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Wanted To Be
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I Wanna Be
Instrumental Solo - Level 2 - Digital Download SKU: A0.1039128 By Jackaleen Justice…
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Instrumental Solo - Level 2 - Digital Download SKU: A0.1039128 By Jackaleen Justice. By Jackaleen Justice. Arranged by Jackaleen Justice. Country,Traditional. Individual part. 4 pages. Angelical Realm #644090. Published by Angelical Realm (A0.1039128). Song Creation The creation of this song describes a person who is in love with another person. The Composer, Ms. Jackaleen Justice does a great job using the lyrics to tell a story of love and desire. The musical piece is efficient in describing these loving emotions and the desire to be with the one she loves so dearly. In creating this musical artwork, the composer wanted to evoke an idea of wanting to be in a relationship with the person she has merely only been friends with for years. The other person in the song has been her best friend and the singer is telling the story of her desires to be with them. The Composer wanted to help those around the world who have been in similar positions to be able to relate to those feelings through this piece of musical artwork. Song Composition While creating the rhythm for this song, the composer aimed for a moderately slow tempo. After the lyrics were added, the target of approximately 110 - 120 was perfect resulting in 115 beats per minute. In the end, the tempo was perfect for the song, because it made the final piece sound much more polished and superior. Giving the song the perfect beat and ideal for the lyrics of the song. Song Completion This musical piece is perfect for someone looking for a well-written and well-composed song that has rhythm which makes it stand out from all the others on the market. With the right vocalist, this song has great potential in the music industry. This song is by far, one of my favorite song’s I have written and composed. Song Lyrics The Lyricist, Ms. Jackaleen Justice, truly achieved success in the crafting of an original song that really maximize the emotional notes of this music piece. She desired to exploit this song’s best emotional states through the lyrics of this song. With inspiration from her own life stories, she had much success in arriving at a piece of musical perfection.
$19.99
18 €
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Jackaleen Justice
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I Wanna Be
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Angelical Realm
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SheetMusicPlus
Now, Be Sharp!
Level 3 - Digital Download SKU: A0.1464018 Composed by Stanley M Hoffman. Arranged …
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Level 3 - Digital Download SKU: A0.1464018 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical. 6 pages. Stanleymhoffman.com #1042729. Published by stanleymhoffman.com (A0.1464018). I wanted to make certain to have plenty of B sharp pitches present in my composition for the B# Chamber Trio! So, I wrote it in the key of C# Major/A# Minor. To remain true to the title, I gave the piece a relatively brisk tempo. Now, be sharp!---Music: © Copyright 2024 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved.
$5.00
4.5 €
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Stanley M Hoffman
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Now, Be Sharp!
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stanleymhoffman.com
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SheetMusicPlus
Salute to Ukraine for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1473902 Composed by Clive Longhurst. 21st Century,March,Patriotic. Brass Band. 45 pages. Clive Longhurst #1051623. Published by Clive Longhurst (A0.1473902). I wanted to create a march that musicians around the globe can perform in support of the brave defenders of Ukraine. And I hope I have achieved this.The Trio features the Ukrainian National Anthem in its entirety.There is also a concert band version, and subject to feedback from a local orchestra, an orchestral version. The first I have had the courage to tackle.If the uptake is great enough, I shall be donating some of the proceeds to the charity 'War Child', which helps children in war-torn countries.If you require parts for instruments not already included, please do contact me at: clive.longhurst57@gmail.com. Thank you.
