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Incarnation
Sheetmusic to print
35 sheet music found
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26
Mass of the Incarnation SATB
Small Ensemble - Digital Download SKU: A0.905138 Composed by Michael Kenneth. Conte…
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Small Ensemble - Digital Download SKU: A0.905138 Composed by Michael Kenneth. Contemporary. Score and parts. 2 pages. Michael Kenneth Fabian #4728743. Published by Michael Kenneth Fabian (A0.905138).
$4.99
4.59 €
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Michael Kenneth
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Mass of the Incarnation SATB
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Michael Kenneth Fabian
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SheetMusicPlus
Holy (from "Mass of the Incarnation") (Accompaniment Track)
Handbell,Organ - Level 2 - Digital Download SKU: A0.1051582 Composed by Stephen DeC…
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Handbell,Organ - Level 2 - Digital Download SKU: A0.1051582 Composed by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. Accompaniment. Duration 56. Exultet Music #2493. Published by Exultet Music (A0.1051582). Mass setting that is especially arranged to be used during the Advent / Christmas season. Based on the melody of O Come, O Come, Emmanuel, this score is accessible and appropriate for any church setting. Scored for SATB, Vocal, Organ.
$3.99
3.67 €
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Stephen DeCesare
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Holy
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Exultet Music
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SheetMusicPlus
Alleluia (from "Mass of the Incarnation") (Accompaniment Track)
Handbell,Organ - Level 2 - Digital Download SKU: A0.1051580 Composed by Stephen DeC…
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Handbell,Organ - Level 2 - Digital Download SKU: A0.1051580 Composed by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. Accompaniment. Duration 49. Exultet Music #2489. Published by Exultet Music (A0.1051580). Mass setting that is especially arranged to be used during the Advent / Christmas season. Based on the melody of O Come, O Come, Emmanuel, this score is accessible and appropriate for any church setting. Scored for SATB, Vocal, Organ.
$3.99
3.67 €
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Stephen DeCesare
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Alleluia
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Exultet Music
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SheetMusicPlus
Lamb Of God (from "Mass of the Incarnation") (Accompaniment Track)
Handbell,Organ - Level 2 - Digital Download SKU: A0.1051581 Composed by Stephen DeC…
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Handbell,Organ - Level 2 - Digital Download SKU: A0.1051581 Composed by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. Accompaniment. Duration 65. Exultet Music #2495. Published by Exultet Music (A0.1051581). Mass setting that is especially arranged to be used during the Advent / Christmas season. Based on the melody of O Come, O Come, Emmanuel, this score is accessible and appropriate for any church setting. Scored for SATB, Vocal, Organ.
$3.99
3.67 €
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Stephen DeCesare
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Lamb Of God
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Exultet Music
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SheetMusicPlus
Glory To God (from "Mass of the Incarnation") (Accompaniment Track)
Handbell,Organ - Level 2 - Digital Download SKU: A0.1051579 Composed by Stephen DeC…
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Handbell,Organ - Level 2 - Digital Download SKU: A0.1051579 Composed by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. Accompaniment. Duration 207. Exultet Music #2491. Published by Exultet Music (A0.1051579). Mass setting that is especially arranged to be used during the Advent / Christmas season. Based on the melody of O Come, O Come, Emmanuel, this score is accessible and appropriate for any church setting. .
$3.99
3.67 €
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
Heaven's Rose
Choral (Choral) - Digital Download SKU: H1.C5086DP Composed by Stan Pethel. Piano A…
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Choral (Choral) - Digital Download SKU: H1.C5086DP Composed by Stan Pethel. Piano Accompaniment. Christmas, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5086DP. Published by Hope Publishing - Digital (H1.C5086DP). Original Anthem Stan Pethel's original Christmas anthem celebrates the incarnation of Christ with a creative text built around the biblical reference to Christ as the Rose of Sharon. The real hook in this setting is the memorable refrain, and the development to the. . . Stan Pethel's original Christmas anthem celebrates the incarnation of Christ with a creative text built around the biblical reference to Christ as the Rose of Sharon. The real hook in this setting is the memorable refrain, and the development to the quote from Lo, How a Rose brings clarity and power to the message.
