of any musician. Sound is
the musician’s voice,
the means of
communicating an artistic
vision to the audience
and it should be the aim
for children of any age
or standard to be engaged
in good tone
production.
The
inspiration for writing
the pieces for this book
came to me from the wish
to give the young
children I teach music
which would develop their
ear for both good
intonation and beautiful
tone production. All the
pieces have a strongly
implied harmonic
structure allowing them
to be played without
accompaniment. The
purpose of the second
violin part is therefore
to enable the teacher to
underline the harmony as
well as to influence the
student’s tone
production and intonation
through his own sound, as
much can be taught by
good example. The violin
student also has the
option to play with
piano. The accompaniments
included within this book
are written by Heidi
Rolfe.
The choice
of keys in this book
covers most of the
requirements for scales
in the Associated Board
syllabus Grade
1.
Finally I think
that children enjoy the
challenge of expressing
different moods and
emotions musically, and I
hope that the range of
ideas implied by the keys
and the titles of these
pieces will fire their
imagination.
Nigel
Goldberg
Grades
3–4 Former Spartan
Press Cat. No.: SP954 and
SP955.
Violin SKU: BT.HITPCPTVIOL01 Composed by Bruno Garlej. Collection Rama. B...(+)
Violin
SKU:
BT.HITPCPTVIOL01
Composed by Bruno Garlej.
Collection Rama. Book
with CD. Composed 2014.
96 pages. Hit Diffusion
#HITPCPTVIOL01. Published
by Hit Diffusion
(BT.HITPCPTVIOL01).
Fiddle, Violin - Difficulty: medium SKU: HL.235 By Various. Fiddle. Folk....(+)
Fiddle, Violin -
Difficulty: medium
SKU: HL.235
By
Various. Fiddle. Folk.
Solo fiddle songbook.
With performance notes,
introductory text and
standard notation. 96
pages. Published by
Centerstream Publications
(HL.235).
ISBN
9781574240566. UPC:
073999567786. 9x12
inches.
This
comprehensive collection
of fabulous fiddle tunes
includes reels,
hornpipes, strathspeys,
jigs, waltzes and slow
airs.
Violin & Cello SKU: SU.27050090 For Violin & Cello. Composed by Jo...(+)
Violin & Cello
SKU:
SU.27050090
For
Violin & Cello.
Composed by Joel Feigin.
Strings, Violin, Strings,
Cello. Performance Score.
Subito Music Corporation
#27050090. Published by
Subito Music Corporation
(SU.27050090).
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C544. Published by
Clifton Edition
(ST.C544).
ISBN
9790570815449.
Student Violin part with
either teacher (as violin
duets) or with piano
accompaniment (Vln &
Pno).
This bumper
volume incorporates the
three separate former
publications from Spartan
Press, the series called
'Concertinos in the Olden
Style'
(SP1121–3). Piano
accompaniments by Heidi
Rolfe.
Nigel
Goldberg
writes:
I can
still remember the thrill
I felt as a child of 8
when my violin teacher
introduced me to my first
concertino. Learning,
playing and eventually
mastering the famous
Küchler Concertino in D
major made me feel
privileged and grown-up,
as if I were joining a
very special
club.
Tha
t was a long time ago,
yet for me concertinos
still hold a distinctive
place in the teaching
repertoire. Having now
taught the violin for the
last thirty years and
seen how happily my
pupils respond to
learning duets - that
distinctive sense of
enjoyment at playing with
an adult, the improvement
of intonation and tone
production, the
liveliness of the lesson
- I have composed three
new concertinos, inspired
by the duet
form.
Tak
ing three great keys for
the violin – G, D and A
minor, I have endeavoured
to combine emotionally
engaging and technically
educational music in the
'Olden Style'. Uniquely,
I have written a second
violin part for the
teacher to play alongside
their pupil's part and
there is also a piano
accompaniment for use
alternatively in concert
settings.
I very much hope that
these concertinos prove
as popular and as helpful
as the series of duets in
my previously published
books, Sounds of a
Rainbow and, that they
ignite that sense of
wonderment and purpose I
experienced while playing
the Kuchler, all those
years
ago.
Violin - Difficulty: easy-medium to medium SKU: HL.844286 By The Beatles....(+)
Violin - Difficulty:
easy-medium to medium
SKU: HL.844286
By
The Beatles. Chart.
Classic Rock, Britpop and
Psychedelic Rock. Violin
solo songbook (no
accompaniment). 64 pages.
Published by Hal Leonard
(HL.844286).
ISBN
9780793533008. UPC:
073999442861. 9x12
inches.
60 of
McCartney and Lennon's
greatest, including: All
My Loving* Eleanor Rigby*
Help!* I Want To Hold
Your Hand* Yesterday*
more. Includes
discography.
(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. ...(+)
(Violin). Arranged by
Various. For Violin.
