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53
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46
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27
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17
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12
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11
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8
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2
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4066
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1259
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758
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681
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382
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291
Vocal duet, Piano
134
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133
Voice solo
119
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112
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109
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27
Tenor voice, Piano
20
Choral SSAATTBB
19
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16
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16
Alto voice, Piano
14
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12
Baritone voice, Piano
10
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10
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5
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5
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4
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3
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3
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2
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1
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1
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1
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1
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1
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1067
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556
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279
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182
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Bagpipe
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36
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34
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33
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32
English Horn
31
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30
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29
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24
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23
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22
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20
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18
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15
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13
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13
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Baritone Saxophone
12
2 Clarinets, Piano
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12
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12
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11
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11
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11
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9
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7
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7
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6
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6
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6
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6
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5
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5
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5
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5
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4
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4
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4
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3
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3
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3
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3
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3
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2
Clarinet, Trombone (duet)
2
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2
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2
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2
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494
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441
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402
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216
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195
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175
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158
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154
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126
Brass Quartet
123
2 French horns (duet)
118
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104
Tuba (band part)
94
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91
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88
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75
Trombone ensemble
70
Euphonium
70
Euphonium, Piano (duet)
63
2 Tubas (duet)
40
2 Euphoniums and 2 Tubas
40
Trumpet, Horn (duert)
38
Brass Quartet: 4 horns
38
Trumpet ensemble
36
English Horn
31
Brass Trio
25
Tuba and Organ
22
3 Trombones (trio)
15
Horn Ensemble
15
Horn, Cello (duet)
14
Bb Instruments
12
Brass Quartet: 4 trumpets
12
Bass Clef Instruments
11
French Horn and Harp
10
Trumpet, Tuba (duet)
9
3 French horns (trio)
8
2 Euphoniums (duet)
8
Trumpet, Cello (duet)
8
2 Trumpets, Keyboard (piano or organ)
8
Trumpet, Harp
8
Tuba or Euphonium or Saxhorn
7
English Horn, Guitar (duet)
7
Bass Trombone
7
Trumpet, Bassoon (duet)
7
4 Tubas
6
Brass Quartet: 2 trumpets, 2 trombones
5
Trombone, Tuba (duet)
5
Trombone, Organ
5
Horn, Tuba (duet)
5
Bass Trombone and Piano
5
Trombone, Horn (duet)
4
Trombone, Violin (duet)
4
Clarinet, Horn (duet)
3
Trombone and Orchestra
3
3 Trumpets (trio)
3
Euphonium, Tuba (duet)
3
Horn and Organ
2
Horn, Trumpet, Trombone (trio)
2
Cornet
2
F Instruments
2
Trumpet, Orchestra
2
French horn and Basson (duet)
2
2 English horns and Pianoforte
1
Trumpet, Euphonium (duet)
1
Tuba ensemble
1
Trumpet, Cello, Piano
1
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STRINGS
String Quartet: 2 violins, viola, cello
2083
Violin and Piano
1526
Violin
1086
Cello, Piano
1011
Viola, Piano
948
Cello
762
Viola
567
Harp
494
2 Violins (duet)
350
Violin, Cello (duet)
347
String Trio: violin, viola, cello
251
Violin (band part)
222
2 Cellos (duet)
216
Doublebass (band part)
195
Viola (band part)
186
String Quintet: 2 violins, viola, cello, bass
185
Violin, Viola (duet)
170
Double Bass
166
2 Violas (duet)
147
Double bass, Piano (duet)
145
String Trio: 2 violins, cello
106
Cello (band part)
84
2 Harps (duet)
83
Viola, Cello (duet)
69
Piano Trio: Violin, Viola, Piano
64
Violin, Guitar (duet)
47
Harp, Flute (duet)
43
4 Cellos
32
2 Double basses (duet)
26
Violin, Bassoon (duet)
25
String Trio: 3 violins
23
Cello, Guitar (duet)
21
String Trio: 3 cellos
19
Violin, Clarinet, Piano (trio)
19
Harp, Violin (duet)
17
Violin ensemble
16
String trio
16
Cello, String Bass (duet)
15
2 Violins, Piano
15
String Trio: 2 violins, viola
15
Viola, Guitar (duet)
15
Harp (band part)
15
Harp, Voice
14
Viola and Bassoon
14
Viola ensemble
13
String quartet: 4 violins
13
Viola and Harp
11
Harp, Cello (duet)
9
String Quintet: 2 violins, 2 violas, cello
7
String Quintet: 2 violins, viola, 2 cellos
5
Harp, Violin, Violoncello
5
Cello Ensemble
4
Harp and Piano
4
Violin, Organ
4
String Trio: 3 violas
3
3 Harps
3
Flute, Doublebass (duet)
2
Violin, Tuba (duet)
2
Cello, Orchestra
2
Violin, Trumpet and Piano
2
Cello, Organ
2
String Quartet : 4 violas
2
5 Harps
2
Autoharp
1
Viola and orchestra
1
Harp and Organ
1
2 Cellos, Piano
1
Violin, Basso continuo
1
Harp and mandolin
1
Violoncello, Basso continuo
1
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PERCUSSION & ORCHESTRA
Concert band
4125
Orchestra
995
String Orchestra
823
Jazz Ensemble
407
Brass ensemble
390
Handbells
325
Marching band
255
Chamber Orchestra
235
Percussion (band part)
234
Drums
205
Drum (band part)
129
Jazz combo
120
Percussion Ensemble
66
Percussion
51
Marimba
37
Timpani (band part)
29
Vibraphone
25
Xylophone
21
Woodwind Quintet
19
Timpani
10
Orchestra, Violin
7
Flexible Instrumentation
5
Brass Quintet: other combinaisons
5
Piano and Orchestra
5
Xylophone, Piano
5
School Ensemble
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Woodwind Quartet: any 4 woodwinds
1
Snare drums
1
Vibraphone and Marimba
1
Woodwind Trio: any 3 woodwinds
1
2 Snare Drums (duet)
1
3 Marimbas
1
2 Marimbas
1
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OTHERS
Musical course - Solfege
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Music Theory
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You've selected:
The Lan
Choral TTBB
Sheetmusic to print
681 sheet music found
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676
The Wellerman (TTBB)
Choral TTBB
Composed by New Zealand Folk Song. Arranged by Michael Ware. World, Folk, European, Cel…
(+)
Composed by New Zealand Folk Song. Arranged by Michael Ware. World, Folk, European, Celtic, Comedy. Octavo, Score. 7 pages. Published by MusicWare Press
The Wellerman is a Sea Shanty folk song from New Zealand. It gained popularity in 2021 due to a video on TikTok. Your men?s chorus will enjoy this creative arrangement by Michael Ware. It is sure to be a crowd pleaser.
$2.50
2.27 €
#
Choral TTBB
#
New Zealand Folk Song
#
The Wellerman
#
MusicWare Press
#
SheetMusicPlus
The Bells Of Notre Dame (with Out There) (arr. Aaron Dale)
Choral TTBB
(TTBB) - Digital Download Composed by Alan Menken. Arranged by Aaron Dale. 145, A Cappel…
(+)
(TTBB) - Digital Download Composed by Alan Menken. Arranged by Aaron Dale. 145, A Cappella, Children, Disney, Film/TV. Choral. 16 pages. Published by Barbershop Harmony Society
$4.25
3.86 €
#
Choral TTBB
#
Alan Menken
#
The Bells Of Notre Dame
#
Barbershop Harmony Society
#
SheetMusicPlus
Seize The Day (from Newsies)
Choral TTBB
By Alan Menken and Jack Feldman. Arranged by Kirby Shaw. TTBB. Broadway; Disney. Choral. 6…
(+)
By Alan Menken and Jack Feldman. Arranged by Kirby Shaw. TTBB. Broadway; Disney. Choral. 6 pages. Duration 2:20. Published by Hal Leonard - Digital Sheet Music
$2.15
1.95 €
#
Choral TTBB
#
Alan Menken and Jack Feldman
#
Disney
#
Seize The Day
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Were You There?
Choral TTBB
By Traditional. Arranged by Jan Mulder. Men's Choir. For TTBB choir. Spiritual. Text langu…
(+)
By Traditional. Arranged by Jan Mulder. Men's Choir. For TTBB choir. Spiritual. Text language: English. 1 pages. Published by John Miller Publishing
$1.32
1.2 €
#
Choral TTBB
#
Traditional
#
Were You There?
