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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
for
Not classified
118,343
Piano & keyboards
Piano solo
182,065
Piano, Vocal and Guitar
121,132
Piano, Voice
79,093
Easy Piano
39,578
Organ
11,195
Big Note Piano
7,131
C Instruments
6,839
1 Piano, 4 hands
5,254
Piano Accompaniment
5,180
Accordion
4,210
Piano Trio: piano, violin, cello
1,424
2 Pianos, 4 hands
928
Piano (band part)
547
Piano Quartet: piano, violin, viola, cello
394
Organ, Trumpet (duet)
341
Piano Quartet: piano, 2 violins, cello
307
Organ, Piano (duet)
225
Accordion, Voice
209
Melody line, Piano
206
Piano Quintet: piano, 2 violins, viola, cello
205
Harpsichord
166
1 Piano, 6 hands
117
Keyboard
98
2 Accordions
51
Solo instrument and Organ
44
2 Pianos, 8 hands
39
Accordion ensemble
22
All Instruments
17
Organ, Voice
16
Fake Book
13
Accordion, Piano
12
2 Organs (duet)
8
Accordion and Orchestra
6
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion, String(s)
5
Piano ensembles
5
Organ and Orchestra
4
Concertina
3
3 Pianos
2
+ 34 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
56,514
Melody line, (Lyrics) and Chords
30,216
Guitar
20,386
Lyrics and Chords
13,762
Ukulele
10,157
Bass guitar
8,561
2 Guitars (duet)
1,504
Guitar (band part)
1,294
Mandolin
739
Piano, Guitar (duet)
723
4 Guitars (Quartet)
689
Banjo
663
Guitar Ensemble
489
Dulcimer
445
3 Guitars (trio)
292
Band Scores
280
Baritone Ukulele
257
Lap Steel Guitar
155
Electric Bass (band part)
117
Ukulele Ensemble
114
Mandolin, Piano (duet)
57
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
Dobro
36
2 Dulcimers (duet)
25
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
6
Guitar, String Quartet
6
Plectrum Orchestra
5
Lute
4
Guitar Tab, Voice, Bass, Drum
2
Guitar, Harp
2
2 Guitars, Clarinet (trio)
1
2 Guitars and Orchestra
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
41,596
Choral 3-part
16,991
Choral 2-part
12,081
Choral
7,064
Voice solo
7,040
Choral TTBB
6,908
Choral Unison
4,613
Choral SSAA
3,939
Vocal duet, Piano
3,230
Choral Instrumental Pak
1,324
Vocal duet
1,280
High voice
1,191
Soprano voice, Piano
1,020
Alto voice, Piano
660
Tenor voice, Piano
613
Low voice, Piano
610
Baritone voice, Piano
428
Voice, Guitar
260
Medium voice, Piano
259
Medium Voice
240
Choral SSATB
126
Tenor voice
117
Mezzo-Soprano voice, Piano
112
Choral SSAATTBB
104
Soprano voice
71
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Choral SSATBB
50
Choral SSATTB
47
Choral SSAB a cappella
46
Low voice
43
Children choir
42
Choral SSAB, Piano
39
Baritone voice
17
High voice, Piano
17
Choral SSAATB
12
Choral SATBB
10
Voix Masculines
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SATTBB A Cappella
4
Choral SAATB A Cappella
4
Lyrics only
3
Choral SATTB
2
Children choir, Piano
2
Voice, Basso continuo
2
Choral SATTBB, keyboard
2
Choral SSAATB A Cappella
2
+ 43 instrumentations
-
Retract
Woodwind
Saxophone
17,083
Flute
17,046
Clarinet
15,073
Saxophone (band part)
14,858
Flute and Piano
10,356
Clarinet (band part)
9,035
Alto Saxophone
8,953
Clarinet and Piano
7,918
Saxophone Quartet: 4 saxophones
7,694
Tenor Saxophone
7,666
Oboe, Piano (duet)
5,967
Alto Saxophone and Piano
5,856
2 Saxophones (duet)
5,772
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,751
2 Flutes (duet)
5,058
Clarinet Quartet: 4 clarinets
4,870
Flute, Oboe, Clarinet, Bassoon
4,852
Oboe (band part)
4,440
2 Clarinets (duet)
4,333
Tenor Saxophone and Piano
4,326
Flute (band part)
3,695
Flute Quartet: 4 flutes
2,768
Soprano Saxophone and Piano
2,571
Saxophone Quintet: 5 Saxophones
2,241
Recorder
2,110
Oboe
2,076
3 Saxophones (trio)
2,068
3 Clarinets (trio)
2,032
Flute, Clarinet (duet)
1,798
Flute and Guitar
1,760
Clarinet Ensemble
1,506
Flute Trio: 3 flutes
1,443
Flute ensemble
1,215
Soprano Saxophone
1,164
Baritone Saxophone, Piano
1,112
2 Oboes (duet)
1,086
Saxophone ensemble
1,022
Clarinet Quintet: 5 clarinets
970
English horn, Piano
959
Eb Instruments
892
Recorder Quartet
852
Flute, Violin
804
Oboe, Bassoon (duet)
786
2 Recorders (duet)
772
Clarinet, Violin (duet)
761
Ocarina
676
Descant (Soprano) Recorder
672
Oboe, Clarinet (duet)
658
Saxophone, Clarinet (duet)
633
Harmonica
633
Flute, Clarinet and Bassoon.
