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So, It's Like That
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On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.82 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.63 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Co…
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
7.27 €
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Grace Joy Reid
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Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Creating Music Joy
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SheetMusicPlus
Aquiles Priester's Top 100 Drum Fills Score Book
Percussion - Beginning; Intermediate; Advanced - Digital Download SKU: M0.30398MEB …
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Percussion - Beginning; Intermediate; Advanced - Digital Download SKU: M0.30398MEB Composed by Aquiles Priester. Percussion: Snare Drum. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30398MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30398MEB). ISBN 9781619116764. 8.75x11.75 inches.Usually books become movies. The history of the seventh art is so filled with examples that it's not worth citing one specific movie. That is the natural order of things. But what when this natural order is inverted and the movie becomes a book? That is what happened with drummer Aquiles Priester. After releasing two videos where he shows his unbeatable technique, in 2013 he released Aquiles Priester's Top 100 Drum Fills, a selection of fills that he recorded with the various bands he played in - Hangar, Angra, Freakeys. So, during the recording other fills were created and, as they were interesting ideas, they ended up being included in the package. This resulted in 150 fills, 100 of which were selected for the video - 25 ended up being included as bonus tracks, including themes with Hangar, Tony MacAlpine and Midas Fate. Like everything else he does, success was immediate. The video was voted Best Educational DVD of The Year by the renowned North-American magazine Modern Drummer, another feat for a musician used to accumulating similar feats. Now Aquiles Priester's Top 100 Drum Fills has just become a book. Many people asked me for the scores of the fills shown in the video, says Aquiles, and as I had almost everything written down, I decided to make their lives easier. It is another release by a musician used to breaking barriers as in 2011, when he became the only drummer in Brazilian history to enter the ranking of Modern Drummer magazine as 5th best prog metal drummer of the world, next to names like Neil Peart, Mike Portnoy, Gavin Harrison and Marco Minnemann. In 2015 Aquiles was once more nominated to take part of another poll and was elected best drummer in the hard rock category by the North-American magazine Drum!. More than that, he was also the first Brazilian drummer to have signature instruments released by manufactures such as Paiste, Pro-Mark and Mapex, besides having built a solid international career accompanying renowned musicians such as Tony MacAlpine and Vinnie Moore and being part of one of the biggest revelations of Brazilian metal in the last ten years, the band Noturnall. Includes access to online audio.
$19.99
18.28 €
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Aquiles Priester
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Intermediate
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Aquiles Priester's Top 100 Drum Fills Score Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
COME FARFALLA - Like butterfly - for Soprano (or Tenor) and mixed quintet
Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 …
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Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 Composed by Renato Tagliabue. Contemporary. Score and parts. 4 pages. Renato Tagliabue #6442851. Published by Renato Tagliabue (A0.724831). COME FARFALLA - Lirycs by Evelina FerrariCi sei, ma ancora nessuno può vederele belle tue ali coi loro colori;nascosta tra le foglie spuntate sul ramo,aspetti il tuo momento per volare in libertà .Sì, ti aprirai e ti mostrerai,tu così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Il tuo mondo finir dovrà ,ma nuovo e più bello, tu sai , comincia già .Chiusa la mente, non trova la via;il cuore è triste e pace non ha,ma Il bruco sa che poi lui rinascerà e,come una farfalla, finalmente volar potrà .Sì, ti aprirai e ti mostreraitu, così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Tutto cambia ed anche per tequalcosa di nuovo e più bello comincia già .-----------------------------Like ButterflyYou are there, but still no one can seeyour beautiful wings with their colors;hidden among the leaves sprouted on the branch,wait for your moment to fly freely.Yes, you will open up and show yourself,you so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Your world will have to end,but new and more beautiful, you know, it already begins.Closed the mind, it does not find the way;the heart is sad and has no peace,but the caterpillar knows that then he will be reborn and,like a butterfly, it will finally fly.Yes, you will open up and show yourselfyou, so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Everything changes and for you toosomething new and more beautiful is already beginning.
$12.90
11.8 €
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Renato Tagliabue
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COME FARFALLA - Like butterfly - for Soprano
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Renato Tagliabue
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SheetMusicPlus
Surfin' U.s.a.
