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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Lay Down
Not classified
25,272
Piano & keyboards
Piano solo
37,105
Easy Piano
8,718
Piano, Voice
4,028
Big Note Piano
3,530
Organ
2,858
Piano, Vocal and Guitar
2,722
Accordion
2,365
C Instruments
1,357
1 Piano, 4 hands
787
Piano Accompaniment
378
Piano Trio: piano, violin, cello
284
Piano (band part)
142
2 Pianos, 4 hands
139
Piano Quartet: piano, violin, viola, cello
111
Keyboard
101
Piano Quintet: piano, 2 violins, viola, cello
44
Piano Quartet: piano, 2 violins, cello
42
Organ, Piano (duet)
33
1 Piano, 6 hands
32
Harpsichord
30
Organ, Trumpet (duet)
28
2 Pianos, 8 hands
7
Accordion, Voice
2
2 Accordions
2
Melody line, Piano
1
Accordion and Orchestra
1
Fake Book
1
Accordion ensemble
1
+ 23 instrumentations
-
Retract
Guitars
Guitar
6,021
Guitar notes and tablatures
4,845
Bass guitar
4,239
Ukulele
1,076
Melody line, (Lyrics) and Chords
475
2 Guitars (duet)
297
Guitar (band part)
296
Dulcimer
230
Piano, Guitar (duet)
229
Lyrics and Chords
102
Baritone Ukulele
82
Mandolin
80
4 Guitars (Quartet)
72
Banjo
68
Guitar Ensemble
39
Mandolin, Piano (duet)
35
3 Guitars (trio)
34
2 Dulcimers (duet)
21
Mandolin, Guitar (duet)
12
2 Ukuleles
12
Guitar, Violin, Cello (trio)
6
Dobro
3
Lap Steel Guitar
3
Electric Bass (band part)
2
Zither
1
Guitar, String Quartet
1
2 Mandolins (duet)
1
Lute
1
+ 23 instrumentations
-
Retract
Voice
Voice solo
5,761
Choral SATB
2,214
Choral 3-part
807
Choral 2-part
563
Choral Unison
328
Choral TTBB
289
Choral SSAA
178
Vocal duet, Piano
118
Vocal duet
77
Alto voice, Piano
69
Baritone voice, Piano
63
Soprano voice, Piano
62
Tenor voice, Piano
49
Tenor voice
34
High voice
31
Choral Instrumental Pak
29
Soprano voice
27
Medium voice, Piano
15
Choral SSAATTBB
9
Low voice, Piano
9
Choral
5
Choral SSAB a cappella
5
Choral SSATB
4
Mezzo-Soprano voice, Piano
3
Voix Masculines
3
Voice, Guitar
3
Choral SSATTB
2
Choral SSAB, Piano
2
Soli, Mixted choir and accompaniment
2
Low voice
1
Choral SSAATB
1
+ 26 instrumentations
-
Retract
Woodwind
Saxophone
16,662
Flute
9,084
Clarinet
8,349
Alto Saxophone
2,651
Tenor Saxophone
2,397
Flute and Piano
2,374
Clarinet and Piano
1,944
Saxophone Quartet: 4 saxophones
1,788
2 Saxophones (duet)
1,701
Oboe, Piano (duet)
1,636
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,504
Saxophone (band part)
1,476
Alto Saxophone and Piano
1,450
Flute, Oboe, Clarinet, Bassoon
1,447
Recorder
1,303
2 Flutes (duet)
1,275
2 Clarinets (duet)
1,193
Clarinet Quartet: 4 clarinets
1,112
Tenor Saxophone and Piano
1,029
Oboe
853
Saxophone Quintet: 5 Saxophones
779
Soprano Saxophone
657
Oboe (band part)
643
Soprano Saxophone and Piano
639
Flute, Clarinet (duet)
534
Flute Quartet: 4 flutes
514
3 Clarinets (trio)
487
Clarinet, Violin (duet)
466
Descant (Soprano) Recorder
463
Saxophone, Clarinet (duet)
420
3 Saxophones (trio)
400
Baritone Saxophone, Piano
372
Flute, Violin
357
2 Oboes (duet)
351
Flute Trio: 3 flutes
332
Clarinet Ensemble
316
Oboe, Bassoon (duet)
306
Ocarina
294
2 Recorders (duet)
287
Treble (Alto) Recorder
286
Oboe, Clarinet (duet)
265
Clarinet, Trumpet (duet)
264
Clarinet Quintet: 5 clarinets
248
Saxophone ensemble
224
Flute ensemble
208
Clarinet and Viola
196
Flute, Oboe, Clarinet (trio)
193
Clarinet (band part)
188
Flute, Viola (duet)
188
Flute (band part)
175
Flute, Saxophone (duet)
159
English horn, Piano
157
Flute, Oboe (duet)
154
Flute and Guitar
150
Oboe, Flute
149
Flute, Violoncello
142
Clarinet, Bassoon (duet)
142
Flute Quintet : 5 flutes
140
Flute, Violin, Piano
127
Flute, Trumpet (duet)
121
Flute, Clarinet and Bassoon.
