Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Viola. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Viola. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/13. Published by
Carus Verlag
(CA.3111713).
ISBN
9790007048693. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Single Part,
Organ. HoWV II.57. 12
pages. Duration 14
minutes. Carus Verlag #CV
37.219/49. Published by
Carus Verlag
(CA.3721949).
ISBN
9790007214838. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
part available separately
- see item
CA.3721900.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 1. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 1. Composed
1728/1731. BWV 117. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.117/11. Published by
Carus Verlag
(CA.3111711).
ISBN
9790007048679. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Landscape Chorale SATB SATB A Cappella [Octavo] Theodore Presser Co.
Landscape. (For S.A.T.B. Chorus, A Cappella). By Chen Yi (1953-). SATB chorus. F...(+)
Landscape. (For S.A.T.B.
Chorus, A Cappella). By
Chen Yi (1953-). SATB
chorus. For SATB, Piano
Rehearsal. Premiered by
the Kansas City Chorale,
led by Charles Bruffy, at
Chors America's 25th
anniversary convention in
Kansas City, June 5,
2003. Choral. Piano
reduction/vocal score.
Standard notation. 11
pages. Duration 3
minutes. Published by
Theodore Presser Company
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Full score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/00. Published
by Carus Verlag
(CA.3111700).
ISBN
9790007048631. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections.
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. This
edition: paperback.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Full score.
HoWV II.57. Duration 14
minutes. Carus Verlag #CV
37.219/00. Published by
Carus Verlag
(CA.3721900).
ISBN
9790007142629. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein;
Stuttgart Urtext Edition:
Mendelssohn. German
title: Ach Gott, vom
Himmel sieh darein.
Sacred vocal music,
Cantatas. Full score.
Composed 1832. MWV A 13.
56 pages. Duration 14
minutes. Carus Verlag #CV
40.185/00. Published by
Carus Verlag
(CA.4018500).
ISBN
9790007064273. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists.
Chorale
cantata. Composed by
Felix Bartholdy
Mendelssohn and Johann
Cruger. Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn.
German title: Jesu, meine
Freude. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Viola. Composed 1828.
MWV. 4 pages. Duration 9
minutes. Carus Verlag #CV
40.188/13. Published by
Carus Verlag
(CA.4018813).
ISBN
9790007064556. Language:
German/English. Text:
Franck, Johann. Text:
Johann Franck.
Also
contains an arrangemet
for organ During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018800.
SATB Chorus and Organ SKU: SU.90810285 For SATB Chorus and Organ. ...(+)
SATB Chorus and Organ
SKU: SU.90810285
For SATB Chorus and
Organ. Composed by
Nancy Galbraith.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2006. Subito
Music Corporation
#90810285. Published by
Subito Music Corporation
(SU.90810285).
2 Violins,
Viola, Cello Duration:
15' 1. Allegro; 2. Folk
Fragments; 3. Chorale and
Ostinato; 4. Appalachian
Strings Set of Parts:
available for sale:
(#90880091) Composed:
2005 Published by: Subito
Music Publishing.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 2. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 2. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/12. Published by
Carus Verlag
(CA.3111712).
ISBN
9790007048686. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. German title:
Gott, Der Herr, Ist Sonn
Und Schild Rev.
Innovative practice aids,
Sacred vocal music,
Cantatas, Psalms, German,
Special days, Reformation
day, Praise and thanks.
Single Part, Violin 1.
Composed circa 1725. BWV
79. 8 pages. Duration 17
minutes. Carus Verlag #CV
31.079/11. Published by
Carus Verlag
(CA.3107911).
ISBN
9790007045258. Key: G
major. Language:
German/English.
Aft
er the really well-known
cantata Ein feste Burg
ist unser Gott BWV 80,
Bach's only other cantata
for Reformation Day is
Gott, der Herr, ist Sonn
und Schild BWV 79. The
central chorale movement
Nun danket alle Gott has
become extremely famous
separately from the
cantata. This movement is
characterised by the
catchy melody of the two
horn parts with their
interludes between the
lines of the chorale.