$2.95
2.71 €
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Stan Pethel
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Heaven's Rose
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Hope Publishing - Digital
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SheetMusicPlus
Good Omens
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.850620 Composed by David Arnold. Arranged by G L Harvey. Contemporary,Contest,Festival,Film/TV,Instructional. Brass Band. 53 pages. G L Harvey #457288. Published by G L Harvey (A0.850620). The theme music for this popular TV series has been carefully arranged for Brass Band (standard UK format). With concert performances in mind, this exciting arrangement is targeted at the majority of bands, with any slightly trickier challenges taken by the more experienced seats! Generous cues are also provided for bands with non-standard compliments. Percussion can add significant gravitas to the overall atmosphere, but are not essential for a convincing performance. The music follows the format of the opening TV sequence, with a quiet and mysterious introduction leading through various shared incarnations of the catchy and captivating main themes, building towards an exciting and dramatic final flourish. The duration of the piece is about 2.10 minutes. See the YouTube link to give a better impression of the music throughout the full score. The PDF is 53 pages long (A4 portrait) containing a full score and parts (Score pages1-15, all parts (p16-53) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
$49.99
46.01 €
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David Arnold
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Good Omens
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G L Harvey
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SheetMusicPlus
Molly on the Shore
Brass Band,Brass Ensemble Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Dow…
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Brass Band,Brass Ensemble Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1502081 Composed by Percy Aldridge Grainger. Arranged by Tim Olt. 20th Century,Classical,Romantic Period. 67 pages. Olt Music #1077961. Published by Olt Music (A0.1502081). This delightful piece has had many lives in versions by Percy Grainger himself. This incarnation is for double brass quintet (including picc trumpet and flugelhorn).
$40.00
36.81 €
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Percy Aldridge Grainger
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Molly on the Shore
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Olt Music
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SheetMusicPlus
The Glory of Christmas - Set of Parts
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3586L Composed by …
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Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3586L Composed by Lloyd Larson. Choral Cantatas. Advent, Christmas. Set of Parts. 578 pages. Lorenz Publishing - Digital Sheet Music #e30/3586L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3586L). Orchestrated by Ed Hogan.The glory of Christmas comes to life in this inspiring musical by Lloyd Larson. Through a blend of familiar carols and original songs, choirs and congregations alike will experience the beauty of the incarnation story as if they’re experiencing it for the first time. This versatile work may be presented in multiple segments over the Sundays of Advent or as a single presentation, and will be equally effective with piano accompaniment or the full orchestra option (live instruments or accompaniment track). The script for two narrators is scripturally based and seamlessly weaves in and out of the music to provide an inspiring worship experience. Opportunities for the congregation to sing familiar carols as well as the availability of both SATB and SAB editions ensure that this resource is suitable for choirs large or small.
$249.95
230.03 €
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Lloyd Larson
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The Glory of Christmas - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Star of Fire and Flame
(Tenor Voice Dominant) - Digital Download SKU: JX.JMG1005T Tenor. Composed b…
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(Tenor Voice Dominant) - Digital Download SKU: JX.JMG1005T Tenor. Composed by Mary Kay Beall. Digital Mp3 Download (VoxTrax). Jubilate Music Group - Digital #JMG1005T. Published by Jubilate Music Group - Digital (JX.JMG1005T). Perfect for Epiphany, Mary Kay Beall's anthem reflects the majesty and mystery of the incarnation by focusing on the Christmas Star. It beautifully weaves in the tune of We Three Kings and drives to a fortissimo conclusion. The mostly two-part writing makes it easily-prepared during a busy season.
$2.99
2.75 €
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Mary Kay Beall
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Star of Fire and Flame
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Jubilate Music Group - Digital
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SheetMusicPlus
Child of Peace, Child of Hope
Choral - Digital Download SKU: JX.00-PO-0003470 Child of Peace, Child of Hope - …
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Choral - Digital Download SKU: JX.00-PO-0003470 Child of Peace, Child of Hope - SATB. Composed by Tina English. Arranged by Jay Rouse. Sacred Choral. 10 pages. Jubilate Music Group - Digital #00-PO-0003470. Published by Jubilate Music Group - Digital (JX.00-PO-0003470). UPC: 038081503660.Tina English's gift of melody is on display with this tender manger ballad. The simplicity of Christ's coming in a manger is contrasted with the complexity and joy of the Incarnation. Sensitively arranged by Jay Rouse, it's perfect for a Christmas Eve service.
