Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
126
Sheet Music
Books
145
Music
Equipment
25
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
126
PIANO & KEYBOARDS
Piano solo
126
Easy Piano
40
Piano, Voice
33
Piano, Vocal and Guitar
20
Organ
14
C Instruments
10
Big Note Piano
3
Piano Quartet: piano, violin, viola, cello
1
2 Accordions
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
7
Guitar notes and tablatures
7
Ukulele
5
Melody line, (Lyrics) and Chords
5
Lyrics and Chords
3
Bass guitar
3
4 Guitars (Quartet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
46
Choral 2-part
11
Choral TTBB
7
Choral 3-part
5
Choral Unison
5
Choral SSAA
4
Soprano voice, Piano
4
Voice solo
2
Vocal duet
1
Vocal duet, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
15
Saxophone Quartet: 4 saxophones
12
Flute, Oboe, Clarinet, Bassoon
10
2 Clarinets (duet)
7
2 Flutes (duet)
6
Flute and Piano
3
Saxophone, Clarinet (duet)
3
Clarinet and Piano
3
Clarinet, Violin (duet)
2
Clarinet Quartet: 4 clarinets
2
Clarinet
2
Clarinet, Trumpet (duet)
2
Flute, Clarinet (duet)
2
Flute
2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2
2 Oboes (duet)
2
Baritone Saxophone, Piano
1
Flute, Saxophone (duet)
1
Alto Saxophone
1
Flute, Trumpet (duet)
1
Clarinet Ensemble
1
Alto Saxophone and Piano
1
Tenor Saxophone and Piano
1
2 Recorders (duet)
1
Oboe, Flute
1
Oboe, Bassoon (duet)
1
Flute, Violin
1
Oboe, Clarinet (duet)
1
Clarinet and Viola
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
8
Trumpet, Saxophone (duet)
7
2 Trumpets (duet)
5
Brass quartet : 2 trumpets, trombone, tuba
5
2 Trombones (duet)
4
Trombone and Piano
3
2 Euphoniums and 2 Tubas
3
Trumpet, Trombone (duet)
2
2 French horns (duet)
2
Trumpet, Piano
2
Tuba and Piano
2
Brass Quartet
2
Brass Quartet: 2 trumpets, horn, trombone
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
23
Viola, Piano
18
Cello, Piano
6
Violin, Cello (duet)
5
Violin, Viola (duet)
4
2 Cellos (duet)
3
2 Violins (duet)
3
2 Violas (duet)
3
Violin and Piano
3
Violin (band part)
2
2 Harps (duet)
2
Viola, Cello (duet)
1
Violin, Clarinet, Piano (trio)
1
Cello (band part)
1
Violin
1
String Trio: violin, viola, cello
1
Harp
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
36
Jazz Ensemble
34
Orchestra
15
String Orchestra
8
Chamber Orchestra
4
Brass ensemble
3
Drums
3
Handbells
2
Percussion Ensemble
2
Jazz combo
1
Marching band
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Down By the Station
Sheetmusic to print
126 sheet music found
<
1
26
51
....
126
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
69.34 €
#
Brent C Robitaille
#
One Second to the Future - Guitar Orchestra
#
Brent C Robitaille
#
SheetMusicPlus
The Journey (Downloadable Piano/Vocal Score)
6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0  
(+)
6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SATB Chorus) - Digital Download SKU: MQ.5969-E Composed by David Conte. Instrument part. 47 pages. E. C. Schirmer Music Company - Digital #5969-E. Published by E. C. Schirmer Music Company - Digital (MQ.5969-E). The Journey is a twenty-minute cantata extracted from the opera The Dreamers. The opera was commissioned and produced by the Sonoma City Opera in 1996; Antoinette Kuhry, producer; musical direction by John Miner; stage direction by Sanrda Bernhard. The Dreamers captures a formative moment in American history where characters are separated by their cultural and racial differences, and brought together by their dreams and their longing for a new home. The Journey was commissioned by the Oakland East Bay Symphony, Michael Morgan, conductor, and was premiered at the Paramount Theater in Oakland, CA on May 18th, 2001. To set the scene for the excerpt here entitled The Journey: The entire town of Sonoma is gathered at The Collonade Theater to watch an amateur production of Shakespeare's Othello. An unpleasant racial incident occurs which brings the performance to a halt. To smooth thingsover, a sing-a-long is proposed. The song chosen is My Old Kentucky Home by Stephen Foster. After a brief statement of that tune in the orchestra, the entire company enters a dream-state, as six characters from the opera, with commentary by the chorus, sing arias about home. Johnny Rowe, an American soldier stationed in Sonoma, serves as a kind of master-of-ceremonies. Black Sam is a freed slave working as a gambler in Sonoma to earn money to buy his wife out of slavery. Indian Princess Isadora is the last of her tribe. Jim and Mary Eastin have migrated to California from Kentucky. Lizzy Fine is a widow who sings a farewell to her departed husband. The finale of this sequence is an Octet, where all six characters and the men and women of the chorus sing their various texts together, ending with the words from Stephen Foster: Weep no more.
