Download Digital Sheet Music of Autograph for Violin and Piano

Autograph
Violin and Piano

Suite Violin and Piano

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q5761 Compos…(+)

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q5761 Composed by Erwin Schulhoff. This edition: Sheet music. Downloadable. Duration 21 minutes. Schott Music - Digital #Q5761. Published by Schott Music - Digital (S9.Q5761). Here is a piece of music that is fun to play, an early work by a composer of the late Dada period and classical jazz. Erwin Schulhoff made his name in the 1920s with piano music inspired by jazz and Dadaistic compositions. This five-movement suite for violin and piano falls into the first phase of maturity in Schulhoff's musical development. In 1911 the young composer proudly gave this work the title Opus 1, thus deliberately setting it above a whole series of earlier compositions. The Suite, which is published here for the first time, combines boisterous fun with a wealth of witty ideas. In the autograph manuscript the words â€œEroticismâ€ and â€œDance of the little devilsâ€ have been written above the first and last movements of the violin part. Theatrical interpretations are therefore entirely appropriate.
$28.99 26.37 € #Violin and Piano #Erwin Schulhoff #Suite #Schott Music - Digital #SheetMusicPlus

Rhapsody Violin and Piano

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q50069 Compo…(+)

Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q50069 Composed by Istvan Szelenyi. This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q50069. Published by Schott Music - Digital (S9.Q50069). The Hungarian composer IstvÃ¡n SzelÃ©nyi (1904-1972) studied with ZoltÃ¡n KodÃ¡ly and later himself became a lecturer at the Budapest Academy of Music. This Rhapsody, published here for the first time, was written in 1956 for the Henryk Wieniawski Composition Competition in Warsaw. On the autograph manuscript SzelÃ©nyi noted in French a saying of his former composition teacher ZoltÃ¡n KodÃ¡ly: la musique est pour tous - Music is the property of the community â€“ it belongs to everyone. A virtuoso concert piece in free rhapsodic form, suitable for competitions and concert performance.
$21.99 20 € #Violin and Piano #Istvan Szelenyi #Rhapsody #Schott Music - Digital #SheetMusicPlus

Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). PremiÃ¨re Sonate pour piano et violonI. ModÃ©rÃ©II. Assez lentIII. AnimÃ©IV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais Ã©tÃ© trÃ¨s content d'avoir Ã©crit Ã§a.)The first performance of the Sonata was given by the pianist ThÃ©rÃ¨se Cahen (1897-1944) and the violinist Hortense de Sampigny (? â€“ 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to RenÃ© Benedetti. ThÃ©rÃ¨se Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the BibliothÃ¨que national in Paris.

Sarabanda Violin and Piano

Violin and piano - intermediate - Digital Download SKU: S9.Q45875 For violin and…(+)

Violin and piano - intermediate - Digital Download SKU: S9.Q45875 For violin and piano. Composed by Ottorino Respighi. This edition: score and part. Early work - piano - violin. Downloadable, Score and part. Duration 5 minutes. Schott Music - Digital #Q45875. Published by Schott Music - Digital (S9.Q45875). The Sarabanda for violin and piano (P015a) is a short composition consisting of three pages dated 1897, published here for the first time. The original manuscript is part of the private archive of Potito Pedarra, cataloguer of Ottorino Respighiâ€™s compositional legacy. Ottorino Respighi composed this work during his youth in the same year as the Sonata in D minor (1897, P015), Giga (P015b) and Allegretto vivace (P015c), all scored for violin and piano. In 1898, Respighi transposed the Sarabanda to F major in order to incorporate it into the Suite per pianoforte (P022, unedited). Traces of the Sarabandaâ€™s theme are recognizable in the Grave (Tempo di Sarabanda) of the second part of the unedited ballet Le Astuzie di Colombina (Scherzo veneziano), composed in 1920 (P130, unedited). The autograph manuscript of the Sarabanda for violin and piano has a number of posthumous markings which have not been included in this edition.
$7.99 7.27 € #Violin and Piano #Ottorino Respighi #Sarabanda #Schott Music - Digital #SheetMusicPlus