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Fast Times
Sheetmusic to print
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51
Faster than Light
Digital Download SKU: A0.1072418 Composed by William Times. Jazz. Full Performance.…
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Digital Download SKU: A0.1072418 Composed by William Times. Jazz. Full Performance. Duration 346. Carl Williams #2959155. Published by Carl Williams (A0.1072418). The Faster than Light song was inspired by police car camera chases. http://www.martelelectronics.com/law-enforcement/
$3.99
3.64 €
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William Times
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Faster than Light
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Carl Williams
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SheetMusicPlus
Dances of Peril (for clarinet, violin, cello)
B-Flat Clarinet,Cello,Violin - Digital Download SKU: A0.1205114 Composed by Gilad C…
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B-Flat Clarinet,Cello,Violin - Digital Download SKU: A0.1205114 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 73 pages. Gilad Cohen #803301. Published by Gilad Cohen (A0.1205114). Dances of Peril is comprised of three movements. While they differ in their melodic, harmonic and rhythm languages, they are all fast, energetic, and unsettling. I imagine them as three peculiar dances in a small, mysterious party. While dance is often an act of joy and love, these dances are not. Scored for clarinet, violin, and cello, these dances involve three dancers; the relationships among them are unclear. Their motions are fast, sharp; at times, aggressive. The looks on their eyes convey suspicion. Each of them knows that something bad is about to happen, but they have to play the game. Like a good “whodunit†thriller, it is unclear who the source of danger is. And this uncertainly enhances the fear and pushes each dancer to move faster, to seize control, to deceive. Who knows how this will end.
$15.00
13.69 €
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Gilad Cohen
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Dances of Peril
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Gilad Cohen
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SheetMusicPlus
Metamorphosis (Score and Parts)
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.933992 Composed by Nic…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.933992 Composed by Nick Mazuk. Contemporary. Score and parts. 56 pages. Mazuk Music #3213105. Published by Mazuk Music (A0.933992). Metamorphosis is a finalist in the 2017 Christopher Bill Composition Competition.Metamorphosis, for trombone octet, is a piece where the themes constantly change and transform into something new. In its slow beginning, a lyrical melody is played against a drone until it’s joined by more trombones. This happens three times. Then, the entire choir is joined together to form the climax to the slow section before the transition to the faster section. Almost instantly, the mood changes into a more playful sounding section. A new bouncier theme is introduced against muted eighth note chords in the background. In its second big statement, the presentation of the theme is broken up with different motives from both the beginning slow section and the fast playful theme. In its third statement, only the smaller motivic ideas are left as the volume and intensity grow. Finally, both melodies get squished together. The initial lyrical melody is once again stated, but this time it’s over the background of the second playful melody. Includes:ScoreConductor ScoreAll Parts (Trombone 1-6, Bass Trombone 1-2)Duration: 6 MinutesFor more information about the piece, visit https://nickmazuk.com/Works/MetamorphosisContact: https://nickmazuk.com/Contact/
$49.99
45.62 €
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Nick Mazuk
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Metamorphosis
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Mazuk Music
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SheetMusicPlus
Elemental Spiral (2005) for soprano saxophone, violoncello, multi-percussion
Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.9342…
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Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$7.99
7.29 €
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Mark Zanter
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Elemental Spiral
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MJIC Music Publishing
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SheetMusicPlus
Chanson Triste (Tchaikovsky) - 5 or more guitars
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797850 Composed by Pete…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797850 Composed by Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. Classical,Romantic Period. Score and parts. 20 pages. Derek Hasted #6698349. Published by Derek Hasted (A0.797850). CHANSON TRISTE for easy intermediate GUITAR QUINTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piano piece fits nicely onto 5 guitars (or a large ensemble), making a concert item that is accessible to early intermediate players (with an intermediate player or teacher) on the top line. Guitar 5 is tuned to 6=D.The lovely chord sequences and the need for controlled articulation and off-the-beat playing make this a delightful piece for a group with limited experience, and a real contrast in a concert for an ensemble of any level of skill.I have added a few dynamics (but feel free to change them if you wish), and I’ve indicated optional slurs that will make the faster notes flow better (provided that the notes are taken on the same string, of course). I’ve chosen not to add fingering, because players who find slurs unreliable may find that playing the fast notes on different strings makes them flow better. No single set of fingering can achieve both solutions.There are no page-turns in the part scores.This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra.