These in turn are taken
from the freely-composed
opening chorus, thus
forming a surprising link
between the movement for
chorus and the chorale.
The chorus and both the
arias in the cantata were
used later in a Latin
parody in the so-called
Lutheran Masses. Score
and part available
separately - see item
CA.3107900.
Sei Lob
und Ehr dem hochsten Gut
neu. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Choral Score.
Composed 1728/1731. BWV
117. 4 pages. Duration 26
minutes. Carus Verlag #CV
31.117/05. Published by
Carus Verlag
(CA.3111705).
ISBN
9790007048655. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Amen/Alleluia Chorale SATB SATB divisi, A Cappella [Octavo] Novello & Co Ltd.
(SATB divisi a cappella). By John McCabe (1939-). For Choral (SATB DV A Cappella...(+)
(SATB divisi a cappella).
By John McCabe (1939-).
For Choral (SATB DV A
Cappella). Music Sales
America. Octavo. 26
pages. Novello and Co
Ltd. #NOV293128.
Published by Novello and
Co Ltd.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Set of Orchestra
Parts. Composed
1728/1731. BWV 117.
Duration 26 minutes.
Carus Verlag #CV
31.117/19. Published by
Carus Verlag
(CA.3111719).
ISBN
9790007136666. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein;
Stuttgart Urtext Edition:
Mendelssohn. German
title: Ach Gott, vom
Himmel sieh darein.
Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1832.
MWV A 13. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
40.185/12. Published by
Carus Verlag
(CA.4018512).
ISBN
9790007064310. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018500.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Joachim Linckelmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Telemann
Musical Works, Volume 60.
Edition of selected
works, Score, anthology.
Baerenreiter Verlag
#BA07802_00. Published by
Baerenreiter Verlag
(BA.BA07802).
ISBN
9790006498123. 33 x 26.3
cm inches. Language:
German. Preface: Ute
Poetzsch.
By Georg
Philipp Telemann. Edited
by Ute Poetzsch. Linen.
Georg Philipp Telemann.
Musical Works, Volume 60.
Score, Anthology.
Language: German. Size 33
x 26.3 cm. Published by
Barenreiter. ISBN
9790006498123.
(BA7802).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Version 1: SATB choir, 2
flutes, 2 clarinets, 2
bassoons, 2 violins,
viola, 2 cellos,
contrabass; version 2 :
SATB choir, organ - Level
2
SKU: CA.4048114
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
This edition: urtext.
Hymns by Martin Luther:
Verleih uns Frieden
gnadiglich; Stuttgart
Urtext Edition:
Mendelssohn. German
title: Verleih uns
Frieden. Sacred vocal
music, Cantatas, Peace
and justice. Single Part,
Cello 1. Composed 1831.
MWV A 11. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 40.481/14.
Published by Carus Verlag
(CA.4048114).
ISBN
9790007070007. Key: E
flat major. Language:
German/Latin. Text:
Luther, Martin. Text:
Martin Luther.
Also
contains an arrangement
for organ. In 1840
Schumann remarked: The
small piece deserves to
be world famous and will
become so in the future;
the Madonnas of Raphael
and Murillo cannot remain
hidden for long. Together
with the orchestral
version an version for
choir and organ is
available. Score and part
available separately -
see item CA.4048100.
Cantate Domino Chorale SATB SATB divisi Oxford University Press
SATB choir, divisi and organ (SATB) - Moderately Difficult SKU: OU.9780193402...(+)
SATB choir, divisi and
organ (SATB) - Moderately
Difficult
SKU:
OU.9780193402843
Composed by Gabriel
Jackson. Sacred choral -
mixed voices. New
Horizons. Sacred. Vocal
score. 16 pages. Duration
5'. Oxford University
Press #9780193402843.