Small Ensemble Drum Set,Horn - Level 3 - Digital Download SKU: A0.873894 By The Bea…
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Small Ensemble Drum Set,Horn - Level 3 - Digital Download SKU: A0.873894 By The Beach Boys. By Chuck Berry. Arranged by Petey C. Pop,Rock. Score and parts. 15 pages. Petey C. #6256089. Published by Petey C. (A0.873894). First of all, if you're considering purchasing this quartet, check out the store on my website https://peteyc.com/store to see what I have there. My arrangements there are cheaper and most of the revenue will go to the arranger (me) instead of sheet music plus.Another Beach boys quartet because The Beach Boys are great. As a teenager, I was definitely exposed to a fair amount of their music for some reason. It's not always easy to transform this kind of music into an idiom that sounds good as instrumental chamber music, however, this is part of my quest to develop a broad range of popular music that I can play live with a small group on the horn.This is great for university students and professionals... maybe even high school students. There are not a lot of great, challenging horn quartet arrangements out there, like this one is. This arrangement helps fill a niche for small ensemble in that horn quartet music typically lacks repertoire in most contemporary and rock genres. This one has a kit part included, which isn't necessary to perform this quartet, but might make it easier if a quartet to perform it with drums if they wanted to.The melody gets passed around a bit so it's fun and interesting for everyone. Score, parts and cover arts included. I hope someone out there tries this arrangement and has fun!
$12.99
11.88 €
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The Beach Boys
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Surfin' U.s.a.
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Petey C.
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SheetMusicPlus
Do That To Me One More Time
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797814
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797814 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock. Score and parts. 13 pages. Derek Hasted #6306437. Published by Derek Hasted (A0.797814). DO THAT TO ME ONE MORE TIME - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic melody deserves more fame than it gets, though when it first came out it was Captain and Tennille’s second No 1 hit on the Billboard Hot 100 chart.My arrangement captures the three verses that feature in this piece, and also contains the instrumental break (originally on the lyricon), with most of the ornamentation (except for the big bends that the lyricon can do electronically).This arrangement is set in the same keys as the original, and modulates from C to G (for the instrumental) and then to D.The accompaniment fits nicely on guitar, and it’s ideal for an intermediate duo. With the exception of the instrumental break, which is taken by Guitar 1, neither guitar part comes out of first position all that much, and both parts use familiar chord shapes, whichever key the piece is in at that moment...The roles of tune and accompaniment change over at each verse, so there’s plenty of variety for the players and audience alike.This is one of those pieces that a concert audience will be humming all the way home...I hope you enjoy playing this piece!
$4.99
4.56 €
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Captain & Tennille
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Do That To Me One More Time
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Derek Hasted
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SheetMusicPlus
Children's Song No. 4
Acoustic Guitar,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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Acoustic Guitar,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1225865 By Chick Corea. By Chick Corea. Arranged by André Nusa. 20th Century,Jazz,Standards. 13 pages. Andre_Nusa #821903. Published by Andre_Nusa (A0.1225865). This guitar and clarinet duo arrangement of Chick Corea's Children's Song No. 4 is a playful and melodic interpretation of this jazz classic. The guitar sets a rhythmic pattern with a percussive and driving groove, while the clarinet floats above with the playful melody. The arrangement highlights the playful, child-like nature of the composition, emphasizing the whimsical melody and simple harmonies that make it so memorable. The guitar provides a steady foundation, while the clarinet adds a lightness and airiness that evokes the playful nature of the composition. This arrangement is perfect for intermediate to advanced guitar and clarinet players who want to explore the world of jazz and add some fun and excitement to their repertoire. It's a great way to showcase the unique capabilities of both instruments and delight audiences with a dynamic and engaging performance.
