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I Will Follow for Flute
Sheetmusic to print
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I Will Follow You Into The Dark
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.736295 By Death Cab Fo…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.736295 By Death Cab For Cutie. By Benjamin Gibbard. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary. 17 pages. Louke Publishing #4791539. Published by Louke Publishing (A0.736295). For Flute Quartet or Flute Choir I Will Follow You Into the Dark by Death Cab for Cutie Program Notesfor Flute Choir or Flute Quartet I Will Follow You Into the Dark was written by Benjamin Gibbard, and recorded by the indie rock band Death Cab for Cutie of Bellingham, Washington.  Released in 2005, it is a popular modern wedding song with a beautiful melody. I arranged it for the processional at my son and daughter-in-law’s wedding. This arrangement works beautifully for flute quartet or flute choir. For flute choir, the instrumentation is 3 flutes, alto flute, bass flute, opt. contrabass flute. For quartet, instrumentation is 3 flutes and bass flute, or 4 flutes (use the Bass Flute part for Flute 4). WeddingsAnniversariesBirthdaysConcertsLove SongsRomanceEmoIndie Rock Wedding SongsIndie RockAlternative RockAlternative Rock Wedding SongsModern Wedding SongsOne of the Best Modern Wedding Songs Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP arrangements can be found at www.phyllislouke.com   Â
$13.50
12.44 €
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Death Cab For Cutie
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I Will Follow You Into The Dark
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Louke Publishing
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SheetMusicPlus
He Leadeth Me with I Have Decided to Follow Jesus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R …
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Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.15 €
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Stephen R Dalrymple
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He Leadeth Me with I Have Decided to Follow Jesus
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Stephen R Dalrymple
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.2 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.2 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
I Will Follow
Instrumental Duet,Piano Flugelhorn,Flute,Instrumental Duet,Piano - Level 3 - Digital Downl…
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Instrumental Duet,Piano Flugelhorn,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1370632 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by Dena Gibson. Christian,Praise & Worship. 11 pages. Dena Gibson #954963. Published by Dena Gibson (A0.1370632). This is a fun uplifting piece written for an acoustic piano, digital piano, flugelhorn and flute. This can be played during the prelude, offertory and postlude.
$5.99
5.52 €
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Chris Tomlin
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I Will Follow
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Dena Gibson
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SheetMusicPlus
Rise Up Shepherd and Follow Duet with flute and piano
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0…
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Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1347246 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 6 pages. Connie Boss #932046. Published by Connie Boss (A0.1347246). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a duet, flute and piano. Flute part is included with purchase.  It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99
5.52 €
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Spiritual
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Rise Up Shepherd and Follow Duet with flute and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Di…
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Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1347191 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 12 pages. Connie Boss #931987. Published by Connie Boss (A0.1347191). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a trio - can be SAT or SAA (low alto) with a choice of flute or violin or cello as an accent instrument and piano. Parts are included with purchase for all three instruments. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99
7.36 €
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Spiritual
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Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
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Connie Boss
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SheetMusicPlus
Rise Up Shepherd and Follow SATB flute and piano
Alto Voice,Bass Voice,Flute,Piano Accompaniment,Soprano voice,Tenor Voice - Level 2 - Digi…
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Alto Voice,Bass Voice,Flute,Piano Accompaniment,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1346769 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 13 pages. Connie Boss #931551. Published by Connie Boss (A0.1346769). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a SATB with optional flute or violin or cello and piano. Parts are included with the purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99
7.36 €
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Spiritual
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Rise Up Shepherd and Follow SATB flute and piano
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Connie Boss
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.85 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.85 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - Digital Download SKU: A0.576973…
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Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - Digital Download SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15 pages. David Warin Solomons #553513. Published by David Warin Solomons (A0.576973). The poet, David Andrew, is writing as he considers the future his daughter will make for herself. The sound sample is a live vocal performance against electronic versions of the instruments The pdf file contains score and parts. The song can also be performed without the flute and cello. You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.21 €
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David Warin Solomons
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Letter to Lydia for alto voice, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Letter to Lydia for cor anglais, flute, cello and guitar
Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - Digital Download SKU: A0.576…
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Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - Digital Download SKU: A0.576975 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553517. Published by David Warin Solomons (A0.576975). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.21 €
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David Warin Solomons
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Letter to Lydia for cor anglais, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Letter to Lydia for viola, flute, cello and guitar
Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - Digital Download SKU: A0.576976…
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Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - Digital Download SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553519. Published by David Warin Solomons (A0.576976). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.21 €
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David Warin Solomons
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Letter to Lydia for viola, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Letter to Lydia for clarinet, flute, cello and guitar
Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - Digital Download SKU: A0.576974
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Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - Digital Download SKU: A0.576974 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553515. Published by David Warin Solomons (A0.576974). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.21 €
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David Warin Solomons
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Letter to Lydia for clarinet, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Woodwind Octet - 2 Flutes, 1 Oboe, 3 Clar, 1 Hrn, 1 Bassoon
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.814517 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 43 pages. Regis Bookshar #6612701. Published by Regis Bookshar (A0.814517). Woodwind Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Woodwind Octet, consisting of 2 Flutes, 1 Oboe, 3 Clarinets, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for ye.
