Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Composed by John Williams. For violin. Includes instrumental solo book and accompaniment CD. With standard notation. Movies. 9x12 inches. Published by Warner Brothers.

Violin Play-Along Volume 38. Composed by John Williams. Violin Play-Along. Movies. Softcover Audio Online. 16 pages. Published by Hal Leonard

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 80 pages

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert. For Fiddle. Perfect binding, Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 72 pages. Published by Cranford Publication

Composed by Mary Ann Willis (Harbar). For fiddle. Saddle-stitched, Methods. Dirt Simple. Beginning. Book and online audio. Published by Mel Bay Publications, Inc

Composed by Mary Ann Harbar Willis. Squareback saddle stitch. Book and online audio/PDF. Published by Mel Bay Publications, Inc (MB.96633M).

Chamber Music Violin

SKU: CF.BF131

Composed by Roland Vamos. With Standard notation. 168 pages. Carl Fischer Music #BF131. Published by Carl Fischer Music (CF.BF131).

ISBN 9781491153765. UPC: 680160911264. 9 x 12 inches.

Inspired by Clarence Cameron White’s book The Violinist’s Daily Dozen, The Violinist’s Daily Sixteen is a collection of daily exercises compiled by Roland Vamos. Intended for student and professional violinists, the collection provides the performer with a variety of exercises for daily warm-ups. Mr. Vamos also focuses on developing dexterity and flexibility in the fingers and joints, the first and fourth fingers in particular. Each of the sixteen exercises is notated for each of the four strings, and Vamos recommends that the exercises be practiced as warm-ups, choosing a different string for each day of practice.Also included with the Daily Sixteen is a comprehensive set of studies for developing fluency with scales and arpeggios. Mr. Vamos’ unique methodology is to begin with major scales and arpeggios, followed by minor scales and arpeggios, all of which are notated in two, three and four octaves. Alternate fingers are provided, as well as a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. It is a remarkably systematic approach to performing scales and arpeggios on the violin and will surely benefit students and professionals alike.
ForewordThis short hand-setting set of exercises was inspired by a book entitled The Violinist’s Daily Dozen, conceived by Clarence Cameron White, a prominent African-American violinist, composer and arranger who enjoyed the bulk of his career in the first half of the twentieth century.I have practiced this set of exercises since I was twelve years old. It has served me as a superb warm-up and hand setting tool. Over the years, I have found that there are some aspects of this warm-up routine that were not given sufficient attention or not addressed at all. Consequently, I have expanded the Daily Dozen to create a new work entitled The Violinist’s Daily Sixteen.I have also paid particular attention in this work as to how these exercises are to be practiced. In exercises one and two, I have indicated some notes to be played before the actual written exercises. This is to ensure that the fourth finger will be over the string in a position ready to strike even though it is not being used. Before playing exercises three, four, nine, ten, eleven and twelve, I have indicated silent fingers to be placed on the notes they would be playing if they were being used.I have replaced Mr. White’s grace notes with notes of specific value and have slowed down the exercises so that the first joint (the joint nearest the string) of each finger can move with flexibility and strength. At no time should the first joint buckle.In Mr. White’s version, the last exercise gave the first finger some very valuable backward extensions. In this exercise (number 14 in this book), I caution the student not to move the hand along with the first finger. The hand should remain in position while the first finger independently moves back and forth.It became obvious to me that if the first finger were given the opportunity to develop the dexterity that Mr. White’s twelfth exercise emphasizes, the fourth finger could benefit from an exercise that gives it a forward extension. Consequently, I added another exercise to create a Baker’s Dozen (thirteen).Several years later, I felt that the second and third fingers should also have an exercise to further develop their dexterity…hence exercise fourteen was added to create a “Vamos Dozen.”Because the first finger did not have sufficient practice in the development of the first joint in the original version, I have added two exercises to precede White’s fifth exercise. After re-working and re-numbering these exercises, I have come up with a total of sixteen exercises. It is my suggestion that these be practiced as a warm-up, choosing a different string each day.—Roland VamosEvanston, Illinois 2017 PrefaceScales are a means of teaching a person the fingerboard on his or her instrument. The fingers move across the strings and are required to make shifts, all in highly organized patterns. Scales and arpeggios are the foundation upon which our repertoire is built. Many scale books have been written; each one being organized in its own specific way. The Flesch Scale System has been a standard for many decades. It is very comprehensive and systematic. From the point of view of establishing similar patterns, it has one drawback: it is organized by starting with a major key, followed by its relative minor, going through the circle of fifths. I believe that it is more profitable to do only major scales with their arpeggios first, going up chromatically, and then follow them in a similar way with the minor scales. In using this approach, the similarities in fingerings between the various scales are more apparent. It is also profitable to have alternate fingerings whenever possible. My approach to scales and arpeggios includes a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. These bowings are not all-inclusive. Whenever a particularly awkward bowing pattern is encountered in the repertoire, it can be practiced as an additional bowing variation in the scales and arpeggios.    I have chosen to introduce the three and four octave scales by teaching two octave scales across the strings in one position going up chromatically through seven positions; starting on the first, second, third, and finally fourth fingers in major and melodic minor.—Roland VamosEvanston, Illinois 2017.

