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55
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Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
Chamber Orchestra
Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. A…
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Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon?McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
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Chamber Orchestra
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The Beatles
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Norwegian Wood
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.66 €
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Chamber Orchestra
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Jean Phillipe Rameau
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Les Fleurs du Mal (2020) for soprano and string quartet
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869845 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869845 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 89 pages. Thomas Oboe Lee #6169511. Published by Thomas Oboe Lee (A0.869845). Program note. I inadvertently discovered that when Charles Baudelaire’s Les Fleurs du Mal was published in 1857, portions of it were condemned and censored as an insult to public decency. That of course aroused my curiosity. I got a dual language copy of the book and decided to set five of the condemned poems for soprano and string quartet: 1. Lesbos2. Femmes Damnées3. Le Léthé4. Les Métamorphoses du vampire5. Les bijoux
$9.99
9.32 €
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Chamber Orchestra
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Thomas Oboe Lee
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Les Fleurs du Mal
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Thomas Oboe Lee
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SheetMusicPlus
Les Mots D'amour
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.739335 By Edith Piaf. By Cha…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.739335 By Edith Piaf. By Charles Dumont. Arranged by Alex Talanov. French,Pop. Score and parts. 16 pages. Alex Talanov #3868603. Published by Alex Talanov (A0.739335). This wonderful song is now available for string quartet. May be performed with or without the piano.
$12.99
12.12 €
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Chamber Orchestra
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Edith Piaf
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Les Mots D'amour
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Alex Talanov
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SheetMusicPlus
Entree d'Abaris (from Les Boreádes)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.820215 Composed by Jean-Phil…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.820215 Composed by Jean-Philippe Rameau. Arranged by Enrique Llorens. Baroque,Classical,Opera. Score and parts. 7 pages. Llorens #3863197. Published by Llorens (A0.820215). Beautiful piece from Rameau's opera les Boréades. Very relaxed and calm, is suitable for weddings and other solemnal occasions. Scoring: Violins I-II, Violas, Bassi (bassoons optional). Also works as a String Quartet piece. Urtext edition based on the 1764 manuscript.
$9.99
9.32 €
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Chamber Orchestra
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Jean-Philippe Rameau
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Entree d'Abaris
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Llorens
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilus”), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…”, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit” (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love” is an eighteenth century poem that e.
$25.95
24.21 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
[Davidson] The Singing Lesson
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.953030 Composed by Matthew Davidson. C…
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Chamber Orchestra - Digital Download SKU: A0.953030 Composed by Matthew Davidson. Contemporary,Opera. Score and parts. 175 pages. American Composers Alliance Inc. #4634691. Published by American Composers Alliance Inc. (A0.953030). An opera of three musical short stories in three acts, adapted from the short stories of Katherine Mansfield. Cast for 2 lyric sopranos, 2 dramatic mezzo-sopranos, 1 contralto, 1 tenor buffo, 1 basso buffo, with chamber orchestra of 0101 - 011(btbn)0 - 2 perc, celesta - 1001.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$43.95
41 €
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Chamber Orchestra
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Matthew Davidson
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[Davidson] The Singing Lesson
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American Composers Alliance Inc.
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SheetMusicPlus
Charles Darwin: To Love The Earth - the full orchestral score - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004871 Composed by Leslie K…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004871 Composed by Leslie Kleen. Contemporary,Opera. Score and parts. 292 pages. Music From Riverside #6017817. Published by Music From Riverside (A0.1004871). Charles Darwin: To Love the Earth is a musical about the life of Charles Darwin. There are singing roles for two tenors, a baritone, an alto, and soprano, a chorus, and several speaking parts. It covers Darwin's life from his youth, through his Beagle voyage, his marriage, the death of his daughter, Annie, and to his death. This score includes all music and spoken lines.The small orchestra includes piano, flute, oboe, clarinet, bassoon, french horn, and strings.The musical lasts approximately two hours.A piano-vocal score and a choral score are also available.A Concert version which is an abbreviated version of this musical is also available.
$10.00
9.33 €
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Chamber Orchestra
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Leslie Kleen
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Charles Darwin: To Love The Earth - the full orchestral score - Score Only
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Music From Riverside
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SheetMusicPlus
Theme From The X-Files
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1374783 Composed by Mark Sno…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1374783 Composed by Mark Snow. Arranged by Todd Sheehan. 21st Century,Classical,Contemporary,Film/TV. 22 pages. Todd Sheehan #959309. Published by Todd Sheehan (A0.1374783). The Truth is Out There.A spooky, faithful reproduction of The Theme from the X-Files - from The Twentieth-Century Fox television series.Instrumentation:*2(2.picc)000 - 0000 - T+2 - synth - pf - hp - str.