$2.99
2.73 €
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Peter Ilyich Tchaikovsky
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Chanson Triste
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Derek Hasted
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SheetMusicPlus
Muiñeira de Lugo - Arranged by Na-Mara
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU:…
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - Digital Download SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791381. Published by Na-Mara (A0.1013011). Muiñeira de Lugo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time in the Key of G, Muiñeira de Lugo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even, particularly at the beginning with the dotted notes in the melody. The guitar accompaniment can be played with strummed chords. Sometimes we play the first time at a slow tempo, and then a faster / tempo speed the second time around. When we play this live we make a two-part set by starting with our arrangement of the Spanish Galician Muiñeira Muiñeira de Morrazo, and finishing with the Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
1.82 €
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Traditional
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Muiñeira de Lugo - Arranged by Na-Mara
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Na-Mara
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Sonata for Four Hands
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.835911
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.835911 Composed by Gary R. Smoke. 20th Century,Concert,Contemporary. Score and parts. 39 pages. Gary Smoke #2076135. Published by Gary Smoke (A0.835911). For piano duet. Three movements: Fast/Slow/Fast. ca. 11:30The start times for the movements in the mp3 file: 1) 0:00, 2) 4:10, 3) 8:00.
$12.00
10.95 €
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Gary R
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Sonata for Four Hands
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Gary Smoke
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SheetMusicPlus
Allegories for Flute, Euphonium, and Piano
Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy B…
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Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.68 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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SheetMusicPlus
Allegories for Flute, Euphonium, and Percussion
Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by…
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Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.68 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Percussion
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Sy Brandon
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): Composer: Unknown - symphonic wind/percussion
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital…
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.
$19.95
18.21 €
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Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
7 Summers
Guitar - Level 2 - Digital Download SKU: A0.1188953 By Morgan Wallen. By Frank Hylo…
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Guitar - Level 2 - Digital Download SKU: A0.1188953 By Morgan Wallen. By Frank Hylo Brown, Josh Osborne, Morgan Wallen, Ralph Bowman, Shane McAnally, and Tommy John Hill. Arranged by Brian Streckfus. Blues,Country,Folk,Instructional,Singer/Songwriter. Chords/Lyrics. 4 pages. Brian Streckfus #788563. Published by Brian Streckfus (A0.1188953). This is lead-sheet style. It notates the vocal melody, guitar chords in diagrams, and the lyrics. These kinds of versions are ideal for singer/song-writers as they are meant to be short and to summarize aspects besides vocals.1. Chord diagrams.2. Lyrics2. Ossia tab for main guitar riff.3. Most grace notes were added.4. Left to right version. There are no navigation symbols.There are some improvisatory ornamental nuances of Morgan Wallen's vocal line that I may not have notated, however I feel like I notated many of them. Notating super fast grace notes that are only audible after listening to the recording many times is kind of uneccessary anyways (i. e. ornamental means unneccessary by definition). That being said, I feel that this version has a chance to be the best on the internet, and I think people will enjoy it.Some guitar parts are notated in sheet music.
$3.99
3.64 €
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Morgan Wallen
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7 Summers
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Brian Streckfus
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SheetMusicPlus
Murray - Triptych - Violin & Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.8…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.823978 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 12 pages. TK (Tim) Murray #4758637. Published by TK (Tim) Murray (A0.823978). 'Triptych' for Violin & Piano consists of 2 short, fast rhythmic outbursts which frame a substantial slow and intense central movement. The music is sparse - cut down to the bare bones - which heightens the emotion of the climaxes.(c. 9 mins) Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$12.95
11.82 €
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TK Tim Murray
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Murray - Triptych - Violin & Piano
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TK
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SheetMusicPlus
Shaping Metal (percussion duo)
Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Downlo…
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Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
$10.00
9.13 €
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Paul SanGregory
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Shaping Metal
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Distant Engraver Music
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SheetMusicPlus
Take It All
Jazz Band - Grade 5 - Digital Download SKU: LX.60-1062H Composed by Fred Sturm. Jaz…
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Jazz Band - Grade 5 - Digital Download SKU: LX.60-1062H Composed by Fred Sturm. Jazz Band. 126 pages. Heritage Music Press #e60/1062H. Published by Heritage Music Press (LX.60-1062H). UPC: 000308059106.This medium fast swing includes extended solo space for both tenor saxophone and Trumpet parts, as well as space for group improvisation (overtime). The Trumpet I part is written to a D,ö the Trombone I part to Ab. Performance times is approximately 8 minutes.