Published by Oxford
University Press
(OU.9780193402843).
ISBN 9780193402843. 12
x 8 inches.
for
SATB (with divisions) and
organ This setting of
Psalm 95, written for
Truro Cathedral Choir,
was shortlisted for a
BASCA British Composer
Award 2013. Evocative and
subtle in its use of
colour and texture, the
piece has independent
organ passages, an
intense musical climax,
and a last verse akin to
a gentle chorale.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
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Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
Chorale cantata.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein;
Stuttgart Urtext Edition:
Mendelssohn. German
title: Ach Gott, vom
Himmel sieh darein.
Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed 1832. MWV A 13.
8 pages. Duration 14
minutes. Carus Verlag #CV
40.185/14. Published by
Carus Verlag
(CA.4018514).
ISBN
9790007064334. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
During
Mendelssohns years of
study with Zelter, the
arrangement of chorales
already played an
important role, and he
continued to be occupied
with the protestant
chorale throughout his
symphonic and oratorical
work. The break Bach's
works in connection with
the reperformance of the
St. Matthew Passion led
to a series of cantatas
based on well-known
chorale melodies for
choir, instruments, and
sometimes also for
soloists. Score and part
available separately -
see item CA.4018500.
For Wind Orchestra and opt. SATB Choir 25 choir parts. Composed by Johan ...(+)
For Wind Orchestra and
opt. SATB Choir 25 choir
parts. Composed by
Johan De Meij. Amstel
Music. Symphonic,
Concert, African.
Softcover. Amstel Music
#AM158-050. Published by
Amstel Music
(HL.4005109).
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. German title:
Gott, Der Herr, Ist Sonn
Und Schild Rev.
Innovative practice aids,
Sacred vocal music,
Cantatas, Psalms, German,
Special days, Reformation
day, Praise and thanks.
Single Part, Viola.
Composed circa 1725. BWV
79. 8 pages. Duration 17
minutes. Carus Verlag #CV
31.079/13. Published by
Carus Verlag
(CA.3107913).
ISBN
9790007045272. Key: G
major. Language:
German/English.
Aft
er the really well-known
cantata Ein feste Burg
ist unser Gott BWV 80,
Bach's only other cantata
for Reformation Day is
Gott, der Herr, ist Sonn
und Schild BWV 79. The
central chorale movement
Nun danket alle Gott has
become extremely famous
separately from the
cantata. This movement is
characterised by the
catchy melody of the two
horn parts with their
interludes between the
lines of the chorale.
These in turn are taken
from the freely-composed
opening chorus, thus
forming a surprising link
between the movement for
chorus and the chorale.
The chorus and both the
arias in the cantata were
used later in a Latin
parody in the so-called
Lutheran Masses. Score
and part available
separately - see item
CA.3107900.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. German title:
Gott, Der Herr, Ist Sonn
Und Schild Rev.
Innovative practice aids,
Sacred vocal music,
Cantatas, Psalms, German,
Special days, Reformation
day, Praise and thanks.
Single Part, Violin 2.
Composed circa 1725. BWV
79. 8 pages. Duration 17
minutes. Carus Verlag #CV
31.079/12. Published by
Carus Verlag
(CA.3107912).
ISBN
9790007045265. Key: G
major. Language:
German/English.
Aft
er the really well-known
cantata Ein feste Burg
ist unser Gott BWV 80,
Bach's only other cantata
for Reformation Day is
Gott, der Herr, ist Sonn
und Schild BWV 79. The
central chorale movement
Nun danket alle Gott has
become extremely famous
separately from the
cantata. This movement is
characterised by the
catchy melody of the two
horn parts with their
interludes between the
lines of the chorale.
These in turn are taken
from the freely-composed
opening chorus, thus
forming a surprising link
between the movement for
chorus and the chorale.
The chorus and both the
arias in the cantata were
used later in a Latin
parody in the so-called
Lutheran Masses. Score
and part available
separately - see item
CA.3107900.