113
Oboe, Cello
103
Clarinet, Cello (duet)
101
Bass Clarinet, Piano
98
Flute, Clarinet, Violin (trio)
93
Flute, Oboe, Violin
93
Recorder Quartet
93
English Horn
93
Pennywhistle
91
Flute, Oboe, Bassoon
90
Harmonica
83
Flute, Violin and Violoncello
81
Baritone Saxophone
76
Flute, Clarinet, Piano (trio)
72
Oboe, Clarinet, Bassoon (trio)
69
Oboe, Violin (duet)
58
Recorder Ensemble
57
Tenor Recorder
50
Oboe and viola (duet)
49
Flute, harp and violin
48
Treble (Alto) Recorder, Piano
48
Flute, Harp and Cello
45
3 Recorders (trio)
42
Flute, Cello, Piano (trio)
42
5 Recorders
41
Flute, Trombone (duet)
40
Flute, Bassoon, and Piano
36
2 Flutes, Piano
36
Clarinet, Harp (duet)
32
2 Clarinets, Bassoon
32
Clarinet, Cello, Piano (trio)
31
Clarinet, Guitar (duet)
29
2 Clarinets, Piano
26
Clarinet, Trombone (duet)
25
Flute, Viola and Piano
25
Descent (Soprano) Recorder, Piano
25
Recorder, Piano
25
2 Saxophones, Piano
20
Flute, Oboe, Piano (trio)
20
Flute, Clarinet, Horn and Bassoon (Quartet)
19
Piccolo, Piano
18
Saxophone and Guitar
16
Bass Clarinet
15
Clarinet, Bassoon, Piano (trio)
14
3 Oboes
13
4 Oboes
13
Oboe, Trombone (duet)
12
Flute and Strings Trio
12
Flute, Violin, Violoncello and Piano
12
Clarinette, Viola and Piano (trio)
11
Piccolo
11
Oboe, Guitar (duet)
11
Clarinet, Tuba
10
Clarinet, Double bass (duet)
10
Flute, Tuba (duet)
9
Flute, Organ (duet)
9
Eb Instruments
8
Oboe ensemble
7
Oboe, Violin, Piano
7
Oboe, Bassoon and Piano
7
Flute, trombone and piano
7
Oboe, Clarinet and Piano (Trio)
7
Saxophone and Harp
6
Oboe, Cello and Piano
6
Clarinet Quintet: Clarinet, String Quartet
6
Oboe, Harp
6
English Horn, Guitar (duet)
6
2 English horns and Pianoforte
5
Clarinet, Organ
5
Saxophone and Organ
5
Recorder, Guitar (duet)
5
Bagpipe
4
Clarinet, trumpet and piano
4
Flute, Cello, Guitar
4
Clarinet, Orchestra
3
Oboe, Violin, Viola and Violoncello (Quartet)
3
2 Oboes and Basson
3
Wind ensemble
3
Oboe, Trumpet (duet)
3
Saxophone, Violin (duet)
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
2 Recorders, Piano
2
Saxophone, Bassoon (duet)
2
Pan Flute
2
Harmonica, Piano
2
Melodica
1
Descant (Soprano) Recorder, Basso continuo
1
2 Oboes, Piano
1
Flute, viola, cello and guitar
1
Saxophone and cello
1
Recorder, Harp
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Orchestra
1
Flute, Basso continuo
1
Saxophone, Tuba (duet)
1
+ 150 instrumentations
-
Retract
Woodbrass
Trumpet
7,507
Trombone
6,760
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,378
Trumpet, Piano
1,344
Trombone and Piano
1,289
French horn
1,103
Brass quartet : 2 trumpets, trombone, tuba
914
French Horn and Piano
861
Trombone (band part)
770
Tuba
696
Trumpet (band part)
680
2 Trombones (duet)
496
Euphonium
495
Tuba and Piano
468
2 Trumpets (duet)
465
Trumpet, Trombone (duet)
335
Trumpet, Saxophone (duet)
308
Brass Quartet
302
Brass Quartet: 2 trumpets, horn, trombone
295
Brass Quartet: 4 trombones
224
2 French horns (duet)
223
French horn (band part)
204
Tuba (band part)
176
English horn, Piano
157
Euphonium, Piano (duet)
154
Trombone ensemble
138
Trumpet ensemble
130
Trumpet, Horn (duert)
129
3 Trombones (trio)
121
Brass Quartet: 4 horns
105
English Horn
93
2 Tubas (duet)
86
Brass Quartet: 4 trumpets
60
2 Euphoniums and 2 Tubas
54
Brass Trio
52
Tuba and Organ
39
Trumpet, Tuba (duet)
37
Euphonium, Tuba (duet)
34
Horn Ensemble
33
3 Trumpets (trio)
32
4 Tubas
29
Horn, Cello (duet)
29
2 Euphoniums (duet)
