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101
Little Snow Song
Small Ensemble - Digital Download SKU: A0.1017920 Composed by Andreas Kleinert. Con…
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Small Ensemble - Digital Download SKU: A0.1017920 Composed by Andreas Kleinert. Contemporary. Score and parts. 1 pages. Andreas Kleinert #6343421. Published by Andreas Kleinert (A0.1017920). Gerade ist der Winter vorbei; man kann es natürlich auch im Sommer spielen! Gemeint habe ich hier eine gewisse stille, intime und träumerische Atmosphäre, die sich einstellt, wenn alles mit einer frischen Schneedecke überzogen ist. Um die Melodie erst einmal ganz für sich wahrnehmen zu können ist es gut, wenn die Melodie erst einstimmig vorgetragen wird, bevor die zweite Stimme hinzutritt. Einmal ist die Melodie eine Oberstimme, danach die Unterstimme. Die hinzutretende zweite Stimme ist jeweils anders. Beide Stimmen sind rhythmisch etwas eigenwillig und lassen sich nicht wirklich in dem notierten Takt zählen. Sie sollen einfach ruhig und schwerelos dahin fließen. Now winter has passed, but you can also play it in summer! I meant a certain quiet intimate and dreamy atmosphere which occurs when everything is covered with fresh snow. In order to perceive the melody for itself it is good when the melody first is performed one voice alone before the second voice joins. First the melody is the upper voice, then the lower voice. The second voice is different both times. Both voices are a bit rhythmically idiosyncratic and can´t really be counted according to the written bar. They should flow there just calm and weightless.
$2.99
2.76 €
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Andreas Kleinert
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Little Snow Song
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Andreas Kleinert
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SheetMusicPlus
The quiet way you move me for wind quartet
Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapes…
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Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 219. David Warin Solomons #723324. Published by David Warin Solomons (A0.1122174). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The poem is by Nevil Frenkiel (from his play Barabbas) Sometimes when you fall asleep, it seems you take me with you deep into a peaceful land far from all the heartache; that you'll understand one day, you will understand one day the quiet way quiet way you move me quiet way quiet way you move me. Sometimes when you fall asleep it seems you take me with you, deep into a peaceful land far from all the heart ache. I find myself complete; I find myself repeating a prayer and smiling at the sky: the quiet way you move me even when you cry. Now within your drowsy eyes I can see why the world has lost all its wonders. A new dream is rising, impatient to begin. A new dream is rising impatient to begin. And when the dream is through, your hungry feelings will find me. My comfort is you. My comfort is you. The quiet way quiet way you move me quiet way quiet way you move me Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.
$4.00
3.7 €
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Budapest Scoring wind quartet
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The quiet way you move me for wind quartet
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David Warin Solomons
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SheetMusicPlus
O Sacred Head Now Wounded
Handbells 2-3 Octave handbells - Level 2 - Digital Download SKU: H1.1489DP Composed…
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Handbells 2-3 Octave handbells - Level 2 - Digital Download SKU: H1.1489DP Composed by Now Wounded and O Sacred Head. Arranged by Now Wounded and O Sacred Head. Lent, Sacred. Handbell score. 4 pages. Hope Publishing - Digital #1489DP. Published by Hope Publishing - Digital (H1.1489DP). Hassler.Hymn tune A quiet setting of the Hassler chorale tune. Ideal for Lent or Communion.
$5.25
4.85 €
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Now Wounded and O Sacred Head
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O Sacred Head Now Wounded
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Hope Publishing - Digital
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SheetMusicPlus
Quiet Night in the Woods
Instrumental Duet Instrumental Duet - Digital Download SKU: A0.1202121 Composed by …
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Instrumental Duet Instrumental Duet - Digital Download SKU: A0.1202121 Composed by Evan Pechacek. 20th Century,Contemporary,Instructional. Score and parts. 2 pages. Multi-Faceted #800768. Published by Multi-Faceted (A0.1202121). Ever been in a dark ally and you feel like something is going to jump out at you? This is the feeling this piece for Baritone Saxophone and Beatbox tries to create - when all nature goes quiet, the woods can feel like a treacherous place - who knows what could be lurking? This short piece is rather simple and straight forward. It asks for the saxophone player to improvise for a few measures as well as use slap tongue on notes!
