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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Les
Not classified
26,052
Piano & keyboards
Piano solo
23,530
Piano, Voice
11,060
Piano, Vocal and Guitar
7,741
Easy Piano
6,234
C Instruments
1,654
Organ
1,598
Piano Accompaniment
767
Big Note Piano
625
1 Piano, 4 hands
597
Accordion
579
Piano Trio: piano, violin, cello
413
2 Pianos, 4 hands
140
Piano (band part)
124
Piano Quartet: piano, violin, viola, cello
68
Piano Quartet: piano, 2 violins, cello
52
Piano Quintet: piano, 2 violins, viola, cello
47
Organ, Trumpet (duet)
34
Harpsichord
31
Keyboard
21
Organ, Piano (duet)
21
Melody line, Piano
21
2 Pianos, 8 hands
17
All Instruments
13
1 Piano, 6 hands
12
Accordion, Voice
11
Solo instrument and Organ
5
2 Organs (duet)
4
2 Accordions
3
Organ, Voice
3
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano ensembles
2
Accordion, String(s)
1
Accordion and Orchestra
1
Fake Book
1
Concertina
1
+ 30 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
39,441
Lyrics and Chords
22,612
Guitar notes and tablatures
5,197
Guitar
4,874
Bass guitar
1,773
Ukulele
1,518
4 Guitars (Quartet)
573
2 Guitars (duet)
516
Banjo
276
Mandolin
220
3 Guitars (trio)
202
Guitar Ensemble
179
Guitar (band part)
148
Dulcimer
124
Piano, Guitar (duet)
95
Ukulele Ensemble
35
Baritone Ukulele
34
2 Ukuleles
30
Mandolin, Guitar (duet)
29
Mandolin, Piano (duet)
22
Electric Bass (band part)
22
Plectrum Orchestra
12
Dobro
8
Guitar, String Quartet
8
2 Dulcimers (duet)
8
Lap Steel Guitar
7
Band Scores
5
Guitar, Violin, Cello (trio)
4
2 Guitars and Orchestra
4
2 Mandolins (duet)
3
Guitar, Orchestra
3
Lute
3
3 Dulcimers (trio)
3
Guitar, Flute, Clarinet
2
Guitar, Harp
2
2 Guitars, Clarinet (trio)
1
Guitar Tab, Voice, Bass, Drum
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
8,235
Choral 3-part
2,527
Choral TTBB
1,534
Choral 2-part
1,400
Voice solo
1,040
Choral Instrumental Pak
990
Choral SSAA
905
Choral Unison
741
Choral
376
Vocal duet, Piano
326
High voice
238
Vocal duet
169
Soprano voice, Piano
136
Tenor voice, Piano
106
Alto voice, Piano
94
Voice, Guitar
74
Low voice, Piano
73
Medium voice, Piano
70
Baritone voice, Piano
66
Choral SSAATTBB
25
Medium Voice
22
Choral SSAB a cappella
18
Tenor voice
17
Choral SSATB
17
Choral SSATTB
14
Mezzo-Soprano voice, Piano
13
Soli, Mixted choir and accompaniment
11
Choral SSAB, Piano
9
Soprano voice
7
Children choir
7
Voix Masculines
6
Soprano voice, Orchestra
5
Low voice
4
Voice, Basso continuo
3
Choral SAATB A Cappella
3
Choral SATBB
3
Baritone voice
2
Choral SSATBB
2
Choral SSAATB
2
Choral SATTBB, keyboard
1
Choral, Organ
1
+ 36 instrumentations
-
Retract
Woodwind
Flute
3,129
Clarinet
2,512
Saxophone
2,448
Flute and Piano
1,981
2 Saxophones (duet)
1,754
2 Flutes (duet)
1,638
Alto Saxophone
1,599
Saxophone (band part)
1,598
Saxophone Quartet: 4 saxophones
1,572
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,420
Clarinet and Piano
1,361
Tenor Saxophone
1,315
Alto Saxophone and Piano
1,211
Flute, Oboe, Clarinet, Bassoon
1,183
Oboe, Piano (duet)
1,062
2 Clarinets (duet)
847
Tenor Saxophone and Piano
