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Contrastes
Sheetmusic to print
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Contrastes
Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera La…
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Guitar - Level 4 - Digital Download SKU: A0.1196426 Composed by Emmanuel Cabrera Lagunas. Chamber,Contemporary,Multicultural,World. 37 pages. Emmanuel Cabrera Lagunas #795566. Published by Emmanuel Cabrera Lagunas (A0.1196426). Contrastes es una obra escrita para el cuarteto de guitarras hidalguense ¨Emiola¨, quienes fueron alumnos del autor en el año 2016. La pieza, construida en una forma sonata contiene puentes y secciones contrastantes buscando combinar elementos modales que recuerdan la música de la antigua Grecia, elementos de la música popular como el blues y rÃtmicas de la música folklórica mexicana. Al igual que en la mayorÃa de sus obras para guitarra, el compositor se apoya de diversos estilos musicales que lo han influenciado a lo largo de su vida para generar y mostrar su propia personalidad, haciendo hincapié de esta manera en la universalidad de la música sin importar la segregación que existe a causa de la división en estilos musicales.
$8.00
7.31 €
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Emmanuel Cabrera Lagunas
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Contrastes
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Emmanuel Cabrera Lagunas
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SheetMusicPlus
DEEP (PROFUNDO)
Solo Guitar - Level 2 - Digital Download SKU: A0.1518567 Composed by Claudio Amadeo…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1518567 Composed by Claudio Amadeo Viggiano. Classical,Folk,Latin,Multicultural,World. Individual part. 3 pages. Claudio viggiano #1092668. Published by claudio viggiano (A0.1518567). An original work for classic guitar. My email contact: clavi10@hotmail.com. If you like it please check:NO CONTRAST (SIN CONTRASTES) - Acoustic Guitar - Digital Sheet Music | Sheet Music Plus.
$6.00
5.49 €
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Claudio Amadeo Viggiano
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DEEP
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claudio viggiano
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SheetMusicPlus
Two Contrasting Pachelbel Fugues
Tuba ensemble - 5 Parts - Digital Download SKU: CX.TEP10668 Composed by Johann Pach…
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Tuba ensemble - 5 Parts - Digital Download SKU: CX.TEP10668 Composed by Johann Pachelbel. Arranged by Frank Ferriano. Score and parts. 17 pages. Published by Tuba-Euphonium Press (CX.TEP10668).
$18.00
16.46 €
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Johann Pachelbel
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Two Contrasting Pachelbel Fugues
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Tuba-Euphonium Press
#
SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments (Bb Transposition)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778171 Composed by John McAl…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778171 Composed by John McAllister. Contemporary,Instructional,Standards. 4 pages. John McAllister #5988111. Published by John McAllister (A0.778171). These duets will work best for woodwinds, however brass can play them as well. Just note that they may be a bit more difficult for the brass in certain areas. There is an accompaniment/play-along that is available for free on Youtube and download for a small fee on Sheet Music Plus. These are written for all transpositions, so you can purchase those ones individually to play with friends! There is also a version to purchase all of the parts at once (mainly for music educators) For more music and practice resources, visit my website: www.johnmcallistermusic.com
$1.99
1.82 €
#
John McAllister
#
Three Contrasting Duets - For Any Two Wind Instruments
#
John McAllister
#
SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments (C Transposition - Treble Clef)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778170 Composed by John McAl…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.778170 Composed by John McAllister. Classical,Contemporary,Instructional,Standards. 7 pages. John McAllister #5987671. Published by John McAllister (A0.778170). These duets will work best for woodwinds, however brass can play them as well. Just note that they may be a bit more difficult for the brass in certain areas. There is an accompaniment/play-along that is available for free onYoutube and download for a small fee on Sheet Music Plus. These are written for all transpositions, so you can purchase those ones individually to play with friends! There is also a version to purchase all of the parts at once (mainly for music educators) For more music and practice resources, visit my website: www.johnmcallistermusic.com
$1.99
1.82 €
#
John McAllister
#
Three Contrasting Duets - For Any Two Wind Instruments
#
John McAllister
#
SheetMusicPlus
Three Contrasting Duets - For Any Two Wind Instruments (Bass Clef)
Instrumental Duet Euphonium,Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.…