$75.00
68.45 €
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Fred Sturm
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Take It All
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Heritage Music Press
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SheetMusicPlus
Silent Night Prelude for five marimbas
Small Ensemble Marimba - Level 2 - Digital Download SKU: A0.935384 Arranged by Phar…
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Small Ensemble Marimba - Level 2 - Digital Download SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications #5363017. Published by Pharaoh Publications (A0.935384). Silent Night Prelude for five marimbas arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and keyboard parts require only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At letter D, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 2:20. A recording of this arrangement scored for percussion octet is available under the listing for Silent Night Prelude for Percussion Octet. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.55 €
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Silent Night Prelude for five marimbas
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Pharaoh Publications
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SheetMusicPlus
Raag Jaijaiwanti
Brass Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.485710
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Brass Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.485710 By Drum and Brass/Sounds of Leicester. By Pritam Singh. Arranged by Julie Hoggarth. Classical,Contemporary,Multicultural,World. Score and parts. 19 pages. Drum and Brass #104432. Published by Drum and Brass (A0.485710). Raag in the Indian Classical tradition arranged for brass trio and optional vocals. This 15 minute piece is in 3 sections: the slow scene-setting Alaap (this raag is for the evening time), the main raag is the second section, with Sthai (verse) and Antra (chorus). The final section is the Tarana, it is fast-paced and the ending is repeated 3 times. For transpositions of this and any other Drum and Brass score, head to our website www.drumandbrass.co.uk. Drum and Brass supports new music which reflects and connects our modern communities.
$52.00
47.46 €
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Drum and Brass/Sounds of Leicester
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Raag Jaijaiwanti
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Drum and Brass
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SheetMusicPlus
End of an Era
String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brow…
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String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!
$15.00
13.69 €
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Susan Brown
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End of an Era
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Susan Brown
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SheetMusicPlus
CHORINHO in Dm for classical guitar solo
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1158047 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1158047 Composed by Socrates Arvanitakis. Contemporary,Multicultural,World. Individual part. 3 pages. Socrates Arvanitakis #758345. Published by Socrates Arvanitakis (A0.1158047). Choro and its diminutive Chorinho meaning Lament and Little Lament respectively is a Brazilian popular music genre originating in the 19th century. Despite its genre name the music is mostly characterised with happy fast syncopated rhythms and melodies in counterpoint and also with instrumental dexterity. Many times in has found its way in works by classical composers as in the case of H. Villa Lobos etc, and although usually played by various ensemble bands in its popular dance form, the guitar as a solo instrument is a very obvious choice for its rendering.
$3.00
2.74 €
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Socrates Arvanitakis
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CHORINHO in Dm for classical guitar solo
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Socrates Arvanitakis
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SheetMusicPlus
Long, Long Ago, for Instrument and Piano
Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphoniu…
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Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Marimba,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 2 - Digital Download SKU: A0.865078 Composed by T. H. Bayly. Arranged by Ifen Chuang, Chien-Ming Chen. Children,Folk. 9 pages. Dr. James Chen & Ifen Chuang #38347. Published by Dr. James Chen & Ifen Chuang (A0.865078). This lovely tune for kid has a different arrangement, not just for kids but also for the kids with great performance ability. There are two sections of the arrangement. With learning for a short period of time, the students can play the melody easily. The second part has more techinical development. Those students can move fingers fast and great musicality can manage the second portion with more practice. However, it's not bad to just perform two times in a roll. The arrangement has different parts for any other instruments. With five differents parts, any instrument player can pick up and play. No matter of what instrument you play, each part is fit for practice. When performing with the piano, just follow the part for your instrument, then you are ready to perform. The parts are transposed for C instruments(violin, flute, oboe....), F instruments(French Horn....), bB instruments(clarinet, trumpet, sop Saxophone...), bE instruments(alto Saxophone...), and C instrument with Bass clef(Cello....).
