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TO GOD BE THE GLORY One Movement Hymn Sonata (for Horn in F and Piano with Score/Part) French Horn and Piano

French Horn,Piano - Level 3 - Digital Download SKU: A0.617742 Composed by William H…(+)

French Horn,Piano - Level 3 - Digital Download SKU: A0.617742 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6047225. Published by The Lanier Company (A0.617742). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Horn in F and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99 8.28 € #French Horn and Piano #William H #TO GOD BE THE GLORY One Movement Hymn Sonata #The Lanier Company #SheetMusicPlus

French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the â€œCity of Musicâ€ as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home. Â While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe. Â This lead Schubert in the year of 1815 to compose the well-known ErlkÃ¶nig, op. 1 D. 328, based upon Goetheâ€™s poem Der ErlkÃ¶ning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King.Â Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day. Â Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goetheâ€™s poem, Der ErlkÃ¶nig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the â€œking of the elves,â€ a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand.Â The story of the ErlkÃ¶nig is considered by some to have come from the Danish folk ballad Elveskud, and that Goetheâ€™s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder. Â It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The ErlkÃ¶nig translates literally from the German as â€œAlder Kingâ€ rather than the commonly used â€œElf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

I Heard The Bells On Christmas Day French Horn and Piano

French Horn,Piano - Level 2 - Digital Download SKU: A0.1044452 Composed by Henry Wa…(+)

French Horn,Piano - Level 2 - Digital Download SKU: A0.1044452 Composed by Henry Wadsworth Longfellow and Johnny Marks. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred,Standards,Traditional. Score and part. 8 pages. Exultet Music #649186. Published by Exultet Music (A0.1044452). The tender setting by Johnny Marks set to the words by Henry Wadsworth Longfellow has been freshly arranged for a French Horn solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99 4.59 € #French Horn and Piano #Henry Wadsworth Longfellow and Johnny Marks #I Heard The Bells On Christmas Day #Exultet Music #SheetMusicPlus

Homage French Horn and Piano

Horn & piano - Digital Download SKU: IZ.IMS159 Composed by Gary Gazlay. Score and P…(+)

Horn & piano - Digital Download SKU: IZ.IMS159 Composed by Gary Gazlay. Score and Parts. 8 pages. Imagine Music - Digital #IMS159. Published by Imagine Music - Digital (IZ.IMS159). 9 x 12 in inches.The word homage is defined as dutiful respect; reverence; honor that is shown or expressed publicly. Homagewas inspired by Matthew 19:19, and is dedicated to my mom and dad. They were both powerful influences in mylife, and demonstrated throughout their lifetime to our family what it means to sacrifice for the ones that you love.It is my hope that Homage will provide students with a song that they will enjoy learning to play and provide othermusic educators with a teaching tool that can be used in helping to motivate and encourage their students.
$12.00 11.05 € #French Horn and Piano #Gary Gazlay #reverence #Homage #Imagine Music - Digital #SheetMusicPlus

3 ONE MOVEMENT HYMN SONATAS (for Horn in F and Piano with Score/Parts) French Horn and Piano

French Horn,Piano - Level 3 - Digital Download SKU: A0.617751 Composed by Gary Lani…(+)

French Horn,Piano - Level 3 - Digital Download SKU: A0.617751 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6049169. Published by The Lanier Company (A0.617751). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Horn in F and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99 18.41 € #French Horn and Piano #Gary Lanier, Lowell Mason, Traditional, and William H #3 ONE MOVEMENT HYMN SONATAS #The Lanier Company #SheetMusicPlus

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire. Â While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment. Â Â As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Straussâ€™ attention. Â Straussâ€™ admiration for Gilmâ€™s work eventually brought him to compose a series of eight art songs found in Gilmâ€™s literary collection Letzte BlÃ¤tter (Last Leaves or Last Pages).Â Straussâ€™ completed musical work, entitled Acht Lieder aus â€˜Letzte BlÃ¤tter,â€™ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Straussâ€™ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.