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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Les
Not classified
26,052
Piano & keyboards
Piano solo
23,530
Piano, Voice
11,060
Piano, Vocal and Guitar
7,741
Easy Piano
6,234
C Instruments
1,654
Organ
1,598
Piano Accompaniment
767
Big Note Piano
625
1 Piano, 4 hands
597
Accordion
579
Piano Trio: piano, violin, cello
413
2 Pianos, 4 hands
140
Piano (band part)
124
Piano Quartet: piano, violin, viola, cello
68
Piano Quartet: piano, 2 violins, cello
52
Piano Quintet: piano, 2 violins, viola, cello
47
Organ, Trumpet (duet)
34
Harpsichord
31
Keyboard
21
Organ, Piano (duet)
21
Melody line, Piano
21
2 Pianos, 8 hands
17
All Instruments
13
1 Piano, 6 hands
12
Accordion, Voice
11
Solo instrument and Organ
5
2 Organs (duet)
4
2 Accordions
3
Organ, Voice
3
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano ensembles
2
Accordion, String(s)
1
Accordion and Orchestra
1
Fake Book
1
Concertina
1
+ 30 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
39,441
Lyrics and Chords
22,612
Guitar notes and tablatures
5,197
Guitar
4,874
Bass guitar
1,773
Ukulele
1,518
4 Guitars (Quartet)
573
2 Guitars (duet)
516
Banjo
276
Mandolin
220
3 Guitars (trio)
202
Guitar Ensemble
179
Guitar (band part)
148
Dulcimer
124
Piano, Guitar (duet)
95
Ukulele Ensemble
35
Baritone Ukulele
34
2 Ukuleles
30
Mandolin, Guitar (duet)
29
Mandolin, Piano (duet)
22
Electric Bass (band part)
22
Plectrum Orchestra
12
Dobro
8
Guitar, String Quartet
8
2 Dulcimers (duet)
8
Lap Steel Guitar
7
Band Scores
5
Guitar, Violin, Cello (trio)
4
2 Guitars and Orchestra
4
2 Mandolins (duet)
3
Guitar, Orchestra
3
Lute
3
3 Dulcimers (trio)
3
Guitar, Flute, Clarinet
2
Guitar, Harp
2
2 Guitars, Clarinet (trio)
1
Guitar Tab, Voice, Bass, Drum
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
8,235
Choral 3-part
2,527
Choral TTBB
1,534
Choral 2-part
1,400
Voice solo
1,040
Choral Instrumental Pak
990
Choral SSAA
905
Choral Unison
741
Choral
376
Vocal duet, Piano
326
High voice
238
Vocal duet
169
Soprano voice, Piano
136
Tenor voice, Piano
106
Alto voice, Piano
94
Voice, Guitar
74
Low voice, Piano
73
Medium voice, Piano
70
Baritone voice, Piano
66
Choral SSAATTBB
25
Medium Voice
22
Choral SSAB a cappella
18
Tenor voice
17
Choral SSATB
17
Choral SSATTB
14
Mezzo-Soprano voice, Piano
13
Soli, Mixted choir and accompaniment
11
Choral SSAB, Piano
9
Soprano voice
7
Children choir
7
Voix Masculines
6
Soprano voice, Orchestra
5
Low voice
4
Voice, Basso continuo
3
Choral SAATB A Cappella
3
Choral SATBB
3
Baritone voice
2
Choral SSATBB
2
Choral SSAATB
2
Choral SATTBB, keyboard
1
Choral, Organ
1
+ 36 instrumentations
-
Retract
Woodwind
Flute
3,129
Clarinet
2,512
Saxophone
2,448
Flute and Piano
1,981
2 Saxophones (duet)
1,754
2 Flutes (duet)
1,638
Alto Saxophone
1,599
Saxophone (band part)
1,598
Saxophone Quartet: 4 saxophones
1,572
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,420
Clarinet and Piano
1,361
Tenor Saxophone
1,315
Alto Saxophone and Piano
1,211
Flute, Oboe, Clarinet, Bassoon
1,183
Oboe, Piano (duet)