$50.00
46.64 €
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Chamber Orchestra
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Mark Snow
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Theme From The X-Files
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Todd Sheehan
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SheetMusicPlus
Praise God, from Whom All Blessings Flow (Doxology)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1137414 Composed by Geistlic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1137414 Composed by Geistlich Kirchengesänge (1623), harmonized by Ralph Vaughan Williams (1906). Arranged by D. Jason Bishop. Christian,Praise & Worship,Renaissance,Sacred,Traditional. Score and parts. 26 pages. Tully Road Music #737619. Published by Tully Road Music (A0.1137414). This is an orchestration by D. Jason Bishop of LASST UNS ERFREUEN, a hymn tune from the 1623 Geistliche Kirchengesänge harmonized by Ralph Vaughan Williams in 1906. It is commonly used for the Doxology “Praise God, from Whom All Blessings Flow” as printed in The United Methodist Hymnal (page 94) and in 435 other hymnals. Instrumentation is 2.2.2.2 – 2.3.3.0 - timp/perc - org - strings - choir. This orchestration incorporates brass parts by John F. Wilson and is designed to follow an introduction by a solo organist in worship (introduction not provided). PDF includes full score and all parts.
$10.00
9.33 €
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Chamber Orchestra
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Geistlich Kirchengesänge
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Praise God, from Whom All Blessings Flow
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Tully Road Music
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SheetMusicPlus
Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin Vary. By Jacques Offenbach. Arranged by Marcus Martin. 19th Century,Opera. Score and Parts. 34 pages. Cornelius Edition (uk) #799642. Published by Cornelius Edition (uk) (A0.1200993). This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, here arranged for Solo Trumpet and Orchestra first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann. A useful concert item, it requires 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Harp and Strings.
$19.99
18.65 €
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Chamber Orchestra
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Lucienne Renaudin Vary
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Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
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Cornelius Edition
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SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
18.61 €
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Chamber Orchestra
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Therese Brenet
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Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Accompaniment Package) (Brass Quartet) (Key of Eb)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248206 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248206 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and Parts. 16 pages. Exultet Music #842768. Published by Exultet Music (A0.1248206). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), French Horn, Trombone) and Organ. A Full score is also available. Key of Eb version.
$3.99
3.72 €
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Chamber Orchestra
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Accompaniment Package) (Brass Quartet - Alt.) (Key of Eb)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248205 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248205 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and Parts. 16 pages. Exultet Music #842767. Published by Exultet Music (A0.1248205). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), Trombone (2) ) and Organ. A Full score is also available. Key of Eb version.
$3.99
3.72 €
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Chamber Orchestra
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Accompaniment Package) (Brass Quartet) (Key of F)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248202 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248202 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and Parts. 15 pages. Exultet Music #842764. Published by Exultet Music (A0.1248202). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), French Horn, Trombone) and Organ. A Full score is also available. Key of F version.
$3.99
3.72 €
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Chamber Orchestra
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
Praise God, From Whom All Blessings Flow (Accompaniment Package) (Brass Quartet - Alt.) (Key of F)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248204 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1248204 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and Parts. 15 pages. Exultet Music #842766. Published by Exultet Music (A0.1248204). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), Trombone (2) ) and Organ. A Full score is also available. Key of F version.
$3.99
3.72 €
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Chamber Orchestra
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Stephen DeCesare
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Praise God, From Whom All Blessings Flow
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Exultet Music
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SheetMusicPlus
Blessed Is Everyone
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1218857 By Steve Thweatt. By…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1218857 By Steve Thweatt. By Steve Thweatt. Arranged by Steve Thweatt. Christian,Jewish,Religious,Sacred,Spiritual. Score and Parts. 52 pages. Steve Thweatt #815265. Published by Steve Thweatt (A0.1218857). Taken word for word from Psalm 128, the simple message of 'Blessed is everyone the fears the Lord' rings true thru all of time. Orchestrated for voice, piano, a full string orchestra, flute, oboe, clarinet in Bb, horn in F, Trumpet in Bb, and bells (glockenspiel) and timpani. The piano and voice could stand alone without the orchestra, but only with the orchestra can the full impact of this song be felt.