833
Clarinet Quartet: 4 clarinets
794
Saxophone Quintet: 5 Saxophones
793
Oboe
549
Oboe (band part)
507
Clarinet (band part)
469
Flute Quartet: 4 flutes
460
Soprano Saxophone and Piano
444
3 Clarinets (trio)
411
Flute, Clarinet (duet)
399
Recorder
370
3 Saxophones (trio)
342
Ocarina
337
2 Oboes (duet)
308
2 Recorders (duet)
302
Baritone Saxophone, Piano
276
Flute Trio: 3 flutes
270
Soprano Saxophone
263
Flute and Guitar
259
Flute (band part)
259
Saxophone ensemble
252
Clarinet Quintet: 5 clarinets
252
Saxophone, Clarinet (duet)
247
Clarinet, Violin (duet)
233
Clarinet Ensemble
226
Oboe, Clarinet (duet)
201
Flute ensemble
196
Oboe, Bassoon (duet)
188
Clarinet, Trumpet (duet)
161
English horn, Piano
160
Flute, Violin
159
Eb Instruments
154
Harmonica
141
Flute Quintet : 5 flutes
120
Clarinet and Viola
109
2 Saxophones, Piano
105
Descant (Soprano) Recorder
104
Flute, Clarinet and Bassoon.
101
Recorder Quartet
100
Baritone Saxophone
96
Flute, Saxophone (duet)
95
Flute, Viola (duet)
93
Flute, Oboe, Clarinet (trio)
89
Clarinet, Bassoon (duet)
87
Oboe, Flute
85
Bass Clarinet, Piano
84
Flute, Trumpet (duet)
84
Flute, Oboe (duet)
83
Oboe, Clarinet, Bassoon (trio)
76
English Horn
74
Oboe, Cello
67
Flute, Violoncello
65
Flute, Violin, Piano
64
Flute, Oboe, Bassoon
63
Clarinet, Cello (duet)
63
2 Flutes, Piano
62
Treble (Alto) Recorder
55
Flute, Clarinet, Piano (trio)
51
Clarinet, Guitar (duet)
42
Oboe, Violin (duet)
35
3 Recorders (trio)
32
Piccolo
31
Flute, Cello, Piano (trio)
30
Treble (Alto) Recorder, Piano
29
Bass Clarinet
29
Flute, Violin and Violoncello
28
Flute, Oboe, Piano (trio)
28
5 Recorders
27
Descent (Soprano) Recorder, Piano
26
2 Clarinets, Piano
25
Clarinet, Cello, Piano (trio)
25
Oboe and viola (duet)
22
Recorder Ensemble
22
Tenor Recorder
21
Oboe, Guitar (duet)
21
Saxophone and Guitar
20
Clarinet, Trombone (duet)
19
Flute, Trombone (duet)
19
Clarinet, Harp (duet)
19
Flute, Bassoon, and Piano
18
Flute, Clarinet, Horn and Bassoon (Quartet)
18
Piccolo, Piano
16
3 Oboes
15
Clarinet, Bassoon, Piano (trio)
15
Flute, Viola and Piano
14
Saxophone and Piano
13
Pennywhistle
13
Flute, Violin, Violoncello and Piano
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
4 Oboes
10
Flute, Oboe, Violin
9
Flute, harp and violin
9
Oboe, Clarinet and Piano (Trio)
8
Flute, Organ (duet)
8
Recorder, Piano
7
Clarinette, Viola and Piano (trio)
7
Flute, trombone and piano
7
Flute, Clarinet, Violin (trio)
7
Oboe, Bassoon and Piano
6
Clarinet, Double bass (duet)
6
Flute and Strings Trio
6
Harmonica, Piano
5
2 English horns and Pianoforte
5
Oboe, Harp
5
Clarinet, Tuba
5
Wind ensemble
5
Oboe, Violin, Piano
5
Flute, Cello, Guitar
5
Flute, Tuba (duet)
5
Flute, Violin, Guitar
5
Oboe, Trombone (duet)
5
Oboe, Cello and Piano
5
English horn, Harp (duet)
4
Clarinet Quintet: Clarinet, String Quartet
4
Flute, Basso continuo
4
Oboe, Trumpet (duet)
4
Clarinet, trumpet and piano
4
Bagpipe
4
2 Clarinets, Bassoon
4
Saxophone and Harp
4
Saxophone and Organ
4
2 Oboes and Basson
3
2 Oboes, Piano
3
Treble (Alto) Recorder, Basso continuo
3
Clarinet, Organ
3
Pan Flute
3
Clarinet, Orchestra