$1.95
1.79 €
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Tina English
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Child of Peace, Child of Hope
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Jubilate Music Group - Digital
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SheetMusicPlus
Let All Mortal Flesh Keep Silence
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.966757
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.966757 Composed by PICARDY. Arranged by Dillon Ekle. 20th Century,Christian,Easter,Sacred. Score and parts. 7 pages. Dillon Ekle #6110785. Published by Dillon Ekle (A0.966757). The popular hymn Let All Mortal Flesh Keep Silence is presented in this arrangement with a feel of church bells in mind. The first verse frames the melody in an Adagio 3/4 feel, with the melody in the alto range. The second verse uses the traditional rhythms with thick harmony voices reminiscent of handbells, growing from a few treble notes to a deep bass. Appropriate any time of the year, but especially appropriate in Advent or for a communion service, as the hymn recalls the great mysteries of Christ's incarnation and his presence with believers.The PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.59 €
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PICARDY
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Let All Mortal Flesh Keep Silence
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Dillon Ekle
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SheetMusicPlus
Petition & Rain Dance
Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmer…
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Bassoon duo & percussion - Digital Download SKU: IZ.CMS151 Composed by Chris Milmerstadt. Score and Parts. 26 pages. Imagine Music - Digital #CMS151. Published by Imagine Music - Digital (IZ.CMS151). 9 x 12 in inches.The composition Petition and Rain Dance is a two-part composition played without a break. The first half,'Petition', starts with a plaintive melody that repeats in the other bassoon at various overlapping points creating anirregular cannon. Eventually a second melody emerges; the first melody now takes on a supportive role. A newmood created by these merged melodies is underscored by percussion. The simultaneous juxtaposition of these twomelodies, as well as the patterns emphasized by the percussion, foreshadows the main theme for the secondcomposition: 'Rain Dance'.'Rain Dance' is introduced with an irregular rhythmic motif, stated in unison by the bassoons, over a steadyrepeating pattern by the percussion. The percussion evolves and complements (and contrasts) the rhythmic partcreated by the two independent voices of the bassoon duo. A second theme, optimistic in temperament, is thenintroduced and is a rhythmic elaboration of the first theme. This second theme is an exact reiteration of the mergedmelodies from 'Petition' (however in this faster incarnation it is hardly recognizable). This is repeated in variousguises and the mood eventually becomes somewhat less certain.These two pieces represent two ideas; the plea for a reprieve from a dire situation - a drought and a petition to the'powers that be' for intercession, and the subsequent effort to bring about the desired change by taking matters intoone's own hands - a ritualistic dance to bring forth the needed deluge.
$16.00
14.72 €
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Chris Milmerstadt
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Petition & Rain Dance
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Imagine Music - Digital
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SheetMusicPlus
Hark! The Herald Angels Sing - Full Score
Mixed chorus or treble chorus - Digital Download SKU: C7.CGA901 Composed by Michael…
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Mixed chorus or treble chorus - Digital Download SKU: C7.CGA901 Composed by Michael Burkhardt. Christmas. Conductor's Score. Sacred Anthem. Full score. 24 pages. Chorister's Guild - Digital #CGA901. Published by Chorister's Guild - Digital (C7.CGA901). UPC: 749193006870.Recording performed by the Allegro Children's Chorus Based on the text of the Antiphon for Christmas Day and Charles Wesley's stirring text based on the incarnation, this concertato is most fiting as a Call to Worship and opening hymn for Christmas worship. In addition, it may be sung as a carol response to the reading of Luke 2 as it is found within the context of a Lessons and Carols Service or as a festival work at the opening or close of a Christmas Concert. The arrangement provides an opportunity fo the many and varied musical resources of a parish to be united in a single offering of praise and adoration during the Christmas season. Also available sold separately: Choral Score (CGA900), Reproducible Parts (CGRP2) Composer: Michael Burkhardt and Felix Mendelssohn (1809-1847).