Fiddle, Violin - Difficulty: medium

SKU: HL.235

By Various. Fiddle. Folk. Solo fiddle songbook. With performance notes, introductory text and standard notation. 96 pages. Published by Centerstream Publications (HL.235).

ISBN 9781574240566. UPC: 073999567786. 9x12 inches.

This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.

Violin

SKU: HL.239841

Grades 1-3 (Violin). By Marjory King. Arranged by Jerry Lanning. Music Sales America. Classical. Softcover. Composed 2012. 134 pages. Chester Music #CH78573. Published by Chester Music (HL.239841).

ISBN 9781780382531.

This collection of 50 popular tunes has been carefully arranged and graded to provide attractive repertoire for young violinists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice.

The technical demands of the solo part increase progressively up to the standard of Associated Board Grade 3. The piano accompaniments are simple yet effective and should be within the range of most pianists.

By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.

Violin

SKU: HL.374362

Violin Play-Along. By Various. Instrumental Play-Along. Pop. Softcover Audio Online. 24 pages. Duration 255 seconds. Published by Hal Leonard (HL.374362).

ISBN 9781705150153. UPC: 196288016892. 9.0x12.0x0.094 inches.

A baker's dozen of hot hits are included in this collection perfect for new instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Adore You (Harry Styles) • Bad Habits (Ed Sheeran) • Blinding Lights (The Weeknd) • drivers license (Olivia Rodrigo) • Kings and Queens (Ava Max) • Therefore I Am (Billie Eilish) • Willow (Taylor Swift) • and more.

Violin - Difficulty: easy-medium to medium

SKU: HL.844286

By The Beatles. Chart. Classic Rock, Britpop and Psychedelic Rock. Violin solo songbook (no accompaniment). 64 pages. Published by Hal Leonard (HL.844286).

ISBN 9780793533008. UPC: 073999442861. 9x12 inches.

60 of McCartney and Lennon's greatest, including: All My Loving* Eleanor Rigby* Help!* I Want To Hold Your Hand* Yesterday* more. Includes discography.

By Eta Cohen. For Violin. Sheet Music. 36 pages. Published by Novello and Co Ltd.

Violin

SKU: BT.9781408114612

Composed by Peter Davey. Abracadabra. Method. Book with CD. 64 pages. Collins Music Publishing #9781408114612. Published by Collins Music Publishing (BT.9781408114612).

ISBN 9781408114612. English.

Now in a third edition, Abracadabra Violin has a fresh and contemporary new look and is the perfect book for pupil and teacher.

This title offers an identical selection of repertoire to the other books in theAbracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.

With tunes you know and want toplay, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach thefundamentalsof the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.

Abra cadabra Violin now also includes two CDs of performance and backing tracks, featuringselected orchestral backings.

By Joe Maroni. For Violin. SongBook. Bill's Music Shelf. All Styles. Beginning. Book. 72 pages. Published by Mel Bay Publications, Inc

An instructional and performance DVD for violinists of all ages. By Janice Tucker Rhoda. For Violin. Instructional video; performance video. Level: Intermediate. Instructional DVD. Duration 90 minutes. Published by Carl Fischer.

Violin

SKU: KV.3612511

Composed by Melanie Kyle. Mungo Monster's. Book. Published by Kevin Mayhew Publishers (KV.3612511).

ISBN 9781848676497.

< b>Hi, I'm Mungo Monster! Welcome to my first violin book! Along with your tutor, I will teach you how to play the violin, step-by-step. So, let's get started... if you're brave enough!

Desi gned to nurture both confidence and independence in beginner violinists by teaching them how to read notes, rather than relying upon finger numbers written in by the teacher. The book progresses steadily with each chapter introducing a new finger at a time, as well as:

• Useful information about the violin and the music
• Practice songs
• A duet to play with a friend or the teacher
• A monster challenge
• A quick quiz
• A brain box (fun musical activities)

Incl udes 1 x CD.

By Vahid Matejko. For Violin. Book; CD; Play-Along; Solo; String - Violin Studies or Collection. Folk; World. Published by Alfred Music Publishing

The world's first rhythmic primer for violinists, violists, and cellists!. By Julie Lyonn Lieberman. DVD. DVD . Size 5.25x7.5 inches. Published by Huiksi Music Company.

Violin - Beginning

SKU: MB.30932M

Duets and Ensemble, Saddle-stitched. Keyboard Accompaniment. Book/insert/online audio. 72 pages. Mel Bay Publications, Inc #30932M. Published by Mel Bay Publications, Inc (MB.30932M).

ISBN 9781513466255. 8.75x11.75 inches.

First Lessons Violin Duets contains 47 violin duets for beginning through easy level performance. Duet violin parts and a piano accompaniment part for all the tunes presented in Mel Bay?s First Lessons Violin are included. This versatile duet book works hand in hand with First Lessons Violin, Suzuki and other violin methods. It is useful for violin classes, ensembles, recitals, and performances.This book has accompanying online audio of the duets. The two violin parts are split right and left so that the violinist may perform either part with the recording by changing the stereo balance. Includes access to online audio.

Violin Part. By Shinichi Suzuki, violin performed by William Preucil, Jr., piano accompaniment performed by Linda Perry. This edition: International. Method/Instruction; SmartMusic; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book; CD. 48 pages. Alfred Music #00- 46910. Published by Alfred Music