(The Beginner Singing Method). Arranged by Pam Wedgwood. For Voice. This edition...(+)
(The Beginner Singing
Method). Arranged by Pam
Wedgwood. For Voice. This
edition: Piano
Accompaniments. Book;
Method/Instruction; Vocal
Method. Faber Edition:
It's Never Too Late.
Elementary; Late
Elementary. Published by
Faber Music
By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano...(+)
By Various. E-Z Play
Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 300 pages.
Published by Hal Leonard.
By West Chester University of Pennsylvania Concert Choir; West Chester Universit...(+)
By West Chester
University of
Pennsylvania Concert
Choir; West Chester
University of
Pennsylvania
Mastersingers; West
Chester University of
Pennsylvania Chamber
Ensemble. Release date:
2015. Mark Records.
Listening CD. Published
by Mark Custom Music
(MK.51849-MCD).
(Music of the Stars Volume 15). By Nancy Wilson. Piano/Vocal/Guitar Artist Songb...(+)
(Music of the Stars
Volume 15). By Nancy
Wilson.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 80
pages. Professional Music
Institute #44037.
Published by Professional
Music Institute
Keyboard instruments (KL(CEMB)) SKU: HL.49005929 Ihre Geschichte und C...(+)
Keyboard instruments
(KL(CEMB))
SKU:
HL.49005929
Ihre
Geschichte und
Choreographie.
Composed by Karl Heinz
Taubert. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Sheed music
separatly. 32 pages.
Schott Music #ED 5947-01.
Published by Schott Music
(HL.49005929).
ISBN
9790001064248.
Der
Autor hat seit uber 20
Jahren die Praxis der
alten Tanzformen gepflegt
und als
Kunsterziehungsprinzip
wie als buhnenwirksame
Darstellung in vielen
Auffuhrungen im In- und
Ausland unter Beweis
gestellt.Historische
Bilder,
Tanzbeschreibungen und
Musikbeispiele zeigen die
uberraschende Einheit von
Musik und Tanz in den
Stilepochen Renaissance
und Barock. Die Hofischen
Tanze sind als
Tanzlehrbuch, als Lekture
fur Kunstliebhaber und
als Leitfaden fur
Lernende gedacht.
Lemminkainen palaa
kotitienoille - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 68
pages. Duration 7'.
Breitkopf and Haertel #PB
5585. Published by
Breitkopf and Haertel
(BR.PB-5585).
ISBN
9790004213957. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen's Return
Sibelius commented: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!.
Piano/Vocal/Guitar. Composed by various artists and composers. This edition: ...(+)
Piano/Vocal/Guitar.
Composed
by various artists and
composers. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords;
Worship
Resources. Contemporary
Christian; Gospel;
Sacred.
152 pages. Published by
Alfred Music
Composed by
Various. Ukulele Chord
Songbook. Pop, Rock.
Softcover. 176 pages.
Published by Hal Leonard
(HL.249573).
ISBN
9781540005571. UPC:
888680711528.
6.0x9.0x0.396 inches.
Ukulele Chord
Songbook.
This
series features
convenient 6″ x
9″ books with
complete lyrics and chord
symbols above the lyrics
for dozens of great
songs. Each song also
includes chord grids at
the top of every page,
and the first notes of
the melody for easy
reference. These books
are perfect for people
who don't read music but
want to strum chords and
sing, and are equally
ideal for more advanced,
music-reading ukulele
players who don't feel
like wading through
note-for-note notation.
This easy collection
features 60 songs you can
play with just four
chords: Brave •
Careless Whisper •
Cecilia • Drift
Away • Every Rose
Has Its Thorn •
Fields of Gold •
Good Riddance (Time of
Your Life) • Hey,
Soul Sister • Ho
Hey • Last Kiss
• Let It Be •
Mean • Peaceful
Easy Feeling •
Renegades • Stand
by Me • Teach Your
Children • Toes
• Viva La Vida
• What's Up •
Zombie • and many
more.
Composed by Engelbert Humperdinck (1854-1921), edited by Hamilton Benz. For chor...(+)
Composed by Engelbert
Humperdinck (1854-1921),
edited by Hamilton Benz.
For chorus (sopranos and
contraltos), 3 soprano
solo voices, 3 mezzo
soprano solo voices,
baritone solo voice and
piano accompaniment.
Format: vocal score. With
vocal score, piano
reduction, lyrics and
introductory text.
Classical Period and
Opera. Series: G.
Schirmer Opera Score
Editions. Text language
English only, translated
by Constance Bache. 179
pages. 7.5x10.7 inches.