28
Trumpet, Bassoon (duet)
21
Trombone, Tuba (duet)
20
Trumpet, Cello (duet)
19
Trombone, Horn (duet)
18
3 French horns (trio)
17
Bass Trombone and Piano
17
Bass Trombone
17
Horn, Tuba (duet)
16
Trombone, Violin (duet)
15
Brass Quartet: 2 trumpets, 2 trombones
14
French Horn and Harp
12
Trombone, Organ
11
Trumpet, Harp
11
French horn and Basson (duet)
10
Bb Instruments
10
Trumpet, Trombone, Piano
9
Bass Clef Instruments
8
3 Tubas (trio)
8
Trumpet and Guitar
8
Trumpet, violin (duet)
8
English Horn, Guitar (duet)
6
Trumpet, Cello, Piano
5
2 English horns and Pianoforte
5
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet, Euphonium (duet)
2
Clarinet, Horn (duet)
2
Horn and Organ
2
Trombone and Orchestra
2
2 French horns, Piano
1
3 Euphoniums
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
Trombone, Viola (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
+ 72 instrumentations
-
Retract
Strings
Violin
6,634
String Quartet: 2 violins, viola, cello
4,611
Cello
4,281
Viola
3,062
Violin and Piano
2,991
Harp
2,711
Cello, Piano
1,933
Viola, Piano
1,870
Violin, Cello (duet)
1,161
2 Violins (duet)
1,112
String Trio: violin, viola, cello
864
Violin, Viola (duet)
668
2 Cellos (duet)
635
Double Bass
590
2 Violas (duet)
524
Double bass, Piano (duet)
500
String Quintet: 2 violins, viola, cello, bass
388
String Trio: 2 violins, cello
351
Violin (band part)
338
Viola (band part)
329
2 Harps (duet)
301
Doublebass (band part)
259
String Trio: 3 violins
229
Viola, Cello (duet)
229
Harp, Violin (duet)
187
Harp, Flute (duet)
177
4 Cellos
140
Violin, Guitar (duet)
103
String quartet: 4 violins
102
Violin, Bassoon (duet)
92
Piano Trio: Violin, Viola, Piano
89
String Trio: 3 cellos
77
Cello, String Bass (duet)
72
String Trio: 3 violas
64
Cello (band part)
64
2 Double basses (duet)
61
String Trio: 2 violins, viola
59
Harp and Piano
44
Cello, Guitar (duet)
40
String Quartet : 4 violas
39
Viola and Bassoon
34
Violin ensemble
31
Viola ensemble
27
Violin, Clarinet, Piano (trio)
26
Harp, Voice
25
String Quintet: 2 violins, 2 violas, cello
23
2 Violins, Piano
22
Flute, Doublebass (duet)
21
4 Double Basses
18
Violin, Tuba (duet)
17
Harp, Cello (duet)
15
Viola and Harp
13
Harp, Violin, Violoncello
13
Viola, Guitar (duet)
12
Cello, Organ
12
String Quintet: 2 violins, viola, 2 cellos
9
Violin, Cello, Clarinet
7
3 double basses
5
Cello Ensemble
5
Violoncello, Basso continuo
4
Autoharp
4
2 Cellos, Piano
4
Cello, Orchestra
4
Harp and Organ
3
3 Harps
3
Violin, Organ
3
2 Violas, Piano
2
5 Harps
2
Harp, Trombone (duet)
2
Violin, Basso continuo
2
Viola and orchestra
1
Harp and mandolin
1
4 Harps
1
String trio
1
Viola, Organ
1
+ 70 instrumentations
-
Retract
Orchestra & Percussion
Drums
6,187
Concert band
5,523
Orchestra
2,587
String Orchestra
2,366
Jazz Ensemble
1,824
Brass ensemble
1,244
Handbells
893
Marching band
574
Chamber Orchestra
520
Percussion Ensemble
349
Jazz combo
330
Drum (band part)
157
Percussion
144
Marimba
114
Percussion (band part)
110
Xylophone
71
Xylophone, Piano
57
Vibraphone
52
2 Xylophones
49
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
8
Brass Quintet: other combinaisons
6
Xylophone or Marimba or Vibraphone
4
2 Marimbas
4
Snare drums
4
Flexible Instrumentation
3
Vibraphone and Marimba
3
Orchestra, Violin
2
Cajon
2
Bongos
2
Piano and Orchestra
2
Bodhran
2
Timpani (band part)
1
Marimba, Saxophone (duet)
1
School Ensemble
1
2 Snare Drums (duet)
