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You've selected:
Tanz
Orchestra
Sheetmusic to print
31 sheet music found
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1
26
Der Tanz Der Vampire - Finale Zweiter Akt - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1372212 By Musical (original Ca…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1372212 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 521 pages. Julius Marx #956472. Published by Julius Marx (A0.1372212). The full orchestra score of the musical Tanz der Vampire.
$149.99
136.43 €
#
Orchestra
#
Musical
#
Der Tanz Der Vampire - Finale Zweiter Akt - Score Only
#
Julius Marx
#
SheetMusicPlus
Der Tanz Der Vampire - Finale Zweiter Akt
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372209 By Musical (original Ca…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1372209 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 96 pages. Julius Marx #956470. Published by Julius Marx (A0.1372209). A medley with the music of the musical Tanz der Vampire. Arrangement by Julius Marx.With all orchestra parts.
$99.99
90.95 €
#
Orchestra
#
Musical
#
Der Tanz Der Vampire - Finale Zweiter Akt
#
Julius Marx
#
SheetMusicPlus
Aufforderung zum Tanz
Orchestra
Salon orchestra - Digital Download SKU: S9.Q5191 Composed by Carl Maria von Weber. …
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Salon orchestra - Digital Download SKU: S9.Q5191 Composed by Carl Maria von Weber. This edition: piano direction and parts. Odeon. Downloadable, Piano conductor and parts. Edition Cranz GmbH - Digital #Q5191. Published by Edition Cranz GmbH - Digital (S9.Q5191).
$30.99
28.19 €
#
Orchestra
#
Carl Maria von Weber
#
Aufforderung zum Tanz
#
Edition Cranz GmbH - Digital
#
SheetMusicPlus
Romanischer Tanz No. 5, op.22 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1086641 Composed by Arnold Krug…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1086641 Composed by Arnold Krug (1894-1904). Classical,Multicultural,Romantic Period,World. Score and parts. 22 pages. Albismusic #690847. Published by Albismusic (A0.1086641). Copyright 2015 by AlbisMusic. Please contact Albismusic to purchase the instrumental parts.
$5.99
5.45 €
#
Orchestra
#
Arnold Krug
#
Romanischer Tanz No. 5, op.22 - Score Only
#
Albismusic
#
SheetMusicPlus
Romanischer Tanz No. 4, op.22 - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1086639 Composed by Arnold Krug…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1086639 Composed by Arnold Krug (1849-1904). Classical,Multicultural,Romantic Period,World. Score and parts. 16 pages. Albismusic #690845. Published by Albismusic (A0.1086639). Copyright 2015 by AlbisMusic. Please contact Albismusic to purchase the instrumental parts.
$5.99
5.45 €
#
Orchestra
#
Arnold Krug
#
Romanischer Tanz No. 4, op.22 - Score Only
#
Albismusic
#
SheetMusicPlus
Romanischer Tanz No. 2, op.22 - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1086637 Composed by Arnold Krug…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1086637 Composed by Arnold Krug (1849-1904). Classical,Multicultural,Romantic Period,World. Score and parts. 19 pages. Albismusic #690843. Published by Albismusic (A0.1086637). Copyright 2015 by AlbisMusic, Please contact Albismusic to purchase the instrumental parts.
$5.99
5.45 €
#
Orchestra
#
Arnold Krug
#
Romanischer Tanz No. 2, op.22 - Score Only
#
Albismusic
#
SheetMusicPlus
Romanischer Tanz No. 3, op.22 - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1086638 Composed by Arnold Krug…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1086638 Composed by Arnold Krug (1849-1904). Classical,Multicultural,Romantic Period,World. Score and parts. 21 pages. Albismusic #690844. Published by Albismusic (A0.1086638). Copyright 2015 by AlbisMusic, Please contact Albismusic to purchase the instrumental parts.
$5.99
5.45 €
#
Orchestra
#
Arnold Krug
#
Romanischer Tanz No. 3, op.22 - Score Only
#
Albismusic
#
SheetMusicPlus
Romanischer Tanz No. 1, op.22 - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1086630 Composed by Arnold Krug…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1086630 Composed by Arnold Krug (1849-1904). Classical,Contemporary,Multicultural,World. Score and parts. 25 pages. Albismusic #690835. Published by Albismusic (A0.1086630). Copyright 2015 by AlbisMusic, Please contact Albismusic to purchase the instrumental parts.