$5.99
5.48 €
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Chick Corea
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Children's Song No. 4
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Andre_Nusa
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SheetMusicPlus
Children's Song No. 4
Acoustic Guitar,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1225872
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Acoustic Guitar,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1225872 By Chick Corea. By Chick Corea. Arranged by André Nusa. 20th Century,Jazz,Standards. 13 pages. Andre_Nusa #821910. Published by Andre_Nusa (A0.1225872). This guitar and viola duo arrangement of Chick Corea's Children's Song No. 4 is a playful and melodic interpretation of this jazz classic. The guitar sets a rhythmic pattern with a percussive and driving groove, while the viola floats above with the playful melody. The arrangement highlights the playful, child-like nature of the composition, emphasizing the whimsical melody and simple harmonies that make it so memorable. The guitar provides a steady foundation, while the viola adds a lightness and airiness that evokes the playful nature of the composition. This arrangement is perfect for intermediate to advanced guitar and viola players who want to explore the world of jazz and add some fun and excitement to their repertoire. It's a great way to showcase the unique capabilities of both instruments and delight audiences with a dynamic and engaging performance.
$5.99
5.48 €
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Chick Corea
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Children's Song No. 4
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Andre_Nusa
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SheetMusicPlus
Children's Song No. 4
Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1225867
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Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1225867 By Chick Corea. By Chick Corea. Arranged by André Nusa. 20th Century,Jazz,Standards. 13 pages. Andre_Nusa #821905. Published by Andre_Nusa (A0.1225867). This guitar and flute duo arrangement of Chick Corea's Children's Song No. 4 is a playful and melodic interpretation of this jazz classic. The guitar sets a rhythmic pattern with a percussive and driving groove, while the flute floats above with the playful melody. The arrangement highlights the playful, child-like nature of the composition, emphasizing the whimsical melody and simple harmonies that make it so memorable. The guitar provides a steady foundation, while the flute adds a lightness and airiness that evokes the playful nature of the composition. This arrangement is perfect for intermediate to advanced guitar and flute players who want to explore the world of jazz and add some fun and excitement to their repertoire. It's a great way to showcase the unique capabilities of both instruments and delight audiences with a dynamic and engaging performance.
$5.99
5.48 €
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Chick Corea
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Children's Song No. 4
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Andre_Nusa
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SheetMusicPlus
Children's Song No. 4
Acoustic Guitar,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1225870
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Acoustic Guitar,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1225870 By Chick Corea. By Chick Corea. Arranged by André Nusa. 20th Century,Jazz,Standards. 13 pages. Andre_Nusa #821908. Published by Andre_Nusa (A0.1225870). This guitar and cello duo arrangement of Chick Corea's Children's Song No. 4 is a playful and melodic interpretation of this jazz classic. The guitar sets a rhythmic pattern with a percussive and driving groove, while the cello floats above with the playful melody. The arrangement highlights the playful, child-like nature of the composition, emphasizing the whimsical melody and simple harmonies that make it so memorable. The guitar provides a steady foundation, while the violoncello adds a lightness and airiness that evokes the playful nature of the composition. This arrangement is perfect for intermediate to advanced guitar and violoncello players who want to explore the world of jazz and add some fun and excitement to their repertoire. It's a great way to showcase the unique capabilities of both instruments and delight audiences with a dynamic and engaging performance.
$5.99
5.48 €
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Chick Corea
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Children's Song No. 4
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Andre_Nusa
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SheetMusicPlus
Children's Song No. 4
Acoustic Guitar,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1225869…
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Acoustic Guitar,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1225869 By Chick Corea. By Chick Corea. Arranged by André Nusa. 20th Century,Jazz,Standards. 13 pages. Andre_Nusa #821907. Published by Andre_Nusa (A0.1225869). This guitar and oboe duo arrangement of Chick Corea's Children's Song No. 4 is a playful and melodic interpretation of this jazz classic. The guitar sets a rhythmic pattern with a percussive and driving groove, while the oboe floats above with the playful melody. The arrangement highlights the playful, child-like nature of the composition, emphasizing the whimsical melody and simple harmonies that make it so memorable. The guitar provides a steady foundation, while the oboe adds a lightness and airiness that evokes the playful nature of the composition. This arrangement is perfect for intermediate to advanced guitar and oboe players who want to explore the world of jazz and add some fun and excitement to their repertoire. It's a great way to showcase the unique capabilities of both instruments and delight audiences with a dynamic and engaging performance.
