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Baritone voice, Piano
Sheetmusic to print
17 sheet music found
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1
Sometimes I Feel Like a Motherless Child (with Swing Low, Sweet Chariot)--bass clef
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.845926 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.845926 Composed by Spiritual. Arranged by Maria Thompson Corley. Concert,Contemporary,Sacred,Spiritual. 4 pages. Maria Thompson Corley #4735749. Published by Maria Thompson Corley (A0.845926). Adapted from a choral arrangement commissioned by the Tallahassee Boys Choir, this hauntingly lyrical arrangement pairs Motherless Child, one of the most mournful of all spirituals, with Swing Low, Sweet Chariot, a song about imminent deliverance.
$9.99
9.16 €
#
Baritone voice, Piano
#
Spiritual
#
Sometimes I Feel Like a Motherless Child
#
Maria Thompson Corley
#
SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.21 €
#
Baritone voice, Piano
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Gioachino Rossini
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Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
A Clear Midnight (Downloadable)
Baritone voice, Piano
Baritone voice and piano - Moderately Difficult - Digital Download SKU: MQ.8877-3E …
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Baritone voice and piano - Moderately Difficult - Digital Download SKU: MQ.8877-3E Composed by Tom Cipullo. 5 pages. E. C. Schirmer Music Company - Digital #8877-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8877-3E). UPC: 600313488771. English.Of the 12 songs in this collection, the final one, A Clear Midnight, stands alone, and is excerpted from Insomnia, a ten-movement, thiry-minute piece work for four voices. An Earth to Walk Upon, a set of six songs, reflects on life in this physical world and compares our inner life to what we see around us. The five songs that make up Drifts and Shadows present dreamlike imagery and wintry allusions.
$5.00
4.59 €
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Baritone voice, Piano
#
Tom Cipullo
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A Clear Midnight
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
I am no slouch
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796589 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796589 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 10 pages. DR GARY D BELSHAW #2927265. Published by DR GARY D BELSHAW (A0.796589). Jack is one of the two first-year graduate students at our fictitious urban university's School of Music. He's quite confident and he shows that in this aria. I once made a dandy Marcello...My Leporello was 'da bomb.' He is one of the stress factors in the soprano Cecilia's life, always trying to strike up a conversation. Perfect for solo recitals, opera workshops and opera scenes programs. Duration: a little over 4 minutes. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$3.99
3.66 €
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Baritone voice, Piano
#
Gary D
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#
I am no slouch
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DR GARY D BELSHAW
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SheetMusicPlus
I am no slouch (x2)
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796590 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796590 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2927271. Published by DR GARY D BELSHAW (A0.796590). Your download includes an accompanist's score at half-price. Jack is one of the two first-year graduate students at our fictitious urban university's School of Music. He's quite confident and he shows that in this aria. I once made a dandy Marcello...My Leporello was 'da bomb.' He is one of the stress factors in the soprano Cecilia's life, always trying to strike up a conversation. Perfect for solo recitals, opera workshops and opera scenes programs. Duration: a little over 4 minutes. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$5.99
5.49 €
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Baritone voice, Piano
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Gary D
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I am no slouch
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DR GARY D BELSHAW
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SheetMusicPlus
October 1974, Cohoes (Confrontation and Finale)
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
9.16 €
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Baritone voice, Piano
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
June 1974, Cohoes (Wish List Fundraising)
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
7.33 €
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Baritone voice, Piano
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Classic Christmas Songs (Baritone Voice) - The "Boughs of Holly" Series
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796165 Arran…
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Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.796165 Arranged by Christopher Esther. Christmas. 21 pages. Christopher Esther #6129691. Published by Christopher Esther (A0.796165). The Boughs of Holly series features twelve classic Christmas songs and carols perfect for any occasion. Each is arranged in an easy-to-read format including chord symbols, lyrics, and extended song notes. Songs included are Away in a Manger, Deck the Halls, Jingle Bells, Silent Night, Up on the Housetop, Joy to the World, We Wish You a Merry Christmas, O Christmas Tree, The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, and The Twelve Days of Christmas. Perfect for beginners and experienced players alike, the lead sheet format makes this series a great starting point for younger players or a detailed improvisational guide for experts. This book is also available in almost twenty more instrumentations, all completely cross compatible with any other book in the series! Pieces can be purchased separately, but you save over 140% when buying the complete collection!
$9.99
9.16 €
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Baritone voice, Piano
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Classic Christmas Songs
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Christopher Esther
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SheetMusicPlus
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gre…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
15.55 €
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Baritone voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
She Believes
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.886601 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.886601 Composed by C. Michael Perry. Christian,Country,Holiday,Sacred. 7 pages. Shining Sharon Music #2884507. Published by Shining Sharon Music (A0.886601). Words and Music by C. Michael PerryThe woman in my life may be much like the woman in your life. She loves you and doesn't have to say much when you are in error -- yet she never stops supporting you, and loving you -- and with all of that she makes an eternity with her sound pretty special.The attached mp3 is a demo from the Finale file without vocals.