1,062
2 Clarinets (duet)
847
Tenor Saxophone and Piano
833
Clarinet Quartet: 4 clarinets
794
Saxophone Quintet: 5 Saxophones
793
Oboe
549
Oboe (band part)
507
Clarinet (band part)
469
Flute Quartet: 4 flutes
460
Soprano Saxophone and Piano
444
3 Clarinets (trio)
411
Flute, Clarinet (duet)
399
Recorder
370
3 Saxophones (trio)
342
Ocarina
337
2 Oboes (duet)
308
2 Recorders (duet)
302
Baritone Saxophone, Piano
276
Flute Trio: 3 flutes
270
Soprano Saxophone
263
Flute and Guitar
259
Flute (band part)
259
Saxophone ensemble
252
Clarinet Quintet: 5 clarinets
252
Saxophone, Clarinet (duet)
247
Clarinet, Violin (duet)
233
Clarinet Ensemble
226
Oboe, Clarinet (duet)
201
Flute ensemble
196
Oboe, Bassoon (duet)
188
Clarinet, Trumpet (duet)
161
English horn, Piano
160
Flute, Violin
159
Eb Instruments
154
Harmonica
141
Flute Quintet : 5 flutes
120
Clarinet and Viola
109
2 Saxophones, Piano
105
Descant (Soprano) Recorder
104
Flute, Clarinet and Bassoon.
101
Recorder Quartet
100
Baritone Saxophone
96
Flute, Saxophone (duet)
95
Flute, Viola (duet)
93
Flute, Oboe, Clarinet (trio)
89
Clarinet, Bassoon (duet)
87
Oboe, Flute
85
Bass Clarinet, Piano
84
Flute, Trumpet (duet)
84
Flute, Oboe (duet)
83
Oboe, Clarinet, Bassoon (trio)
76
English Horn
74
Oboe, Cello
67
Flute, Violoncello
65
Flute, Violin, Piano
64
Flute, Oboe, Bassoon
63
Clarinet, Cello (duet)
63
2 Flutes, Piano
62
Treble (Alto) Recorder
55
Flute, Clarinet, Piano (trio)
51
Clarinet, Guitar (duet)
42
Oboe, Violin (duet)
35
3 Recorders (trio)
32
Piccolo
31
Flute, Cello, Piano (trio)
30
Treble (Alto) Recorder, Piano
29
Bass Clarinet
29
Flute, Violin and Violoncello
28
Flute, Oboe, Piano (trio)
28
5 Recorders
27
Descent (Soprano) Recorder, Piano
26
2 Clarinets, Piano
25
Clarinet, Cello, Piano (trio)
25
Oboe and viola (duet)
22
Recorder Ensemble
22
Tenor Recorder
21
Oboe, Guitar (duet)
21
Saxophone and Guitar
20
Clarinet, Trombone (duet)
19
Flute, Trombone (duet)
19
Clarinet, Harp (duet)
19
Flute, Bassoon, and Piano
18
Flute, Clarinet, Horn and Bassoon (Quartet)
18
Piccolo, Piano
16
3 Oboes
15
Clarinet, Bassoon, Piano (trio)
15
Flute, Viola and Piano
14
Saxophone and Piano
13
Pennywhistle
13
Flute, Violin, Violoncello and Piano
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
4 Oboes
10
Flute, Oboe, Violin
9
Flute, harp and violin
9
Oboe, Clarinet and Piano (Trio)
8
Flute, Organ (duet)
8
Recorder, Piano
7
Clarinette, Viola and Piano (trio)
7
Flute, trombone and piano
7
Flute, Clarinet, Violin (trio)
7
Oboe, Bassoon and Piano
6
Clarinet, Double bass (duet)
6
Flute and Strings Trio
6
Harmonica, Piano
5
2 English horns and Pianoforte
5
Oboe, Harp
5
Clarinet, Tuba
5
Wind ensemble
5
Oboe, Violin, Piano
5
Flute, Cello, Guitar
5
Flute, Tuba (duet)
5
Flute, Violin, Guitar
5
Oboe, Trombone (duet)
5
Oboe, Cello and Piano
5
English horn, Harp (duet)
4
Clarinet Quintet: Clarinet, String Quartet
4
Flute, Basso continuo
4
Oboe, Trumpet (duet)
4
Clarinet, trumpet and piano
4
Bagpipe
4
2 Clarinets, Bassoon
4
Saxophone and Harp
4
Saxophone and Organ
4
2 Oboes and Basson
3
