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You've selected:
Feel Again
Flute and Piano
Sheetmusic to print
7 sheet music found
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1
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
32.27 €
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Flute and Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
Flat as a Flute - Flute solo w piano accompaniment
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Con…
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
5.52 €
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Flute and Piano
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Mike Lyons
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Flat as a Flute - Flute solo w piano accompaniment
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Lyons Music Services
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SheetMusicPlus
Drifting Clouds
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1373716 Composed by Lawren…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1373716 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958106. Published by Lawrence H Underwood (A0.1373716). This original composition by veteran performer and music educator, Lawrence Underwood, is the fifth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Drifting Clouds evokes images of clear, bright skies with gentle clouds floating on an easy breeze. The specter of rain appears in the middle of the piece, taking the solo into a minor waltz, before the threat of stormy weather dissipates and the skies clear once again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
6.44 €
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Flute and Piano
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Lawrence H Underwood
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Drifting Clouds
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Lawrence H Underwood
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SheetMusicPlus
Grey Skies over the Dee
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.764006 Composed by Barbara Arens. …
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Flute,Piano - Level 4 - Digital Download SKU: A0.764006 Composed by Barbara Arens. Celtic,Concert,Contemporary,Standards. Score and part. 5 pages. Barbara Arens #6417269. Published by Barbara Arens (A0.764006). Grey Skies over the Dee We’re in the highlands of Scotland again here – and there are ‘Scotch Snaps’ in bars 2, 6, 14, etc. This is film music for a movie playing in your imagination. I have a picture of standing all alone on a bare hill covered in heather, the wind blowing in my hair, and grey skies reflected in the river Dee flowing at the foot of the hill. There’s a heroic feeling beginning in bar 16 – are we in the Jacobite rebellion, perhaps? Use your imagination!
$3.50
3.23 €
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Flute and Piano
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Barbara Arens
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in bars 2, 6, 14, etc
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Grey Skies over the Dee
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Barbara Arens
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SheetMusicPlus
Clair De Lune (Debussy) - flute and piano with FREE BACKING TRACK
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1164860 By Austin Ralphson. By Cla…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1164860 By Austin Ralphson. By Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 12 pages. Austin Ralphson #765195. Published by Austin Ralphson (A0.1164860). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good breath control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/9UFGVTDjHlk and also in the video screen above.You can also purchase all 5 beautiful solos in this book at a fantastic price: https://armusiconline.com/b/19djK
$3.99
3.68 €
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Flute and Piano
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Austin Ralphson
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Clair De Lune
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Austin Ralphson
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flute and Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.44 €
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Flute and Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
Rain After That
Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. B…
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95
6.41 €
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Flute and Piano
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Joe Hisaishi
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Rain After That
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The Flautist
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SheetMusicPlus
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