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Sonata for Flute
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Sonata for Flute
Flute and Piano
Sheetmusic to print
313 sheet music found
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Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flute and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Sonata for Flute and Piano
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Flute and Piano
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ADVANCED
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Richard Lambert
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Sonata for Flute and Piano
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Forton Music - Digital
#
SheetMusicPlus
Fl. Pft. - Advanced - Digital Download SKU: F2.FM763 Composed by Richard Lambert. Three movement modern advanced sonata. Score and Part. 35 pages. Forton...
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM763 Composed by Richard Lambert. Three movement modern advanced sonata. Score and Part. 35 pages. Forton Music - Digital #FM763. Published by Forton Music - Digital (F2.FM763). ISBN 9790570486625.
$12.95
Sonata for Flute and Piano
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Flute and Piano
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Classical
#
Nicola Morello
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Sonata for Flute and Piano
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Forton Music - Digital
#
SheetMusicPlus
Flute, Piano - Grade 7-8 - Digital Download SKU: F2.FM1045 Composed by Nicola Morello. Wide ranging in scope. Classical. Score and Part. 34 pages. Forton...
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Flute, Piano - Grade 7-8 - Digital Download SKU: F2.FM1045 Composed by Nicola Morello. Wide ranging in scope. Classical. Score and Part. 34 pages. Forton Music - Digital #FM1045. Published by Forton Music - Digital (F2.FM1045). ISBN 9790570489442. 8.25 x 11.75 inches.
$14.95
Thérèse Brenet: Sonata for flute and piano
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Flute and Piano
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ADVANCED
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Therese Brenet
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Thérèse Brenet: Sonata for f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabri...
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
Sonata for Flute and Piano, Op. 12
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Flute and Piano
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ADVANCED
#
Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Force of Nature
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Flute and Piano
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Till MacIvor Meyn
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Force of Nature
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Till MacIvor Meyn
#
SheetMusicPlus
Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027495 Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part....
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Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027495 Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part. 44 pages. Till MacIvor Meyn #550251. Published by Till MacIvor Meyn (A0.1027495). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Force of Nature’ is a three-movement sonata for flute and piano that considers natural forces that are unseen, but whose powerful effects are nonetheless evident. In the first movement, Prevailing Winds, the piano presents a flurry of chord clusters that yield to an introductory flute melody. Ostinato patterns, prevalent throughout most of the movement in the piano, support the flute lines with a rhythmic drive. An extended flute cadenza explores motives presented to close the movement. The middle movement, Reflection/Refraction, reveals a slowly building spectrum of string and wind colors. Dissonance Tango continues and amplifies the push and pull of tensions, focusing on the power of passion as it develops in the heat of the Latin dance.
$22.00
Sonata for Flute No. 1 (Piano Score Only)
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Flute and Piano
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INTERMEDIATE/ADVANCED
#
Ian Lester
#
Sonata for Flute No. 1
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Ian Lester
#
SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307...
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Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
$10.99
Vivaldi: Sonata No. 1 for Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score...
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Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397). Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sonata for Alto Flute and Piano
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Flute and Piano
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Classical
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David Baker
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Sonata for Alto Flute and Pian
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Forton Music - Digital
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SheetMusicPlus
Alto Flute and Piano - Grade 6-8 - Digital Download SKU: F2.FM945 Composed by David Baker. Classical. Score and Part. 43 pages. Forton Music - Digital #F...
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Alto Flute and Piano - Grade 6-8 - Digital Download SKU: F2.FM945 Composed by David Baker. Classical. Score and Part. 43 pages. Forton Music - Digital #FM945. Published by Forton Music - Digital (F2.FM945). ISBN 9790570488445. 8.25 x 11.75 inches.Contemporary sonata with attractive melodies.
$14.95
Sonata for Flute and Piano
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Flute and Piano
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ADVANCED
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Diana Mascari
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Diana Mascari
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Sonata for Flute and Piano
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Diana Mascari Music
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1451686 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1451686 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 145 pages. Diana Mascari Music #1030983. Published by Diana Mascari Music (A0.1451686). Sonata for Flute and Piano is a four movement 15 minute work that explores a variety of moods as suggested by the titles of its movements: I. Urban Frenzy, II. Serenity, III. Fiesta Fantasia, IV Introduction and Finale At times the piano and flute work in partnership, unison or counterpoint. At other times, the piano accompaniment forms a rhythmic foundation above which the flute flies from here to there. Composer Diana Mascari has been a jazz pianist for more than 40 years, and her chamber music always reflects this influence. For more information about Diana Mascari, her other compositions and her teaching, please visit: www.dianamascari.com
$29.95
TO GOD BE THE GLORY One Movement Hymn Sonata (for Flute and Piano with Score/Part)
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Flute and Piano
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INTERMEDIATE
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Sacred music
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William H
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Gary Lanier
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TO GOD BE THE GLORY One Moveme
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The Lanier Company
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.617730 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pa...
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Flute,Piano - Level 3 - Digital Download SKU: A0.617730 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6038899. Published by The Lanier Company (A0.617730). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Flute and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99
Flute Grand Sonata op. 35
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Flute and Piano
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Iyad KANAAN
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Flute Grand Sonata op. 35
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iyad kanaan
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.979708 Composed by Iyad KANAAN. 20th Century,Concert,Romantic Period. Score an...
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Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.979708 Composed by Iyad KANAAN. 20th Century,Concert,Romantic Period. Score and parts. 19 pages. Iyad kanaan #4622887. Published by iyad kanaan (A0.979708). Grand sonata for flute and piano in four movements op. 35 springful. Very joyful. Movements are thematically connected. First and fourth in sonata form. second and third in Aria form.
