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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
for
Not classified
118,343
Piano & keyboards
Piano solo
182,065
Piano, Vocal and Guitar
121,132
Piano, Voice
79,093
Easy Piano
39,578
Organ
11,195
Big Note Piano
7,131
C Instruments
6,839
1 Piano, 4 hands
5,254
Piano Accompaniment
5,180
Accordion
4,210
Piano Trio: piano, violin, cello
1,424
2 Pianos, 4 hands
928
Piano (band part)
547
Piano Quartet: piano, violin, viola, cello
394
Organ, Trumpet (duet)
341
Piano Quartet: piano, 2 violins, cello
307
Organ, Piano (duet)
225
Accordion, Voice
209
Melody line, Piano
206
Piano Quintet: piano, 2 violins, viola, cello
205
Harpsichord
166
1 Piano, 6 hands
117
Keyboard
98
2 Accordions
51
Solo instrument and Organ
44
2 Pianos, 8 hands
39
Accordion ensemble
22
All Instruments
17
Organ, Voice
16
Fake Book
13
Accordion, Piano
12
2 Organs (duet)
8
Accordion and Orchestra
6
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion, String(s)
5
Piano ensembles
5
Organ and Orchestra
4
Concertina
3
3 Pianos
2
+ 34 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
56,514
Melody line, (Lyrics) and Chords
30,216
Guitar
20,386
Lyrics and Chords
13,762
Ukulele
10,157
Bass guitar
8,561
2 Guitars (duet)
1,504
Guitar (band part)
1,294
Mandolin
739
Piano, Guitar (duet)
723
4 Guitars (Quartet)
689
Banjo
663
Guitar Ensemble
489
Dulcimer
445
3 Guitars (trio)
292
Band Scores
280
Baritone Ukulele
257
Lap Steel Guitar
155
Electric Bass (band part)
117
Ukulele Ensemble
114
Mandolin, Piano (duet)
57
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
Dobro
36
2 Dulcimers (duet)
25
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
6
Guitar, String Quartet
6
Plectrum Orchestra
5
Lute
4
Guitar Tab, Voice, Bass, Drum
2
Guitar, Harp
2
2 Guitars, Clarinet (trio)
1
2 Guitars and Orchestra
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
41,596
Choral 3-part
16,991
Choral 2-part
12,081
Choral
7,064
Voice solo
7,040
Choral TTBB
6,908
Choral Unison
4,613
Choral SSAA
3,939
Vocal duet, Piano
3,230
Choral Instrumental Pak
1,324
Vocal duet
1,280
High voice
1,191
Soprano voice, Piano
1,020
Alto voice, Piano
660
Tenor voice, Piano
613
Low voice, Piano
610
Baritone voice, Piano
428
Voice, Guitar
260
Medium voice, Piano
259
Medium Voice
240
Choral SSATB
126
Tenor voice
117
Mezzo-Soprano voice, Piano
112
Choral SSAATTBB
104
Soprano voice
71
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Choral SSATBB
50
Choral SSATTB
47
Choral SSAB a cappella
46
Low voice
43
Children choir
42
Choral SSAB, Piano
39
Baritone voice
17
High voice, Piano
17
Choral SSAATB
12
Choral SATBB
10
Voix Masculines
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SATTBB A Cappella
4
Choral SAATB A Cappella
4
Lyrics only
3
Choral SATTB
2
Children choir, Piano
2
Voice, Basso continuo
2
Choral SATTBB, keyboard
2
Choral SSAATB A Cappella
2
+ 43 instrumentations
-
Retract
Woodwind
Saxophone
17,083
Flute
17,046
Clarinet
15,073
Saxophone (band part)
14,858
Flute and Piano
10,356
Clarinet (band part)
9,035
Alto Saxophone
8,953
Clarinet and Piano
7,918
Saxophone Quartet: 4 saxophones
7,694
Tenor Saxophone
7,666
Oboe, Piano (duet)
5,967
Alto Saxophone and Piano
5,856
2 Saxophones (duet)
5,772
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,751
2 Flutes (duet)
5,058
Clarinet Quartet: 4 clarinets
4,870
Flute, Oboe, Clarinet, Bassoon
4,852
Oboe (band part)
4,440
2 Clarinets (duet)
4,333
Tenor Saxophone and Piano
4,326
Flute (band part)
3,695
Flute Quartet: 4 flutes
2,768
Soprano Saxophone and Piano
2,571
Saxophone Quintet: 5 Saxophones
2,241