$3.00
2.75 €
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Baritone voice, Piano
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C
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She Believes
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Shining Sharon Music
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SheetMusicPlus
Si yo nunca desapareciera (LOW VOICE)
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.66 €
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Baritone voice, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Blow, Blow, Thou Winter Wind - Baritone Solo
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.824378 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.824378 Composed by Phillip Rawle. Concert,Contemporary. 4 pages. Phillip Rawle #3030861. Published by Phillip Rawle (A0.824378). A srtting of William Shakespeare's Blow, blow, thou winter wind from As You Like It. This is arranged for baritone solo and piano.
$6.00
5.5 €
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Baritone voice, Piano
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Phillip Rawle
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Blow, Blow, Thou Winter Wind - Baritone Solo
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Phillip Rawle
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SheetMusicPlus
Watching Cecilia (x2)
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796591 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796591 Composed by Gary D. Belshaw (ASCAP). Concert,Contemporary,Opera. 27 pages. DR GARY D BELSHAW #2927275. Published by DR GARY D BELSHAW (A0.796591). Your download will include an accompanist's copy at half price. Connor is in his last year of graduate study in vocal music performance. He, like Cecilia, are both eager to finish their degrees and get on with life, so the delays on the video shoot add to his frustrations. However, as he acknowledges in this aria, he can't help but notice what a rare person Cecilia is. Duration: close to 7 minutes. Perfect for recitals, opera workshops and opera scenes programs. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$5.99
5.49 €
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Baritone voice, Piano
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Gary D
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Watching Cecilia
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DR GARY D BELSHAW
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SheetMusicPlus
Fire In My Soul-- In E-flat 1st Version
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.835113 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640627. Published by Cody Weinmann (A0.835113). This song was originally composed in 2008. It was largely based out of depression. I felt like I was going nowhere. So, I wrote this in all my angst and sadness. The song is meant to have almost a happy ending in the second chorus as the singer clings to hope in Jesus. Little did I know that six years later, I would be transformed by a relationship with Christ, the Savior Himself.I hope this song could bring comfort to all those who mourn and are down.
$4.99
4.58 €
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Baritone voice, Piano
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Cody Weinmann
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Fire In My Soul-- In E-flat 1st Version
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Cody Weinmann
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SheetMusicPlus
Watching Cecilia
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796592 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.796592 Composed by Gary D.Belshaw (ASCAP). Concert,Contemporary,Musical/Show,Opera. 13 pages. DR GARY D BELSHAW #2927277. Published by DR GARY D BELSHAW (A0.796592). Connor is in his last year of graduate study in vocal music performance. He, like Cecilia, are both eager to finish their degrees and get on with life, so the delays on the video shoot add to his frustrations. However, as he acknowledges in this aria, he can't help but notice what a rare person Cecilia is. Duration: close to 7 minutes. Perfect for recitals, opera workshops and opera scenes programs. Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back.
$3.99
3.66 €
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Baritone voice, Piano
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Gary D
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Watching Cecilia
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DR GARY D BELSHAW
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SheetMusicPlus
[Schober] Troubadour Songs
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.952635 Composed by Bri…
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.952635 Composed by Brian Schober. 20th Century,Contemporary. 58 pages. American Composers Alliance Inc. #4611299. Published by American Composers Alliance Inc. (A0.952635). Five songs for baritone and piano on texts by troubadours. Includes: 1. Now Hear This (Marcabru), 2. I Like Gayety (The Monk of Montaudon), 3. The Wind is Fair (Amaut de Mareuil), 4. Under a Hedge (Marcabru), 5. May Day (Raimbaut de Vaqueiras).
$19.95
18.3 €
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Baritone voice, Piano
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Brian Schober
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[Schober] Troubadour Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Tondo di Michelangelo
Baritone voice, Piano
Baritone voice and piano - difficult - Digital Download SKU: S9.Q6687 For barito…
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Baritone voice and piano - difficult - Digital Download SKU: S9.Q6687 For baritone and piano. Composed by Sir Peter Maxwell Davies. This edition: score. Downloadable, score. Op. 284. Duration 15 minutes. Schott Music - Digital #Q6687. Published by Schott Music - Digital (S9.Q6687). Italian.Opening simply with a solo voice, Sir Peter Maxwell Davies' Italian settings of eight poems by Renaissance artist Michelangelo for baritone and piano take both the performers and audience on a striking journey through Michelangelo’s tortured and knotty Tuscan poetry. The piano is introduced in the second of the eight settings punctuating the vocal part with a variety of different textures from bell-like figuration to turbulent virtuosity.
$28.99
26.59 €
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Baritone voice, Piano
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Sir Peter Maxwell Davies
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Tondo di Michelangelo
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Schott Music - Digital
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SheetMusicPlus
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