Listening Chorale 2 parties 2 parties, Piano - Intermédiaire Boosey and Hawkes
CME Intermediate. Composed by Daniel Brewbaker. CME Intermediate Series. Chil...(+)
CME Intermediate.
Composed by
Daniel Brewbaker. CME
Intermediate Series.
Children's Choir,
Concert.
Octavo. 12 pages. Boosey
and
Hawkes #M051481743.
Published
by Boosey and Hawkes
By Bert Konowitz. For Keyboard. Electronic Keyboard; Method/Instruction. Blues. ...(+)
By Bert Konowitz. For
Keyboard. Electronic
Keyboard;
Method/Instruction.
Blues. Intermediate; Late
Intermediate. Book and
CD. 48 pages. Published
by Alfred Music
Publishing
(Intermediate Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard N...(+)
(Intermediate Jazz
Guitar). By Jody Fisher.
For Guitar. This edition:
Standard Notation Only.
Book; CD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method. Jazz.
Intermediate. 96 pages.
Published by Alfred Music
(AP.4
CME Intermediate. Composed by Jason Hansen. CME Intermediate Series. Concert, ...(+)
CME Intermediate.
Composed by
Jason Hansen. CME
Intermediate Series.
Concert,
Festival, Inspirational.
Octavo. 12 pages. Boosey
and
Hawkes #M051482993.
Published
by Boosey and Hawkes
Edited by Helen Marlais, Kristen Avila. For Piano. Succeeding with the Masters. ...(+)
Edited by Helen Marlais,
Kristen Avila. For Piano.
Succeeding with the
Masters. Instructional,
Method. Level: Late
Elementary through
Intermediate. 40 pages.
Published by The FJH
Music Company Inc.
(A practical guide for instrumentalists and pianists (Pre-Reading - Early Interm...(+)
(A practical guide for
instrumentalists and
pianists (Pre-Reading -
Early Intermediate
level)). By Ned Bennett.
Book; Enhanced CD;
Reference Textbooks;
Textbook - Jazz. Faber
Edition: Getting Started.
A practical and
imaginative guide to jazz
for instrumentalists and
pianists of any age, from
beginners to
approximately grade 4
level. Through listening
and improvising, it
explores swing, the blues
scale, jazz harmony and
structure and is ideal
for playe. Jazz. Book and
CD-Rom. Published by
Faber Music
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Edited by Helen Marlais, Kristen Avila. For Piano. Succeeding with the Masters. ...(+)
Edited by Helen Marlais,
Kristen Avila. For Piano.
Succeeding with the
Masters. Instructional,
Method. Level: Late
Elementary through
Intermediate. 48 pages.
Published by The FJH
Music Company Inc.
(Intermediate to Late Intermediate Repertoire). Composed by Edward MacDowell (18...(+)
(Intermediate to Late
Intermediate Repertoire).
Composed by Edward
MacDowell (1861-1908).
Edited by Nancy Bachus.
For Piano. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. The Classics
for the Advancing Pianist
series provides
motivating, enjoyable
literature of substantial
quality for developing
keyboard artists.
Masterwork; Recital;
Romantic. Intermediate;
Late Intermediate. 32
pages. Published by
Alfred Music
Snare drum duet - Easy, Intermediate Composed by Chelsea Tinsler Jones. Books ...(+)
Snare drum duet - Easy,
Intermediate
Composed by Chelsea
Tinsler
Jones. Books and
Education. 15
Sequential Duets for the
Developing Snare Drummer.
Score. Tapspace
Publications
#TSPB-50. Published by
Tapspace Publications
By Barry Solomon. For Guitar: Flatpicking. Saddle-stitched, methods. Grossman ...(+)
By Barry Solomon. For
Guitar:
Flatpicking.
Saddle-stitched,
methods. Grossman Audio.
Solos/Transcriptions.
Intermediate-Advanced.
Book/3-
CD Set. 36 pages.
Published by
Mel Bay Publications, Inc
(A Dramatic Christmas Musical). Arranged by David Clydesdale. For SATB choir. Ch...(+)
(A Dramatic Christmas
Musical). Arranged by
David Clydesdale. For
SATB choir. Christian,
Christmas, Choral,
Dramatic Adult Musical.
Intermediate. Listening
CD. Duration ca. 59
minutes. Published by
Word Music
Piano - intermediate to difficult SKU: HL.49045790 Piano Exercises for...(+)
Piano - intermediate to
difficult
SKU:
HL.49045790
Piano
Exercises for
Contemporary Piano.
Composed by Catherine
Vickers. This edition:
Saddle stitching. Sheet
music. Piano. Etude,
Instruction. Softcover.
84 pages. Schott Music
#ED20435. Published by
Schott Music
(HL.49045790).
ISBN
9790001176255. UPC:
888680748135.
9.0x12.0x0.295 inches.
German - English -
French.
The
Listening Hand is a
collection of exercises
intended for all pianists
who wish to develop their
skills through 20th and
21st century music.
Volume 3 focuses on
rhythmic studies with
examples selected from a
wide range of
repertoire.
By Adolphe-Charles Adam. Arranged by Beatrice A. Miller. For Piano. The FJH Pian...(+)
By Adolphe-Charles Adam.
Arranged by Beatrice A.
Miller. For Piano. The
FJH Piano Ensemble
Series. This traditional
setting of the timeless
carol will develop
precise listening for
dynamics, balance and
phrasing. Appropriate for
church use. Christmas.
Level: Intermediate. Duet
Sheet. Published by The
FJH Music Company, Inc.