Book; CD; Play-Along;
String Series. Top Hits
Instrumental Solos. Pop;
Rock. Grade 2; Grade 3.
28 pages. Published by
Alfred Music
Hit Songs Violon SATB, Orchestre [Partition + Accès audio] Hal Leonard
Violin SKU: HL.374362 Violin Play-Along. By Various. Instrumental ...(+)
Violin
SKU:
HL.374362
Violin
Play-Along. By
Various. Instrumental
Play-Along. Pop.
Softcover Audio Online.
24 pages. Duration 255
seconds. Published by Hal
Leonard (HL.374362).
ISBN 9781705150153.
UPC: 196288016892.
9.0x12.0x0.094
inches.
A baker's
dozen of hot hits are
included in this
collection perfect for
new instrumentalists. It
features online access to
audio demonstration and
backing tracks for
download or streaming to
help you hear how the
song should sound then
play along and sound like
a pro! Songs include:
Adore You (Harry Styles)
• Bad Habits (Ed
Sheeran) • Blinding
Lights (The Weeknd)
• drivers license
(Olivia Rodrigo) •
Kings and Queens (Ava
Max) • Therefore I
Am (Billie Eilish)
• Willow (Taylor
Swift) • and
more.
For Violin. Classical (chamber). Includes a complete printed music score on high...(+)
For Violin. Classical
(chamber). Includes a
complete printed music
score on high-quality
ivory paper; and two
compact disc containing a
complete performance with
soloist, then performed
again minus the soloist.
Published by Music Minus
One
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
(Classic Christmas Hits). Composed by Pam Wedgwood. For Violin. Book; Method/Ins...(+)
(Classic Christmas Hits).
Composed by Pam Wedgwood.
For Violin. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition: Jazzin' About.
Christmas; Jazz; Winter.
Published by Faber Music
Violin - Beginning SKU: MB.30932M Duets and Ensemble, Saddle-stitched. Ke...(+)
Violin - Beginning
SKU: MB.30932M
Duets and Ensemble,
Saddle-stitched. Keyboard
Accompaniment.
Book/insert/online audio.
72 pages. Mel Bay
Publications, Inc
#30932M. Published by Mel
Bay Publications, Inc
(MB.30932M).
ISBN
9781513466255. 8.75x11.75
inches.
First
Lessons Violin Duets
contains 47 violin duets
for beginning through
easy level performance.
Duet violin parts and a
piano accompaniment part
for all the tunes
presented in Mel Bay?s
First Lessons Violin are
included. This versatile
duet book works hand in
hand with First Lessons
Violin, Suzuki and other
violin methods. It is
useful for violin
classes, ensembles,
recitals, and
performances.This book
has accompanying online
audio of the duets. The
two violin parts are
split right and left so
that the violinist may
perform either part with
the recording by changing
the stereo balance.
Includes access to online
audio.
Violin SKU: ST.C309 Composed by Mark Tanner. String music. Clifton Editio...(+)
Violin
SKU:
ST.C309
Composed by
Mark Tanner. String
music. Clifton Edition
#C309. Published by
Clifton Edition
(ST.C309).
ISBN
9790570813094.
An Advanced Guide to
Quicker
Learning
Know
The Score is a guide
to quicker learning for
advanced violinists. It
was originally published
in 2012 and designed with
the DipABRSM Quick Study
in mind – a previously
unseen extended piece of
music for which 5 minutes
preparation time was
given prior to an
assessed performance. The
music was at roughly
grade 6 level, based on
an assumption that a
diploma standard player
should be capable of
tackling the test in this
relatively short amount
of time. Following the
recent withdrawal of the
qualification, the
continued aim of this
newly edited series is to
boost the more advanced
player’s confidence at
quick learning. Two
assumptions are made here
— that you are a
diploma level violinist,
and that a reasonable
level of sight-reading
skill is in place. That
said, if you’re less
proficient at
sight-reading, you should
find much in the book
that will help you to
improve and feel more
confident. Alternatively,
the book will be of
interest to teachers
seeking varied,
approachable repertoire
and theory content to
support a keen grade 6
pupil’s longer-term
learning. The book
contains 15 original
quick study pieces, 8 of
which have guides.
Violin Position Shifts Violon [Partition + Accès audio] - Intermédiaire De Haske Publications
36 pieces with position changes. Method. Book with Online Audio. Composed 20...(+)
36 pieces with position
changes. Method. Book
with
Online Audio. Composed
2021.
64 pages. De Haske
Publications #DHP
1053839-404.
Published by De Haske
Publications
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Composed by Jascha Heifetz. Edited by Endre Granat. LKM Music. Softcover. 64...(+)
Composed by Jascha
Heifetz.
Edited by Endre Granat.
LKM
Music. Softcover. 64
pages.
Lauren Keiser Music
Publishing #S510010.
Published by Lauren
Keiser
Music Publishing