$32.00
29.48 €
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Peter Ilyich Tchaikovsky
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March
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Regis Bookshar
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SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Woodwind Octet - 3 Flutes, 1 Oboe, 2 Clar, 1 Hrn, 1 Bassoon
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.814518 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 43 pages. Regis Bookshar #6612705. Published by Regis Bookshar (A0.814518). Woodwind Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Woodwind Octet, consisting of 3 Flutes, 1 Oboe, 2 Clarinets, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.48 €
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Peter Ilyich Tchaikovsky
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March
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Regis Bookshar
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SheetMusicPlus
I Will Give Thanks to the Lord (an alternative liturgy - version 1)
Small Ensemble Bass Guitar,Flute,Handbell,Piano,Violin,Voice - Level 3 - Digital Download …
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Small Ensemble Bass Guitar,Flute,Handbell,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.719627 Composed by Curtis Hanson. Christian,Praise & Worship,Sacred. Score and parts. 72 pages. Curtis Hanson #37551. Published by Curtis Hanson (A0.719627). I Will Give Thanks to the Lord was composed in 1998 and is intended as a more contemporary option to the sung liturgy associated with the mainstream Christian church, while still maintaining the integrity of traditional liturgical elements. This setting is scored for handbells, two C instruments which double the voices, piano (or electronic keyboard), and bass guitar. The music may be performed with one or more instruments missing as frequently happens for church services. The file contains full score, instrumental parts, and a vocal only which may duplicated for congregational use. The complete setting is also available in a simplified version for piano only. Much of the liturgy is in the form of Call and Response, that is, a music leader sings a phrase and the congregation responds, often repeating the initial phrase exactly. There are two versions for the Nunc Dimittis, the congregational response following Holy Communion. The first is a paraphrase of Simeon’s exclamation at seeing the child Jesus. The second is the traditional text as found in Luke 2 with accompaniment on organ only.
