Digital Prisms [Conducteur et Parties séparées] - Facile Carl Fischer
For Band. By Larry Clark. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II...(+)
For Band. By Larry Clark.
Concert Band. For Flute,
Oboe, Clarinet I,
Clarinet II, Bass
Clarinet, Bassoon, Alto
Saxophone, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Baritone (Treble Clef in
Bb), Baritone (Bass
Clef), Tuba, Bells,
Xylophone, Timpani, Snare
Drum, Bass Drum, Claves,
Suspended Cymbal,
Tambourine, Bongos,
Shaker, Wind Chimes,
Flute, Oboe, Clarinet I,
Clarinet II, Bass
Clarinet (in Bb),
Bassoon, Alto Saxophone,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Horn, Tenor,
Baritone (in Treble
Clef), Baritone (Bass
Clef), Tuba, Mallet
Percussion, Timpani,
Percussion I, Snare Drum,
Bass Drum, Claves,
Percussion II, Suspended
Cymbal, Tambourine,
Bongos, Shaker, Wind
Chimes. This edition:
complete set. Carl
Fischer Young Performance
Series. Classical. Level:
Grade 2-2.5. Score and
Set of Parts. 24 pages.
Published by Carl
Fischer.
Orchestra Accompaniment for Choral Arrangement - Full Score. By Jill Jackson; Sy...(+)
Orchestra Accompaniment
for Choral Arrangement -
Full Score. By Jill
Jackson; Sy Miller.
Arranged by Mark Hayes.
Text: Jill Jackson; Sy
Miller. For Flute I,
Flute II, Piccolo, Oboe,
Clarinet, Bassoon, Horn
I, Horn II, Trumpet I,
Trumpet II, Tenor I,
Tenor II, Tuba, Chimes,
Bells, Timpani, Suspended
Cymbal, Harp, Violin I,
Violin II, Viola, Cello,
Contrabass. Carl Fischer
Concert Full Orchestra
Performance Series:
Medium Easy/Medium. Full
Score - Large. 24 pages.
Published by Carl
Fischer.
Organ solo SKU: CA.1804300 Composed by Friedrich Reimerdes. This edition:...(+)
Organ solo
SKU:
CA.1804300
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
War Gott nicht mit uns
diese Zeit. German title:
Festliche Orgelchorale 7.
Organ music based on
hymns, Easter and
Eastertide. Collection.
Composed 1960. 56 pages.
Carus Verlag #CV
18.043/00. Published by
Carus Verlag
(CA.1804300).
The Orange Bowl Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
(March). Composed by Henry Fillmore (1881-1958). Arranged by Robert E. Foster. C...(+)
(March). Composed by
Henry Fillmore
(1881-1958). Arranged by
Robert E. Foster. Concert
Band. For Piccolo, Flute,
Oboe, Clarinet I,
Clarinet II, Clarinet
III, Bass Clarinet,
Bassoon, Alto Saxophone
I, Alto Saxophone II,
Tenor Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV, Horn I, Horn
II, Horn III, Horn IV,
Tenor I, Ten. Henry
Fillmore Band Series (An
Authentic Fillmore
Edition). Classical.
Score and Set of Parts.
Standard notation. 16
pages. Published by Carl
Fischer
Piano SKU: HL.234744 For Piano Solo. Composed by Peter Dickinson. ...(+)
Piano
SKU:
HL.234744
For
Piano Solo. Composed
by Peter Dickinson. Music
Sales America. Classical.
Softcover. Composed 2017.
8 pages. Novello & Co
Ltd. #NOV166122.
Published by Novello & Co
Ltd. (HL.234744).
9.0x12.0x0.035
inches.
Composer's
Note: The Lullaby from
The Unicorns arose from
an opera libretto I
commissioned from John
Heath-Stubbs (1918-2006)
in the late 1960s. In his
story two unicorns are
discovered in a remote
part of Africa. Both the
East and West want to
obtain them for research
so they send out rival
expeditions. The Western
technique is to lure the
unicorn with a young girl
singing a lullaby. Both
East and West capture
unicorns but the mythical
animals escape in the
end. I never completed
the opera but I made a
six-movement suite from
it called The Unicorns.
