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26
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9
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7
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5
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5
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3
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2
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String Quintet: 2 violins, 2 violas, cello
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4 Double Basses
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1
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OTHERS
Musical course - Solfege
136
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1451
No More Pain - Instrumental Version
Instrumental Solo,Sampler - Level 2 - Digital Download SKU: A0.1417500 By The Song …
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Instrumental Solo,Sampler - Level 2 - Digital Download SKU: A0.1417500 By The Song Factory. By Julie Carter. Arranged by Costas Christodoulou. Chamber,New Age,Religious. Individual part. 3 pages. Songs of Humanity #999036. Published by Songs of Humanity (A0.1417500). The instrumental version of an allegorical piece that seeks to bring comfort to those affected by the senseless killing of Palestinians. This composition is not about taking sides, moreover it pays homage to the extreme cruelty being meted out to a defenseless minority.
$1.99
1.8 €
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The Song Factory
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No More Pain - Instrumental Version
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Songs of Humanity
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SheetMusicPlus
Lochabar No More: Three Celtic Trios
Small Ensemble Dulcimer,Flute,Harp - Level 3 - Digital Download SKU: A0.963940 Arra…
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Small Ensemble Dulcimer,Flute,Harp - Level 3 - Digital Download SKU: A0.963940 Arranged by Reba Lunsford. Celtic,Folk. Score and parts. 35 pages. Reba Lunsford #4844841. Published by Reba Lunsford (A0.963940). Three delightful ensemble arrangements, consisting of one familiar Celtic tune plus two excellent Celtic medleys. Hammered Dulcimer parts are suitable for any C instrument. Solo lap harp versions of each piece are also included. The medley The Fiddler Dance the Light/Mor A Cheannaich swept the ensemble division of the Gulf Coast Harpers Celtic Contest a few years back. Hammered dulcimer/C Instrument carries the melody, trading off lead with harp while the flute plays countermelody. The lap harp version has left-hand melody with right hand descant. Song of the Water Kelpie has a dreamy setting with harmonies in the harp parts gradually expanding fuller and then tapering back, like ocean waves coming in and receding. It has right-hand harmonics in the opening measures. Hammered dulcimer plays in unison with the harp. Flute begins with a slow trill-like ornament, then plays almost canon style with the other two instruments through the middle section. The title selection, Lament for Limerick/Lochaber No More/Irish Lamentation Waltz is played mostly in unison among all three instruments. The full harp part can also be played solo. The left-hand of the harp part is mostly arpeggiated runs with some tenth dotted half note chords in between. An explanation of strathspey playing style and lyrics to Lochaber No More are also included.Table of Contents:Fiddler Dance the Light/Mor A Cheannaich, Song of the Water Kelpie, Lament for Limerick/Lochaber No More/Irish Lamentation Waltz
$15.00
13.6 €
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Lochabar No More: Three Celtic Trios
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Reba Lunsford
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SheetMusicPlus
Lullay, My Child, And Weep No More
Soprano solo, mixed choir and organ (piano) - difficult - Digital Download SKU: S9.Q630…
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Soprano solo, mixed choir and organ (piano) - difficult - Digital Download SKU: S9.Q6301 Carol. Composed by Sir Peter Maxwell Davies. This edition: choral score. The Royal Collection. Downloadable, Choral score. Op. 256, no.1. Duration 4 minutes. Schott Music - Digital #Q6301. Published by Schott Music - Digital (S9.Q6301). English.During his time as Master of the Queen's Music, Sir Peter Maxwell Davies wrote a new carol for Her Majesty the Queen each Christmas. Lullay, My Child, and Weep No More was the first in this series, written for Christmas 2004. All 10 carols are published in the Schott Royal Collection A setting of the traditional fifteenth century text for soprano solo, SATB choir and organ, Lullay, My Child, and Weep No More was first performed in St. James’s Palace by the choir of the Chapel Royal at the end of the 2004/2005 Christmas period.