2 Oboes, Piano
3
Treble (Alto) Recorder, Basso continuo
3
Clarinet, Organ
3
Pan Flute
3
Clarinet, Orchestra
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Harp and Cello
2
2 Flutes, 2 Clarinets (Quartet)
2
Flute, French horn (duet)
2
Descant (Soprano) Recorder, Basso continuo
1
Flute, Viola and Cello
1
Flute, Viola and harp
1
2 Recorders, Piano
1
Flute, Orchestra
1
Recorder, Harp
1
Oboe, Organ
1
2 Flutes and Harp
1
English Horn, Guitar (duet)
1
Saxophone, Violin (duet)
1
2 Oboes and English horn
1
2 Flutes and Guitar
1
2 Recorders, Guitar
1
Flute and String Quartet
1
Recorder, Guitar (duet)
1
Oboe and Orchestra
1
+ 158 instrumentations
-
Retract
Woodbrass
Trumpet
2,633
Trombone
2,061
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,647
Trumpet, Piano
1,125
Trumpet (band part)
1,029
French horn
1,003
Trombone and Piano
973
Trombone (band part)
924
Brass quartet : 2 trumpets, trombone, tuba
866
French Horn and Piano
688
2 Trumpets (duet)
655
2 Trombones (duet)
605
Trumpet, Trombone (duet)
488
Tuba and Piano
444
Tuba
434
Brass Quartet: 2 trumpets, horn, trombone
366
Brass Quartet
329
French horn (band part)
271
2 French horns (duet)
259
Trumpet, Saxophone (duet)
208
Brass Quartet: 4 trombones
163
English horn, Piano
160
Tuba (band part)
156
Trombone ensemble
148
Euphonium, Piano (duet)
145
Bb Instruments
138
Bass Clef Instruments
132
Trumpet ensemble
114
2 Tubas (duet)
111
Euphonium
109
Brass Quartet: 4 horns
106
English Horn
74
2 Euphoniums and 2 Tubas
71
Trumpet, Horn (duert)
68
4 Tubas
57
3 Trombones (trio)
50
Brass Trio
45
Horn Ensemble
33
Euphonium, Tuba (duet)
32
Brass Quartet: 4 trumpets
32
3 Trumpets (trio)
31
Tuba and Organ
30
2 Euphoniums (duet)
26
Horn, Cello (duet)
25
Trumpet, Tuba (duet)
22
Bass Trombone
18
Trombone, Tuba (duet)
18
Trumpet, Cello (duet)
18
Trombone, Horn (duet)
17
Trumpet, Trombone, Piano
17
Bass Trombone and Piano
16
F Instruments
15
Tuba ensemble
15
Trombone, Organ
14
Trumpet, Bassoon (duet)
13
2 Trumpets, Keyboard (piano or organ)
11
Horn, Tuba (duet)
9
French horn and Basson (duet)
9
Trumpet and Guitar
9
Trumpet, violin (duet)
7
3 Tubas (trio)
7
Brass Quartet: 2 trumpets, 2 trombones
7
3 French horns (trio)
7
Trumpet, Cello, Piano
7
Tuba or Euphonium or Saxhorn
6
French Horn and Harp
5
Horn and Orchestra
5
2 English horns and Pianoforte
5
2 Trombones, Piano
5
Cornet
5
Euphonium (band part)
5
English horn, Harp (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Trombone, Violin (duet)
4
Clarinet, Horn (duet)
3
3 Euphoniums
3
Trumpet, Euphonium (duet)
2
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
Trumpet, Harp
1
Trombone and Orchestra
1
2 French horns, Piano
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
English Horn, Guitar (duet)
1
Horn, Cello and Piano
1
4 Euphoniums
1
Trumpet, Orchestra
1
+ 81 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
4,420
Violin
3,321
Cello
2,536
Violin and Piano
2,225
Viola
1,954
Cello, Piano
1,527
Violin, Cello (duet)
1,244
Viola, Piano
1,224
2 Violins (duet)
1,081
Harp
919
String Trio: violin, viola, cello
