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You've selected:
Traditional American Spiritual
Saxophone Quintet: 5 Saxophones
Sheetmusic to print
14 sheet music found
<
1
Down in the River to Pray (for Saxophone Quintet SATTB or AATTB)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1205452 Co…
(+)
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1205452 Composed by African-American Spiritual. Arranged by Kenneth Abeling. 19th Century,Spiritual,Traditional. 12 pages. LINCOLN MUSIC PUBLICATIONS #803645. Published by LINCOLN MUSIC PUBLICATIONS (A0.1205452). “Down in the River to Pray†also known as “Down to the River to Prayâ€, “Down in the Valley to Pray†“The Good Old Way†and “Come, Let Us All Go Down†arranged for Saxophone Quintet. This is an intermediate level arrangement, and contemporary setting of the African-American Spiritual/Christian Folk Hymn. The playing time is approximately 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$12.99
11.78 €
#
Saxophone Quintet: 5 Saxophones
#
African-American Spiritual
#
Down in the River to Pray
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Were You There (When They Crucified My Lord) (for Saxophone Quintet SATTB or AATTB)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514585 Com…
(+)
Saxophone Quintet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514585 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 18 pages. LINCOLN MUSIC PUBLICATIONS #3445003. Published by LINCOLN MUSIC PUBLICATIONS (A0.514585). Were You There (When They Crucified My Lord) arranged for Saxophone Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40
$14.99
13.59 €
#
Saxophone Quintet: 5 Saxophones
#
African American Spiritual
#
Were You There
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1226523 By African - American Spiritual. By Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,March,Spiritual. 23 pages. Chicory Music #822527. Published by Chicory Music (A0.1226523). Gospel music has infiltated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Sax Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).Performance Time: Approx. 2 minutes 40 seconds
$15.99
14.5 €
#
Saxophone Quintet: 5 Saxophones
#
African - American Spiritual
#
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
#
Chicory Music
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.6 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
(+)
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.6 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
13.6 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
SAY, BROTHERS,WILL YOU MEET US
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1201804 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. 7 pages. Alex Rodrigues #800421. Published by Alex Rodrigues (A0.1201804). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
1.8 €
#
Saxophone Quintet: 5 Saxophones
#
Spiritual
#
SAY, BROTHERS,WILL YOU MEET US
#
Alex Rodrigues
#
SheetMusicPlus
SAY, BROTHERS,WILL YOU MEET US
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1201805 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. 7 pages. Alex Rodrigues #800422. Published by Alex Rodrigues (A0.1201805). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
1.8 €
#
Saxophone Quintet: 5 Saxophones
#
Spiritual
#
SAY, BROTHERS,WILL YOU MEET US
#
Alex Rodrigues
#
SheetMusicPlus
SAY, BROTHERS,WILL YOU MEET US
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1201803 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. 7 pages. Alex Rodrigues #800420. Published by Alex Rodrigues (A0.1201803). This is the perfect opportunity for musicians who wish to expand their repertoire with a classic of American folklore. Say, Brothers, Will You Meet Us is a masterpiece that will enchant any audience.
$1.99
1.8 €
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Saxophone Quintet: 5 Saxophones
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Spiritual
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SAY, BROTHERS,WILL YOU MEET US
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Alex Rodrigues
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SheetMusicPlus
Down by the Riverside - Saxophone Choir Quintet ( Soprano Sax; 2 Alto sax; Tenor Sax; Baritone Sax
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.759919 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. 21 pages. Raymond Fenech #3454325. Published by Raymond Fenech (A0.759919). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Saxophone Choir Quintet i.e. Soprano Sax; 2 Alto Sax; Tenor Sax; Baritone Sax and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.
$7.95
7.21 €
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Saxophone Quintet: 5 Saxophones
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Traditional
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2 Alto Sax
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Down by the Riverside - Saxophone Choir Quintet
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Raymond Fenech
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SheetMusicPlus
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