Eb Instruments - Difficulty: easy-medium to medium Sixth Edition. Composed by Various. Hal Leonard Instrumental Fake Books. Jazz. Fakebook (spiral bound). With melody, standard notation and chord names. 428 pages. Published by Hal Leonar

By Denes Agay (Arranger / Editor). For Piano. Classical, Musicals, Folk. Sheet Music. 112 pages. Published by Music Sales.

Composed by Various. Super Easy Songbook. Classical. Softcover. 120 pages. Published by Hal Leonard (HL.194693).

By Phil Duncan. For Harmonica (Chromatic). Method. Complete. All Styles. Level: Multiple Levels. Book. Size 8.75x11.75. 120 pages. Published by Mel Bay Publications, Inc.

For Piano. Classical, Folk, Holiday. Sheet Music. 240 pages. Published by Music Sales.

SKU: HL.1416717

Modern Analog Keyboard with Expansion Bay. Cre8Audio. Electric Keyboards. Duration 140 seconds. IConnectivity #TAIGAKEYS. Published by iConnectivity (HL.1416717).

18.0x30.0x8.5 inches.

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analog synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expression keyboard instrument. Exploring the larger keyboard format, spreading controls out, and adding larger knobs make sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay. Taiga Keyboard oscillators Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analog snythesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator. The “Pittsburgh Filter” The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators. Pittsburgh Dynamics Controller Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard. When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments. Analog Echos Echos is a beautifully dark analog delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analog delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment. Open Architecture Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a MIDI keyboard and plug the o.

by Bud Orr. For mandolin. All styles, notes and tab. Level: Intermediate. Book. Solos. Size 8.75x11.75. 224 pages. Published by Mel Bay Pub., Inc.

Piano Technique. By Albert De Vito. Piano Method. Size 9x12 inches. 168 pages. Published by Kenyon.

By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartets. Intermediate Music for Four. Classical. Level: Intermediate. Part 1. Published by Last Resort Music Publishing.

By Various. Arranged by Daniel Kelley. For Violin in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3. Published by Last Resort Music Publishing

(Mix and Match Quartets for Strings, Woodwind, Brass and Keyboard). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet, saxophone quartet. For Viola in alto clef. Quartets. Intermediate Music for Four series. Classical. Intermediate. Partbook - part 3. Published by Last Resort Music Publishing

By Various. Arranged by Daniel Kelley. For Score (parts 1-4 in C). Quartets. Intermediate Music for Four. Classical. Intermediate. Score

(Mix and Match Quartets for Strings, Woodwind, Brass and Keyboard). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet, saxophone quartet. For Keyboard or Guitar. Quartets. Intermediate Music for Four series. Classical. Intermediate. Partbook. Published by Last Resort Music Publishing

By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartets. Intermediate Music for Four. Classical. Level: Intermediate. Part 2. Published by Last Resort Music Publishing.

By Various. Arranged by Daniel Kelley. For Tenor Saxophone in Bb. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3

By Various. Arranged by Daniel Kelley. For Baritone Saxophone in Eb. Quartets. Intermediate Music for Four. Classical. Level: Intermediate. Part 4. Published by Last Resort Music Publishing.

By Various. Arranged by Daniel Kelley. For Cello or Bassoon in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 4. Published by Last Resort Music Publishing

Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon). Duets. Intermediate Music for Two. Classical. Level: Intermediate. Score with 2 parts. Published by Last Resort Music Publishing.

Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Flute (or Oboe or Violin). Duets. Intermediate Music for Two. Classical. Intermediate. Score with 2 parts

Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Clarinet. Duets. Intermediate Music for Two. Classical. Level: Intermediate. Score with 2 parts. Published by Last Resort Music Publishing.

Craig Duncan. For fiddle. Bluegrass and country, bluegrass. Level: Intermediate-Advanced. Book. Solos. Size 8.75x11.75. 152 pages. Published by Mel Bay Pub., Inc.

Mini E-Z Play Today Volume 6. Composed by Various. Mini E-Z Play Today. Pop, Standards. Softcover. 80 pages. Published by Hal Leonard (HL.199324).

By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 80 pages. Published by Hal Leonard. (

By Phil Duncan. For Harmonica (Chromatic). Method. Complete. All Styles. Level: Multiple Levels. Book CD DVD. Size 8.75x11.75. 120 pages. Published by Mel Bay Publications, Inc.

(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, standard notation and chord names. Series: Hal Leonard Instrumental Fake Books. 462 pages. Published by Hal Leonard.

by Mel Bay and Castle Joseph. For Guitar (Classical). solos. Classic. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

by William Bay and Frank Zucco. For mandolin. Beginning Series. All styles, assorted music styles. Level: Beginning. Book/CD package. Solos. Size 8.75x11.75. 44 pages. Published by Mel Bay Pub., Inc.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094729-140

Composed by Itaru Sakai. Brilliant Marches. Concert March. Score Only. Composed 2009. 20 pages. De Haske Publications #DHP 1094729-140. Published by De Haske Publications (BT.DHP-1094729-140).

9x12 inches.

This work takes both its name and inspiration from a lighthouse “Sword Cape” that keeps watch near Japan’s naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of ‘sword cape” as it silently guides ships over the mysterious waters.

Dieses Werk wurde von einem Leuchtturm mit dem Namen Schwert-Kap“ inspiriert, der in der Nähe des Marinestützpunkts von Japan steht. Es beschreibt, wie die Schiffe bei jedem Wetter von diesem Leuchtturm verabschiedet, auf ihrem Weg geleitet und bei der Rückkehr willkommen geheißen werden. Dabei entstehen verschiedene musikalische Bilder vor dem inneren Auge des Zuhörers: das Vorbeiziehen eines Schiffes, weiße Wellen blauer See oder das Licht des Leuchtturm auf dem stillen Wasser bei Nebel.

Light of the Sword è un brano commissionato a Sakai dalla Banda Militare delle Forze marittime di autodifesa giapponesi di stanza nel porto di Yokosuka nella baia di Tokio. L’origine del titolo ha due significati: da una parte si ispira al faro di Tsurugizaki (letteralmente “estremit della spada”), la cui luce serve come punto di riferimento tra la terra ed il mare, e dall’altra alla luce emanata dalla spada che appartiene alla grande tradizione degli ufficiali di marina. Una marcia luminosa!