906
2 Cellos (duet)
753
String Quintet: 2 violins, viola, cello, bass
606
Violin, Viola (duet)
527
2 Violas (duet)
493
Double Bass
473
Violin (band part)
434
Double bass, Piano (duet)
348
Viola (band part)
296
String Trio: 2 violins, cello
276
Doublebass (band part)
233
Piano Trio: Violin, Viola, Piano
173
Viola, Cello (duet)
167
Violin, Guitar (duet)
153
Cello (band part)
131
4 Cellos
129
2 Double basses (duet)
100
String Trio: 3 violins
98
Cello, Guitar (duet)
90
String trio
80
String Trio: 3 cellos
64
Violin, Bassoon (duet)
60
String quartet: 4 violins
53
2 Harps (duet)
50
Cello, String Bass (duet)
49
Harp, Flute (duet)
44
String Trio: 2 violins, viola
43
String Quartet : 4 violas
39
Harp, Violin (duet)
36
String Quintet: 2 violins, 2 violas, cello
35
String Trio: 3 violas
31
Viola, Guitar (duet)
30
Violin ensemble
28
Viola ensemble
27
Viola and Bassoon
26
String Quintet: 2 violins, viola, 2 cellos
24
2 Violins, Piano
24
Harp, Voice
22
Violin, Clarinet, Piano (trio)
18
Cello, Orchestra
14
Harp, Cello (duet)
12
Flute, Doublebass (duet)
10
Cello Ensemble
9
Harp and Piano
8
Harp, Violin, Violoncello
8
2 Cellos, Piano
8
Violoncello, Basso continuo
7
2 Violas, Piano
7
Autoharp
6
Violin, Tuba (duet)
6
Cello, Organ
6
3 Harps
6
Harp (band part)
6
Viola and Harp
6
Violin, Cello, Clarinet
5
Violin, Organ
4
Violin, Double bass (duet)
3
Harp, String quartet
3
4 Harps
2
Harp and Organ
2
Violin, Clarinet and Guitar
2
Violin, Trumpet and Piano
2
Violin, Basso continuo
2
4 Double Basses
2
Harp, Trombone (duet)
1
Viola, Organ
1
3 double basses
1
Harp and mandolin
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,023
Orchestra
3,047
Timpani (band part)
2,283
String Orchestra
1,741
Jazz Ensemble
1,711
Handbells
1,151
Drums
1,059
Marching band
875
Brass ensemble
763
Chamber Orchestra
538
Jazz combo
309
Percussion (band part)
306
Percussion Ensemble
221
Drum (band part)
156
Flexible Instrumentation
152
Percussion
134
Marimba
94
Xylophone
88
Vibraphone
64
Timpani
63
Piano and Orchestra
38
Xylophone, Piano
26
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
26
Orchestra, Violin
26
Big band
15
Woodwind Quintet
12
Snare drums
10
2 Xylophones
9
School Ensemble
9
Xylophone or Marimba or Vibraphone
6
Vibraphone (band part)
5
Marimba, Piano (duet)
5
Woodwind Quartet: any 4 woodwinds
5
Brass Quintet: other combinaisons
5
Xylophone (band part)
2
Cajon
2
Vibraphone and Marimba
2
3 Marimbas
2
Bongos
2
Symphonic Band
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Conga
1
2 Snare Drums (duet)
1
Voice and Orchestra
1
2 Marimbas
1
+ 41 instrumentations
-
Retract
Others
Musical course - Solfege
40
Music Theory
27
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126
Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - ("Fantaisie-tableaux") Original For 2 Pianos
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2 Pianos, 4 hands
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ADVANCED
#
Classical
#
Sergei Rachmaninoff
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poon
#
Rachmaninoff - Suite No.1, Op.
