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You've selected:
Feel It Still - Guitar
Flute and Piano
Sheetmusic to print
9 sheet music found
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1
Feel It Still
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1091934 By Portugal. The Man. By A…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1091934 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696066. Published by Lawrence H Underwood (A0.1091934). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.48 €
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Flute and Piano
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Portugal
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Feel It Still
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Lawrence H Underwood
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SheetMusicPlus
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
32.02 €
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Flute and Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
Flat as a Flute - Flute solo w piano accompaniment
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Con…
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
5.48 €
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Flute and Piano
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Mike Lyons
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Flat as a Flute - Flute solo w piano accompaniment
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Lyons Music Services
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SheetMusicPlus
Sound An Alarm - Aria from Judas Maccabaeus - Flute & Piano in Bb
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573622 By Brooks Holmes. By G.F. H…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573622 By Brooks Holmes. By G.F. Handel (1685 - 1759). Arranged by Brooks Holmes. Baroque,Classical,Contest,Festival,Instructional,Opera. Score and part. 8 pages. Brooks Holmes #182990. Published by Brooks Holmes (A0.573622). This arrangement is designed so intermediate level musicians can get a feel of this beautiful melody without it being so difficult due to range issues. The song is easy on the embouchure and in a friendly key yet still sounds totally professional. With a quicker tempo marking, this arrangement creates a lighter & more playful mood that’s sure to be an audience favorite. Be sure to check out Mr. Holmes’ YouTube performance for more details!
$7.99
7.31 €
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Flute and Piano
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Brooks Holmes
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Sound An Alarm - Aria from Judas Maccabaeus - Flute & Piano in Bb
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Brooks Holmes
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SheetMusicPlus
O Mio Babbino Caro
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.547291 Composed by Giacomo Puccini…
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Flute,Piano - Level 3 - Digital Download SKU: A0.547291 Composed by Giacomo Puccini. Arranged by Brooks Holmes. Classical,Contest,Festival,Instructional,Opera,Romantic Period. Score and part. 4 pages. Brooks Holmes #157120. Published by Brooks Holmes (A0.547291). This arrangement is designed so intermediate level musicians can get a feel of this beautiful melody without it being so difficult with range issues. Puccini’s original tempo marking and use of fermatas has been changed to create a lighter & playful mood. Set in the comfortable key of Concert Eb, this song is easy on the embouchure yet still sounds totally professional. Check out Mr. Holmes’ YouTube link for helpful hints and the customized backing track.
$5.99
5.48 €
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Flute and Piano
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Giacomo Puccini
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O Mio Babbino Caro
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Brooks Holmes
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flute and Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.3 €
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Flute and Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
What Was I Made For?
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1273310 By Billie Eilish. By Billi…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1273310 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865462. Published by Milanov (A0.1273310). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.48 €
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Flute and Piano
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Billie Eilish
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1273313 By Billie Eilish. By Billi…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1273313 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865465. Published by Milanov (A0.1273313). What Was I Made For? From Barbie by Billie Eilish for flute and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.48 €
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Flute and Piano
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Billie Eilish
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What Was I Made For?
#
Milanov
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SheetMusicPlus
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