550
Flute, Oboe, Clarinet (trio)
546
Flute, Violin, Piano
513
Clarinet, Guitar (duet)
480
Treble (Alto) Recorder
461
Bass Clarinet, Piano
461
Clarinet, Bassoon (duet)
458
Flute, Violoncello
436
Flute, Oboe, Bassoon
429
3 Recorders (trio)
423
Flute Quintet : 5 flutes
390
Flute, Oboe (duet)
390
Oboe, Clarinet, Bassoon (trio)
361
Piccolo
335
Oboe, Flute
334
Clarinet, Trumpet (duet)
324
Flute, Clarinet, Piano (trio)
312
English Horn
310
Flute, Viola (duet)
300
Flute, Trumpet (duet)
299
Clarinet, Cello (duet)
289
Clarinet and Viola
267
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
256
Flute, Cello, Piano (trio)
246
Baritone Saxophone
230
Flute, Violin and Violoncello
229
Recorder Ensemble
221
2 Saxophones, Piano
212
Oboe, Cello
207
Bass Clarinet
195
2 Flutes, Piano
195
2 Clarinets, Piano
180
Oboe, Violin (duet)
177
3 Oboes
164
Descent (Soprano) Recorder, Piano
153
Flute, Trombone (duet)
147
Saxophone and Piano
146
Treble (Alto) Recorder, Piano
138
Flute, Oboe, Violin
121
Saxophone and Guitar
117
Oboe, Guitar (duet)
115
Pennywhistle
111
Recorder, Piano
111
Flute, Bassoon, and Piano
110
Clarinet, Cello, Piano (trio)
108
Flute, Clarinet, Violin (trio)
103
English Horn, Guitar (duet)
100
Flute, Oboe, Piano (trio)
90
Tenor Recorder
89
Clarinet, Trombone (duet)
87
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Wind ensemble
79
Flute, Harp and Cello
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
4 Oboes
73
Oboe and viola (duet)
73
Flute, Organ (duet)
70
Flute, Viola and Piano
67
Recorder, Guitar (duet)
61
Saxophone and Organ
61
Piccolo, Piano
56
Bagpipe
55
Flute, Violin, Violoncello and Piano
53
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Oboe, Harp
46
Flute, Tuba (duet)
45
Saxophone and Harp
44
Saxophone, Bassoon (duet)
43
Treble (Alto) Recorder, Basso continuo
43
Harmonica, Piano
42
Flute and Strings Trio
38
Clarinet, Bassoon, Piano (trio)
36
Oboe, Trombone (duet)
36
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
2 English horns and Pianoforte
28
Clarinet Quintet: Clarinet, String Quartet
28
Flute, Cello, Guitar
26
Flute, Violin, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Flute, Orchestra
20
Oboe, Cello and Piano
20
Saxophone and cello
19
Oboe, Bassoon and Piano
17
Flute and String Quartet
17
2 Oboes, Piano
17
Clarinet, Double bass (duet)
16
Flute, Viola and harp
16
2 Recorders, Piano
14
2 Flutes and Guitar
13
Clarinet, Orchestra
13
Oboe, Violin, Piano
13
Oboe, Clarinet and Piano (Trio)
12
Oboe ensemble
11
Recorder, Harp
10
Saxophone, Tuba (duet)
9
English horn, Harp (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Oboe, Organ
7
Flute, Viola and Cello
7
Flute, Basso continuo
7
Descant (Soprano) Recorder, Basso continuo
6
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Oboes and English horn
5
2 Oboes and Basson
4
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Oboe and String quartet
3
Melodica
2
Oboe and Orchestra
2
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
2 Flutes, Basso continuo
1
2 clarinets, 2 bassoons
1
Flute, viola, cello and guitar
1
Flute, Guitar, Piano
1
3 Recorders, Piano
1
2 Oboes, 2 Horns and 2 Bassoons
1
Clarinet, Saxophone, Piano
1
+ 173 instrumentations
-
Retract
Woodbrass
Trumpet
14,536
Trombone
11,761
Trombone (band part)
11,150
Brass Quintet: 2 trumpets, horn, trombone, tuba
7,692
Trumpet (band part)
7,549
French horn
5,782
Trumpet, Piano
5,451
Trombone and Piano
4,572
French horn (band part)
4,042
Tuba (band part)
3,493
French Horn and Piano
3,288
Brass quartet : 2 trumpets, trombone, tuba
3,148
2 Trumpets (duet)
2,463
Tuba
2,428
2 Trombones (duet)
2,141
