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Odi et Amo
Flute and Piano
Sheetmusic to print
57 sheet music found
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"Crocodile Teeth" for Flute and Piano
Flute and Piano
Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. …
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Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210087. Published by Kazys Daugela (A0.935497). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99
1.83 €
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Flute and Piano
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Kazys Daugela
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"Crocodile Teeth" for Flute and Piano
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Kazys Daugela
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SheetMusicPlus
D'amore Si Muore (Milva Version)
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95
6.41 €
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Flute and Piano
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Milva
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flute and Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.65 €
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Flute and Piano
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Jules Demersseman
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Schubert: Ave Maria for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.61 €
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Flute and Piano
#
Franz Schubert
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Schubert: Ave Maria for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Schubert: Ave Maria for Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert.…
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Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.61 €
#
Flute and Piano
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Franz Schubert
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Schubert: Ave Maria for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Flute and Piano
#
Felix Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Flute and Piano
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.38 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
Romance, Op. 36
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1510799 Composed by Camille Saint-…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1510799 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1086004. Published by Nagamon Publications (A0.1510799). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
7.38 €
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Flute and Piano
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Camille Saint-Saens
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.38 €
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Flute and Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.38 €
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Flute and Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Brindisi from "La Traviata" for Flute and Piano
Flute and Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.528290 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #5731719. Published by Diego Marani (A0.528290). Libiamo ne' lieti calici (Let's drink from the joyful cups) is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.This arrangement for Flute with Piano Accompaniment reproduces the original spirit of the Verdi's score.
$8.99
8.29 €
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Flute and Piano
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Giuseppe Verdi
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Brindisi from "La Traviata" for Flute and Piano
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Diego Marani
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
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Flute and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.38 €
#
Flute and Piano
#
Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Dreaming
Flute and Piano
Flute and piano - easy to intermediate - Digital Download SKU: S9.Q11851 From 'S…
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Flute and piano - easy to intermediate - Digital Download SKU: S9.Q11851 From 'Scenes of Childhood'. Composed by Robert Schumann. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 15/7. Schott Music - Digital #Q11851. Published by Schott Music - Digital (S9.Q11851). The 19th century was not only the era of great forms, monumental symphonies and melodious sonatas, no, the Romantic composers proved to be versatile and highly imaginative on the field of little music pieces as well. Robert Schumann was a master of the character piece for his instrument, the piano. From thirty of such poetic miniatures, he selected thirteen in 1838 for his 'Scenes of Childhood', opus 15, the seventh, i.e. the one right in the middle, being 'Dreaming', the most famous among Schumann's compositions. It is a romantic gem the catchy melody of which will not get out of one's head. The beautiful setting contained in the present edition can be played even by non-pianists.
$4.99
4.6 €
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Flute and Piano
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Robert Schumann
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Dreaming
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Schott Music - Digital
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SheetMusicPlus
Lament
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1422430 Composed by Samuel Colerid…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1422430 Composed by Samuel Coleridge-Taylor. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 14 pages. Nagamon Publications #1003769. Published by Nagamon Publications (A0.1422430). Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was a British composer and conductor. Of mixed-race descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in New York City as the African Mahler when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow.This melodic and challenging work is suitable advanced intermediate players, or for players of a ABRSM Grade 8 standard and above. The PDF contains the piano score and the solo part.
$15.00
13.83 €
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Flute and Piano
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Samuel Coleridge-Taylor
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Lament
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Nagamon Publications
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SheetMusicPlus
Golliwogg's Cakewalk
Flute and Piano
Flute and piano - Digital Download SKU: S9.Q41490 From Children's Corner. Co…
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Flute and piano - Digital Download SKU: S9.Q41490 From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q41490. Published by Schott Music - Digital (S9.Q41490). The famous Golliwogg’s Cakewalk is the final piece from Debussy's cycle Children’s Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.
$5.99
5.52 €
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Flute and Piano
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Claude Debussy
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Golliwogg's Cakewalk
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Schott Music - Digital
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SheetMusicPlus
Can You Feel The Love Tonight
Flute and Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.942390 By Elton John. By Elton John and Tim Rice. Arranged by Thiago Marconato. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 6 pages. Thiago Marconato #548200. Published by Thiago Marconato (A0.942390). Arrangement of thefamous theme song from The Lion King for 2 flutes (easy/intermediate) and piano in C major. Flute parts contain melodies (1st and 2nd lines). The piano part contains melodic fragments and accompaniment with chords and arpeggios. Includes full score and separate flute parts.