#
John Miller Publishing
#
SheetMusicPlus
Cherish (The Association's Greatest Hits)
Choral TTBB
By The Association. Arranged by Alan Billingsley. TTBB. Concert; Pop; Rock. Choral. 15 pag…
(+)
By The Association. Arranged by Alan Billingsley. TTBB. Concert; Pop; Rock. Choral. 15 pages. Duration 5:45. Published by Hal Leonard - Digital Sheet Music
$2.50
2.27 €
#
Choral TTBB
#
The Association
#
Pop
#
Cherish
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
There's a Light A-Comin'
Choral TTBB
Composed by David Lantz. Sacred Anthem, Advent. Octavo. 8 pages. Published by Monarch Mus…
(+)
Composed by David Lantz. Sacred Anthem, Advent. Octavo. 8 pages. Published by Monarch Music (LX.10-3289M). - octavo - Sacred Anthem, Advent - Monarch Music
$2.40
2.18 €
#
Choral TTBB
#
David Lantz
#
There's a Light A-Comin'
#
Monarch Music
#
SheetMusicPlus
Bound For The Promised Land
Choral TTBB
Composed by J. David Moore. Choral. Concert; Festival. 17 pages. Published by Hal Leonard …
(+)
Composed by J. David Moore. Choral. Concert; Festival. 17 pages. Published by Hal Leonard - Digital Sheet Music (HX.304160). - - Concert; Festival - Hal Leonard - Digital Sheet Music
$2.50
2.27 €
#
Choral TTBB
#
J
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Festival
#
Bound For The Promised Land
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
I'm Bound For The Promised Land
Choral TTBB
By Chris Wommack and Lynn Shaw Bailey. By Lynn Shaw Bailey. TTBB. Concert; Spiritual. Chor…
(+)
By Chris Wommack and Lynn Shaw Bailey. By Lynn Shaw Bailey. TTBB. Concert; Spiritual. Choral. 1 pages. Duration 3:05. Published by Hal Leonard - Digital Sheet Music
$1.90
1.73 €
#
Choral TTBB
#
Chris Wommack and Lynn Shaw Bailey
#
Spiritual
#
I'm Bound For The Promised Land
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By the Rivers of Babylon Men's Choir - Piano, Organ
Choral TTBB
Arranged by Jan Mulder. For TTBB choir, piano or organ. Key of F. Christian. Octavo. Langu…
(+)
Arranged by Jan Mulder. For TTBB choir, piano or organ. Key of F. Christian. Octavo. Language: English. 7 pages. Published by John Miller Publishing
$5.95
5.4 €
#
Choral TTBB
#
By the Rivers of Babylon Men's Choir - Piano, Organ
#
John Miller Publishing
#
SheetMusicPlus
The Nearness Of You
Choral TTBB
By Ned Washington and Hoagy Carmichael. Arranged by Paul Langford. TTBB. Concert; Festival…
(+)
By Ned Washington and Hoagy Carmichael. Arranged by Paul Langford. TTBB. Concert; Festival. Choral. 8 pages. Duration 4:15. Published by Hal Leonard - Digital Sheet Music
$1.80
1.63 €
#
Choral TTBB
#
Ned Washington and Hoagy Carmichael
#
Festival
#
The Nearness Of You
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Four Books In the Bible / Men's Choir and Soloist
Choral TTBB
Arranged by Jan Mulder. For TTBB choir. Key of Bb. Spirituals. Octavo. Language: English. …
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Arranged by Jan Mulder. For TTBB choir. Key of Bb. Spirituals. Octavo. Language: English. 3 pages. Published by John Miller Publishing
$1.45
1.32 €
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Choral TTBB
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Four Books In the Bible / Men's Choir and Soloist
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John Miller Publishing
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SheetMusicPlus
The Trumpet of the Lord / Men's Choir and Soloist
Choral TTBB
Arranged by Jan Mulder. For TTBB choir. Key of Ab. Spirituals. Octavo. Language: English. …
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Arranged by Jan Mulder. For TTBB choir. Key of Ab. Spirituals. Octavo. Language: English. 2 pages. Published by John Miller Publishing
$1.45
1.32 €
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Choral TTBB
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The Trumpet of the Lord / Men's Choir and Soloist
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John Miller Publishing
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SheetMusicPlus
Briefcase Full Of Blues (A Tribute to the Blues Brothers)
Choral TTBB
By The Blues Brothers. Arranged by Alan Billingsley. TTBB. Concert; Film/TV; Oldies; Pop; …
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By The Blues Brothers. Arranged by Alan Billingsley. TTBB. Concert; Film/TV; Oldies; Pop; Rock. Choral. 27 pages. Duration 6:25. Published by Hal Leonard - Digital Sheet Music
$2.95
2.68 €
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Choral TTBB
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The Blues Brothers
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Film/TV
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Briefcase Full Of Blues
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.62 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.17 €
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Choral TTBB
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Unknown - traditional
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
The Waking
Choral TTBB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW2210 Composed by Daniel Baldwin. …