Published by G. Schirmer,
Inc.
(11 Standards for Jazz Vocalists). For Voice. Vocal collection. Sittin' In with ...(+)
(11 Standards for Jazz
Vocalists). For Voice.
Vocal collection. Sittin'
In with the Big Band.
Jazz. 3 (Medium) (grade
3). Book & CD. 24 pages.
Published by Alfred Music
Publishing
String Quartet SKU: HL.14041524 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet
SKU:
HL.14041524
Composed
by Per Norgard. Music
Sales America.
Contemporary Music.
Score. Edition Wilhelm
Hansen #KP01585.
Published by Edition
Wilhelm Hansen
(HL.14041524).
ISBN
9788759871812.
Danish-English.
Pro
gramme Note During the
composition of my tenth
string quartet a
flower-name, host-tidlos,
came to my mind - and it
would not me leave again.
[hosttidlos is actually
autumn crocus in English,
but the composer prefers
harvest-timeless, to
maintain some of the
associations of the
Danish flower-name, red.]
The paradoxical union of
a seasonal time (harvest)
and no-time-at-all was a
good fit to the sections
of the work that I had
composed at that time,
and I decided to
tentatively stick to that
title for the
work-in-progress, and
now, having finished the
piece, I can say that is
is still a fitting title
- and it stands. Enough
about the title, I will
go on to describe
themusic, a somewhat more
precarious project. My
tenth string quartet is
probably the most basic
string quartet that I
have composed:
melodically - and in
sound - it employs the
naturally based overtones
and undertones (perceived
at major and minor,
respectively), and
rhythmically it is based
on growth, on the
principles of the Golden
Section, and the
structure itself
contrasts abundance and
exuberance with sections
of immobility and
contemplation. However,
Melos, melody, is
definitely the dominating
aspect of my STRING
QUARTET NO. 10: behind
even the most
rhythmically complex or
pure sonoric sections
lies a firm - if hidden -
basis of melodic or
polyphonic ideas. The
work was composed in
2004-2005 for the Kroger
Quartet.
Clarinet SKU: SU.94010763 For Clarinet. Composed by James Lee III....(+)
Clarinet
SKU:
SU.94010763
For
Clarinet. Composed by
James Lee III. Woodwinds,
Clarinet. Score. Subito
Music Corporation
#94010763. Published by
Subito Music Corporation
(SU.94010763).
Dedicated to
Anthony McGill, Principal
Clarinet, New York
PhilharmonicClarinet
Duration: 5'30 Composed:
2020 Published by: Subito
Music Publishing PROGRAM
NOTE: The year 2020
has definitely been a
very challenging year
with many upheavals.
During this time of the
COVID-19 health crisis,
wearing masks, and high
racial tensions, I
decided to compose four
short solo woodwind works
for flute, oboe,
clarinet, and bassoon,
which represent the core
woodwind section in an
orchestra. I was inspired
to compose these short
pieces after I first
heard Igor Stravinsky's
three short pieces for
clarinet, which totals a
little more than four
minutes in duration. I
thought that it would be
nice to highlight and
honor my African-American
male colleagues in the
orchestral music world. I
wanted to celebrate the
fact that they are the
principal player in the
section of their
respective orchestras.
The short pieces are as
follows: Principal
Brother No. 1 for flute
solo for Demarre McGill,
Principal Flute of the
Seattle Symphony
Orchestra, Principal
Brother No. 2 for oboe
solo for Titus Underwood,
Principal Oboe of the
Nashville Symphony
Orchestra, Principal
Brother No. 3 for
clarinet solo for Anthony
McGill, Principal
Clarinet of the New York
Philharmonic, and
Principal Brother No. 4
for bassoon solo for
Bryan Young, Principal
Bassoon of the Baltimore
Chamber Orchestra. These
works all begin with
notes that are
representative of their
name; D for Demarre, B
for Titus (ti in
solfège starting on
C), A for Anthony, and Bb
for Bryan. There is also
a rhythmic figure in the
opening measures of each
piece, which represent
the utterance of their
names. All four of these
works are rhapsodic in
nature with elements of
improvisation. - James
Lee III.
By Johann Christoph Bach, Johann Sebastian Bach. Edited by Christoph Wolff. Orga...(+)
By Johann Christoph Bach,
Johann Sebastian Bach.
Edited by Christoph
Wolff. Organ Music
(hymns); Use during
church year: Easter and
Eastertide. Collection.
80 pages. Published by
Carus Verlag (German
import).
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115).
ISBN
9781491150993. UPC:
680160908493. 9x12
inches.
Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€.