Recorder
2,110
Oboe
2,076
3 Saxophones (trio)
2,068
3 Clarinets (trio)
2,032
Flute, Clarinet (duet)
1,798
Flute and Guitar
1,760
Clarinet Ensemble
1,506
Flute Trio: 3 flutes
1,443
Flute ensemble
1,215
Soprano Saxophone
1,164
Baritone Saxophone, Piano
1,112
2 Oboes (duet)
1,086
Saxophone ensemble
1,022
Clarinet Quintet: 5 clarinets
970
English horn, Piano
959
Eb Instruments
892
Recorder Quartet
852
Flute, Violin
804
Oboe, Bassoon (duet)
786
2 Recorders (duet)
772
Clarinet, Violin (duet)
761
Ocarina
676
Descant (Soprano) Recorder
672
Oboe, Clarinet (duet)
658
Saxophone, Clarinet (duet)
633
Harmonica
633
Flute, Clarinet and Bassoon.
550
Flute, Oboe, Clarinet (trio)
546
Flute, Violin, Piano
513
Clarinet, Guitar (duet)
480
Treble (Alto) Recorder
461
Bass Clarinet, Piano
461
Clarinet, Bassoon (duet)
458
Flute, Violoncello
436
Flute, Oboe, Bassoon
429
3 Recorders (trio)
423
Flute Quintet : 5 flutes
390
Flute, Oboe (duet)
390
Oboe, Clarinet, Bassoon (trio)
361
Piccolo
335
Oboe, Flute
334
Clarinet, Trumpet (duet)
324
Flute, Clarinet, Piano (trio)
312
English Horn
310
Flute, Viola (duet)
300
Flute, Trumpet (duet)
299
Clarinet, Cello (duet)
289
Clarinet and Viola
267
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
256
Flute, Cello, Piano (trio)
246
Baritone Saxophone
230
Flute, Violin and Violoncello
229
Recorder Ensemble
221
2 Saxophones, Piano
212
Oboe, Cello
207
Bass Clarinet
195
2 Flutes, Piano
195
2 Clarinets, Piano
180
Oboe, Violin (duet)
177
3 Oboes
164
Descent (Soprano) Recorder, Piano
153
Flute, Trombone (duet)
147
Saxophone and Piano
146
Treble (Alto) Recorder, Piano
138
Flute, Oboe, Violin
121
Saxophone and Guitar
117
Oboe, Guitar (duet)
115
Pennywhistle
111
Recorder, Piano
111
Flute, Bassoon, and Piano
110
Clarinet, Cello, Piano (trio)
108
Flute, Clarinet, Violin (trio)
103
English Horn, Guitar (duet)
100
Flute, Oboe, Piano (trio)
90
Tenor Recorder
89
Clarinet, Trombone (duet)
87
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Wind ensemble
79
Flute, Harp and Cello
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
4 Oboes
73
Oboe and viola (duet)
73
Flute, Organ (duet)
70
Flute, Viola and Piano
67
Recorder, Guitar (duet)
61
Saxophone and Organ
61
Piccolo, Piano
56
Bagpipe
55
Flute, Violin, Violoncello and Piano
53
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Oboe, Harp
46
Flute, Tuba (duet)
45
Saxophone and Harp
44
Saxophone, Bassoon (duet)
43
Treble (Alto) Recorder, Basso continuo
43
Harmonica, Piano
42
Flute and Strings Trio
38
Clarinet, Bassoon, Piano (trio)
36
Oboe, Trombone (duet)
36
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
2 English horns and Pianoforte
28
Clarinet Quintet: Clarinet, String Quartet
28
Flute, Cello, Guitar
26
Flute, Violin, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Flute, Orchestra
20
Oboe, Cello and Piano
20
Saxophone and cello
19
Oboe, Bassoon and Piano
17
Flute and String Quartet
17
2 Oboes, Piano
17
Clarinet, Double bass (duet)
16
Flute, Viola and harp
16
2 Recorders, Piano
14
2 Flutes and Guitar
13
Clarinet, Orchestra
13
Oboe, Violin, Piano
13
Oboe, Clarinet and Piano (Trio)
12
Oboe ensemble
11
Recorder, Harp
10
Saxophone, Tuba (duet)
9
English horn, Harp (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Oboe, Organ
7
Flute, Viola and Cello
7
Flute, Basso continuo
7
Descant (Soprano) Recorder, Basso continuo
6
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Oboes and English horn
5
2 Oboes and Basson
4
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Oboe and String quartet
3
Melodica
2
Oboe and Orchestra
2
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