$16.00
14.79 €
#
David Conte
#
Antoinette Kuhry, producer
#
The Journey
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Divergence by The Khromatiks, for Electric Violin & Loop Station
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980
(+)
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.39 €
#
The Khromatiks
#
Divergence by The Khromatiks, for Electric Violin & Loop Station
#
ViolinVagabond Music
#
SheetMusicPlus
Haiku by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Compo…
(+)
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.39 €
#
Kayleigh Moyer, Kyle Pudenz, and The Khromatiks
#
improvised
#
Haiku by The Khromatiks, for Electric Violin & Loop Station
#
ViolinVagabond Music
#
SheetMusicPlus
Canberra Bourrée - Composed by Na-Mara
Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Downloa…
(+)
Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013008 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778603. Published by Na-Mara (A0.1013008). Canberra Bourrée: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Bourrée. Written in the key of Dm, Canberra Bourrée can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a moderate speed. It’s quite nice to make a long pause on the second time bar before going back to the A section, and to make a feature of this, and also to slow it down towards the very end. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this tune live we play it as the middle tune of a three-part set, starting with our arrangement of the An Dro, and finishing the set with our arrangement of the Galician Muiñeira, Muiñeira de Boal. Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocalsWeb site: http://www.na-mara.com/
$1.99
1.84 €
#
Na-Mara
#
Canberra Bourrée - Composed by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Anthem
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By …
(+)
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By Leonard Cohen. By Leonard Cohen. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 73 pages. Kerry Marsh #642516. Published by Kerry Marsh (A0.1037616). Important: This arrangement sold at SheetMusicPlus.com at a much lower price than the standard flat-fee range ($60 to $75) does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the SkyTracks Mixer MINUS Chart package and receive access to: 1. Arrangement Demo 2. SkyTracks Mixer access 3. Vocal Part Tracks 4. Minus-One Tracks 5. Rhythm Track 6. Recording Stems (for those who wish to use their own Digital Audio Workstation) Leonard Cohen's moving song was transformed by the incomparable duo of Kate McGarry and Keith Ganz, and this adaptation brings the McGarry/Ganz to vocal jazz ensembles. A beautiful lyric message...There is a crack in everything, that's how the light gets in...will give your choir a great opportunity for storytelling, with some understated moments of vocal writing matched with soaring phrases to give listeners chills. Space for vocal or piano improv in the middle is followed by an a cappella breakdown feature, some gorgeous floating vocal figures, then a rousing final chorus that leads into an exciting finish for the whole group. Brief solo spots for an alto or soprano with some low notes available. Ring the bells that still can ring! Fully-notated piano and bass parts, drums Commissioned by C-Sus Voices from Sacramento State, Gaw Vang-Williams, dir. (2021)
$50.00
46.22 €
#
Leonard Cohen
#
Anthem
#
Kerry Marsh
#
SheetMusicPlus
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By Th…
(+)
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.39 €
#
The Khromatiks
#
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
#
ViolinVagabond Music
#
SheetMusicPlus
Muiñeira de Lugo - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU:…
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791381. Published by Na-Mara (A0.1013011). Muiñeira de Lugo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time in the Key of G, Muiñeira de Lugo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even, particularly at the beginning with the dotted notes in the melody. The guitar accompaniment can be played with strummed chords. Sometimes we play the first time at a slow tempo, and then a faster / tempo speed the second time around. When we play this live we make a two-part set by starting with our arrangement of the Spanish Galician Muiñeira Muiñeira de Morrazo, and finishing with the Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Muiñeira de Lugo - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Fantasy on "The Augathella Drovers"
Small Ensemble Flute,Guitar,Viola - Level 4 - Digital Download SKU: A0.851546 Compo…
(+)
Small Ensemble Flute,Guitar,Viola - Level 4 - Digital Download SKU: A0.851546 Composed by Brett Thompson. Contemporary,Folk,World. Score and parts. 16 pages. Brett Thompson #3218885. Published by Brett Thompson (A0.851546). This work was commissioned for and premiered in conjunction with The Long Paddock art exhibition held at the Wagga Wagga Art Gallery in May 2017. The Long Paddock is the colloquial name given to the historical travelling stock routes of Australia. The Augathella Drovers, also known as Augathella Station, Farewell Brisbane Ladies, or simply The Drover’s Song is an Australian folk song based on a well-known English original called Ladies of Spain. The song bids farewell to the Ladies of Brisbane on the drovers’ departure and follows their journey along the stock route to the Augathella Station (nearly 800 kilometres inland) in much the same way that the English sailors bid farewell to the ladies of Spain.If you would like to watch a full video preview, or prefer this product formatted for A4 paper size, please visit: /www.fourandtwentymusic.com/pieces/fantasy-augathella-drovers/
$8.50
7.86 €
#
Brett Thompson
#
Fantasy on "The Augathella Drovers"
#
Brett Thompson
#
SheetMusicPlus
The Way Of The Cross (A Lenten Cantata) (Vocal Score)
Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.611898 Composed by Steph…
(+)
Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.611898 Composed by Stephen DeCesare. Christian,Easter,Sacred. Octavo. 184 pages. Exultet Music #3030975. Published by Exultet Music (A0.611898). For centuries, Christians have prayed the Stations of the Cross, remembering the path in Jerusalem that Jesus followed during His Passion. This Cantata is written in an oratorio fashion where after each station, a meditative song either sung by a soloists or an SATB choir is given. The standard prayers that are said by a congregation are also included. This version includes the script and score. A Full Score with the extra instrumentation is also available. This score is scored for Soprano and Tenor Solo, SATB, Violin Solo, and Piano. Accessible and appropriate for any church or concert setting. Can be performed anytime throughout the liturgical year but especially during the season of Lent and during Holy Week.