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poon
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. P...
(+)
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1486711 Composed by Sergei Rachmaninoff. Arranged by poon. Classical. Score. 27 pages. Poon #1063777. Published by poon (A0.1486711). Rachmaninoff - Suite No.1, Op.5 lll. Les Larmes - (Fantaisie-tableaux) Original For 2 Pianos 4hands - Largo di molto (G minor) Score and Parts.
$5.99
World S Smallest Violin
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2 Pianos, 4 hands
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INTERMEDIATE
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AJR
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JRN Piano Duo
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World S Smallest Violin
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JRN Piano Duo
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano D...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano Duo. Contemporary,Pop,Singer/Songwriter. Score. 29 pages. JRN Piano Duo #782641. Published by JRN Piano Duo (A0.1182892). The popular song 'World's Smallest Violin' by AJR arranged and performed by the JRN Piano Duo on two digital pianos (with the help of some digital equipment). You will need a way to loop other instruments and percussion while playing and you need to be able to change your instruments while playing. In the video, a Maschine Mikro MK2 is used. The score includes a compact condensed score and a full orchestral score. Both conatin the same information but differently presented.
$5.99
Five Chorales from The Intelligence Park
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2 Pianos, 4 hands
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ADVANCED
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Gerald Barry
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Five Chorales from The Intelli
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Schott Music - Digital
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SheetMusicPlus
2 pianos - difficult - Digital Download SKU: S9.Q46705 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration...
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2 pianos - difficult - Digital Download SKU: S9.Q46705 For two pianos. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q46705. Published by Schott Music - Digital (S9.Q46705). The Chorales are taken from my opera, The Intelligence Park.© Gerald Barry.
$33.99
Lean On Me
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2 Pianos, 4 hands
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EASY
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Pop music
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Bill Withers
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Susan Staples Bell
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Lean On Me
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SheetMusicPlus
By Bill Withers. By Bill Withers. Arranged by Susan Staples Bell. Blues, Folk, Instructional, Pop, Rock. Score. 32 pages. Susan Staples Mast Bell #757410. ...
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By Bill Withers. By Bill Withers. Arranged by Susan Staples Bell. Blues, Folk, Instructional, Pop, Rock. Score. 32 pages. Susan Staples Mast Bell #757410. Published by Susan Staples Mast Bell
This fun arrangement for MULTI LEVEL PIANO ENSEMBLES for 5 parts (Elementary, Late Elementary, Early Intermediate Duet, Intermediate SOLO) will be the hit of your next recital! Added hand percussion too! Learning point: tied notes. Written with mostly quarter notes so to be accessible for the youngest players in the group. FREE BACKING TRACKS included. Find them here: https://drive.google.com/drive/folders/1lWQBsbt6JsMFVTp-zVWLZIizkcNUHNXA?usp=share_link Please support the composer- buy her originals and public domain arrangement directly from her website: https://www.susanstaplesbellmusic.com/ Please subscribe to my Youtube channel: Susan Staples Bell Music, Piano Sheet Music to Inspire!
$24.99
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Little Concerto
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2 Pianos, 4 hands
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Classical
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Albert Rozin
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Solo Small Ensembles
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Little Concerto
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Jubilate Music Group - Digital
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SheetMusicPlus
Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubila...
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Composed by Albert Rozin. Piano Duo (2 Pianos, 4 Hands); Solo Small Ensembles. Score. 20 pages. Jubilate Music Group - Digital #00- BP4. Published by Jubilate Music Group - Digital
English. Deuteronomy 26:1-11, Psalm 91, Luke 4:1-13, Romans 10:8b-13.