2 Flutes, Basso continuo
1
2 clarinets, 2 bassoons
1
Flute, viola, cello and guitar
1
Flute, Guitar, Piano
1
3 Recorders, Piano
1
2 Oboes, 2 Horns and 2 Bassoons
1
Clarinet, Saxophone, Piano
1
+ 173 instrumentations
-
Retract
Woodbrass
Trumpet
14,536
Trombone
11,761
Trombone (band part)
11,150
Brass Quintet: 2 trumpets, horn, trombone, tuba
7,692
Trumpet (band part)
7,549
French horn
5,782
Trumpet, Piano
5,451
Trombone and Piano
4,572
French horn (band part)
4,042
Tuba (band part)
3,493
French Horn and Piano
3,288
Brass quartet : 2 trumpets, trombone, tuba
3,148
2 Trumpets (duet)
2,463
Tuba
2,428
2 Trombones (duet)
2,141
Brass Quartet: 2 trumpets, horn, trombone
1,544
Tuba and Piano
1,533
Brass Quartet
1,430
Trumpet, Trombone (duet)
1,231
Euphonium
1,103
Brass Quartet: 4 trombones
1,048
Bass Clef Instruments
981
2 French horns (duet)
977
English horn, Piano
959
Bb Instruments
918
Euphonium, Piano (duet)
897
Brass Quartet: 4 horns
754
Trumpet, Saxophone (duet)
599
4 Tubas
557
Brass Trio
489
Trumpet, Horn (duert)
484
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
357
2 Tubas (duet)
315
English Horn
310
F Instruments
297
3 Trumpets (trio)
276
Brass Quartet: 4 trumpets
230
Trumpet ensemble
229
2 Euphoniums and 2 Tubas
225
Horn Ensemble
209
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
129
2 Trumpets, Keyboard (piano or organ)
125
Trumpet, violin (duet)
110
Trumpet, Tuba (duet)
109
Bass Trombone
102
Trumpet, Bassoon (duet)
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
87
Trombone, Tuba (duet)
81
Trombone, Horn (duet)
80
Bass Trombone and Piano
79
3 French horns (trio)
77
Trombone, Violin (duet)
76
2 Euphoniums (duet)
76
Trumpet, Cello (duet)
72
Tuba ensemble
66
Horn, Tuba (duet)
59
Trombone, Organ
57
French Horn and Harp
52
Trumpet, Harp
39
Trumpet, Cello, Piano
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Trombone, Piano
36
French horn and Basson (duet)
35
Clarinet, Horn (duet)
30
2 English horns and Pianoforte
28
Horn and Organ
22
3 Tubas (trio)
20
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
2 Trombones, Piano
15
Trombone, Viola (duet)
14
Euphonium (band part)
14
Trumpet, Orchestra
12
3 Euphoniums
11
2 French horns, Piano
11
Cornet and Piano
11
Brass Quintet: 2 trumpets, horn, 2 trombones
9
English horn, Harp (duet)
9
Flügelhorn
7
Trombone and Orchestra
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
4 Euphoniums
4
Horn and Orchestra
3
Bass Saxhorn or Euphonium or Tuba and Piano
2
Euphonium or Saxhorn and Piano
2
Cornet and Orchestra
2
+ 90 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
19,840
Violin
16,928
Violin and Piano
13,420
Cello
10,960
Viola
9,640
Cello, Piano
8,528
Harp
6,485
Viola, Piano
6,303
Violin (band part)
5,399
2 Violins (duet)
4,446
Violin, Cello (duet)
4,192
String Trio: violin, viola, cello
3,423
2 Cellos (duet)
3,109
Doublebass (band part)
3,093
Violin, Viola (duet)
2,141
Cello (band part)
2,076
Viola (band part)
1,789
Double Bass
1,708
2 Violas (duet)
1,695
String Quintet: 2 violins, viola, cello, bass
1,588
Double bass, Piano (duet)
1,275
String Trio: 2 violins, cello
1,195
Viola, Cello (duet)
942
String Trio: 3 violins
795
4 Cellos
781
Violin, Guitar (duet)
737
Piano Trio: Violin, Viola, Piano
708
Harp, Flute (duet)
680
Cello, Guitar (duet)
568
String trio
512
String Trio: 3 cellos
480
2 Harps (duet)
458
String quartet: 4 violins
374
Harp, Violin (duet)
360
Viola, Guitar (duet)
340
String Trio: 3 violas
271
String Trio: 2 violins, viola
267
2 Double basses (duet)
263
Cello, String Bass (duet)
238
String Quartet : 4 violas
231