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SATB Chorus & Piano - Digital Download SKU: IZ.VMW2210 Composed by Daniel Baldwin. Octavo. 12 pages. Imagine Music - Digital #VMW2210. Published by Imagine Music - Digital (IZ.VMW2210). 9 x 12 inches.America, the Land of Liberty celebrates immigration, freedom, and liberty in America. Verses from the poem on the pedestal of the Statue of Liberty, “Give me your tired, your poor… are set to music and then combined with My Country ‘Tis of Thee and Home on the Range. This piece of music weaves in a fresh new setting of the timeless poetry of Emma Lazarus along with patriotic music and a classic folk song, giving a sense of the contemporary and traditional importance of American immigration.“Give me your tired, your poor,Your huddled masses yearning to breathe free,The wretched refuse of your teeming shore.Send these, the homeless, tempest-tost to me,I lift my lamp beside the golden door!- From “The New Colossus by Emma Lazarus.
$2.25
2.04 €
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Choral TTBB
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Daniel Baldwin
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The Waking
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Imagine Music - Digital
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SheetMusicPlus
Christmas Island
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.836328 Composed by Lyle Mo…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.836328 Composed by Lyle Moraine. Arranged by Mark Goodney. Contemporary. Octavo. 4 pages. Mark Goodney #5219235. Published by Mark Goodney (A0.836328). Another Island themed Christmas song, made popular by the Andrew Sisters. A perfect break from the mainland Christmas songs.
$4.51
4.1 €
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Choral TTBB
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Lyle Moraine
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Christmas Island
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Mark Goodney
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
2 €
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Choral TTBB
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Traditional
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.91 €
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Choral TTBB
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Traditional
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.91 €
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Choral TTBB
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Traditional
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
Cowboy Songs of the American Southwest [TTBB]
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
3.81 €
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Choral TTBB
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Traditional
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Cowboy Songs of the American Southwest [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I Am My Country (highland Cathedral)
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1260792 By Will Martin. By…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1260792 By Will Martin. By Angela Lupino, Michael Korb, and Uli Roever. Arranged by Lorraine Forsdick. Contemporary,Patriotic,Traditional. Octavo. 7 pages. Lorraine Forsdick #853935. Published by Lorraine Forsdick (A0.1260792). This is male voice choir arrangement of 'Highland Cathedral' to the words' I Am My Country'. These words make it more applicable to sing for male voice choirs as they don't have quite such a Scottish connection as some other versions and can be easily applied to other locations. Until the last couple of bars it is in two parts with the 1st and 2nd tenors together and the baritones and basses together with easy harmonies.
$1.99
1.81 €
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Choral TTBB
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Will Martin
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I Am My Country
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Lorraine Forsdick
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SheetMusicPlus
Candy Cane Lane
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1294187 By Sia. By …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1294187 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Contemporary,Pop. 9 pages. Rowena Harper #884612. Published by Rowena Harper (A0.1294187). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the tenors. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the tenors conclude with a very jazzy, very christmassy solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Key = EbThis is a per copy price with a minimum order of 10 copies. Contact: acappellatenor@gmail.com.
$3.00
2.72 €
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Choral TTBB
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Sia
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Candy Cane Lane
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Rowena Harper
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SheetMusicPlus
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