$3.99
3.62 €
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Sir Peter Maxwell Davies
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Lullay, My Child, And Weep No More
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Schott Music - Digital
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SheetMusicPlus
Sigh No More Ladies - fixed media electronic piece
Digital Download SKU: A0.1068331 Composed by Samuel Stokes, William Shakespeare. 20…
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Digital Download SKU: A0.1068331 Composed by Samuel Stokes, William Shakespeare. 20th Century,Contemporary,Dance,New Age,Pop. Full Performance. Duration 193. SamuelStokesMusic.com #6070799. Published by SamuelStokesMusic.com (A0.1068331). This is an arrangement of Sigh No More Ladies from Shakespeare's Much Ado About Nothing set for voice and fixed media. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$1.99
1.8 €
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Samuel Stokes, William Shakespeare
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Sigh No More Ladies - fixed media electronic piece
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SamuelStokesMusic.com
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SheetMusicPlus
No More Tears
Small Ensemble - Level 3 - Digital Download SKU: A0.859703 Composed by Sydney Steve…
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Small Ensemble - Level 3 - Digital Download SKU: A0.859703 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score and parts. 5 pages. Sydney Stevens, Water Music #5954089. Published by Sydney Stevens, Water Music (A0.859703). Contact: sydneystevenspianostudio@gmail.comNo More Tears: Piano Solo by Sydney Stevens (ASCAP), from the album Waltz of Life.Performance Time: 3:09Sounds like: Liz Story, Peter Kater, Rachel Currea, Michelle Mclaughlin, Greg Star, Doug Hammer, Jim Chappell, Steven Cravis, Laura Sullivan, David Nevue, Scott Cossu.Theme: Moving forward after a difficult period of time.Mood: Hopeful, peacefulMusical Traits: Easy listening, New Age acoustics.Appropriate for: Recital, weddings, special music in church.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:
$4.95
4.49 €
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Sydney Stevens
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No More Tears
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Sydney Stevens, Water Music
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SheetMusicPlus
Chega De Saudade (no More Blues)
Small Ensemble - Level 3 - Digital Download SKU: A0.825874 Composed by Antonio Carl…
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Small Ensemble - Level 3 - Digital Download SKU: A0.825874 Composed by Antonio Carlos Jobim. Arranged by Anderson Quevedo. Contemporary. Score and parts. 2 pages. The Sheet Music Library #6700409. Published by The Sheet Music Library (A0.825874). Chega De Saudade (no More Blues) by Tom Jobim - Lead Sheet in Fm KeyComplete Chords and Melody with Intro and Outro in the Key of Fm, no lyrics.
$4.99
4.52 €
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Antonio Carlos Jobim
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Chega De Saudade
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The Sheet Music Library
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SheetMusicPlus
No More Auction Block for Me (Many Thousand Gone) - Low Voice
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David …
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #6035801. Published by David Neff (A0.829043). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This is a low-voice adaptation of an arrangement written for tenor Larry D. Hylton, who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty.
$4.99
4.52 €
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David Neff
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No More Auction Block for Me
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David Neff
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SheetMusicPlus
Love's constancy: No more shall meads be deckt with flowers
Vocal Solo,Voice - Digital Download SKU: A0.791608 Composed by Nicholas Lanier. Arr…
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Vocal Solo,Voice - Digital Download SKU: A0.791608 Composed by Nicholas Lanier. Arranged by Early Music Scores. Baroque,Classical. 3 pages. Early Music Scores #5720665. Published by Early Music Scores (A0.791608). Voice and continuoLove's constancy: No more shall meads be deckt with flowers. Composed by Nicholas Lanier (c.1588-1666). Baroque period. From Select Ayres and Dialogues , Second Book, published by John Playford (1669). Edited by Felipe Dias. 3 pages.
$6.99
6.34 €
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Nicholas Lanier
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Love's constancy: No more shall meads be deckt with flowers
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Early Music Scores
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SheetMusicPlus
Spiritual: I'll Never Turn Back No More (guitar vocal)
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.933482 Composed by Spiritual. Arranged by Mark Kline. Christian,Sacred,Spiritual. Score and parts. 1 pages. Mark Kline #3602941. Published by Mark Kline (A0.933482). Arrangement of the enigmatic Negro Spiritual, Ill Never Turn Back No More. Simple arrangement for guitar and medium vocal. (Easily raised to a higher key using a capo). Words used include lyrics of John Cennick's 1743 hymn, Jesus, My All, To Heaven Has Gone. A beautiful rendition of this spiritual is sung by the Fisk Jubilee Singers.
$2.95
2.67 €
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Spiritual
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Spiritual: I'll Never Turn Back No More
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Mark Kline
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SheetMusicPlus
Hard Times Come Again No More
Chorus - Digital Download SKU: AX.00-PO-0002734 Hard Times Come Again No More - …
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Chorus - Digital Download SKU: AX.00-PO-0002734 Hard Times Come Again No More - TTBB, a cappella. Choral. 5 pages. Alfred Music - Digital Sheet Music #00-PO-0002734. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002734). UPC: 029156150841.A cappella; Inst. Parts Available (choral).
$2.25
2.04 €
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Inst
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Hard Times Come Again No More
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hard Time Come Again No More - for Brass Ensemble, Steven Foster
Brass Ensemble Trumpet - Level 2 - Digital Download SKU: A0.1007917 Composed by Ste…
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Brass Ensemble Trumpet - Level 2 - Digital Download SKU: A0.1007917 Composed by Steven Foster 1854. Arranged by K.Sater. Folk. Score and parts. 3 pages. KS through Sheet Music Plus #6245483. Published by KS through Sheet Music Plus (A0.1007917). Hard Times Come Again No More arrangement for Brass Ensemble (3 Trumpet, 1 Flugelhorn, 1 Trombone). Tune by Steven Foster in 1854. Beginner-Intermediate level.