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Harp and Cello
2
2 Flutes, 2 Clarinets (Quartet)
2
Flute, French horn (duet)
2
Descant (Soprano) Recorder, Basso continuo
1
Flute, Viola and Cello
1
Flute, Viola and harp
1
2 Recorders, Piano
1
Flute, Orchestra
1
Recorder, Harp
1
Oboe, Organ
1
2 Flutes and Harp
1
English Horn, Guitar (duet)
1
Saxophone, Violin (duet)
1
2 Oboes and English horn
1
2 Flutes and Guitar
1
2 Recorders, Guitar
1
Flute and String Quartet
1
Recorder, Guitar (duet)
1
Oboe and Orchestra
1
+ 158 instrumentations
-
Retract
Woodbrass
Trumpet
2,633
Trombone
2,061
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,647
Trumpet, Piano
1,125
Trumpet (band part)
1,029
French horn
1,003
Trombone and Piano
973
Trombone (band part)
924
Brass quartet : 2 trumpets, trombone, tuba
866
French Horn and Piano
688
2 Trumpets (duet)
655
2 Trombones (duet)
605
Trumpet, Trombone (duet)
488
Tuba and Piano
444
Tuba
434
Brass Quartet: 2 trumpets, horn, trombone
366
Brass Quartet
329
French horn (band part)
271
2 French horns (duet)
259
Trumpet, Saxophone (duet)
208
Brass Quartet: 4 trombones
163
English horn, Piano
160
Tuba (band part)
156
Trombone ensemble
148
Euphonium, Piano (duet)
145
Bb Instruments
138
Bass Clef Instruments
132
Trumpet ensemble
114
2 Tubas (duet)
111
Euphonium
109
Brass Quartet: 4 horns
106
English Horn
74
2 Euphoniums and 2 Tubas
71
Trumpet, Horn (duert)
68
4 Tubas
57
3 Trombones (trio)
50
Brass Trio
45
Horn Ensemble
33
Euphonium, Tuba (duet)
32
Brass Quartet: 4 trumpets
32
3 Trumpets (trio)
31
Tuba and Organ
30
2 Euphoniums (duet)
26
Horn, Cello (duet)
25
Trumpet, Tuba (duet)
22
Bass Trombone
18
Trombone, Tuba (duet)
18
Trumpet, Cello (duet)
18
Trombone, Horn (duet)
17
Trumpet, Trombone, Piano
17
Bass Trombone and Piano
16
F Instruments
15
Tuba ensemble
15
Trombone, Organ
14
Trumpet, Bassoon (duet)
13
2 Trumpets, Keyboard (piano or organ)
11
Horn, Tuba (duet)
9
French horn and Basson (duet)
9
Trumpet and Guitar
9
Trumpet, violin (duet)
7
3 Tubas (trio)
7
Brass Quartet: 2 trumpets, 2 trombones
7
3 French horns (trio)
7
Trumpet, Cello, Piano
7
Tuba or Euphonium or Saxhorn
6
French Horn and Harp
5
Horn and Orchestra
5
2 English horns and Pianoforte
5
2 Trombones, Piano
5
Cornet
5
Euphonium (band part)
5
English horn, Harp (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Trombone, Violin (duet)
4
Clarinet, Horn (duet)
3
3 Euphoniums
3
Trumpet, Euphonium (duet)
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
Trumpet, Harp
1
Trombone and Orchestra
1
2 French horns, Piano
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
English Horn, Guitar (duet)
1
Horn, Cello and Piano
1
4 Euphoniums
1
Trumpet, Orchestra
1
+ 81 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
4,420
Violin
3,321
Cello
2,536
Violin and Piano
2,225
Viola
1,954
Cello, Piano
1,527
Violin, Cello (duet)
1,244
Viola, Piano
1,224
2 Violins (duet)
1,081
Harp
919
String Trio: violin, viola, cello
906
2 Cellos (duet)
753
String Quintet: 2 violins, viola, cello, bass
606
Violin, Viola (duet)
527
2 Violas (duet)
493
Double Bass
473
Violin (band part)