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Instrumental Duet Euphonium,Instrumental Duet,Trombone,Tuba - Digital Download SKU: A0.778169 Composed by John McAllister. Classical,Contemporary,Instructional,Standards. Score and parts. 7 pages. John McAllister #5987665. Published by John McAllister (A0.778169). These duets will work best for woodwinds, however brass can play them as well. Just note that they may be a bit more difficult for the brass in certain areas. There is an accompaniment/play-along that is available for free on Youtube and download for a small fee on Sheet Music Plus. These are written for all transpositions, so you can purchase those ones individually to play with friends! There is also a version to purchase all of the parts at once (mainly for music educators) For more music and practice resources, visit my website: www.johnmcallistermusic.com
$1.99
1.82 €
#
John McAllister
#
Three Contrasting Duets - For Any Two Wind Instruments
#
John McAllister
#
SheetMusicPlus
Two Contrasting Pachelbel Fugues
Tuba ensemble - 5 Parts SKU: TE.TEP10668 Composed by Johann Pachelbel. Arranged by …
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Tuba ensemble - 5 Parts SKU: TE.TEP10668 Composed by Johann Pachelbel. Arranged by Frank Ferriano. Large ensemble music. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10668).
$18.00
16.46 €
#
Johann Pachelbel
#
Two Contrasting Pachelbel Fugues
#
Tuba-Euphonium Press
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovvanni Gabrieli
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.84 €
#
Giovanni Gabrieli
#
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
43.84 €
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Giovanni Gabrieli
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Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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jmsgu3
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SheetMusicPlus
Nahe des Geliebten
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1515691 By Heathe…
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Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1515691 By Heather Pawsey, Aglika Ellis. By Colleen Muriel. 19th Century,Chamber,Classical,Opera. 4 pages. El Flauto Records #1090045. Published by El Flauto Records (A0.1515691). Genre: Soprano Solo with pianoThis expression-filled, short legato soprano solo (inspired by a poem by Goethe) is filled with contrasting dynamics and various articulations. A strong sense of drama is created in this flowing study. The piano accompaniment is equally harmonically intriguing, frequently using diminished chords and other subtle harmonic devices and nuances. The music is filled with contrasting dynamics, a variety of articulations, and a strong sense of drama. This piece is an excellent vehicle for the exploration and development of intonation and balance.Difficulty Level: Grade 10 RCMStyle: Late RomanticDuration: @ 2:00Form: Through ComposedKey: C major, C minor.
$4.99
4.56 €
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Heather Pawsey, Aglika Ellis
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Nahe des Geliebten
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El Flauto Records
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SheetMusicPlus
A Night’s Tale
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by C…
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Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
5.44 €
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contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument
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Alfredo Franco
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Beautiful People
Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 1 - Digital Download SKU…
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Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1490357 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by Marcelo Borba. Multicultural,New Age,Pop,R & B,Rock,World. 10 pages. Marcelo Borba #1067197. Published by Marcelo Borba (A0.1490357). DUET - arrangement for duet: guitar and bass. General and individual score for melodic instruments Beautiful People is a song by British singer Ed Sheeran, featuring American singer Khalid. It was released in June 2019 as part of Sheeran's collaboration album titled *No.6 Collaborations Project*. ### Context and Theme The song's lyrics address the superficiality and social pressures associated with the luxurious and status-driven lifestyle often linked to fame. The song criticizes the shallow lifestyle that many people consider desirable but can be empty and unfulfilling. Instead of conforming to the social standards of beautiful people, Sheeran and Khalid promote the idea of authenticity and the importance of staying true to oneself, regardless of others' expectations. ### Music Video The music video for Beautiful People complements this message, showing a regular couple who feel out of place in a world of luxury and excess. The couple remains true to their authenticity, contrasting with the behavior of the people around them.### Reception and ImpactThe song was well received by both the public and critics, praised for its message and the contrast between the modern pop production and the introspective lyrics. It achieved commercial success, charting in several countries worldwide.Beautiful People is a reflection on the challenges of authenticity in a world obsessed with appearances and status.