$40.00
3 ONE MOVEMENT HYMN SONATAS (for Flute and Piano with Score/Parts)
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Flute and Piano
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INTERMEDIATE
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Sacred music
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Gary Lanier, Lowell Mason, Tra
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Gary Lanier
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3 ONE MOVEMENT HYMN SONATAS
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The Lanier Company
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.617743 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier...
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Flute,Piano - Level 3 - Digital Download SKU: A0.617743 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6048337. Published by The Lanier Company (A0.617743). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Flute and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
Moonlight Sonata for Flute and Piano Accompaniment
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Flute and Piano
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EASY
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Classical
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Ludwig van Beethoven
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Valdir Maia
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Moonlight Sonata for Flute and
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Valdir Maia
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.1437251 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Perio...
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Flute,Piano - Level 2 - Digital Download SKU: A0.1437251 Composed by Ludwig van Beethoven. Arranged by Valdir Maia. 19th Century,Classical,Romantic Period,Traditional. Score and part. 7 pages. Valdir Maia #1017324. Published by Valdir Maia (A0.1437251). **Moonlight Sonata for Flute and Piano**Embark on a captivating musical journey with our rendition of Moonlight Sonata for Flute and Piano. Tailored for intermediate flutists, this arrangement beautifully blends the graceful tones of the flute with the elegant accompaniment of the piano.Crafted with precision and care, our high-quality PDF ensures clarity in every note, while the included score and parts facilitate seamless ensemble performance. Perfect for musicians eager to explore the romantic era, this arrangement offers a captivating journey through Beethoven's musical genius.Key Features:- Impeccable PDF quality for enhanced readability.- Score and parts included for convenient ensemble playing.- Ideal for intermediate flutists seeking a rewarding challenge.- Experience the beauty of Moonlight Sonata on flute and piano today.Unlock the magic of Moonlight Sonata and add a touch of romance to your repertoire. Seize the opportunity to bring Beethoven's timeless masterpiece to life – purchase your copy now and let the music inspire you.
$9.99
Nicolo Paganini: Sonata op.3 no.6 instantly for flute & piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Nicolo Paganini
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Virtualsheetmusic
This is an exclusive transcription for flute & piano of MEDIUM skill level from the original composition by Nicolo Paganini. This title is available as instant sheet music download. Contents: op. 3, no. 6, opus 3 / classical...
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This is an exclusive transcription for flute & piano of MEDIUM skill level from the original composition by Nicolo Paganini. This title is available as instant sheet music download. Contents: op. 3, no. 6, opus 3 / classical
$4.99
Carl Philip Emanuel Bach: Hamburger Sonata in G major (H.550) instantly for flute & piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Carl Philip Emanuel Bach
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Virtualsheetmusic
Instantly downloadable sheet music by Carl Philip Emanuel Bach for flute & piano of MEDIUM skill level. / classical
Instantly downloadable sheet music by Carl Philip Emanuel Bach for flute & piano of MEDIUM skill level. / classical
$4.99
George Frideric Handel: Sonata Op.1 No.2 HWV 360 for flute & piano
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Flute and Piano
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EASY
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Classical
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George Frideric Handel
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Virtualsheetmusic
Instantly downloadable sheet music by George Frideric Handel for flute & piano of EASY skill level. / classical,children
Instantly downloadable sheet music by George Frideric Handel for flute & piano of EASY skill level. / classical,children
$5.75
George Frideric Handel: Sonata Op.1 No.1 HWV 379 for flute & piano
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Flute and Piano
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EASY
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Classical
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George Frideric Handel
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Virtualsheetmusic
Instantly downloadable sheet music by George Frideric Handel for flute & piano of EASY skill level. / classical,children
Instantly downloadable sheet music by George Frideric Handel for flute & piano of EASY skill level. / classical,children
$5.75
Johann Sebastian Bach: Sonata in E flat major BWV 1031 for flute & piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Virtualsheetmusic
Instantly downloadable sheet music by Johann Sebastian Bach for flute & piano of MEDIUM skill level. Contents: BWV1031 / classical
Instantly downloadable sheet music by Johann Sebastian Bach for flute & piano of MEDIUM skill level. Contents: BWV1031 / classical
$5.99
Johann Sebastian Bach: Sonata in B minor BWV 1030 for flute & piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Virtualsheetmusic
Instantly downloadable sheet music by Johann Sebastian Bach for flute & piano of MEDIUM skill level. Contents: BWV1030 / classical
Instantly downloadable sheet music by Johann Sebastian Bach for flute & piano of MEDIUM skill level. Contents: BWV1030 / classical
$6.99
George Frideric Handel: Sonata Op.1 No.5 HWV 363b instantly for flute & piano
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Flute and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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Virtualsheetmusic
Instantly downloadable sheet music by George Frideric Handel for flute & piano of MEDIUM skill level. Contents: hwv 363b, op. 1 no. 5 / classical
Instantly downloadable sheet music by George Frideric Handel for flute & piano of MEDIUM skill level. Contents: hwv 363b, op. 1 no. 5 / classical
$5.99
Schubert: Ave Maria for Alto Flute & Piano
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Flute and Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Alto F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Scor...
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Flute,Piano - Level 1 - Digital Download SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Ave Maria for Flute & Piano
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Flute and Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Flute
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Scor...
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Flute,Piano - Level 1 - Digital Download SKU: A0.548696 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411141. Published by jmsgu3 (A0.548696). A Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
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