One of our best-selling anthems is now available in a unison or 2-part edition. Mark Hayes' transcendent choral arrangement of Michael Joncas' timeless song, On Eagle's Wings, is a perennial favorite of many denominations and singers of all ages. The unforgettable text adaptation of Psalm 91 is well suited to performance by both school and church choirs throughout the year, and especially Baptism, Benediction, Funerals, Graduation, Lent and Weddings. In 4 voicings for singers of all ages.
$14.95
Barcarolle, from "The Tales of Hoffmann", for 2 pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Jacques Offenbach
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Richard Simm
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Barcarolle, from "The Tales of
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Richard Simm
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SheetMusicPlus
Composed by Jacques Offenbach (1819-1880). Arranged by Richard Simm. Opera, Romantic Period. Score. 5 pages. Richard Simm #6866117. Published by Richa...
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Composed by Jacques Offenbach (1819-1880). Arranged by Richard Simm. Opera, Romantic Period. Score. 5 pages. Richard Simm #6866117. Published by Richard Simm
$7.95
Air Lesson XVII from Guida di Musica (James Hook) for 2 pianos (2nd piano part by Simon Peberdy)
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2 Pianos, 4 hands
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EASY
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James Hook
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Simon Peberdy
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Air Lesson XVII from Guida di
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Simon Peberdy
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Ins...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #3690565. Published by Simon Peberdy (A0.757068). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
Tempo di Minuetto Lesson from Guida di Musica , Op 37 (James Hook) 2 pianos, 2nd piano Simon Peberdy
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2 Pianos, 4 hands
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EASY
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Classical
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James Hook
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Simon Peberdy
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Tempo di Minuetto Lesson from
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Simon Peberdy
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SheetMusicPlus
Composed by James Hook (1746- 1827). Arranged by Simon Peberdy. Children, Classical, Instructional, Standards. Score. 4 pages. Simon Peberdy #3689671. ...
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Composed by James Hook (1746- 1827). Arranged by Simon Peberdy. Children, Classical, Instructional, Standards. Score. 4 pages. Simon Peberdy #3689671. Published by Simon Peberdy
$1.99
Dance Of The Blessed Spirits - Keyboard Ensemble
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2 Pianos, 4 hands
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EASY
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Classical
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Christoph Willibald Von Gluck
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Christian Bennedsen
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Dance Of The Blessed Spirits -
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766909 Composed by Christoph Willibald Von Gluck. Arranged by Chris...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - Digital Download SKU: A0.766909 Composed by Christoph Willibald Von Gluck. Arranged by Christian Bennedsen. Classical. Score and parts. 8 pages. Christian Bennedsen #6680477. Published by Christian Bennedsen (A0.766909). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Concertino in Latin Styles: Solo with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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Latin/World Music
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Wynn-Anne Rossi
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Concertino in Latin Styles: So
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000898 Composed by Wynn-Anne Rossi. Latin. 11 pages. Alfred Music - Digital Sheet Music #00-PB...
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Piano Duets & Four Hands - Digital Download SKU: AX.00-PB-0000898 Composed by Wynn-Anne Rossi. Latin. 11 pages. Alfred Music - Digital Sheet Music #00-PB-0000898. Published by Alfred Music - Digital Sheet Music (AX.00-PB-0000898). ISBN 9781470638115. UPC: 038081526911.
$5.99
Concertino in Dance Styles: Solo with Piano Accompaniment - Piano Duo (2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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Classical
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Melody Bober
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Concertino in Dance Styles: So
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Composed by Melody Bober. Instructional. 12 pages. Alfred Music - Digital Sheet Music #00-PB-0000897. Published by Alfred Music - Digital Sheet Music...