There are three songs and
three instrumental
numbers and the first
performance was given
with Elisabeth Soderstrom
and Solna Brass under
Lars-Gunnar Bjorklund at
Ekensbergskyrkan, Solna,
Sweden on 31 October
1982. This version was
recorded and my
arrangement of the three
songs for voice and piano
was recorded by Marilyn
Hill Smith. The career of
the Lullaby continued
with a version for
clarinet and piano, which
I premiered with Jack
Brymer aboard the Sea
Princess in the
Mediterranean on 29
September 1986. The oboe
version was for Sarah
Francis, and Duke Dobing
and I have recorded it
for flute an piano.
Lullaby can be played
with a variety of solo
instruments and is also
available for piano left
hand and piano solo.
Piano - Advanced SKU: JK.02019 Arranged by David Glen Hatch. Christian, C...(+)
Piano - Advanced
SKU:
JK.02019
Arranged by
David Glen Hatch.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music Corporation #02019.
Published by Jackman
Music Corporation
(JK.02019).
UPC:
093285020191.
From
best-selling artist David
Glen Hatch, Jackman Music
brings you Favorite
Primary Songs for
Advanced Piano. This book
of 10 elegant
arrangements contains the
most beloved Primary
songs set for experienced
pianists. The rich warmth
of these pieces may be
enjoyed in sacred
settings, concert
performances, or
appreciated in the home.
Wherever played, these
renditions will provide
performers and listeners
with an awe-inspiring
experience and a fresh
appreciation for the
beautiful primary songs
they've loved for
years.
This book
includes: I Am a Child
of God A Child's
Prayer He Sent His
Son I Feel My Savior's
Love I'm Trying to Be
like Jesus When He
Comes Again I Love to
See the Temple/Families
Can Be Together Forever
(Medley) When I Am
Baptized/Baptism
(Medley) We'll Bring
the World His Truth My
Heavenly Father Loves
Me Composers:
Various Arranger:
David Glen
Hatch Difficulty:
Advanced.
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
With companion recorded Piano Accompaniments High Voice, Book/Audio. Arranged by...(+)
With companion recorded
Piano Accompaniments High
Voice, Book/Audio.
Arranged by Harry T.
Burleigh. Vocal
Collection. Sacred,
Spirituals. Softcover
Audio Online. 88 pages.
Published by Hal Leonard
SKU: BT.PS1805 Risposte est/etiche per la crescita dei valori civili e...(+)
SKU: BT.PS1805
Risposte est/etiche
per la crescita dei
valori civili e morali
delle nuove
generazioni. Composed
by Maurizio Spaccazocchi.
Book with CD. Composed
2018. 160 pages. Progetti
Sonori #PS1805. Published
by Progetti Sonori
(BT.PS1805).
ISBN
9788899849139.
Italian.
Come
contribuire a risolvere
la crisi di valori e
ideali presente nella
societ moderna? Cosa
possono fare la scuola o
i vari centri
socio-educativi per
incentivare, riattivare o
potenziare nei giovani un
atteggiamento e una
mentalit più
umanitaria? A questi ed
altri interrogativi vuole
rispondere il nuovo
preziosissimo lavoro
multidisciplinare di
Maurizio Spaccazocchi,
che si rivolge ai docenti
e agli animatori sociali,
ma soprattutto alle
ragazze e ai ragazzi, per
dar loro la possibilit di
risvegliare o acquisire
condotte più civili ed
etiche. Le attivit
prendono spunto dalla
lettura e
dall’analisi di un
testo (poesie, citazioni,
discorsi di personaggi
esemplari, protagonisti
delle battaglie per i
diritti umani, paladini
della giustizia, ecc.),
allo scopo di
sensibilizzare i giovani
verso tematiche o
problematiche di
interesse collettivo,
storico, sociale, morale,
culturale, e per giungere
a un dibattito in classe
libero e democraticamente
gestito dai docenti. I
risultati delle letture,
dei dibattiti, uniti alle
proposte e ai consigli
dell’Autore, si
materializzeranno in
drammatizzazioni
pubbliche fatte di
recitazioni e di azioni
sceniche sulla base di
coinvolgenti sottofondi
musicali presenti nel CD
allegato. L’intera
messa in scena è
pertanto il momento
fondamentale del lavoro,
lo strumento più
efficace per far sì
che il gruppo-classe, a
sua volta, si faccia
portatore di un più
alto messaggio morale e
di una rinnovata umanit
al di fuori
dell’ambito
scolastico. Le risposte
est/etiche qui presenti
sono proposte
educativo-drammaturgiche
(30 in totale) in cui la
musica in tutte le sue
forme, la parola narrata
o poetica,
l’azione
espressiva gesto-motoria,
da comuni mezzi estetici
si elevano a mezzi etici,
per rendere i ragazzi
cittadini carichi di un
reale senso civile, e
dunque più
responsabili, sensibili,
altruisti, rispettosi,
maturi e tolleranti sul
piano umano: insomma, con
questa pubblicazione si
desidera incentivare una
più ampia coscienza
morale nelle nuove
generazioni, compito
questo che dovrebbe
essere la vera priorit
della scuola
italiana.