434
Double bass, Piano (duet)
348
Viola (band part)
296
String Trio: 2 violins, cello
276
Doublebass (band part)
233
Piano Trio: Violin, Viola, Piano
173
Viola, Cello (duet)
167
Violin, Guitar (duet)
153
Cello (band part)
131
4 Cellos
129
2 Double basses (duet)
100
String Trio: 3 violins
98
Cello, Guitar (duet)
90
String trio
80
String Trio: 3 cellos
64
Violin, Bassoon (duet)
60
String quartet: 4 violins
53
2 Harps (duet)
50
Cello, String Bass (duet)
49
Harp, Flute (duet)
44
String Trio: 2 violins, viola
43
String Quartet : 4 violas
39
Harp, Violin (duet)
36
String Quintet: 2 violins, 2 violas, cello
35
String Trio: 3 violas
31
Viola, Guitar (duet)
30
Violin ensemble
28
Viola ensemble
27
Viola and Bassoon
26
String Quintet: 2 violins, viola, 2 cellos
24
2 Violins, Piano
24
Harp, Voice
22
Violin, Clarinet, Piano (trio)
18
Cello, Orchestra
14
Harp, Cello (duet)
12
Flute, Doublebass (duet)
10
Cello Ensemble
9
Harp and Piano
8
Harp, Violin, Violoncello
8
2 Cellos, Piano
8
Violoncello, Basso continuo
7
2 Violas, Piano
7
Autoharp
6
Violin, Tuba (duet)
6
Cello, Organ
6
3 Harps
6
Harp (band part)
6
Viola and Harp
6
Violin, Cello, Clarinet
5
Violin, Organ
4
Violin, Double bass (duet)
3
Harp, String quartet
3
4 Harps
2
Harp and Organ
2
Violin, Clarinet and Guitar
2
Violin, Trumpet and Piano
2
Violin, Basso continuo
2
4 Double Basses
2
Harp, Trombone (duet)
1
Viola, Organ
1
3 double basses
1
Harp and mandolin
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,023
Orchestra
3,047
Timpani (band part)
2,283
String Orchestra
1,741
Jazz Ensemble
1,711
Handbells
1,151
Drums
1,059
Marching band
875
Brass ensemble
763
Chamber Orchestra
538
Jazz combo
309
Percussion (band part)
306
Percussion Ensemble
221
Drum (band part)
156
Flexible Instrumentation
152
Percussion
134
Marimba
94
Xylophone
88
Vibraphone
64
Timpani
63
Piano and Orchestra
38
Xylophone, Piano
26
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
26
Orchestra, Violin
26
Big band
15
Woodwind Quintet
12
Snare drums
10
2 Xylophones
9
School Ensemble
9
Xylophone or Marimba or Vibraphone
6
Vibraphone (band part)
5
Marimba, Piano (duet)
5
Woodwind Quartet: any 4 woodwinds
5
Brass Quintet: other combinaisons
5
Xylophone (band part)
2
Cajon
2
Vibraphone and Marimba
2
3 Marimbas
2
Bongos
2
Symphonic Band
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Conga
1
2 Snare Drums (duet)
1
Voice and Orchestra
1
2 Marimbas
1
+ 41 instrumentations
-
Retract
Others
Musical course - Solfege
40
Music Theory
27
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Soprano voice, Piano
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136 sheet music found
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126
Restless in thought
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Soprano voice, Piano
#
Classical
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John Eccles
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Restless in thought
#
Early Music Scores
#
SheetMusicPlus
Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period, Early Music. Score. 3 pages. Published by Early Music Scores...