$5.99
5.47 €
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T
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Long, Long Ago, for Instrument and Piano
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Dr. James Chen & Ifen Chuang
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SheetMusicPlus
Home Jubilation
Jazz Band - Grade 4 - Digital Download SKU: LX.60-1190H Composed by Fred Sturm. Jaz…
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Jazz Band - Grade 4 - Digital Download SKU: LX.60-1190H Composed by Fred Sturm. Jazz Band. 24 pages. Heritage Music Press #e60/1190H. Published by Heritage Music Press (LX.60-1190H). UPC: 000308071511.A lush, rubato introduction sets up the fast swing tempo (q = 240) that comprises the main body of this composition. Several times during the chart Fred uses an improvised rhythm on a given pitch technique in the winds that results in a fabric of driving eighth notes that sounds incredibly interesting and gives all your students a chance to listen and react to the music around them. The main focus of this chart is on the ensemble, but there is a solo spot for tenor saxophone that may be opened up or reassigned to anyone. (Includes an optional part for vibes.).
$59.95
54.71 €
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Fred Sturm
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Home Jubilation
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Heritage Music Press
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SheetMusicPlus
Barnacle Bill
Guitar - Level 3 - Digital Download SKU: A0.1431102 Composed by H. Ashworth-Hope. A…
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Guitar - Level 3 - Digital Download SKU: A0.1431102 Composed by H. Ashworth-Hope. Arranged by Derek Hasted. Film/TV. 30 pages. Derek Hasted #1011573. Published by Derek Hasted (A0.1431102). BARNACLE BILL (Blue Peter TV Theme) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This theme, from the UK BBC TV Children’s Programme “Blue Peter” has instant appeal to anyone who has watched that show. It makes a wonderful item for a concert, with a Rondo form and a spirited feel that’s easy to lock together.The TV show has tried different versions over the years, including one by Mike Oldfield, but my arrangement is based the full-length version as played by the Royal Philharmonic Orchestra.I’ve changed the key to D major so that everything fits on the neck of the guitar and uses familiar notes.Guitar 4 is tuned to 6=D to add more depth. An alternative Guitar 4 part in bass clef is also supplied, and here normal tuning is used.The original theme is fast. To be honest, it’s very fast indeed. But it works just fine on guitar when played a little slower.The standard is intermediate when played at a modest speed, but Guitar 1 will need an advanced intermediate player if the tempo is pushed upwards.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.55 €
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H
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Barnacle Bill
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Derek Hasted
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SheetMusicPlus
Für Elise Boogie Woogie for Vibraphone & Piano
Instrumental Duet,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.746656 Comp…
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Instrumental Duet,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.746656 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 21 pages. Keith Terrett #2075679. Published by Keith Terrett (A0.746656). An arrangement of Für Elise Boogie Woogie for Vibraphone & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.38 €
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Ludvig van Beethoven
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Für Elise Boogie Woogie for Vibraphone & Piano
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Keith Terrett
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SheetMusicPlus
Für Elise Boogie Woogie for Tuba Quintet
Tuba - Level 3 - Digital Download SKU: A0.746670 Composed by Ludvig van Beethoven. …
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Tuba - Level 3 - Digital Download SKU: A0.746670 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 30 pages. Keith Terrett #2075949. Published by Keith Terrett (A0.746670). An arrangement of Für Elise Boogie Woogie for Tuba Quintet. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German:English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.38 €
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Ludvig van Beethoven
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Für Elise Boogie Woogie for Tuba Quintet
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Keith Terrett
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SheetMusicPlus
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