$5.99
5.45 €
#
Orchestra
#
Arnold Krug
#
Romanischer Tanz No. 1, op.22 - Score Only
#
Albismusic
#
SheetMusicPlus
Knoblauch - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372173 By Musical (original Ca…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1372173 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock. 15 pages. Julius Marx #956333. Published by Julius Marx (A0.1372173). All orchestra parts are included in the Ouverture of Tanz der Vampire.
$49.99
45.47 €
#
Orchestra
#
Musical
#
Knoblauch - Score Only
#
Julius Marx
#
SheetMusicPlus
Nie Geseh'n - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372176 By Musical (original Ca…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1372176 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 13 pages. Julius Marx #956337. Published by Julius Marx (A0.1372176). All orchestra parts are included in the Ouverture of Tanz der Vampire.
$49.99
45.47 €
#
Orchestra
#
Musical
#
Nie Geseh'n - Score Only
#
Julius Marx
#
SheetMusicPlus
Knoblauch - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372174 By Musical (original Ca…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1372174 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 6 pages. Julius Marx #956335. Published by Julius Marx (A0.1372174). All orchestra parts are included in the Ouverture of Tanz der Vampire.
$49.99
45.47 €
#
Orchestra
#
Musical
#
Knoblauch - Score Only
#
Julius Marx
#
SheetMusicPlus
Eine Schone Tochter Ist Ein Segen - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372175 By Musical (original Ca…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1372175 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Opera,Rock,Romantic Period. 5 pages. Julius Marx #956336. Published by Julius Marx (A0.1372175). All orchestra parts are included in the Ouverture of Tanz der Vampire.
$49.99
45.47 €
#
Orchestra
#
Musical
#
Eine Schone Tochter Ist Ein Segen - Score Only
#
Julius Marx
#
SheetMusicPlus
He, Ho, He! - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1372172 By Musical (original Ca…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1372172 By Musical (original Cast). By Jim Steinman and Michael Kunze. Arranged by Julius Marx. Broadway,Classical,Musical/Show,Rock,Romantic Period. 6 pages. Julius Marx #956330. Published by Julius Marx (A0.1372172). All orchestra parts are included in the Ouverture of Tanz der Vampire.
$49.99
45.47 €
#
Orchestra
#
Musical
#
He, Ho, He! - Score Only
#
Julius Marx
#
SheetMusicPlus
MY BONNIE LIES OVER THE OCEAN
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1396989 Composed by Traditionna…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1396989 Composed by Traditionnal. Arranged by Jean-Christophe DI COSTANZO. Celtic,Folk,Irish,Multicultural,Standards,Traditional,World. 119 pages. Jean-Christophe DI COSTANZO #980331. Published by Jean-Christophe DI COSTANZO (A0.1396989). Arranged for Vocal Solo and Symphonic Orchestra ( with guitar, flute solo and violon solo ).
$80.00
72.77 €
#
Orchestra
#
Traditionnal
#
MY BONNIE LIES OVER THE OCEAN
#
Jean-Christophe DI COSTANZO
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.01 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.01 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95
22.69 €
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Orchestra
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.09 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Hofballtänze
Orchestra
Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, …
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Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug salon orchestra - Digital Download SKU: S9.Q25127 Waltz. Composed by Joseph Lanner. This edition: piano direction and parts. Domesticum. Downloadable, Piano conductor and parts. Op. 161. Duration 8 minutes. Schott Music - Digital #Q25127. Published by Schott Music - Digital (S9.Q25127).
$30.99
28.19 €
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Orchestra
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Joseph Lanner
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Hofballtänze
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Schott Music - Digital
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SheetMusicPlus
Cavalleria rusticana
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1048849 Composed by Pietro Masc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1048849 Composed by Pietro Mascagni. Arranged by Kevin Riley. Classical,Opera. Score and parts. 41 pages. Kevin Riley #653256. Published by Kevin Riley (A0.1048849). Cavalleria rusticana ; Italian for rustic chivalry) is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name [it] and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.