Avalon Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2
SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F).
ISBN
9781491152928. UPC:
680160910427.
Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King!
SKU: BT.WH31324 Composed by Jakob Thorkild Overgaard. Theory. Book Only. ...(+)
SKU: BT.WH31324
Composed by Jakob
Thorkild Overgaard.
Theory. Book Only.
Composed 2013. Edition
Wilhelm Hansen #WH31324.
Published by Edition
Wilhelm Hansen
(BT.WH31324).
ISBN
9788759822555.
English.
Improvised Music -
Essays And
Interviews by
Jakob Thorkild
Overgaard.
From the
preface:
This book is the
child of my extensive
personal
experience as
performerof musical
improvisation. I
have a large number
of concerts, recordings
and bands in my
baggage, and throughout
my career as
performer I have
reflected much on the
music as such, its
origins, and its
effects onperformer and
listener alike. In
addition to this, my M.A.
in Music from
Copenhagen University
provided me with a
theoretical
foundation which has
sharpened my reflections
on music and fostered
an interestinthe spoken
word. As its point of
departure, this book will
attempt a
discussion of
improvised music after
1968, as a
concept and as an
actual performing art. I
shall use the
terms ‘freeimpr
ovisation’ or
’ freely improvised
music’ – as
I think that they are
the best, although I am
of course fully aware
that there may be several
other adequate terms
for this
music...
.
..There are sections
solely based on my views
and analyses as well as
sections taking their
starting point in the
views of other writers
and artists.
Besides, the book
containsinterviews and
communications with
prominent performers of
improvised music and
theorists such as, inter
alia, Danish Peter Ole
Jørgensen, Swedish
Raymond Strid, Danish
Vagn E. Olsson and Torben
Sangild, Postdoc at
theDepartment of Arts and
Cultural Studies,
Copenhagen University.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Phil Collins. For voice, piano and guitar chords. Format: piano/voc...(+)
Performed by Phil
Collins. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Pop rock,
soft rock and adult
contemporary. 152 pages.
9x12 inches. Published by
Hal Leonard.
Arranged by Mark Hayes. For Voice. (Medium Low Voice). Vocal Collection. The Ma...(+)
Arranged by Mark Hayes.
For Voice. (Medium Low
Voice). Vocal Collection.
The Mark Hayes Vocal Solo
Collection. Spiritual.
Book. 64 pages. Published
by Alfred Publishing.
Quaere Verum Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Alto Clarinet, Alto Saxophone I, Alto Saxophone II, Baritone Saxoph...(+)
Concert Band Alto
Clarinet, Alto Saxophone
I, Alto Saxophone II,
Baritone Saxophone, Bass
Clarinet, Bassoon,
Clarinet I, Clarinet II,
Clarinet III, Flute, Horn
I, Horn II, Horn III,
Oboe, Tenor I, Tenor II,
Tenor Saxophone, Trumpet
I, Trumpet II, Trumpet
III - Grade 3-3.5
SKU:
CF.CPS25
Seek The
Truth. Composed by
Carl Strommen. FS-SWS.
Carl Fischer Concert
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation. Carl Fischer
Music #CPS25. Published
by Carl Fischer Music
(CF.CPS25).
ISBN
9780825847776. UPC:
798408047771. 9 X 12
inches.
This
stirring march-style
piece by Carl Strommen
will enhance any program,
but its stately,
processional flavor and
noble character will make
it especially useful for
special occasions like
commencement. The music
has innate nobility
reminiscent of Elgar and
wholly appropriate to the
inspiring title.
Duration: 3'15 Key: Eb
Ranges: Trumpet-C;
Horn-G; Trombone-F.