(+)
Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period, Early Music. Score. 3 pages. Published by Early Music Scores
Voice and continuo
Composed by John Eccles (1668-1735). From A Collection of Songs, 1704. Edited by Felipe Dias. 3 pages.
$6.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Concentric Circles
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Soprano voice, Piano
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INTERMEDIATE
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
A Blessing for Christmas (solo voice and piano)
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Soprano voice, Piano
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INTERMEDIATE
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Christmas
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Robert Steadman
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A Blessing for Christmas
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Robert Steadman
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.880102 Composed by Robert Steadman. Christian,Christmas,Concert,Contemporary,Praise and Worshi...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.880102 Composed by Robert Steadman. Christian,Christmas,Concert,Contemporary,Praise and Worship. 4 pages. Robert Steadman #6879457. Published by Robert Steadman (A0.880102). A beautiful setting of a Christmas blessing for solo voice with piano accompaniment by composer Robert Steadman.
$4.99
Te Nah (Night Blessing), Op. 4
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Stanley King Stinchcombe
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Te Nah
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Stanley K Stinchcombe
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.992898 Composed by Stanley King Stinchcombe. Celtic,Concert,Contemporary,New Age. 7 pages. ...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.992898 Composed by Stanley King Stinchcombe. Celtic,Concert,Contemporary,New Age. 7 pages. Stanley K Stinchcombe #3580381. Published by Stanley K Stinchcombe (A0.992898). Piano and soprano piece depicting and ancient Druid blessing (fictional).
$3.99
"Blessing" for voice and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Jason A
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"Blessing" for voice and piano
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Call of the Wild Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.978192 Composed by Jason A. Heald. Contemporary,Graduation,Holiday,Love. 8 pages. Call of t...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.978192 Composed by Jason A. Heald. Contemporary,Graduation,Holiday,Love. 8 pages. Call of the Wild Publishing #6265331. Published by Call of the Wild Publishing (A0.978192). Blessing for mezzo-soprano and piano by Jason A. Heald is a gentle and inspiring song, ideal for concerts, graduations, memorials, and special music for church.
$2.50
Whales Weep Not! - setting for soprano and piano
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Soprano voice, Piano
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Samuel Stokes, D
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Whales Weep Not! - setting for
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SamuelStokesMusic.com
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.562734 Composed by Samuel Stokes, D.H. Lawrence. 20th Century,Concert,Contemporary. 3 pages. SamuelStoke...
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High Voice,Vocal Solo - Digital Download SKU: A0.562734 Composed by Samuel Stokes, D.H. Lawrence. 20th Century,Concert,Contemporary. 3 pages. SamuelStokesMusic.com #6067115. Published by SamuelStokesMusic.com (A0.562734). This is a setting for soprano and piano accompaniment based on an excerpt from the D.H. Lawrence poem Whales Weep Not! Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com.
$4.99
Les filles de Cadix (F# Minor)
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Leo Delibes
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Jonathan Prentice
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Les filles de Cadix
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884759 Composed by Leo Delibes. Arranged by Jonathan Prentice. Romantic Period. 9 pages. Jo...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884759 Composed by Leo Delibes. Arranged by Jonathan Prentice. Romantic Period. 9 pages. Jonathan Prentice #5803397. Published by Jonathan Prentice (A0.884759). Delibes's brings to life the flirtatious story of Musset's Girls of Cadiz with exciting Spanish rhythms and soaring melodies. (Here, 2 verses in F# Minor, suitable for sopranos).