$60.00
54.58 €
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Orchestra
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Pietro Mascagni
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Cavalleria rusticana
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Kevin Riley
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SheetMusicPlus
Intermezzo (from Cavalleria rusticana) for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.601818 By Pietro Mascagni. By P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.601818 By Pietro Mascagni. By Pietro Mascagni. Arranged by Flavio Regis Cunha. Holiday,Opera,Romantic Period,Wedding. Score and parts. 28 pages. Flavio Regis Cunha #5376981. Published by Flavio Regis Cunha (A0.601818). Cavalleria rusticana, Mascagni's passionate tale of jealousy, sex, love, and family, was premiered on 17 May 1890 at the Teatro Costanzi in Rome after having won first place in Sonzogno's competition for one-act operas. In addition to the most luxurious and flamboyant passages made famous in popular culture, FRC Music new edition of the 'INTERMEZZO' illuminates Mascagni's subtle attention to details of harmony, dynamics, and articulation. Alterations appear in the Intemezzo (N. 6), and there is much beautiful music to be discovered. You and your orchestra will love to play this music. Your audience will be delighted to hear this beautiful piece. Intermediate.Format: Concert, 9 x 12 inches.28 pages.
$29.99
27.28 €
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Orchestra
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Pietro Mascagni
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Intermezzo
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Flavio Regis Cunha
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SheetMusicPlus
Paris Without You
Orchestra
Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223 Composed by P…
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Tenor Saxophone Solo with Orchestra - Digital Download SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Imagine Music - Digital (IZ.OMW223). 8.5 x 11 inches.The Waking, by Theodore Roethke, is an enigmatic villanelle written in 1953, a year after he got married. In it the poet puts forward various ideas about life and how to live it. A villanelle is based on repeated lines (a refrain) that connects each stanza as the poem progresses.Theodore Roethke's poetry is known for its exploration of the self through reflection on family and nature; there is plenty of depth and technical skill. His mental illness also caused him to look into the darkness from time to time, recording his inner life in personal poems.Growing up, he spent lots of time in his father's garden and greenhouses and soil and plants and roots and things often turn up in his work. In fact the greenhouse, for Roethke, was a symbol 'for the whole of life, a womb, a heaven-on-earth.'The Waking doesn't contain a greenhouse but it does have symbolism and takes the reader into unexpected places. It is both introspective and positive in its outlook.
$120.00
109.15 €
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Orchestra
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Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
Ponder Anew
Orchestra
Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arran…
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Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arranged by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 64 pages. WheatMyer Music #4808643. Published by WheatMyer Music (A0.976722). Joachim Leander's Praise to the LORD, the Almighty, as translated by Catherine Winkworth, has consistently been one of the most published hymns in the English language since the mid-20th Century. Its anonymously composed tune, LOBE DEN HERREN, almost exclusively paired with this text since the 17th Century, is also much loved. Even J.S. Bach found it suitable to feature in his 137th cantata. The title of this arrangement, Ponder Anew, as taken from the commonly used third stanza of the hymn, Ponder anew what the Almighty can do, invites one to consider afresh the attributes and works of Almighty God as one listens to this completely new setting of the tune. This arrangement for orchestra features three variations of the complete hymn tune utilizing metrical and harmonic changes to maintain focus on the tune and its text. These are bracketed via repetitions of the first five tune pitches in harmonic planing over a crescendoed pedal tone producing steadily increasing tension with unexpected resolutions of the beginning and concluding phrases. The music in not particularly difficult and should be readily playable by high school or higher level musicians. Yet, both musicians and audience will find the work interesting and enjoyable with music that reflects the majesty and mystery of its subject. Robert Myers S.D.G.INSTRUMENTATION Picc, Fl1, 2 Oboe 1, 2 Bb Cl 1, 2 + Bass Cl Bsn 1 Hn 1, 2 Tpt 1, 2, 3 Tbn 1, 2, 3 Tuba Timpani Perc. 1 (glock, crash cym, sus cym, ride cym, mark tree, claves, tam tam) Perc. 2 or Drum Set (snare, bass drum, toms (lo/mid/hi), crash cym, finger cym or triangle, ride cym, sys cym) Vln 1, 2 VlaVC DB
$75.00
68.22 €
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Orchestra
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LOBE DEN HERREN
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Ponder Anew
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WheatMyer Music
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.12 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
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