$5.99
5.48 €
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Chick Corea
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Children's Song No. 4
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Andre_Nusa
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.72 €
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Spiritual
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.65 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
A Mother's Child (El Noi De La Mare)
Acoustic Guitar,Medium-High Voice,Medium-Low Voice - Level 3 - Digital Download SKU: A0…
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Acoustic Guitar,Medium-High Voice,Medium-Low Voice - Level 3 - Digital Download SKU: A0.1111418 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 179. DML #713705. Published by DML (A0.1111418). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period. El Noi De La Mare, in English A Mother's Child, is really a lullaby but is so strongly associated with Christmas that it can be considered a carol. It has a great many verses but I have chosen three that I both like and felt I could translate. The tune is lovely and this arrangement for two voices and guitar takes advantage of that both in the guitar part and the harmonised vocal part. The score is also available on Sheet Music Plus and Sheet Music Direct.
$1.99
1.82 €
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Simon James, Daniel Thomas, Matthew Thomas
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A Mother's Child
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DML
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SheetMusicPlus
My Baby (A Mother's Lullaby) - violin duet and piano
String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss…
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String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331181. Published by Connie Boss (A0.801631). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - duet and piano
Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Compo…
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Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Composed by Connie Boss. Children,Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6330861. Published by Connie Boss (A0.801630). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is a piano accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - cello and violin duet and piano
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
Take It To The Limit
C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Hen…
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C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Henley, Glenn Frey, and Randy Meisner. Arranged by Ian Fitze. Country,Folk,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. Ian Fitze #1000577. Published by Ian Fitze (A0.1419147). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This lead sheet is designed for experienced musicians who are looking for an easy-to-read lead sheet that gives the outline of the song. The melody has been simplified to make the lead sheet more readable. In most cases your vocalist will be performing from memory based on the recording. The original backing vocals are quite involved, so most performances will just inclue one or two improvised parts sung in the spirit of the original track.A NOTE ABOUT THE KEY: in every version of this tune that I could find (except the Miley Cyrus), the guitars play in G. The version given with Randy Meisner singing lead is in B major - guitars playing CAPO 4. Apparently, singing this tune live (with the soaring ad lib vocals at the end) ended up being too taxing for Randy Meisner and legend has it that disagreements about performing it live (at least in part) ended up with him leaving the group.When Glen Frey sang this in the 2000's and 2010's he did it in G as written here.When Vince Gill sang this in the 2020's he did it in A major - guitars playing CAPO 2.I reccomend using G or A major - a female singer might want to do it in C major (like the Miley Cyrus version). https://youtu.be/KI7YNyL-nt8?si=pCAQXZowUYxDTqa9.
$3.99
3.65 €
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The Eagles
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Take It To The Limit
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Ian Fitze
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SheetMusicPlus
3 Catalan Carols For Voice & Guitar-A Mother's Child
Small Ensemble Acoustic Guitar,Medium-High Voice,Medium-Low Voice - Level 3 - Digital Down…
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Small Ensemble Acoustic Guitar,Medium-High Voice,Medium-Low Voice - Level 3 - Digital Download SKU: A0.1111557 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Score and parts. 17 pages. DML #713850. Published by DML (A0.1111557). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period and not specifically for use in church. A Mother's Child (El Noi De La Mare) is really a lullaby but is so strongly associated with Christmas that it can be considered a carol. It has a great many verses but I have chosen three that I both like and felt I could translate. This is a lovely tune and suits the guitar well, using two voices allowed some development of the original melody.