Violin, Bassoon (duet)
194
2 Violins, Piano
152
Viola and Bassoon
116
Harp, Cello (duet)
115
String Quintet: 2 violins, 2 violas, cello
92
Viola and Harp
68
Cello Ensemble
66
4 Double Basses
66
Violin, Organ
63
Harp, Voice
61
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
53
Cello, Organ
51
2 Cellos, Piano
50
String Quintet: 2 violins, viola, 2 cellos
46
Violin ensemble
41
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
3 Harps
29
Harp and Piano
29
Harp and mandolin
22
3 double basses
20
Autoharp
18
2 Violas, Piano
17
Cello and Marimba
15
Violin, Cello, Clarinet
15
Viola, Organ
14
Harp (band part)
14
Harp, Trombone (duet)
14
Viola and orchestra
11
4 Harps
10
Violin, Trumpet and Piano
10
Violin, Basso continuo
10
Harp, Orchestra
7
Harp and Organ
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
+ 78 instrumentations
-
Retract
Orchestra & Percussion
Concert band
37,597
Orchestra
14,769
String Orchestra
13,131
Jazz Ensemble
9,743
Drums
8,397
Percussion (band part)
4,800
Handbells
4,625
Marching band
4,406
Brass ensemble
4,303
Chamber Orchestra
2,884
Percussion
2,583
Jazz combo
1,661
Timpani (band part)
1,601
Percussion Ensemble
1,036
Drum (band part)
983
Marimba
433
Xylophone
366
Vibraphone
299
Timpani
286
Snare drums
159
Woodwind Quintet
141
Xylophone, Piano
115
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
44
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
27
Flexible Instrumentation
25
School Ensemble
23
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
9
2 Marimbas
9
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
2 Snare Drums (duet)
3
Voice and Orchestra
3
3 Percussions
3
Vibraphone (band part)
2
Conga
2
Symphonic Band
2
2 Percussions
2
Marimba or Xylophone and Piano
2
Xylophone (band part)
2
Bodhran
2
Voice Mezzo-Soprano, Orchestra
1
Marimba, Saxophone (duet)
1
Snare drums, Piano
1
+ 50 instrumentations
-
Retract
Others
Musical course - Solfege
276
Music Theory
14
Stationery
5
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SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
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Grieg: Ase's Death from Peer Gynt Suite for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549527 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Contemporary,Romantic Period,Sacr...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549527 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Contemporary,Romantic Period,Sacred,Standards. 11 pages. Jmsgu3 #3505751. Published by jmsgu3 (A0.549527). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$28.95
Grieg: Anitra's Dance from Peer Gynt Suite for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549549 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549549 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. 16 pages. Jmsgu3 #3507483. Published by jmsgu3 (A0.549549). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549571 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549571 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. 18 pages. Jmsgu3 #3508655. Published by jmsgu3 (A0.549571). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549505 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sac...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549505 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 17 pages. Jmsgu3 #3502195. Published by jmsgu3 (A0.549505). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Peer Gynt Suite Complete for Violin & Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.551512 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Roma...