$5.99
5.52 €
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Flute and Piano
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Elton John
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Can You Feel The Love Tonight
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Thiago Marconato
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SheetMusicPlus
Can You Feel The Love Tonight
Flute and Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.942382 By Elton John. By Elton John and Tim Rice. Arranged by Thiago Marconato. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 6 pages. Thiago Marconato #548192. Published by Thiago Marconato (A0.942382). Arrangement of thefamous theme song from The Lion King for 2 flutes (easy/intermediate) and piano in Bb major. Flute parts contain melodies (1st and 2nd lines). The piano part contains melodic fragments and accompaniment with chords and arpeggios. Includes full score and separate flute parts.
$5.99
5.52 €
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Flute and Piano
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Elton John
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Can You Feel The Love Tonight
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Thiago Marconato
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SheetMusicPlus
Classics in Color (Flute)
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.883223 Composed by Antonio Vivaldi…
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Flute,Piano - Level 1 - Digital Download SKU: A0.883223 Composed by Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart. Arranged by Eugenia Goldman. Baroque,Classical,Instructional,Romantic Period,Standards. Score and part. 43 pages. Eugenia Goldman #5968545. Published by Eugenia Goldman (A0.883223). Classics in Color is a collection of themes from famous classical music compositions edited for beginner instrumental players. The pieces were selected for their melodic beauty and playability, and organized in the order of progressive difficulty. In addition, all pieces in the collection contain references to the extra-musical content, thus allowing to add the visual dimension to the musical experience. Students and music enthusiasts of all ages are invited to engage with music through several types of activities:learning basic facts about the composers and the pieces, playing the melodies,and coloring the artwork on the music pages. Suitable for individual and group instruction. Coloring can be done on paper or on an electronic device using a free style pen. Beginner/easy level.
$12.95
11.94 €
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Flute and Piano
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Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart
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Classics in Color
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Eugenia Goldman
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SheetMusicPlus
Can You Feel The Love Tonight
Flute and Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.745513 By Elton John. By Elton John and Tim Rice. Arranged by Thiago Marconato. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 5 pages. Thiago Marconato #353432. Published by Thiago Marconato (A0.745513). Arrangement of the chorus of the famous theme song from The Lion King for 2 flutes (easy/intermediate) and piano in Bb major. Flute parts include melodies (1st and 2nd lines). The piano part includes melodic fragments and accompaniment with chords and arpeggios. Includes full score and separate flute parts.
$5.99
5.52 €
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Flute and Piano
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Elton John
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Can You Feel The Love Tonight
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Thiago Marconato
#
SheetMusicPlus
Escapades In Wind - Duet for Flute and Piano - Advanced Level
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.790029 Composed by W. Brent Sawyer…
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Flute,Piano - Level 5 - Digital Download SKU: A0.790029 Composed by W. Brent Sawyer. 20th Century,Contemporary. Score and part. 24 pages. Diamond S Music #3542563. Published by Diamond S Music (A0.790029). ESCAPADES IN WIND - Flute and Piano Duet. This is an advanced piece in a contemporary/20th century classical style. Although it is not a true12-tone piece, The flute melodies were derived by using 12 tone series. The Piece is in 3 sections: ABA1. It is a very exuberantly energetic piece that is very virtuosic in nature - Both the Flute & the piano part are very tricky. The Opening section is very angular and feisty, the middle section is hypnotic and relaxing in it's repetitiveness, and the Ending is a return to the angular melodies with a big flourishing virtuosic and flamboyant ending. Great recital piece. https://youtu.be/mo921_Vs6lY
$13.99
12.9 €
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Flute and Piano
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W
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Escapades In Wind - Duet for Flute and Piano - Advanced Level
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Diamond S Music
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SheetMusicPlus
Sonata for Flute and Piano, Op. 12
Flute and Piano
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
18.44 €
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Flute and Piano
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Tyler J
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Sonata for Flute and Piano, Op. 12
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TJHoltMusic
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SheetMusicPlus
Luther: Out of the Depths for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …
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Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Flute and Piano
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Martin Luther
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piano
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Luther: Out of the Depths for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Flute and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
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