$5.99
5.48 €
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Simon James, Daniel Thomas, Matthew Thomas
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3 Catalan Carols For Voice & Guitar-A Mother's Child
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DML
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SheetMusicPlus
"I'm So Cold" Track 3. Next: The Musical (A Sidekick Story)
Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068587 Composed by Angel…
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Alto Voice,Piano,Soprano voice - Digital Download SKU: A0.1068587 Composed by Angela Fox. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 157. Angela Fox #3895863. Published by Angela Fox (A0.1068587). Original Cast Recording of Next: The Musical (A Sidekick Story). Winner of two Fringe Festival Awards! Next- Zoey and Ensemble Me and My Shelf- Zoey and Ensemble I'm So Cold- Zoey and Abby Nervous- Zoey Spelling Bee- Abby and Ensemble Shadowbox- Zoey and Narrator The Girl That No One Knows- Abby, Zoey, and Ensemble Next Reprise- Zoey, Abby, Narrator, and EnsembleDo you ever feel like the sidekick in your friendship? Has your name tag ever been printed Jamie's friend? Is your Instagram full of pictures of your friends and.. your elbow. You may be suffering from sidekick-itis. But there is a cure! Sing along with the original cast of Next: The Musical (A Sidekick Story), a kid's musical from the sidekick's point of view. Great for all ages!Next is a heartfelt and honest musical comedy about issues we all face in our lives. It follows the friendship between Zoey, a shy girl who often feels unnoticed, and her best friend Abby, the girl that everyone knows and loves.Original Cast: Zoey: Honora Smith Abby: RoRo Germ Narrator: Angela Fox Hilary: Ellen Orzoff Janelle: Abbey Bortel Nicole: Zoey Corsaro Vernon: Jacob McKinney Written by Tim Wick, Jason Kruger and Angela Fox Music and lyrics by Angela Foxhttp://www.angelafoxmusic.com/theater-and-film.html
$1.99
1.82 €
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Angela Fox
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"I'm So Cold" Track 3. Next: The Musical
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Angela Fox
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SheetMusicPlus
"Habanera" from Bizet's Carmen - for String Trio (ANY COMBINATION) - Score & Parts.
String Ensemble,String Trio - Digital Download SKU: A0.799744 Composed by Georges B…
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String Ensemble,String Trio - Digital Download SKU: A0.799744 Composed by Georges Bizet. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 23 pages. Dr. Grant Gilman #3622021. Published by Dr. Grant Gilman (A0.799744). Habanera from Bizet's Carmen - for String Trio (ANY COMBINATION) - Score & Parts. Composed by Georges Bizet (1838-1875). Arranged by Grant Gilman. Classical. Digital Sheet Music. This trio arrangement uses the original, complete vocal part of the Habanera with an easily accessible accompaniment. Most importantly, it is arranged for any combination of strings! Divided into A, B, and C parts for each instrument you can play this trio in the following combinations:Violin, Viola, CelloViolin, Violin, CelloViolin, Violin, ViolinViola, Viola, CelloViola, Viola, ViolaCello, Cello, CelloYou can even switch it up so that your cellist plays the A part, while the violin plays the C part. So many possibilities!Use this at a gig or as a showcase to give your audience fully immersing experience with an old standard.I am here to specialize! Please do not hesitate to contact me if you would like some modifications: ggmuze@gmail.com.
$11.99
10.97 €
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Georges Bizet
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Parts
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"Habanera" from Bizet's Carmen - for String Trio
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Dr. Grant Gilman
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SheetMusicPlus
"Habanera" from Bizet's Carmen - for String Duet (ANY COMBINATION) - Score & Parts
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.799742 Com…
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.799742 Composed by Georges Bizet. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 19 pages. Dr. Grant Gilman #3623883. Published by Dr. Grant Gilman (A0.799742). This duo arrangement draws on the original, complete vocal part of the Habanera with an easily accessible accompaniment. Most importantly, it is arranged for any combination of strings! Divided into A and B parts for each instrument you can play this trio in the following combinations: Violin, Violin Violin, Viola Violin, Cello Viola, Viola Viola, Cello Cello, Cello You can even switch it up so that your cellist plays the A part, while the violin plays the B part. So many possibilities! Use this at a gig or as a showcase to give your audience fully immersing experience with an old standard. I am here to specialize! Please do not hesitate to contact me if you would like some modifications: Â Conductor@grantgilman.comwww.grantgilman.com
$9.99
9.14 €
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Georges Bizet
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"Habanera" from Bizet's Carmen - for String Duet
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Dr. Grant Gilman
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SheetMusicPlus
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