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Piano,Violin - Level 4 - Digital Download SKU: A0.551512 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. 62 pages. Jmsgu3 #5306359. Published by jmsgu3 (A0.551512). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach: Bist du bei mir BWV 508 for Violin & Piano
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Violin and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standard...
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Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Violin & Piano
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Violin and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Violin &
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,S...
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Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Korean Simple Suite No.1 (For Violin and Piano)
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Violin and Piano
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INTERMEDIATE
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.511710 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. 27 pages. Han-K...
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Piano,Violin - Level 3 - Digital Download SKU: A0.511710 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. 27 pages. Han-Ki Kim #4629463. Published by Han-Ki Kim (A0.511710). This Korean Simple Suite is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone, And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is Major key, but has deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. P.S.You Tube link - played by String Orchestra(Just for a reference).Han-Ki KimViolinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s Dobřichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.90
O Holy Night for Violin & Piano
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Violin and Piano
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EASY
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Christmas
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Adam
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James M
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O Holy Night for Violin & Pian
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #34...
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Piano,Violin - Level 2 - Digital Download SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published by jmsgu3 (A0.548680). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Turkish March by Beethoven for Violin and Piano
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Violin and Piano
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EASY
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.1239662 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period...
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Piano,Violin - Level 2 - Digital Download SKU: A0.1239662 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 3 pages. Woods Only, Arrangements #835053. Published by Woods Only, Arrangements (A0.1239662). This arrangement adapted for violin and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Ode to Joy by Beethoven for Violin and Piano
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Violin and Piano
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BEGINNER
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Vi
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.1241138 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. 5 p...
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Piano,Violin - Level 1 - Digital Download SKU: A0.1241138 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. 5 pages. Woods Only, Arrangements #836533. Published by Woods Only, Arrangements (A0.1241138). This arrangement adapted for violin and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
Schubert: Ave Maria for Violin & Piano
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Violin and Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Violin
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 p...
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Piano,Violin - Level 1 - Digital Download SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411155. Published by jmsgu3 (A0.548703). A Violin Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Violin part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Bohemian Folk Song, for three violins and piano
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Violin and Piano
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BEGINNER
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Christopher A
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Bohemian Folk Song, for three
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909588 Arranged by Christopher A. Sforza. Contemporary,Folk,S...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909588 Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 4 pages. Christopher A. Sforza #4894489. Published by Christopher A. Sforza (A0.909588). Dobrú noc, má milá known by many simply as Bohemian Folk Song is a hauntingly beautiful lullaby which translates to Goodnight my Dear. This arrangement for three violins is perfect to teach and reinforce low second fingers and can be performed in a multitude of ways; solo with piano, duo with piano, trio with piano, unaccompanied duet, and unaccompanied trio. Included is the piano and violin scores.
$2.25
Theme from Slavonic March, for two violins and piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Christopher A
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Theme from Slavonic March, for
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.909598 Composed by Peter Ilyich Tchaikovsky. Arranged by Chri...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.909598 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher A. Sforza. Folk,Romantic Period,Standards. Score and parts. 4 pages. Christopher A. Sforza #4898137. Published by Christopher A. Sforza (A0.909598). The Slavonic March, Op. 31 or Marche slave is an orchestral tone poem poem by Pyotr Ilyich Tchaikovsky. The famous somber melody from the work is based a Serbian folk song. This arrangement for two violins and piano is a great piece to reinforce augmented-second finger patterns. The arrangement can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included is both the piano and violin duet scores.
$2.25
Shorter Pieces for Violin and Piano
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Violin and Piano
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Rebecca Clarke
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Shorter Pieces for Violin and
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Oxford University Press Digital
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SheetMusicPlus
Violin and piano - Digital Download SKU: OX.9780193203532 Composed by Rebecca Clarke. Score. 22 pages. Oxford University Press Digital #9780193203532. Pu...