$1.99
BARCAROLLE From "Les contes d'Hoffmann" - Arr. for Soprano and Piano
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Soprano voice, Piano
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Classical
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Jacques Offenbach
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Renato Tagliabue
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BARCAROLLE From "Les contes d'
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Renato Tagliabue
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.724841 Composed by Jacques Offenbach. Arranged by Renato Tagliabue. Romantic Period. 5 pages. Renato ...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.724841 Composed by Jacques Offenbach. Arranged by Renato Tagliabue. Romantic Period. 5 pages. Renato Tagliabue #6601487. Published by Renato Tagliabue (A0.724841).
$8.50
BARCAROLLE From "Les contes d'Hoffmann" - Arr. for Soprano and Piano - MP3: INSTRUMENTAL BASE. Pan o
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Soprano voice, Piano
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Classical
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Jacques Offenbach
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Renato Tagliabue
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BARCAROLLE From "Les contes d'
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Renato Tagliabue
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SheetMusicPlus
Piano,Soprano voice - Digital Download SKU: A0.1066247 Composed by Jacques Offenbach. Arranged by Renato Tagliabue. Romantic Period. Accompaniment. Durat...
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Piano,Soprano voice - Digital Download SKU: A0.1066247 Composed by Jacques Offenbach. Arranged by Renato Tagliabue. Romantic Period. Accompaniment. Duration 123. Renato Tagliabue #6601491. Published by Renato Tagliabue (A0.1066247). Score at this link: https://www.sheetmusicdirect.com/en-US/se/ID_No/821310/Product.aspx
$7.50
Giovanni Battista Pergolesi: Stizzoso, mio stizzoso, From ‘La serva padrona’ - soprano & piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Giovanni Battista Pergolesi
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Virtualsheetmusic
Instantly printable sheet music by Giovanni Battista Pergolesi for soprano & piano of MEDIUM/HIGH skill level. Contents: Italian Opera Arias / classical...
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Instantly printable sheet music by Giovanni Battista Pergolesi for soprano & piano of MEDIUM/HIGH skill level. Contents: Italian Opera Arias / classical
$4.99
Maiden's Aria from Coyote Tales (Downloadable)
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Soprano voice, Piano
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ADVANCED
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Henry Mollicone
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Maiden's Aria from Coyote Tale
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - Digital Download SKU: MQ.6000-08E Composed by Henry Mollicone. 8 pages. E. C. Schirmer Music Company - Digital #6...
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Soprano voice solo, piano - Difficult - Digital Download SKU: MQ.6000-08E Composed by Henry Mollicone. 8 pages. E. C. Schirmer Music Company - Digital #6000-08E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-08E).
$2.00
Come, Thou Fount Of Every Blessing
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Soprano voice, Piano
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EASY
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Sacred music
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Bles
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Gert Th. Walter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.682605 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise &...
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.682605 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5827775. Published by Gert Th. Walter (A0.682605). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$2.99
Sun Of The Sleepless from Byron Songs
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian S
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Sun Of The Sleepless from Byro
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G. Meredith Publications
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.843759 Composed by Brian S. Wilson. Contemporary. 7 pages. G. Meredith Publications #202449...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.843759 Composed by Brian S. Wilson. Contemporary. 7 pages. G. Meredith Publications #2024491. Published by G. Meredith Publications (A0.843759). This is the first song in the six song cycle Byron Songs based on poems from Lord Byron's Hebrew Melodies.
$7.00
Warm Where Snowflakes Lie
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Publishe...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Richard St
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A Night-Piece for Mezzo-Sopran
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Pu...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
Daybreak (Downloadable)
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Soprano voice, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minute...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
IN THE BEGINNING. For soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel R...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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