Brass Quartet: 2 trumpets, horn, trombone
1,544
Tuba and Piano
1,533
Brass Quartet
1,430
Trumpet, Trombone (duet)
1,231
Euphonium
1,103
Brass Quartet: 4 trombones
1,048
Bass Clef Instruments
981
2 French horns (duet)
977
English horn, Piano
959
Bb Instruments
918
Euphonium, Piano (duet)
897
Brass Quartet: 4 horns
754
Trumpet, Saxophone (duet)
599
4 Tubas
557
Brass Trio
489
Trumpet, Horn (duert)
484
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
357
2 Tubas (duet)
315
English Horn
310
F Instruments
297
3 Trumpets (trio)
276
Brass Quartet: 4 trumpets
230
Trumpet ensemble
229
2 Euphoniums and 2 Tubas
225
Horn Ensemble
209
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
129
2 Trumpets, Keyboard (piano or organ)
125
Trumpet, violin (duet)
110
Trumpet, Tuba (duet)
109
Bass Trombone
102
Trumpet, Bassoon (duet)
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
87
Trombone, Tuba (duet)
81
Trombone, Horn (duet)
80
Bass Trombone and Piano
79
3 French horns (trio)
77
Trombone, Violin (duet)
76
2 Euphoniums (duet)
76
Trumpet, Cello (duet)
72
Tuba ensemble
66
Horn, Tuba (duet)
59
Trombone, Organ
57
French Horn and Harp
52
Trumpet, Harp
39
Trumpet, Cello, Piano
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Trombone, Piano
36
French horn and Basson (duet)
35
Clarinet, Horn (duet)
30
2 English horns and Pianoforte
28
Horn and Organ
22
3 Tubas (trio)
20
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
2 Trombones, Piano
15
Trombone, Viola (duet)
14
Euphonium (band part)
14
Trumpet, Orchestra
12
3 Euphoniums
11
2 French horns, Piano
11
Cornet and Piano
11
Brass Quintet: 2 trumpets, horn, 2 trombones
9
English horn, Harp (duet)
9
Flügelhorn
7
Trombone and Orchestra
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
4 Euphoniums
4
Horn and Orchestra
3
Bass Saxhorn or Euphonium or Tuba and Piano
2
Euphonium or Saxhorn and Piano
2
Cornet and Orchestra
2
+ 90 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
19,840
Violin
16,928
Violin and Piano
13,420
Cello
10,960
Viola
9,640
Cello, Piano
8,528
Harp
6,485
Viola, Piano
6,303
Violin (band part)
5,399
2 Violins (duet)
4,446
Violin, Cello (duet)
4,192
String Trio: violin, viola, cello
3,423
2 Cellos (duet)
3,109
Doublebass (band part)
3,093
Violin, Viola (duet)
2,141
Cello (band part)
2,076
Viola (band part)
1,789
Double Bass
1,708
2 Violas (duet)
1,695
String Quintet: 2 violins, viola, cello, bass
1,588
Double bass, Piano (duet)
1,275
String Trio: 2 violins, cello
1,195
Viola, Cello (duet)
942
String Trio: 3 violins
795
4 Cellos
781
Violin, Guitar (duet)
737
Piano Trio: Violin, Viola, Piano
708
Harp, Flute (duet)
680
Cello, Guitar (duet)
568
String trio
512
String Trio: 3 cellos
480
2 Harps (duet)
458
String quartet: 4 violins
374
Harp, Violin (duet)
360
Viola, Guitar (duet)
340
String Trio: 3 violas
271
String Trio: 2 violins, viola
267
2 Double basses (duet)
263
Cello, String Bass (duet)
238
String Quartet : 4 violas
231
Violin, Bassoon (duet)
194
2 Violins, Piano
152
Viola and Bassoon
116
Harp, Cello (duet)
115
String Quintet: 2 violins, 2 violas, cello
92
Viola and Harp
68
Cello Ensemble
66
4 Double Basses
66
Violin, Organ
63
Harp, Voice
61
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
53
Cello, Organ
51
2 Cellos, Piano
50
String Quintet: 2 violins, viola, 2 cellos
46
Violin ensemble
41
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
3 Harps
29
Harp and Piano
29
Harp and mandolin
22
3 double basses
20
Autoharp
18
2 Violas, Piano
17
Cello and Marimba
15
Violin, Cello, Clarinet
15
Viola, Organ
14
Harp (band part)
14
Harp, Trombone (duet)
14
Viola and orchestra
11
4 Harps
10
Violin, Trumpet and Piano