$4.99
4.56 €
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Ed Sheeran feat
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Beautiful People
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Marcelo Borba
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SheetMusicPlus
Sweet and Low
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.14…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1486619 Composed by James-Michael Sellers. 21st Century. 36 pages. JMS Composer #1063684. Published by JMS Composer (A0.1486619). Introduce your flute choir to the enchanting melodies and dynamic contrasts of Sweet and Low, an original composition that will captivate both performers and audiences. Designed for intermediate-level musicians, this piece takes the listener on a memorable journey with its lively and buoyant sections bookending a soothing, melodious middle.Lively Beginnings and Endings:Sweet and Low opens with an invigorating and playful theme, marked by lively rhythms that bring to mind a cheerful, bouncing breeze. The melody is skillfully shared among the ensemble, allowing each flutist to contribute to the exuberant soundscape. This spirited character reappears as the piece closes, leaving audiences on a high note with its energetic and joyful conclusion.Relaxing Middle Section:In stark contrast to the lively outer sections, the middle portion of Sweet and Low offers a serene and calming retreat. Gentle, flowing melodies and harmonious textures create a peaceful atmosphere, inviting flutists to showcase their expressive abilities. This segment provides a meditative moment, balancing the overall structure of the composition and drawing listeners into a state of relaxation.Intermediate Level Design: Sweet and Low is crafted to be accessible yet challenging for intermediate players. The balanced writing ensures that each member of the flute choir can develop their technical skills while enjoying the collaborative performance experience fully.Key Features: Vibrant Beginnings and Endings: Energize your performance with bouncy rhythms and a melody that dances dynamically between parts. Calming Middle Section: Contrast the high-energy areas with soothing, lyrical melodies and lush harmonies. Intermediate Difficulty: Perfect for school and community flute choirs, striking a balance between challenge and playability. Versatile Performance: Ideal for concerts, recitals, and competitions, providing an engaging and memorable experience for audiences and performers alike. Let Sweet and Low bring its unique blend of energy and tranquility to your next flute choir performance, and allow your ensemble to explore the delightful contrasts within this captivating composition.
$8.99
8.22 €
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James-Michael Sellers
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Sweet and Low
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JMS Composer
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SheetMusicPlus
Dances of the Dead - Score Only
Digital Download SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classic…
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Digital Download SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by Robert A. Howard (A0.1471488). This work aims to depict a common theme of certain pieces by some classical composers: that of deathly or devilish dances, and the like. This piece is an extended single movement structure for a mixed chamber ensemble that is an octet of oboe, 2 clarinets, bassoon, piano, viola, cello, and double bass. The form is divided into a series of contrasting dances (labelled as Dance, Folk Lament, Jig, Meditation, and Funeral March), all of which are interspersed with differing statements of an ostinato-based 'chorale' idea on the piano. The whole work is framed by an 'intrada', which builds the germinal motif on which the whole piece is based, characterised by semitones and fourths. Indeed, the 'devil's interval' of the augmented fourth has a particular function and significance. The piece actually ends with an 'epilogue', which features mysterious and ghostly reminiscences of the previous main sections. The title of this work also refers to the episode 'Dance of the Dead' from the 1960s cult TV series 'The Prisoner'. In part, the piece attempts to capture the mystery and atmosphere of the series, and of that specific episode. Indeed, the music's series of related but contrasting sections act almost as an original sequence of dramatic TV incidental music cues. The work is accessible to both performers and audience alike. The attached document is the full score only, with audio provided.Duration: 11 minutes 40 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
8.22 €
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Robert A
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Dances of the Dead - Score Only
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Robert A. Howard
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SheetMusicPlus
Prayers and Blessings (Piano/Vocal Score)
Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SK…
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00
10.06 €
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Double Concerto
Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - Digital Download…
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Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - Digital Download SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Strings. Score and parts. 152 pages. Forton Music - Digital #FM622. Published by Forton Music - Digital (F2.FM622). ISBN 9790570485215.The lively first movement is based on two ideas; the opening rhythmic motif, played first by the flute and then echoed by the clarinet, and a contrasting lyrical melody, also introduced by each soloist in turn. The slow movement was inspired by the beautiful mountain scenery of Austria, and is a series of variations based on a 10 bar chord pattern. The variations become more serious and complex, but eventually the music returns to the tranquillity of the opening, and fades away into the distance. The final movement is a lively, dance-like rondo, with several contrasting episodes; the concluding coda includes brief references to the earlier movements before a final reprise of the rondo theme brings the piece to an exuberant conclusion.