$5.00
4.53 €
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Steven Foster 1854
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Beginner-Intermediate level
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Hard Time Come Again No More - for Brass Ensemble, Steven Foster
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KS through Sheet Music Plus
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SheetMusicPlus
Hard Times Come Again No More - for Flute Ensemble, Steven Foster, Backing track for SO
Alto Flute,Bass Flute,Percussion - Digital Download SKU: A0.1071803 Composed by Ste…
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Alto Flute,Bass Flute,Percussion - Digital Download SKU: A0.1071803 Composed by Steven Foster 1854. Arranged by K.Sater. Folk. Accompaniment. Duration 132. KS through Sheet Music Plus #6246765. Published by KS through Sheet Music Plus (A0.1071803). Backing track for Flute Ensemble arrangement of Steven Foster's Hard Times Come Again No More. Sheet Music available under SO#965121. Track includes three full measures with percussion beat, with fourth measure containing start measure. Track includes full instrumentation with addition of percussion beat. Constructed to assist virtual players and ensembles.
$2.00
1.81 €
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Steven Foster 1854
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Hard Times Come Again No More - for Flute Ensemble, Steven Foster, Backing track for SO
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KS through Sheet Music Plus
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SheetMusicPlus
Chega De Saudade (no More Blues)
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.746238 Composed by Ant…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.746238 Composed by Antonio Carlos Jobim. Arranged by Michael Pilley. Jazz. Score and parts. 26 pages. Michael Pilley Music #5712205. Published by Michael Pilley Music (A0.746238). From the album Snappy Doo by James Morrison comes a catchy bossa-nova standard from the pen of Antonio Carlos Jobim that will really stretch your quartets range and rhythm. Get your audiences feet tapping with the infectious, easy-going latin groove and wow them with extreme acrobatics on the trombones. This is a transcription and arrangement of the track, with an open solo section and optional cut. Keeping the tone light will be useful for the easy-going sound you need for this style. Control and technique is required to play this chart properly, and some high chops all around the quartet. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic Follow Super Bone at https://www.youtube.com/superbonequartet, https://www.facebook.com/SuperBoneQuartet, https://twitter.comSuperBoneTweets and https://www.instagram.com/superbonequartet
$30.00
27.2 €
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Antonio Carlos Jobim
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Chega De Saudade
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Michael Pilley Music
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SheetMusicPlus
Caribbean Queen (no More Love On The Run)
Guitar,Piano - Level 3 - Digital Download SKU: A0.975676 By Billy Ocean. By Billy O…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.975676 By Billy Ocean. By Billy Ocean and Keith Vincent Alexander. Arranged by Trevor de Clercq. Contemporary. Score and part. 2 pages. Trevor de Clercq #6400847. Published by Trevor de Clercq (A0.975676). This Nashville Number Chart shows chord numbers for the harmonic content of the song and can be used by any instrument (e.g., piano, guitar, bass) to play along with the song or transpose the song into any key. No lyrics, melody, or detailed chord voicings are included.
$1.99
1.8 €
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Billy Ocean
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Caribbean Queen
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Trevor de Clercq
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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J
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549360 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.88 €
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Bach-Gounod
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Piano - S0
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Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
29.88 €
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.62 €
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Johann Sebastian Bach
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Music with No Name
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudi…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudiwa Williams. Chamber,Contemporary. 8 pages. Mudiwa Music #768655. Published by Mudiwa Music (A0.1168324). EMAIL ME FOR PARTS: mudiwamusic@gmail.comI joke that I am a hypocritical musician. As an audience member, I hate listening to really dissonant, contemporary music. Names like Schonberg, Stravinsky, Bartok, and so on don’t sit well with me. However, when writing music, I seem to lean pretty heavily on contemporary ideas like ostinatos, crunchy chords, and new harmonies. This piece started as an assignment to write 16 measures of music using pandiatonicism. Music that is pandiatonic is music with a feeling of more than one key. Every note is treated somewhat equal, so nothing sticks out as “tonic.†Try humming the tonic when listening to this piece. You can’t, because more than one exists. Since this is music with no tonic, it almost has “no name,†unlike how classical music may be labeled “Concerto in Eb Major.†I greatly appreciate the work of Austin Andrade, Aidan Lewis, Eithan Moreno, and Heather test, as the performers and director for this piece.
$12.00
10.88 €
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Mudiwa Williams
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Music with No Name
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Mudiwa Music
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SheetMusicPlus
Don't Get Around Much Anymore
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.74…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.746865 Composed by Bob Russell and Duke Ellington. Arranged by Music for all Occasions. Jazz,Standards. 8 pages. Keith Terrett #4784411. Published by Keith Terrett (A0.746865). Arranged for Clarinet Quintet Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington.The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
13.59 €
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Bob Russell and Duke Ellington
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.09 €
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Russian Dance from Nutcracker Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549710 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549710 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 15 pages. Jmsgu3 #3530271. Published by jmsgu3 (A0.549710). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.88 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Russian Dance from Nutcracker Suite for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549778 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549778 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 11 pages. Jmsgu3 #3535037. Published by jmsgu3 (A0.549778). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.88 €
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
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