$4.99
4.61 €
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Evan Pechacek
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Quiet Night in the Woods
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Multi-Faceted
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SheetMusicPlus
Minnesota Snow (Clarinet / Piano Trio
Small Ensemble Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.914809
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.914809 Composed by Lynn Hutchinson. 20th Century,Christmas,Concert,Contemporary. Score and parts. 9 pages. Lynn Hutchinson Music #4823251. Published by Lynn Hutchinson Music (A0.914809). A perennial favorite of my audience in Los Angeles, Minnesota Snow presents the crystal quiet of newly fallen snow. Spare and spacious, the setting is perfect as a concert piece, prelude, or offertory.
$12.00
11.1 €
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Lynn Hutchinson
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Minnesota Snow
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Lynn Hutchinson Music
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SheetMusicPlus
How Will I Know
Instrumental Duet,Piano Alto Voice,Instrumental Duet,Mezzo-Soprano Voice,Piano - Level 4 -…
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Instrumental Duet,Piano Alto Voice,Instrumental Duet,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1165696 Composed by Stevie Wonder. Arranged by Frieder Schmidt. Hip-Hop,Jazz,Pop,R & B. Score and parts. 2 pages. Frieder Schmidt #766066. Published by Frieder Schmidt (A0.1165696). The original key of How Will I Know (by Stevie Wonder) is quiet low for the Alto and very high for the Tenor. This version has been transposed upwards to the key of G-major,which should also be easier to read and the text has been adapted so that the song can be sung as a Duet by two Altos.
$4.99
4.61 €
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Stevie Wonder
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How Will I Know
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Frieder Schmidt
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SheetMusicPlus
Be Still and Know
Rhythm instruments - Digital Download SKU: H1.C5381RDP Composed by Steven Curtis Ch…
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Rhythm instruments - Digital Download SKU: H1.C5381RDP Composed by Steven Curtis Chapman. Arranged by Lloyd Larson. Contemporary, General Worship, Assurance, Comfort, Peace. Rhythm Parts. 14 pages. Hope Publishing - Digital #C5381RDP. Published by Hope Publishing - Digital (H1.C5381RDP). By Steven Curtis Chapman. Exodus:15:26 - Proverbs 29:25 - Psalms 143:8 - Psalms 20:7 - Psalms 46:10 - Psalms 46:11 - Psalms 91:2 - Mark 4:35 - Mark 4:36 - Mark 4:37 - Mark 4:38 - Mark 4:39 - Mark 4:40 - Mark 4:41 -.Popular anthem by Steven Curtis Chapman This popular Steven Curtis Chapman song expresses a quiet confidence in the care and comfort of our Father God. Lloyd Larson's gentle ballad setting is for SATB voices with optional rhythm.
$34.95
32.32 €
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Steven Curtis Chapman
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Steven Curtis Chapman
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Be Still and Know
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Hope Publishing - Digital
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Ocarina - Level 2 - Digital Download SKU: A0.1344221 By Jessica Simpson. By Jule St…
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Ocarina - Level 2 - Digital Download SKU: A0.1344221 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by songbooks.info. Advent,Christian,Christmas,Instructional,Religious. Score. 5 pages. Songbooks.info #929705. Published by songbooks.info (A0.1344221). “Let It Snow! Let It Snow! Let It Snow!†was written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California, during a heat wave. The song was first recorded by Vaughn Monroe in the fall of 1945, released shortly after Thanksgiving, and became an international hit at Christmas.The song was adapted for the Ocarina with 6 holes and provided with fingering images in English Crossfingering. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!„Let It Snow! Let It Snow! Let It Snow!“ wurde vom Texter Sammy Cahn und der Komponistin Jule Styne im Juli 1945 in Hollywood, Kalifornien, während einer Hitzewelle geschrieben. Das Lied wurde erstmals im Herbst 1945 von Vaughn Monroe aufgenommen, kurz nach Thanksgiving veröffentlicht und wurde zu Weihnachten ein internationaler Hit.Das Lied wurde für die Okarina mit 6 Löcher adaptiert und mit Griffbildern versehen - in English Crossfingering. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Jessica Simpson
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Let It Snow! Let It Snow! Let It Snow!