10
Violin, Basso continuo
10
Harp, Orchestra
7
Harp and Organ
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
+ 78 instrumentations
-
Retract
Orchestra & Percussion
Concert band
37,597
Orchestra
14,769
String Orchestra
13,131
Jazz Ensemble
9,743
Drums
8,397
Percussion (band part)
4,800
Handbells
4,625
Marching band
4,406
Brass ensemble
4,303
Chamber Orchestra
2,884
Percussion
2,583
Jazz combo
1,661
Timpani (band part)
1,601
Percussion Ensemble
1,036
Drum (band part)
983
Marimba
433
Xylophone
366
Vibraphone
299
Timpani
286
Snare drums
159
Woodwind Quintet
141
Xylophone, Piano
115
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
44
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
27
Flexible Instrumentation
25
School Ensemble
23
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
9
2 Marimbas
9
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
2 Snare Drums (duet)
3
Voice and Orchestra
3
3 Percussions
3
Vibraphone (band part)
2
Conga
2
Symphonic Band
2
2 Percussions
2
Marimba or Xylophone and Piano
2
Xylophone (band part)
2
Bodhran
2
Voice Mezzo-Soprano, Orchestra
1
Marimba, Saxophone (duet)
1
Snare drums, Piano
1
+ 50 instrumentations
-
Retract
Others
Musical course - Solfege
276
Music Theory
14
Stationery
5
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ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
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GUITAR
HANDBELLS
HARMONICA
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LUTE, THEOR…
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MARCHING BA…
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ORCHESTRA P…
ORGAN - ORG…
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SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
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Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Power Line for Two or More Energetic Drummers)
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Percussion Ensemble
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BEGINNER
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Brian Monroe
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Power Line for Two or More Ene
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music P...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
Forever
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Percussion Ensemble
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EASY
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Rock
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The Beach Boys
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Derrick Crawford
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In 1992, John Stamos, a
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Forever
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Derrick Crawford
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.941720 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Derrick Crawford. Pop...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.941720 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Derrick Crawford. Pop,Rock. Score and parts. 24 pages. Derrick Crawford #3875777. Published by Derrick Crawford (A0.941720). This powerful love song was written by Beach Boys drummer, Dennis Wilson, and his close friend Gregg Jakobson in 1970. In 1992, John Stamos, a.k.a. Uncle Jesse on the sitcom Full House, did a cover of the song with his group Jesse and the Rippers. The song was performed on the sitcom three times. Written for percussion ensemble, this arrangement will sweep you with nostalgia for the 90s!
