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You've selected:
Spirit-Dog
Choral SATB
Sheetmusic to print
6 sheet music found
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Hair of the doggerel for three equal voices
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575829 Composed by David W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575829 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 4 pages. David Warin Solomons #2028493. Published by David Warin Solomons (A0.575829). Setting for three equal voices of a blackly comic poem by Gavin Ewart about the hangover effects of alcohol as compared with advertising's positive angle on the product. The music, in canon form, is descriptive of a hangover, and its effect suggests that the alcohol spirit is also a mocking spirit in the ghostly sense of the word. The pdf file contains versions for three sopranos, three altos, three tenors and three basses The sound sample is performed by the composer in the alto version. Video: https://www.youtube.com/watch?v=r6SF28IoBp0
$8.00
7.28 €
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Choral SATB
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David Warin Solomons
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Hair of the doggerel for three equal voices
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David Warin Solomons
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.03 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa humilis, op. 22
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207767 Composed by Adrian…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207767 Composed by Adrian Gagiu. A Cappella,Christian,Classical. Octavo. 31 pages. Adrian Gagiu #805880. Published by Adrian Gagiu (A0.1207767). Missa humilis (= Humble Mass) in D, a mass for choir a cappella based on the Catholic liturgical text and with all its themes based on Orthodox chants: no fanatic dogmatism, nor leveling ecumenism, but aiming simply at unity in spirit, love and truth. Suitable for use in church services, due to its modest length, forces, and contemplative character. Its style is accessible, based on church modes and mostly consonances and some non-functional chords, yet not ostensibly modernist and almost neo-impressionistic. The movements: Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei, and Dona nobis pacem. The present publication includes the choral score and an organ part for rehearsal use only. Total length: ca. 20 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement, Kyrie.
$19.00
17.28 €
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Choral SATB
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Adrian Gagiu
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Missa humilis, op. 22
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Adrian Gagiu
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SheetMusicPlus
Wade in the Water
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.902077 Composed by African…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.902077 Composed by African American Spiritual. Arranged by Becky Sun. Gospel,Spiritual. Octavo. 5 pages. Becky Sun #5287469. Published by Becky Sun (A0.902077). Many African American spirituals have dual meanings. On the surface, Wade in the Water is about Christian baptism or the Israelites crossing the Red Sea. Harriet Tubman used the song as a code to remind enslaved people who were escaping to get into a body of water when slavecatchers’ dogs were after them. God helps by troubling the water so the dogs would have an even harder time catching the escapees’ scent. The original verses are wonderful but rather opaque (by design), so I wrote two new verses to make the message and setting of this song more apparent for the modern audience.
$5.00
4.55 €
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Choral SATB
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African American Spiritual
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Wade in the Water
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Becky Sun
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SheetMusicPlus
Wade In The Water (for SATB)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.625846 Composed by Spiritu…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.625846 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Sacred,Spiritual,Traditional. Octavo. 8 pages. Exultet Music #5302585. Published by Exultet Music (A0.625846). The well-known traditional Spiritual that Harriet Tubman used to tell escaping slaves to get off the trail and into the water to make sure that the dogs employed by slavers lost their trail has been freshly arranged as an easy jazz anthem for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. .
$3.99
3.63 €
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Choral SATB
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Spiritual
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Wade In The Water
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Exultet Music
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SheetMusicPlus
The Lord is My Shepherd (ì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìž)
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349636 By Karl Kan…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349636 By Karl Kang. By Karl Kang. Arranged by Karl Kang. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Karl kang #934401. Published by karl kang (A0.1349636). The Lord is My Shepherd(in Korean â€œì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìžâ€)“ is a hymn with lyrics based on Psalm 23. This song was first introduced to the public through a performance by the Seoul Catholic Singers at the 23rd New Sacred Music Concert hosted by the Catholic Composers Association of Korea, which took place at Jongno Cathedral in Seoul on November 18, 2023. The composer of this song, Karl Kang, is one of the prominent composers representing the Catholic Church in Korea.Looking back, my life so far feels like a miracle. Even when traversing the dark valleys of life, I believe I am where I am today because the Lord has always guided me on the right path. That's why I've always harbored the hope of creating a piece with the lyrics based on Psalm 23. This is a scripture that has consistently provided me with great strength, especially in difficult times. After pondering the words and melodies for a long time, I finally completed the composition. I express my gratitude to the Vox Coeli Youth Choir of Dogok-dong Cathedral, who first performed this song. Without the voices of Vox Coeli, this song might never have come into existence. I hope that through 'The Lord is My Shepherd,' many people will find the strength to take a step forward in a life that feels like a miraculous journey led by the Lord..
$2.99
2.72 €
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Choral SATB
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Karl Kang
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The Lord is My Shepherd
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karl kang
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SheetMusicPlus
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