$50.00
46.06 €
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Curtis Hanson
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I Will Give Thanks to the Lord
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Curtis Hanson
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SheetMusicPlus
The High Priestess (for flute, violin, horn in F, & piano)
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by Jo…
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
36.85 €
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
I Heard the Bells on Christmas Day - Baritone/Euphonium solo (opt. duet)
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Le…
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1040842 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. Score and parts. 15 pages. Budaful music #645611. Published by budaful music (A0.1040842). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo baritone/euphonium and bari/euph duet. (T.C. part included) The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99
5.52 €
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Brian Buda
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I Heard the Bells on Christmas Day - Baritone/Euphonium solo
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budaful music
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SheetMusicPlus
JESU, JOY OF MAN'S DESIRING, Trio, Intermediate Level for String Trio, woodwind trio, any combinatio
Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521366…
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Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521366 Composed by Johann Sebastian Bach. Arranged by Sherry Lewis. Baroque,Christmas,Easter,Wedding. 12 pages. Sherry Lewis Publishing #5983595. Published by Sherry Lewis Publishing (A0.521366). JESU JOY OF MAN'S DESIRING String Trio, Woodwind Trio, any combination of two treble clef instruments and one bass clef instrument, concert pitch. Can include two violins and cello, two flutes and cello, flute, oboe and cello, two flutes and bassoon, flute, oboe and bassoon, etc. score: 4 pages parts: 5 pages time: 3'06 DEMO NOTE: DEMO WILL PLAY IN STRINGS. Often I've begun the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.99 €
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Johann Sebastian Bach
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https://www
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JESU, JOY OF MAN'S DESIRING, Trio, Intermediate Level for String Trio, woodwind trio, any combinatio
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Sherry Lewis Publishing
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SheetMusicPlus
I Am the Lord of the Dance
Cello, flute, oboe, violin - Digital Download SKU: H1.8564DP Composed by Joel Raney…
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Cello, flute, oboe, violin - Digital Download SKU: H1.8564DP Composed by Joel Raney. Musicals Collection. Lent & Easter Musicals. Lent, Holy Week, Easter Sunday. Instrumental Parts. 150 pages. Hope Publishing - Digital #8564DP. Published by Hope Publishing - Digital (H1.8564DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$79.95
73.65 €
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Alto Flute and Piano
Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592566 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592566 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 50 pages. David McKeown #6404061. Published by David McKeown (A0.592566). 18 Easy Gospel Hymns Vol.1 for Solo Alto Flute and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· Abide with Me, · Amazing Grace, · Blessed Assurance, · Deep River, · Down by the Riverside, · Go Down Moses, · Go Tell It on the Mountain, · He’s Got the Whole World in HIs Hands, · Higher Ground, · Jesus on the Mainline, · Joshua Fought the Battle of Jericho, · Just a Closer Walk with Thee, · Just as I Am, · Just Over in the Glory Land, · Kumbaya My Lord, · Love Lifted Me, · Nobody Knows the Trouble I’ve Seen, · Nothing but the Blood of Jesus. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Alto Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.82 €
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Various
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18 Gospel Hymns Vol.1 for Solo Alto Flute and Piano
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David McKeown
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SheetMusicPlus
Rise Up Shepherd and Follow Solo with flute and piano
Alto Voice,Flute,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1347248 C…
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Alto Voice,Flute,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1347248 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 10 pages. Connie Boss #932048. Published by Connie Boss (A0.1347248). This well know spiritual has a new intro and ending. The melody is still there for the verses. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. This is for a soloist, flute and piano. Parts are included with purchase.Lyrics:Rise Up Shepherd and Follow  SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99
5.52 €
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Spiritual
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Rise Up Shepherd and Follow Solo with flute and piano
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Connie Boss
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SheetMusicPlus
I Am the Lord of the Dance
(Choral) - Digital Download SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week,…
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(Choral) - Digital Download SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week, Easter Sunday. Preview pack - book & listening CD. 67 pages. Hope Publishing - Digital #8566DP. Published by Hope Publishing - Digital (H1.8566DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$17.95
16.54 €
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
Classroom Performance educational pack: MELODY backing tracks
Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoo…
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Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - Digital Download SKU: A0.1071285 Composed by Austin Ralphson. Instructional. Accompaniment. Duration 968. Austin Ralphson #4757407. Published by Austin Ralphson (A0.1071285). This pack comprises backing tracks of the 5 performance pieces with the PCU: Melody pack. It is part of the Perform, Compose, Understand Series, and contains backing tracks and full tracks for each piece. The backing tracks have parts 2, 3, 4 and 5 playing to allow students to play part 1 live over the top.Timings are as follows:0:00 - Sequences backing track1:00 - Conjunct / disjunct backing track2:24 - Question & answer backing track4:14 - Passing notes backing track6:00 - Ornaments backing track8:08 - Sequences full track9:09 - Conjunct / disjunct full track10:32 - Question & answer full track12:21 - Passing notes full track14:04 - Ornaments full trackIf you need backing tracks with other parts removed for performance purposes, please let me know and I will produce them for you. You can message me from www.ralphsonstrings.com
$1.99
1.83 €
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Austin Ralphson
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Classroom Performance educational pack: MELODY backing tracks
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Austin Ralphson
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SheetMusicPlus
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