$10.00
9.2 €
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Michael Burkhardt
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Hark! The Herald Angels Sing - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Hark! The Herald Angels Sing - Inst Pts
Inst Pts - Digital Download SKU: C7.CGRP2 Composed by Michael Burkhardt. C. Set of …
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Inst Pts - Digital Download SKU: C7.CGRP2 Composed by Michael Burkhardt. C. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP2. Published by Chorister's Guild - Digital (C7.CGRP2). UPC: 749193006849.Recording performed by the Allegro Children's Chorus Based on the text of the Antiphon for Christmas Day and Charles Wesley's stirring text based on the incarnation, this concertato is most fiting as a Call to Worship and opening hymn for Christmas worship. In addition, it may be sung as a carol response to the reading of Luke 2 as it is found within the context of a Lessons and Carols Service or as a festival work at the opening or close of a Christmas Concert. The arrangement provides an opportunity for the many and varied musical resources of a parish to be united in a single offering of praise and adoration during the Christmas season. Also available sold separately: Full Score (CGA901), Choral Score (CGA900) Composer: Michael Burkhardt (Incorporating MENDELSSOHN by Felix Mendelssohn, 1809-1847) Text Author: Charles Wesley.
$20.00
18.41 €
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Michael Burkhardt
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Hark! The Herald Angels Sing - Inst Pts
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Chorister's Guild - Digital
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SheetMusicPlus
Blessed Are They
Choral Cello, Flute, Oboe, Violin - Digital Download SKU: H1.C5995DP Composed by Jo…
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Choral Cello, Flute, Oboe, Violin - Digital Download SKU: H1.C5995DP Composed by Joel Raney. Piano Accompaniment with Optional Instrumental Parts. Quick Study Chorals. Palm Sunday, Easter Sunday. Octavo. 8 pages. Hope Publishing - Digital #C5995DP. Published by Hope Publishing - Digital (H1.C5995DP). Joel Raney. Luke 19:38 - Matthew 21:9 - Mark 11:9 - Mark 11:10 - John 12:12 - John 12:13.Psalm Sunday original From the Quick Study Choral series, Joel Raney's Palm Sunday original features flowing choral lines that are easily learned with a minimum of rehearsal. This setting's original incarnation was in Joel's popular Tenebrae service, The Seven Last Days (#8591). Instrumental parts: Conductor's Score, Flute, Oboe, Violin & Cello.
$2.95
2.71 €
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Joel Raney
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Blessed Are They
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Hope Publishing - Digital
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SheetMusicPlus
Love Divine
Choral C Instrument, Flute - Digital Download SKU: H1.C6197DP Arranged by Joel Rane…
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Choral C Instrument, Flute - Digital Download SKU: H1.C6197DP Arranged by Joel Raney. Piano with optional Flute or C Instrument (Included). Quick Study Chorals. Hymntune, Hymn Arrangements, General Worship, Eternal Life, God's Love, Holy Spirit, Incarnation, Jesus Christ - Love, Joy, New Life in Christ, Second Coming of Christ. Octavo. 12 pages. Hope Publishing - Digital #C6197DP. Published by Hope Publishing - Digital (H1.C6197DP). Raney, Joel.Classic hymn with words by Charles Wesley This Quick Study Choral is a perfect blending of a classic hymn text with a lilting new melody. The addition of optional flute lends it a fresh, Celtic feel. The message of the love of God shown in Jesus Christ makes this one-rehearsal anthem useful for any Sunday of the year.
$2.95
2.71 €
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Love Divine
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Hope Publishing - Digital
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.2 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Slide Ride
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.2 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.9 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.6 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.6 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
I Am The Doctor
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.961592 Composed by Mur…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.961592 Composed by Murray Gold. Arranged by Neil Brownless. Contemporary. Score and parts. 57 pages. Neil Brownless #6217793. Published by Neil Brownless (A0.961592). This exciting music was the theme for Matt Smith's 11th incarnation of the Doctor in the BBC series Doctor Who. This version is for 6 tenor and 3 bass trombones.
$18.99
17.48 €
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Murray Gold
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I Am The Doctor
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Neil Brownless
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.6 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.2 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
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