1
+ 30 instrumentations
-
Retract
Others
Musical course - Solfege
40
Music Theory
1
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--INSTRUMENTS--
ACCORDION
AUTOHARP
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CLARINET
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TROMBONE
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POP ROCK - CLASSIC R…
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Soprano voice, Piano
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62 sheet music found
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1
26
51
Daybreak (Downloadable)
#
Soprano voice, Piano
#
Tawnie Olson
#
Daybreak
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minute...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
I Love Playing With My Cat
#
Soprano voice, Piano
#
BEGINNER
#
Tiffany Prochera
#
I Love Playing With My Cat
#
Swimming Tigress Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.988071 Composed by Tiffany Prochera. Children. 5 pages. Swimming Tigress Music #6570963. Pu...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.988071 Composed by Tiffany Prochera. Children. 5 pages. Swimming Tigress Music #6570963. Published by Swimming Tigress Music (A0.988071). Who doesn't love their pet?
$3.00
After You Hear Me Out from Glory Denied (Downloadable)
#
Soprano voice, Piano
#
INTERMEDIATE
#
Contemporary
#
Tom Cipullo
#
After You Hear Me Out from Glo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Compan...
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
Glory, Glory, Hallelujah
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Spiritual
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Maria Thompson Corley
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Maria Thompson Corley, piano)
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Glory, Glory, Hallelujah
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.845959 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,S...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.845959 Composed by Spiritual. Arranged by Maria Thompson Corley. Christian,Concert,Gospel,Sacred,Spiritual. 5 pages. Maria Thompson Corley #6702061. Published by Maria Thompson Corley (A0.845959). This cheerful, gospel-inflected spiritual incorporates I'm Gonna Lay Down My Heavy Load. As recorded on the 2022 Navona release, Soul Sanctuary (Maria Clark, soprano; Maria Thompson Corley, piano).
$8.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
IN THE BEGINNING. For soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel R...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
Victory
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Soprano voice, Piano
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ADVANCED
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Maria Thompson Corley
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Victory
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Co...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. Published by Maria Thompson Corley (A0.845963). Victory begins starkly, in keeping with the text by Susanna Musser, which talks about standing nakedly in front of gazing eyes, then being approached and harassed by cruelty, whose attempts to beat [her] up and beat [her] down are overcome by love, which leaves her instead softer, more playful, and more fiercely tender. Love has won!.