$25.00
23.11 €
#
Stephen DeCesare
#
The Way Of The Cross
#
Exultet Music
#
SheetMusicPlus
Just a Closer Walk with Thee for Clarinet Quintet/Quartet
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1135165 By Ella Fitzgerald. By Traditional. Arranged by Vanessa Klassen. Jazz,Religious,Spiritual,Standards. 21 pages. Vanessa Klassen #735208. Published by Vanessa Klassen (A0.1135165). “Just a Closer Walk with Thee†dates back to the southern African-American churches of the nineteenth century, frequently being performed as part of a traditional New Orleans-style funeral march. Composer Kenneth Morris heard a train station porter singing the song while traveling from Kansas City to Chicago in 1940. The music became so prominent in his mind that Morris exited his train and took a different train back to the previous station to ask the porter to sing it again. Morris wrote down the music and lyrics and had the song published. The song soon became a standard in both the gospel and jazz genres and has since been recorded by numerous artists. The original author or composer is unknown. This arrangement for clarinet quintet is closely based on Ella Fitzgerald’s recording of the song which was featured on her 1967 album, “Brighten the Corner.†Ella’s voice is represented in the Clarinet 1 part which has been transcribed exactly as she sung. There is also a simplified Clarinet 1 part which is easier to read and allows the soloist more freedom to embellish as desired. The accompanying parts are the background vocals and upright bass, with the light piano riffs in the E♠Clarinet part. The E♠part may be omitted for an easier quartet version. The biggest challenge in this arrangement is the balance as the solo is often in the lower register of the clarinet (below the break).
$9.99
9.24 €
#
Ella Fitzgerald
#
Just a Closer Walk with Thee for Clarinet Quintet/Quartet
#
Vanessa Klassen
#
SheetMusicPlus
Danza Queimada - Arranged by Na-Mara
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1013010 Composed by Traditio…
(+)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1013010 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5778645. Published by Na-Mara (A0.1013010). Danza Queimada: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara.A ‘danza’ is a circle dance in two-time. Written in the the key of G, Danza Queimada can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular tune played by the Asturian band Niundes from their album Enxamás Ye Pa Siempres. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes for a nice interplay between the melody instruments. Make sure the top line sings above the second line in the B section. As it is a dance–like tune, so try to keep the tempo even. The guitar accompaniment can be played with strummed chords.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Danza Queimada - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
(+)
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.46 €
#
Carson Cooman
#
Carson Cooman: The Revelations of Divine Love
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Muiñeira de Boal - Arranged by Na-Mara
Woodwind Ensemble - Digital Download SKU: A0.1013017 Composed by Traditional. Arran…
(+)
Woodwind Ensemble - Digital Download SKU: A0.1013017 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 2 pages. Na-Mara #5970319. Published by Na-Mara (A0.1013017). Muiñeira de Boal: this traditional folk tune from Galicia (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 in the Key of G, Muiñeira de Boal can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. The double stops can be played on the mandolin or violin, flute etc can play one of the two notes. The last part is in unison and builds up the energy of the repeated A section for the last time – it is fun to speed up and end with a flourish, apart from that, try to keep the tempo even throughout. The guitar accompaniment should be played energetically with strummed chords. When we play this tune live we play it as the last tune of a three-part set, starting with our arrangement of the An Dro, followed by our own tune Canberra Bourrée.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Muiñeira de Boal - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Les Dancites - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.101301…
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.1013015 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970309. Published by Na-Mara (A0.1013015). Les Dancites: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 3/8 time in the key of A, Les Dancites can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is intermediate level piece played allegro or medium fast speed, however it is a waltz-like tempo so it doesn’t need to be played too fast. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Both parts interplay and inter-wind so it is a good exercise to work on the balance between the two instruments, varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with strummed chords. This make a nice set when it is coupled with our arrangement of the Spanish Asturian folk tune, La Casa‘l Señor Cura.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Les Dancites - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
'S Toigh Leam Fhìn Buntàta - Arranged by Na-Mara
Woodwind Ensemble - Digital Download SKU: A0.1013019 Composed by Traditional. Arran…
(+)
Woodwind Ensemble - Digital Download SKU: A0.1013019 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5970335. Published by Na-Mara (A0.1013019). 'S Toigh Leam Fhìn Buntà ta: this is a traditional Strathspey folk tune from Scotland, transcribed and arranged for two melody instruments, and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. In the key of D, 'S Toigh Leam Fhìn Buntà ta can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from an album by the Scots-Gaelic singer Julie Fowlis, and the song she sings is all about liking butter and potatoes. Performance tips: this is beginner / intermediate level piece played Allegro or at a moderate fast speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Make sure the rhythm of the characteristic ‘Scotch snap’ is crisp and clean. The guitar accompaniment can be played with broken chords, or arpeggio style. This tune works well included as part of a ‘Ceilidh’ set.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