$12.00
10.81 €
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Clive Longhurst
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Salute to Ukraine for Brass Band
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Clive Longhurst
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.59 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.79 €
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Steven H
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.79 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Ikh bin a meidel in de jóren for mezzo, flute, cello and guitar (mp3)
Cello,Flute,Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1396715 By Car…
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Cello,Flute,Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1396715 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 86. David Warin Solomons #980057. Published by David Warin Solomons (A0.1396715). Based on a traditional Yiddish folk song[Lyrics - English version below]Ikh bin a meidel in de jóren vos hosti mir in kop fardreit Ikh volt shoin lang a kaleh gevoren un efsher khasene gehot Un efsher geit es dir in nadan mayn mama veit farkoifen a shtib Nu lomir beide khasene hoben vayl ikh dikh hob take lib Un efsher geit es dir in yikhes mayn zeide iz gewesen a rov Nu lomir beide khasene hoben un zol shoin nemen a sof I am an old maid alreadyand you've been fooling meI've long wanted to be a brideand get marriedMaybe you're concerned about the dowryMy mother will sell a houselet us both marrybecause I love you so muchMaybe you're concerned about pedigreeMy grandfather was a rabbilet us both marryand let that be an end of it.
$4.50
4.05 €
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Carla Moraga
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Ikh bin a meidel in de jóren for mezzo, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
eingefroren
Clarinet, violin and piano - advanced - Digital Download SKU: S9.Q6285 In der Er…
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Clarinet, violin and piano - advanced - Digital Download SKU: S9.Q6285 In der Erinnerung. Composed by Christian Jost. This edition: score and parts. Downloadable, Score and parts. Duration 10 minutes. Schott Music - Digital #Q6285. Published by Schott Music - Digital (S9.Q6285). Originally, Christian Jost wanted to be an astronaut, but it did not work out. Instead, he became one of the most successful composers of the younger generation. His latest chamber music work, eingefroren, is paving a musical way into the human memory. Distributed evenly among all three instruments, fragments of flashing motifs and short film-like phrases of memories stored in the subconscious are flickering.
$39.99
36.02 €
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Christian Jost
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eingefroren
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Schott Music - Digital
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.79 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.41 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Home Again Guitar Minus Vocal
Guitar - Digital Download SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accomp…
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Guitar - Digital Download SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99
1.79 €
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Home Again Guitar Vocal Performance
Guitar,Voice - Digital Download SKU: A0.1069974 Composed by Steven H. Boothe. Pop. …
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Guitar,Voice - Digital Download SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publishing (A0.1069974). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99
1.79 €
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Steven H
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Home Again Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Mediterraneo - Score Only
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By J…
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
8.11 €
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Alicia DomÃnguez Arcos Sonay
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Lovely
Large Ensemble Choir,Flute,Orff Instrument,Voice - Level 3 - Digital Download SKU: A0.8…
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Large Ensemble Choir,Flute,Orff Instrument,Voice - Level 3 - Digital Download SKU: A0.874274 By Billie Eilish. By Billie Eilish, Billie Eilish O'Connell, Finneas O'Connell, and Khalid Robinson. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Pop. Score and parts. 41 pages. As do Ray meflute studio production #6865945. Published by as do Ray meflute studio production (A0.874274). LOVELYLovely by Billie Eilish, Khalid and Finneas O'Connell , from the tv show series 13 reasons Why arranged for flute choir by me, Ray-Michael Kauffman. This arrangement was written and dedicated to Professor Morgann E. Davis Parrish , Flute Professor at Millersville University, PA , and also dedicated to the Millersville University First Flute Day. This arrangement is also a special one in the fact that this is a Composition that Cares, meaning all money made from this goes to charity, for treatment of mental illness and trauma victims. To purchase and support this cause , please go to https://www.sheetmusicplus.com/publis... and check my website out at www.doRaymeflute.com ******* About the instrumental part scoring, this arrangement was created and intended for flutists of all ages and abilities, and levels , backgrounds and experience to be able to play this.Because of this musical arrangement being created and premiered for and at Millersville University’s First Flute Day on 4/2/2022 ( hosted and created by the incredible Flute Professor at Millersville U. Morgann E. Davis Parrish ), I knew I could enable and create parts for the instrumental scoring that could add more depth and texture, and interest to both the players and audience ( no matter what the flutist’s ability is – because every one should and can play in a flute ensemble and make great music with others and HAVE FUN!! =0)) The two added / extra special parts are Flute E-M and Flute H-C. Flute E-M or C flute part 6 stands for elementary or more beginner player. I have easy rhythms/ notes, key signature and note values and wanted them to experience some melody as reflected in the part. If there is something still tricky for the player, please modify their part so they can enjoy in performing. Flute H-C stands for high school and more advanced playing . High schoolers want more of a challenge, so I wanted to create something both with more complexity and interest, but with in their means of ability as hopefully I reflected here. https://youtu.be/dEz-6bZtzKk