$9.99
Native Land, Adieu - Scottish song for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE
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Alexander Campbell
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Karen E McAulay (piano)
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Native Land, Adieu - Scottish
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Dr Karen E McAulay
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.984285 Composed by Alexander Campbell (words and melody). Arranged by Karen E McAulay (pian...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.984285 Composed by Alexander Campbell (words and melody). Arranged by Karen E McAulay (piano). Celtic,Contemporary,Folk,Patriotic. 5 pages. Dr Karen E McAulay #4612723. Published by Dr Karen E McAulay (A0.984285). A poignant Scottish song from the island of St Kilda. The theme is emigration, melody first published in 1818. Soprano and piano. Full piano accompaniment - no chord symbols.
$15.00
From Earth To Heaven
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Soprano voice, Piano
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ADVANCED
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 p...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Soprano voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Rom...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Songs
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Fede...
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Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE
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Victor Labenske
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Katie Manning, poet
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Tasty Other: A Dramatic Song C
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Labenske Music Services
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, ...
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
John Keats Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Joshua Layne
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John Keats Soprano and Piano
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Joshua Layne
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023172 Composed by Joshua Layne. Concert,Contemporary,Holiday,Wedding. 3 pages. Joshua Lay...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023172 Composed by Joshua Layne. Concert,Contemporary,Holiday,Wedding. 3 pages. Joshua Layne #4851049. Published by Joshua Layne (A0.1023172). Beautiful piece set to John Keats poetry. Soprano and Piano. Perfect for Vocal recitals.
$4.99
I Cry
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Soprano voice, Piano
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ADVANCED
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Melanie B
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I Cry
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.854329 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 6 pages. Melanie ...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.854329 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 6 pages. Melanie B Guerin #5019117. Published by Melanie B Guerin (A0.854329). Part patter song, part coloratura showpiece, this is the uptempo comedic song that every soprano has been wishing for! The song celebrates feeling all the feelings, even if that means being a weepy mess.I cry when I am nervous,I cry when I am stressed,This aqueous display isReally just the way myFeelings manifest.G#3-C#6.
$4.75
Nightpiece
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Soprano voice, Piano
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ADVANCED
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Aribert Reimann
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Nightpiece
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - Digital Download SKU: S9.Q20899 Nach einem Gedicht von James Joyce. Composed by Aribert Reimann. This editio...
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q20899 Nach einem Gedicht von James Joyce. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q20899. Published by Schott Music - Digital (S9.Q20899). English.Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitative-like second part, the grace and grandeur of Seraphim manifestations are derived from the sound of plucked piano strings. The third part is characterized by the death knell: 'voidward from the adoring waste of souls'.
$17.99
Good Thing
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Soprano voice, Piano
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INTERMEDIATE
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Contemporary
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Zedd & Kehlani
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Gavin Koh
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Good Thing
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Gavin Koh
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finla...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finlay Graham Dow Smith, Finley Dow-Smith, Kehlani Parrish, Kelhani Ashley Parrish, and Peter Rycroft. Arranged by Gavin Koh. Contemporary. 9 pages. Gavin Koh #5199915. Published by Gavin Koh (A0.874488). Here is my piano and vocal arrangement of the hot single from Zedd and Kehlani - Good Thing. Hope you enjoy it!You can listen to Good Thing on my Soundcloud channel at https://soundcloud.com/gavinkoh/zedd-and-kehlani-good-thingListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$4.99
Now thank we all our God (new setting for mezzo & piano)
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Soprano voice, Piano
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INTERMEDIATE
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Sacred music
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Malcolm D Robertson
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Now thank we all our God
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Mr Malcolm D Robertson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malc...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson #5791375. Published by Mr Malcolm D Robertson (A0.927994). A setting of a well known hymn text. Originally composed for the final service of a local minister at the Church for which I was the keyboard player/organist in July 2002. I made some minor revisions in June 2020.
$4.00
"Eulalie," for Soprano and Piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Steven Shade
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"Eulalie," for Soprano and Pia
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #32407...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
Maple's Song
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Brendon G
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Maple's Song
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Brendon Holden
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1021977 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. 8 pages...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1021977 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. 8 pages. Brendon Holden #6302605. Published by Brendon Holden (A0.1021977). Maples song is a recently written song, (2021) I wrote Maples song to be placed in a 2021 book, Bity Nightmare Byte. This song is lovely, one of my favorites. I would recommend this song for advanced piano players who would desire to have a spark of youth in their collection of sheet music.
$6.99
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