$56.95
52.07 €
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Tony Bridgewater
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Double Concerto
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Forton Music - Digital
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SheetMusicPlus
Permutations
2fl. 2ob. 2cl. 2bsn - Intermediate - Digital Download SKU: F2.FM476 Composed by Liz…
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2fl. 2ob. 2cl. 2bsn - Intermediate - Digital Download SKU: F2.FM476 Composed by Liz Sharma. Double Wind Quartet. Score and parts. 23 pages. Forton Music - Digital #FM476. Published by Forton Music - Digital (F2.FM476). ISBN 9790570483754.Permutations was originally written as a piece for Hampshire Double Reed ensemble directed by Andrew Knights. They first performed it at a Double Reed Society Day at Trinity College of Music. Later I wrote the clarinet choir version for a wind course in Scotland, & there are also a saxophone ensemble version, and mixed wind ensemble versions. The title 'Permutations' describes a piece in which all the parts are of equal importance, and play together in various different combinations, or 'Permutations'. The first movement contains some quite dynamic themes, the 2nd is more calm and pensive, but both contain contrasting passages. The 3rd movement - the 'Salsa' is full of exuberance and fun, but with some short contrasting passages in which the various instruments strut their stuff.
$14.95
13.67 €
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Liz Sharma
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Permutations
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Forton Music - Digital
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SheetMusicPlus
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.1038231 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #643162. Published by Colin Kirkpatrick Publications (A0.1038231). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. The Pavane was a slow and dignified processional dance popular in Europe during the 16th century. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.22 €
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Pierre Phalèse
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Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Pha…
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String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #623720. Published by Colin Kirkpatrick Publications (A0.1018135). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.13 €
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Pierre Phalèse
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Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
String Ensemble - Level 2 - Digital Download SKU: A0.953398 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #559137. Published by Colin Kirkpatrick Publications (A0.953398). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional two melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.22 €
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Pierre Phalèse
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Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Rondes from Susato's Danserye (1551)
String Ensemble - Level 2 - Digital Download SKU: A0.1034006 Composed by Tielman Su…
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String Ensemble - Level 2 - Digital Download SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.22 €
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Tielman Susato
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Two Rondes from Susato's Danserye
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.997824 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #603507. Published by Colin Kirkpatrick Publications (A0.997824). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.22 €
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Pierre Phalèse
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Gaillarde Si pour t'aymer - Gaillarde No 5
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries (1571)
String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phal…
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String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages. Colin Kirkpatrick Publications #559136. Published by Colin Kirkpatrick Publications (A0.953397). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional melody part is provided in treble clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.22 €
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Pierre Phalèse
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Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.22 €
#
Pierre Phalèse
#
Two Almandes from Premier Livre de Danseries
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
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