$18.99
17.1 €
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Billie Eilish
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Lovely
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as do Ray meflute studio production
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SheetMusicPlus
West, A Drive Back from Denver
Glockenspiel,Marimba,Vibraphone - Level 1 - Digital Download SKU: A0.1168353 Compos…
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Glockenspiel,Marimba,Vibraphone - Level 1 - Digital Download SKU: A0.1168353 Composed by Mudiwa Williams. Chamber,Children,Classical. 7 pages. Mudiwa Music #768684. Published by Mudiwa Music (A0.1168353). EMAIL ME FOR PARTS: mudiwamusic@gmail.comThis piece also started as an assignment, but for my percussion methods class, rather than for my composition lessons. Our final was to play each other pieces with our knowledge we gained throughout the semester. As a composer, I wanted to consider the fact that everyone was going to be sightreading, so I wanted it to be as accessible as possible. This is an easy piece you give to a new group of middle school percussion students. The 2 students on the marimba share melodic ideas, and keep the tempo steady. The bells and vibraphone have a cute conversation throughout the piece, and it wraps up nicely with a ritardando, showing that the sun has finally set. I was inspired by watching the sunset as I drove through the mountains on my way back to Alamosa from Denver. The sky was a beautiful mix of purple, orange, and pink, while the sky was dark enough to make the trees look black against the bright white snow. Colorado is so gorgeous.
$12.00
10.81 €
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Mudiwa Williams
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West, A Drive Back from Denver
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Mudiwa Music
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SheetMusicPlus
You're A Mean One, Mr. Grinch
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.140…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Film/TV,Holiday,Jazz,Pop. 12 pages. Donald Jay Smith Music #989057. Published by Donald Jay Smith Music (A0.1406006). This was a natural contrast to the soothing jazz style of “Christmas Time is Here.†The in your face jazz/blues style of “You’re a Mean One, Mr. Grinch†was a style the students had not experienced, but adapted to immediately and joyfully! The appeal that puts this arrangement over the top is the way it portrays the story with a tender violin solo echoed by (spoiler alert) the solo Cello Grinch voice at the end.While teaching at the high school level, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert.  Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!
$12.99
11.7 €
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Albert Hague and Dr Seuss
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You're A Mean One, Mr. Grinch
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Donald Jay Smith Music
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SheetMusicPlus
Winter Love
Small Ensemble,Strings Piano - Level 5 - Digital Download SKU: A0.873039 Composed b…
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Small Ensemble,Strings Piano - Level 5 - Digital Download SKU: A0.873039 Composed by Sally Whitwell. Contemporary. Score and parts. 22 pages. Sally Whitwell #3875723. Published by Sally Whitwell (A0.873039). I first met the Acacia Quartet a couple of years back, playing in a show I put together for Sydney Philharmonia Choirs, T​ he Beatles Unplugged​. What a joy to discover a quartet of such expert musicians who are also so open to playing such a wide variety of music, from The Beatles to Brahms! I wrote this piece ​Winter Love​ for us to perform together.Composing a piece for specific performs is, I imagine, something like tailoring a bespoke suit. I wanted to give them something with which they could show off their unique versatility; creating rich, warm, blended sounds one minute and fiery, energetic, even whimsical tones the next. I didn’t want to write just a quartet at the time because, perhaps selfishly, I simply wanted to be a part of it!The title makes it seem like the work is programmatic, but it’s not. I just couldn’t think of a title for it. My partner Glennda came up with that, and I dedicate the piece to her.-- Sally Whitwell
$9.99
9 €
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Sally Whitwell
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Winter Love
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Sally Whitwell
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SheetMusicPlus
Christmas Time Is Here
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.140…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406003 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Donald Jay Smith. Contemporary,Film/TV,Holiday,Jazz,Pop. 9 pages. Donald Jay Smith Music #989052. Published by Donald Jay Smith Music (A0.1406003). I always adored this song from the Charley Brown series. While teaching at the high school level one year, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert. Â Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!