By Barry Solomon. For Guitar: Flatpicking. Saddle-stitched, methods. Grossma...(+)
By Barry Solomon. For
Guitar:
Flatpicking.
Saddle-stitched,
methods. Grossman Audio.
Jazz
and Contemporary.
Intermediate-Advanced.
Book/3-
CD Set. 40 pages.
Published by
Mel Bay Publications, Inc
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Conductor's
Score). Composed by
Bob Phillips; Kirk Moss;
Matt Turner; Stephen
Benham. This edition:
Teacher's Score.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Score. 101
pages. Alfred Music
#00-44213. Published by
Alfred Music (AP.44213).
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra
(Cello/Bass).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Cello/Bass.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44212. Published by
Alfred Music (AP.44212).
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Violin).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Violin.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44210. Published by
Alfred Music (AP.44210).
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Viola).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Viola.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44211. Published by
Alfred Music (AP.44211).
Essential Cuban Conga
Rhythms. Composed by
Tomas Cruz. Squareback
saddle stitch,
Percussion: Hand
Percussion and Bodhran,
Hand Drumming. Method.
Book and online video. 88
pages. Mel Bay
Publications, Inc
#20300M. Published by Mel
Bay Publications, Inc
(MB.20300M).
ISBN
9780786690350. 8.75 x
11.75
inches.
Volume II
is aimed at two distinct
categories of readers: 1
Intermediate players who
are ready for a wider
range of rhythms to study
and use in live playing
situations; and 2
Experienced congueros who
have digested Volume I
and now seek to
understand the roots of
the modern Cuban conga
style. Having assimilated
the material in Volume I,
the student should be
able to play basic Son
Montuno, Salsa,
Chachacha, and
Bolero.Volume II moves on
to Guaguanco, Iyesa, 6/8,
Changui, Afro,
Mozambique, Pilon, Songo,
Merengue, Bomba, Cumbia
and other rhythms that a
professional conguero
will be expected to know.
Each rhythm is
accompanied by an article
reflecting on its history
and role in the big
picture of Latin music
and offering listening
recommendations. Like
Volume I, it uses the
Step by Step online video
Method. A special 8-page
appendix explains the
often infuriatingly
complex subject of clave
with an unprecedented
level of clarity and
insight. Includes access
to online video.
Arranged by Dan Coates. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Han...(+)
Arranged by Dan Coates.
For Piano. Book; Duet or
Duo; Piano Duet (1 Piano,
4 Hands). Dan Coates
Popular Piano Library.
Christmas; Holiday Pops;
Pop; Secular; Winter.
Intermediate; Late
Intermediate. 56 pages.
Published by Alfred Music
Publishing
By Jack Fina. Arranged by for Two Pianos. For Piano. This edition: 2 copies incl...(+)
By Jack Fina. Arranged by
for Two Pianos. For
Piano. This edition: 2
copies included. Duet or
Duo; Piano Quartet (2
Pianos, 8 Hands); Sheet.
Jazz. Late Intermediate.
80 pages. Published by
Alfred Music Publishing
SKU: GI.G-2593R100 Composed by Edwin E. Gordon. Music Learning Theory (ML...(+)
SKU: GI.G-2593R100
Composed by Edwin E.
Gordon. Music Learning
Theory (MLT).
Instructional. Rhythm
answer sheets (pack of
100). 100 pages. GIA
Publications #2593R100.
Published by GIA
Publications
(GI.G-2593R100).
English.
Two
aptitude tests designed
to diagnose and measure
music potential:* The
only brief,
longitudinally valid
music aptitude tests for
Grades K-6. * Crucial in
helping music teachers
adapt instruction to the
individual musical needs
of their students. *
Requires no reading or
music skills. The
administration time is at
most two 20-minute
periods. Both tests have
a similar design. The
“Primaryâ€
test is recommended for
use with younger children
(K-3). The
“Intermediateâ€
test is recommended for
older children or younger
children who find the
“Primaryâ€
test too simple. Test
materials and how they
work: 1. Children take
the test by simply
listening to a tonal
cassette and a rhythm
cassette. Each tape is
only 12 minutes long. 2.
Questions on the tape are
identified on the answer
sheet by pictures, not
numbers or words. The
children must decide
whether pairs of tonal or
rhythm patterns they hear
sound the same or
different. They indicate
their choice by simply
drawing a circle around
the picture on the answer
sheet. These tests
require no reading
skills. 3. The answer
sheets can be corrected
quickly by using scoring
masks. Raw scores are
directly converted to
percentile ranks in the
manual. 4. A profile card
is used for each child
for individual
documentation and the
interpretation of scores.
The tonal and rhythm
results are graphically
compared for each child.
5. A class record sheet
helps interpret the test
scores for the entire
class. 6. The manual
gives complete
information for
administering, scoring,
and interpreting test
results. The manual also
makes suggestions for
formal and informal music
instruction, and includes
a discussion on the
nature and description of
music aptitude, as well
as a comprehensive
bibliography. Complete
kit includes: 100 rhythm
answer sheets, 100 tonal
answer sheets, CD with
tonal and rhythm tests,
introduction to testing
booklet and two research
monographs, one set of
scoring masks, manual,
100 student profile
cards, and four class
record sheets. Items also
available separately.
Composed by Harold Arlen. Arranged by Melody Bober. For Piano. This edition: 2 c...(+)
Composed by Harold Arlen.
Arranged by Melody Bober.
For Piano. This edition:
2 copies included. Duet
or Duo; Piano Quartet (2
Pianos, 8 Hands); Sheet.
Movie; Recital. Late
Intermediate. 32 pages.
Published by Alfred Music