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songbooks.info
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Ocarina - Level 2 - Digital Download SKU: A0.1344217 By Jessica Simpson. By Jule St…
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Ocarina - Level 2 - Digital Download SKU: A0.1344217 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by songbooks.info. Advent,Christian,Christmas,Religious,Traditional. Score. 5 pages. Songbooks.info #929701. Published by songbooks.info (A0.1344217). “Let It Snow! Let It Snow! Let It Snow!†was written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California, during a heat wave. The song was first recorded by Vaughn Monroe in the fall of 1945, released shortly after Thanksgiving, and became an international hit at Christmas.The song was adapted for the Ocarina with 10/12 holes and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!„Let It Snow! Let It Snow! Let It Snow!“ wurde vom Texter Sammy Cahn und der Komponistin Jule Styne im Juli 1945 in Hollywood, Kalifornien, während einer Hitzewelle geschrieben. Das Lied wurde erstmals im Herbst 1945 von Vaughn Monroe aufgenommen, kurz nach Thanksgiving veröffentlicht und wurde zu Weihnachten ein internationaler Hit.Das Lied wurde für die Okarina mit 10/12 Löchern adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Jessica Simpson
#
Let It Snow! Let It Snow! Let It Snow!
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songbooks.info
#
SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Instrumental Solo,Tin Whistle - Level 2 - Digital Download SKU: A0.1345366 By Jessi…
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Instrumental Solo,Tin Whistle - Level 2 - Digital Download SKU: A0.1345366 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by songbooks.info. Advent,Christian,Christmas,Religious,Traditional. Individual part. 4 pages. Songbooks.info #930305. Published by songbooks.info (A0.1345366). “Let It Snow! Let It Snow! Let It Snow!†was written by lyricist Sammy Cahn and composer Jule Styne in July 1945 in Hollywood, California, during a heat wave. The song was first recorded by Vaughn Monroe in the fall of 1945, released shortly after Thanksgiving, and became an international hit at Christmas.The song was adapted for the Tin Whistle / Penny Whistle in D and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!„Let It Snow! Let It Snow! Let It Snow!“ wurde vom Texter Sammy Cahn und der Komponistin Jule Styne im Juli 1945 in Hollywood, Kalifornien, während einer Hitzewelle geschrieben. Das Lied wurde erstmals im Herbst 1945 von Vaughn Monroe aufgenommen, kurz nach Thanksgiving veröffentlicht und wurde zu Weihnachten ein internationaler Hit.Das Lied wurde für die Tin Whistle / Penny Whistle in D adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
5.08 €
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Jessica Simpson
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Let It Snow! Let It Snow! Let It Snow!
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songbooks.info
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SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.99 €
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Legacy for Clarinet, Violin, Cello, and Piano
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
13.86 €
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Sy Brandon
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Legacy for Clarinet, Violin, Cello, and Piano
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Sy Brandon
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SheetMusicPlus
Holst: A Somerset Rhapsody Op.21 - symphonic wind dectet
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU…
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1319293 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Folk. 50 pages. RayThompsonMusic #907927. Published by RayThompsonMusic (A0.1319293). A Somerset Rhapsody Op.21Arranged symphonic wind dectet/bass(Double wind quintet)NB Clarinets in A as in original orchestra (Parts in Bb also provided)Holst: A Somerset Rhapsody, Op. 21, was composed by Gustav HOLST in 1906, and was dedicated to Cecil Sharp, the renowned collector of English folksong music. It began as a work for orchestra called Folk Songs of Somerset, making use of 10 songs from the collections of Sharp. That work (on manuscript)was rediscovered in 2017 in New Zealand Holst reworked four of the tunes from that piece into the Rhapsody:The Sheep-Shearing Song (also known as It’s a Rosebud in June), invokes idyllic pastoral settings and is played at the beginning by the oboe d’amore (English Horn in the wind band version). High Germany, is a song about marching off to war, and is also used by Holst’s colleague, Ralph Vaughan Williams, in his own Folk Song Suite.True Love’s Farewell, is a song about lovers saying goodbye, and is sometimes also known as Ten Thousand Miles. The final tune used is The Cuckoo.Curiously, The Cuckoo does not seem to be recognised as one of the folk tunes used in this piece...the program note in the transcription refers only to the three other folk melodies, and many program notes omit any reference to The Cuckoo whatsoever.Though not a programmatic work, the composer once divulged to a colleague that the work told a story:Into a quiet country scene comes the sound of approaching soldiers. A youth who is courting a girl is persuaded to enlist and go to war. The soldiers march into the distance and the pastoral quietness returns. The girl is left alone.â€It works well for wind dectet.