$20.00
In My Room (Jacob Collier) for Percussion Ensemble
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Percussion Ensemble
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Jazz
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The Beach Boys
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Ryan Jonker
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In My Room
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Ryan Jonker Music
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SheetMusicPlus
Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, Bass Guitar - Early Intermediate - Digital Download By The Beach ...
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Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, Bass Guitar - Early Intermediate - Digital Download By The Beach Boys (as performed by Jacob Collier). Arranged by Ryan Jonker. Score, Set of Parts. 26 pages. Published by Ryan Jonker Music
Here is a 2-mallet arrangement of "In My Room," as performed by Jacob Collier. Please watch the attached video to see and hear the score! Props to June Lee for the original transcription. Enjoy!
https://youtu.be/hban0d9QihE
More music like this can be found by searching "Ryan Jonker Music" on this website, or by visiting https://www.ryanjonkermusic.com
$29.99
Alexandriana for Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
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Percussion Ensemble
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Forte Press
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Pops Standards Holiday Concert
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Forte Press
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.924257 Arranged by Forte Press. Christian,Christmas. Score. 14 pages. Forte Press #3243055. Published by F...
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Percussion Ensemble - Digital Download SKU: A0.924257 Arranged by Forte Press. Christian,Christmas. Score. 14 pages. Forte Press #3243055. Published by Forte Press (A0.924257). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes. Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$9.99
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Caleb Swift
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Pops Standards Holiday Concert
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Forte Press
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.924256 Arranged by Caleb Swift. Contemporary. Score and parts. 28 pages. Forte Press #3243059. P...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.924256 Arranged by Caleb Swift. Contemporary. Score and parts. 28 pages. Forte Press #3243059. Published by Forte Press (A0.924256). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes.Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$19.99
Sharks' Teeth, a Musical Game for Percussion
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Dan Heslink
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Sharks' Teeth, a Musical Game
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
Minuet in G (in the Key of Cool!) - Boomwhackers
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Percussion Ensemble
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BEGINNER
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Scor...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
A MIGHTY FORTRESS - PERCUSSION ENSEMBLE
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Percussion Ensemble
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EASY
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Sacred music
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Martin Luther
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Glen Poehlmann
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A MIGHTY FORTRESS - PERCUSSION
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts....
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 11 pages. Arrangements by GPoehlmann #6472225. Published by arrangements by GPoehlmann (A0.807170). A MIGHTY FORTRESS - PERCUSSION ENSEMBLEA medium-easy arrangement of the popular hymn. Scored for 3 Mallets (suggest Glockenspiel, Xylophone & Marimba), Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbal) and Percussion 2 (Triangle, Tambourine & Wood Block).61 measures. Performance Time approx 2:00. Medium Easy (Grade 2)Key: C. Meter: 4/4. PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbals), & Percussion 2 (Wood Bolock, Triangle & Tambourine).
$5.00
Staying Busy for Two Marimbas (or vibraphones)
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Paul Taylor
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Staying Busy for Two Marimbas
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Paul Taylor
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Pu...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Christmas Calypso for Marimba Quartet
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Percussion Ensemble
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Christmas
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117...
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Troll's Beard from Forgotten Lands
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Doug Clyde
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Troll's Beard from Forgotten L
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ALBEDO MUSIC
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.713171 Composed by Doug Clyde. Contemporary. Score and parts. 23 pages. ALBEDO MUSIC #2550391. P...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.713171 Composed by Doug Clyde. Contemporary. Score and parts. 23 pages. ALBEDO MUSIC #2550391. Published by ALBEDO MUSIC (A0.713171). Song: Troll's Beard. Composer: Doug Clyde. Album: Forgotten Lands. Artist: ALBEDO. © 2011 by ALBEDO MUSIC. AMSM50. Soundtrack to the video game Forgotten Lands VIII: The Legend of Shadow Lake by TBC Productions. Nominated for Best Soundtrack Album by the 12th Annual Independent Music Awards. Percussion Ensemble. Bass Drum, Timpani, Snare Drum, Cymbals, Hi-Hat, Tom-Toms, Cow Bell, Tambourine, Gong, Triangle, Maracas, Vibraslap, Guiro.