'S Toigh Leam Fhìn Buntàta - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Asturias - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 1 - Digital Download SKU:…
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 1 - Digital Download SKU: A0.1013014 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970297. Published by Na-Mara (A0.1013014). Asturias: this is a popular and well-known traditional folk song from Asturias (Spain). Here we have arranged the tune for two melody instruments. It is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 3/4 waltz time in the key of G, Asturias can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed, with a cantabile or singing style. We have added a second melody part to the original tune, and this makes for a nice interplay between the melody instruments although the second part is quite simple adding tremolo on the mandolin or long notes on the violin or flute make a nice variation. The guitar accompaniment can be played with broken chords, or gentle strumming.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Asturias - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Entemediu de la Piedra - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU:…
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013009 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778641. Published by Na-Mara (A0.1013009). Entemediu de la Piedra: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 3/4 waltz time in the key of G, Entemediu de la Piedra can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from the playing of our friend, Asturian musician, Alberto Ablenado. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Look at varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with broken chords, or arpeggio style. This is a nice opener for a set of tunes, and we sometime follow the Entemediu de la Piedra, of our own arrangement of a Spanish Asturian or Galician Muiñeira.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Entemediu de la Piedra - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Muiñeira de Morrazo - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.101301…
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.1013018 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970327. Published by Na-Mara (A0.1013018). Muiñeira de Morrazo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 in the Key of G, Muiñeira de Morrazo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even throughout. The guitar accompaniment can be played with strummed chords. When we play this live we make a two-part set by starting with the Muiñeira de Morrazo , and finishing with arrangement of the Spanish Galician Muiñeira, Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Muiñeira de Morrazo - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Muiñeira de Barganaz - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.101301…
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Digital Download SKU: A0.1013016 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970311. Published by Na-Mara (A0.1013016). Muiñeira de Barganaz: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 in the Key of G, Muiñeira de Barganaz can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even throughout. The guitar accompaniment can be played with strummed chords.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Traditional
#
Muiñeira de Barganaz - Arranged by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Muiñeira del Año Nuevo - Composed by Na-Mara
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - Digital Download S…
(+)
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013754 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791373. Published by Na-Mara (A0.1013754). Muiñeira del Año Nuevo: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a muiñeira from Galicia (Spain). A jig-like dance tune, written in 6/8 time in the key of Dm, Muiñeira del Año Nuevo can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with our self-penned tune Schottische de Dimanche and finishing with the Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Na-Mara
#
Muiñeira del Año Nuevo - Composed by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Schottische de Dimanche - Composed by Na-Mara
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - Digital Download S…
(+)
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013752 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778649. Published by Na-Mara (A0.1013752). Schottische de Dimanche: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Schottische. Written in the key of Dm, Schottische de Dimanche can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with the Schottische de Dimanche, and finishing with our self-penned tune, Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Na-Mara
#
Schottische de Dimanche - Composed by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Muiñeira de Cabana - Composed by Na-Mara
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Digital Download SKU: A0.101…
(+)
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Digital Download SKU: A0.1013753 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970323. Published by Na-Mara (A0.1013753). Muiñeira de Cabana: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time, Muiñeira de Cabana can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.84 €
#
Na-Mara
#
Muiñeira de Cabana - Composed by Na-Mara
#
Na-Mara
#
SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
(+)
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.78 €
#
David Catherwood
#
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
#
Opus 3 Music
#
SheetMusicPlus
<
1
26
51
....
126
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