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Violin and piano - Digital Download SKU: OX.9780193203532 Composed by Rebecca Clarke. Score. 22 pages. Oxford University Press Digital #9780193203532. Published by Oxford University Press Digital (OX.9780193203532). ISBN 9780193203532.All Clarke's shorter pieces for violin and piano, comprising new editions of 'Chinese Puzzle' and 'Midsummer Moon' and the first publication of 'Lullaby', all edited from materials from Clarke's personal library.
$34.25
Ach! du lieber Augustin, for two violins and piano
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Violin and Piano
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EASY
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Christopher A
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Ach! du lieber Augustin, for t
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909600 Arranged by Christopher A. Sforza. Contemporary,Folk,S...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909600 Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 6 pages. Christopher A. Sforza #4898465. Published by Christopher A. Sforza (A0.909600). A popular children's song also known in a variant form as Did You Ever See a Lassie? This arrangement for two violins and piano can be preformed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included is both the piano and violin duet scores.
$2.25
Sonata for Violin and Piano no. II
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Violin and Piano
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ADVANCED
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Contemporary
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Martin Watt
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Sonata for Violin and Piano no
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Martin Watt
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.1027527 Composed by Martin Watt. Contemporary. 27 pages. Martin Watt #1989183. Published by Martin Watt...
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Piano,Violin - Level 5 - Digital Download SKU: A0.1027527 Composed by Martin Watt. Contemporary. 27 pages. Martin Watt #1989183. Published by Martin Watt (A0.1027527). The macro-structure of this single-movement work is cast in a modified sonata form. The exposition presents two contrasting themes, followed by the development of this material, and a recapitulation, which returns to thematic contents of the exposition. The modification of traditional sonata form lies in the recapitulation of the themes in reversed order. This reversal allows for the formation of an arch structure, where the climax is achieved in the middle of the work, rather than at the end. The recapitulation is truncated, as it restates the thematic material of the beginning in a more fragmented, referential and disintegrated form. Generally, the musical language is grounded in extended tonality, which serves as a platform for the organic treatment small musical units.
$9.99
Für Elise, for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Violin and Pia
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David McKeown
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.587572 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Rom...
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Piano,Violin - Level 3 - Digital Download SKU: A0.587572 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. 8 pages. David McKeown #4361595. Published by David McKeown (A0.587572). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Violin with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Violin and Piano
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Violin and Piano
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INTERMEDIATE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.594429 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. 4 pages. Dav...
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Piano,Violin - Level 3 - Digital Download SKU: A0.594429 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. 4 pages. David McKeown #6658373. Published by David McKeown (A0.594429). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Violin with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
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Violin and Piano
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INTERMEDIATE
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Jazz
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YO YO MA and Kathryn Stott
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Flavio Regis Cunha
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Rachmaninoff: Zdes' Khorosho,
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Flavio Regis Cunha
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis C...
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of AntonÃn Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
$7.99
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
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Violin and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Cabbage Marathon, for two violins and piano
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Violin and Piano
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BEGINNER
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Christopher A
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Cabbage Marathon, for two viol
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909574 Arranged by Christopher A. Sforza. Folk,Instructional,...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909574 Arranged by Christopher A. Sforza. Folk,Instructional,Standards. Score and parts. 7 pages. Christopher A. Sforza #3675033. Published by Christopher A. Sforza (A0.909574). Boil' em Cabbage Down is well-known fiddle tune that exists in many different forms and variations. This arrangement utilizes important beginning bow strokes and rhythms while only spanning the notes A, B, C Sharp, and D. The piano and second violin accompaniment add richness and style to the simplicity of the melody. The arrangement allows the performers to play three different ways; as a solo with piano, two violins and piano, or as a violin duet without piano.Included is the piano score and duet part as well as fingering suggestions.
$2.25
Waltz for Martha for Violin (with optional Clarinet)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Musi...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
Sullivan: The Lost Chord for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
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