$9.99
Forbidden Friendship
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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John Powell
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Anja Goller
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Forbidden Friendship
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Anja Goller
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.901552 Composed by John Powell. Arranged by Anja Goller. Contemporary. Score and parts. 20 pages...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.901552 Composed by John Powell. Arranged by Anja Goller. Contemporary. Score and parts. 20 pages. Anja Goller #4355179. Published by Anja Goller (A0.901552). Arrangement for 3 marimba-players.
$12.99
Christmas Calypso for Percussion Sextet
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Percussion Ensemble
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EASY
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Christmas
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
The Star Spangled Banner - For Orff Ensemble
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Percussion Ensemble
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EASY
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Americana
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Patriotic
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John Stafford Smith
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Yvonne Johnson
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The Star Spangled Banner - For
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.802791 Composed by John Stafford Smith. Arranged by Yvonne Johnson. Instructional,Patriotic. Sco...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.802791 Composed by John Stafford Smith. Arranged by Yvonne Johnson. Instructional,Patriotic. Score and parts. 17 pages. Yvonne Johnson #409847. Published by Yvonne Johnson (A0.802791). Score and Full Set of 8 Parts A fairly easy arrangement of this famous anthem, with performers playing mostly in unison. There are some harmony passages and there are multi-rests in all the parts. Marimba would make a good substitute for the Bass Xyl. The tempo markings are suggested ones only. I hope you enjoy this playing this arrangement!
$3.95
Frère Jacques - For Orff Ensemble
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Percussion Ensemble
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BEGINNER
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Traditional
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Yvonne Johnson
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Frère Jacques - For Orff Ense
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Yvonne Johnson
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score an...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1094079 Composed by Traditional. Arranged by Yvonne Johnson. Children,Folk,Traditional. Score and parts. 9 pages. Yvonne Johnson #698182. Published by Yvonne Johnson (A0.1094079). Full Score and Set of 4 Parts An easy arrangement of this traditional French children's song for the younger Orff performers. Sop Glock and Alto Met both play the melody with Alto Glock providing some harmony. Bass Xylo plays a simple bass line for the first half of the arrangement with a variation outlining the melody for the second half. Marimba would make a nice alternative to the Bass Xylo. Tempo and dynamic markings are suggested ones only. Multirest passages have been written out in full to make it easier for the beginning performer.
$3.95
Holiday Bolero for Percussion Ensemble
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Percussion Ensemble
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Dan Heslink
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Holiday Bolero for Percussion
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publi...
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Silent Night Prelude for percussion octet
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Percussion Ensemble
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EASY
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Christmas
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Forest
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Percussion Ensemble
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INTERMEDIATE
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Contemporary
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Adam Grim
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Forest
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942396 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200493. Pu...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.942396 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200493. Published by Adam B. Grim (A0.942396). Forest is a quartet/quintet for marimba, melody instrument, and optional cajon. Written with amadinda/akadinda playing in mind, this interlocking piece uses layered rhythms and melody to make the ensemble come to life with motion. Written and recorded during the 2020 COVID-19 Pandemic in the living room of my parents house, while I was working on my master’s degree.
$25.00
Midnight Manor - Sextet for Percussion Ensemble
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Percussion Ensemble
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INTERMEDIATE
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Jesse Milhoan
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Midnight Manor - Sextet for Pe
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ArrangeMe
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1035920 Composed by Jesse Milhoan. Contemporary,Standards. Score and parts. 28 pages. ArrangeMe ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1035920 Composed by Jesse Milhoan. Contemporary,Standards. Score and parts. 28 pages. ArrangeMe #6440859. Published by ArrangeMe (A0.1035920). Midnight Manor is a composition for percussion ensemble utilizing 6 performers. The work was written as a side project in segments over the course of the composer's undergraduate degree, beginning as a fragment of a melody and eventually arriving at the final product it is today. The instrumentation of the piece makes use of two 4.3 octave marimbas, a vibraphone, glockenspiel, tubular bells, and various unpitched percussion instruments. An attempt at writing for mostly keyboard instruments in the percussion ensemble setting, this melody-based composition recreates the atmosphere of feeling left alone in a seemingly haunted mansion with nowhere to run. Midnight Manor is in ABA form, with the A section
$13.00
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