$29.95
27.94 €
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Chamber Orchestra
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Steve Thweatt
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Blessed Is Everyone
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Steve Thweatt
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SheetMusicPlus
Isaac Ignaz Moscheles, piano sonata in D Major - orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1277749 Composed by Isaac Ig…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1277749 Composed by Isaac Ignaz Moscheles. Arranged by Scott Fields Davis. Romantic Period. 118 pages. Scott Fields Davis #869431. Published by Scott Fields Davis (A0.1277749). Isaac Ignaz Moscheles (1794-1870) was born in Prague. Included in his 142 opus numbers are pieces ranging in instrumentation from solo piano to orchestra. This is an orchestral arrangement of the first movement of his piano sonata in D Major. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.The instruments used are: flutes, oboes, B flat clarinets, bassoons, violin I, violin II, viola, cello, double bass.Approximate performance duration is 12 minutes and 24 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$21.00
19.59 €
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Chamber Orchestra
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Isaac Ignaz Moscheles
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Isaac Ignaz Moscheles, piano sonata in D Major - orchestra
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Scott Fields Davis
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.65 €
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Chamber Orchestra
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Jusqu'en notre exil tu murmures
Chamber Orchestra
Composed by Eric Penicaud (1952-). 16 pages. Published by Les Productions d'OZ - Digital (…
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Composed by Eric Penicaud (1952-). 16 pages. Published by Les Productions d'OZ - Digital (ZZ.DZ-2839). - - - Les Productions d'OZ - Digital
$14.95
13.95 €
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Chamber Orchestra
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Eric Penicaud
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Jusqu'en notre exil tu murmures
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Les Productions d'OZ - Digital
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.71 €
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Chamber Orchestra
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Johann Sebastian Bach and Netherlands Bach Society
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.81 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.23 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Telemann Concerto a 4 TWV 43:d2
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque. Score and parts. 20 pages. Sneakwood Editions #5321931. Published by Sneakwood Editions (A0.890777). Another jewel of this four-part writing appears in the Concerto a 4 in D minor TWV 43:d2, dated around 1720 and found in Dresden and Darmstadt. The contrast between the lavishness of the slow movements and the rhythmic richness of the fast movements is masterful. While the slow movements offer a melodic and harmonic discourse of overwhelming beauty, the rhythmic resources of the fast movements are astonishingly forceful. To mention just a couple of examples, the fugal beginning with three parts in unison at a distance of one quaver in the second movement, or the impetuous syncopated rhythms of the final Allegro. From the booklet of the CD TELEMANN.Chamber music treasures from Dresden and Darmstadt Les Esprits Animaux. Musica Ficta MF8029 , 2018. Texts by Javier Lupiáñez.
$16.00
14.93 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann Concerto a 4 TWV 43:d2
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Sneakwood Editions
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SheetMusicPlus
Takihuaira - Para flauta y orquesta de cuerdas
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1029740 Composed by Freddy Colina Sant…
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Chamber Orchestra - Digital Download SKU: A0.1029740 Composed by Freddy Colina Santos. World. Score and parts. 35 pages. Freddy Colina #5360409. Published by Freddy Colina (A0.1029740). Takihuaira (Para Flauta y Orquesta de Cuerdas) Takihuaira o canto de libertad, es una obra compuesta en homenaje a un gran amigo, Jesús Córdoba. Un amigo que en la vida siempre gustó de la música y quería hacer de ella su gran profesión. Un amigo que me enseñó que siempre tendríamos que luchar por mis sueños y que si la música era uno de ellos el siempre estaría ahí para apoyarme. Lastimosamente Dios lo llamo a ser parte de su coro de ángeles y ahora sé que desde allí no estaría más orgulloso que viéndome cumplir mi sueño. Ésta pequeña y sencilla es también un homenaje a esa música que nace de los simples sonidos, sonidos que convertidos en melodía y amalgamados con un ritmo cadencioso y una sutil armonía crean la más bella de las músicas. Un homenaje a la música andina. Takihuaira es el mestizaje musical de la cultura oriental con la hermosura andina suramericana.
$80.00
74.63 €
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Chamber Orchestra
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Freddy Colina Santos
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Takihuaira - Para flauta y orquesta de cuerdas
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Freddy Colina
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SheetMusicPlus
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