$12.99
11.7 €
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Lee Mendelson and Vince Guaraldi
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Christmas Time Is Here
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Donald Jay Smith Music
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SheetMusicPlus
Days
12-String Guitar,Acoustic Guitar,Alto Voice,Drums,Electric Bass Guitar,Mezzo-Soprano Voice…
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12-String Guitar,Acoustic Guitar,Alto Voice,Drums,Electric Bass Guitar,Mezzo-Soprano Voice,Piano,Tambourine - Level 1 - Digital Download SKU: A0.1472001 By Kirsty MacColl and The Kinks. By Ray Davies. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Historic,Pop. Full Performance. Duration 177. Kirstie Smith #1049698. Published by Kirstie Smith (A0.1472001). Full audio performance of SSAA choral score and guitar ensemble arrangement of 'Days'An enjoyable arrangement perfectly tailored for Ladies’ Choirs and highly suitable for mixed voice choral groups.Written by Ray Davies and released by The Kinks in 1968, this choral score has been lovingly crafted to capture the essence of Kirsty MacColl's 1989 cover version, making great use of rich alto voices to harmonise and on occasion even sing the melody!‘Days’ is an absolute classic to delight audiences and singers alike, and may be performed with instrumental ensemble or with the accompanying backing track audio. In 1994, Kirsty MacColl told James Bennett, I think my version is a bit slower [than the Kinks' original], I wanted to give it the ABBA treatment. I wanted people to think that it's a Kirsty MacColl song when they hear it. Related Items;SSAA Choral Score with guitar chords - ID 1574445 Instrumental Accompaniment Audio (Band) MP3 – ID 1574524 Bass Part PDF – ID 1574457
$4.99
4.49 €
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Kirsty MacColl and The Kinks
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Days
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Kirstie Smith
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SheetMusicPlus
Days
12-String Guitar,Acoustic Guitar,Electric Bass Guitar,Electric Guitar,Electronic Drums,Pia…
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12-String Guitar,Acoustic Guitar,Electric Bass Guitar,Electric Guitar,Electronic Drums,Piano,Tambourine - Level 1 - Digital Download SKU: A0.1472078 By Kirsty MacCol. By Ray Davies. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Historic,Pop. Accompaniment. Duration 177. Kirstie Smith #1049776. Published by Kirstie Smith (A0.1472078). Accompaniment Audio MP3 for SSAA choral score and piano / guitar ensemble arrangement of 'Days'.Perfectly tailored for Ladies’ Choirs and highly suitable for use by mixed voice choirs and community choral groups.Written by Ray Davies and released by The Kinks in 1968, the SSAA choral arrangement has been lovingly crafted to capture the essence of Kirsty MacColl's 1989 cover version, making great use of rich alto voices to harmonise and on occasion even sing the melody!‘Days’ is an absolute classic to delight audiences and singers alike, and may be performed with instrumental ensemble or with the accompanying backing track audio. In 1994, Kirsty MacColl told James Bennett, I think my version is a bit slower [than the Kinks' original], I wanted to give it the ABBA treatment. I wanted people to think that it's a Kirsty MacColl song when they hear it. Related Items;SSAA Choir Choral Score with guitar chords ID 1574445 Instrumental Accompaniment Audio (Band Backing Track) MP3 – ID 1574524 Full Audio Performance MP3 ID 1574447Bass Part PDF – ID 1574457
$4.99
4.49 €
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Kirsty MacCol
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Days
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Kirstie Smith
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SheetMusicPlus
Vichnaya Pamyat
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
12.6 €
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Various
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Vichnaya Pamyat
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Di…
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
12.6 €
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Various
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.02 €
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.02 €
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.51 €
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Spiritual
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
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