$24.95
23.07 €
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Gustav Holst
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Holst: A Somerset Rhapsody Op.21 - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
This Is Winter (Three-part Mixed/SAB)
Three-part Mixed/SAB chorus - Digital Download SKU: C7.CGE1 Composed by Amy F Berno…
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Three-part Mixed/SAB chorus - Digital Download SKU: C7.CGE1 Composed by Amy F Bernon. Winter, Christmas. Sing! With Piano. Octavo. 12 pages. Chorister's Guild - Digital #CGE1. Published by Chorister's Guild - Digital (C7.CGE1). UPC: 749193021019.Composer Amy Bernon grew up in a snowy town, and her winter pieces go deep into the heart of the season. This secular original contrasts the quiet mysteriousness of a cold winter night with the celebratory snow globe feeling of a snowstorm. Moving from minor to major and incorporating key and tempo changes, this piece will challenge and intrigue young and developing singers.
$2.10
1.94 €
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Amy F Bernon
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This Is Winter
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Chorister's Guild - Digital
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - SATB, flute or violin or cello and piano with parts
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801678 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801678 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 14 pages. Connie Boss #6403523. Published by Connie Boss (A0.801678). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with parts for flute, violin and cello and piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
5.09 €
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French Carol - unknown
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Bring a Torch, Jeanette, Isabella - SATB, flute or violin or cello and piano with parts
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Connie Boss
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - SATB, cello and piano with parts page
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801675 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801675 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403511. Published by Connie Boss (A0.801675). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts and cello with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
5.09 €
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French Carol - unknown
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Bring a Torch, Jeanette, Isabella - SATB, cello and piano with parts page
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Connie Boss
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - SATB, flute and piano with parts page
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801674 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801674 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403503. Published by Connie Boss (A0.801674). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB, flute parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
5.09 €
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French Carol - unknown
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Bring a Torch, Jeanette, Isabella - SATB, flute and piano with parts page
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Connie Boss
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - String quintet and piano with parts
Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.8017…
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Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801705 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 17 pages. Connie Boss #6428045. Published by Connie Boss (A0.801705). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.net Bring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss  Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.  Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child  Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!  It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!  Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams
$5.50
5.09 €
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Unknown
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Bring a Torch, Jeanette, Isabella - String quintet and piano with parts
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Connie Boss
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - String quintet and piano
Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067513 Composed by Unknown. Ar…
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Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067513 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Spiritual. Accompaniment. Duration 178. Connie Boss #6429821. Published by Connie Boss (A0.1067513). This is an mp3 of a lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. Purchase the sheet music on here. cdboss@cvalley.net Bring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss  Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.  Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child  Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!  It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!  Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams
$1.99
1.84 €
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Unknown
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Bring a Torch, Jeanette, Isabella - String quintet and piano
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Connie Boss
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SheetMusicPlus
Jingle Bells for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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James Pierpont
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Jingle Bells for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Dawn in the Room for Baritone and Piano (mp3)
Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlins…
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Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 243. David Warin Solomons #1004219. Published by David Warin Solomons (A0.1422864). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons
$5.00
4.62 €
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Mark Rowlinson
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Dawn in the Room for Baritone and Piano
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David Warin Solomons
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SheetMusicPlus
Tiny Shattered Pieces
Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By…
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Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later – I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.   The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it – war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each other’s thoughts, propelling them and eventually bringing them to conclusion.    It should be noted that by the time I was reaching the end of the compositional process – a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.   The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.  The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.
$25.00
23.12 €
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Evelyn Glennie
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Tiny Shattered Pieces
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EAMUSIC
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.74 €
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.87 €
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Spiritual
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
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