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Composed by Melody Bober. Instructional. 12 pages. Alfred Music - Digital Sheet Music #00-PB-0000897. Published by Alfred Music - Digital Sheet Music
$5.99
Le Portrait de Daisy Hamilton
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Charles Koechlin
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Robert Orledge
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Le Portrait de Daisy Hamilton
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Schott Music - Digital
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SheetMusicPlus
2 pianos - advanced - Digital Download Volume 3: Seven Pieces for two Pianos. Composed by Charles Koechlin (1867-1950). Arranged by Robert Orledge. T...
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2 pianos - advanced - Digital Download Volume 3: Seven Pieces for two Pianos. Composed by Charles Koechlin (1867-1950). Arranged by Robert Orledge. This edition: Sheet music. Filmmusik, Geheimtipp, Piano. Downloadable. Op. 140, Op. Heft 3. Schott Music - Digital #Q6597. Published by Schott Music - Digital
Endlich ist die Musik von Charles Koechlin kein Geheimtipp mehr, sondern wird sowohl fur den Konzertsaal als auch die CD entdeckt! Mit unserer Ausgabe prasentieren wir nun eine weithin noch unbekannte Facette seines Schaffens. Denn kaum jemand weiss, dass sich Koechlin in bereits fortgeschrittenem Alter dem Film zuwandte. Obwohl Koechlin bewusst war, dass keine Aussicht auf filmische Umsetzung bestand, entwarf er sogar ein Filmszenario in 20 Szenen, in dem er selbst in einer Doppelrolle erscheinen sollte! Im Alter von 66 Jahren sah er in einem Pariser Filmtheater die Schauspielerin Lilian Harvey als Prinzessin Marie-Christine in Princesse a vos ordres. Er war so verzaubert, dass er fur sie die kleinen Stucke Le Portrait de Daisy Hamilton komponierte - hinreissende Miniaturen, die nicht als Filmmusik geschrieben, sondern durch Filmerlebnisse ausgelost wurden.
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Von den unvollendet gebliebenen, auf zwei bis vier Linien notierten Kompositionen Le Portrait de Daisy Hamilton sind bei Schott bereits zwei Hefte erschienen, nun publizieren wir erstmals einen Band mit Stucken fur zwei Klaviere. Weitere Hefte in anderen Instrumentierungen werden folgen. Mit den insgesamt sieben geplanten Heften Le Portrait de Daisy Hamilton werden Charles Koechlins letzte noch unveroffentlichte Werke aus dem Umfeld des Films endlich fur die Nachwelt zuganglich.
$22.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 hands
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Piano Concerto No. 6, Two Pianos/Four Hands
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pian
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
Baoba
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2 Pianos, 4 hands
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Sergio Roberto de Oliveira
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Baoba
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Sergio Roberto de Oliveira
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. S...
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.962351 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 12 pages. Sergio Roberto de Oliveira #4822133. Published by Sergio Roberto de Oliveira (A0.962351). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.55
Solar
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2 Pianos, 4 hands
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EASY
#
Jazz
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Miles Davis
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Cristiano Vecchi
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Solar
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pag...
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.963302 By Miles Davis. By Miles Davis. Arranged by Cristiano Vecchi. Jazz. Score. 12 pages. Cristiano Vecchi #4580723. Published by Cristiano Vecchi (A0.963302). This arrangement (in all keys) has a didactic purpose: the melody is doubled to the octave, while the accompaniment uses a simple stride piano pattern with four-part voicing; it is useful for practicing to sight read and to memorize chords and scales in all keys. This famous standard is particularly useful because it contains numerous ii-V-I cadences.
$4.99
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 hands
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ADVANCED
#
James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
Sucker
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2 Pianos, 4 hands
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EASY
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Rock
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Jonas Brothers
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Dave Prudon
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Sucker
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Prudon String Ensembles
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, L...
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Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1363305 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Dave Prudon. Pop,Rock. 8 pages. Prudon String Ensembles #947813. Published by Prudon String Ensembles (A0.1363305). One of the most satisfying musical experiences one can have is sitting next to a friend or loved one and playing through a piano duet together.  This arrangement of Sucker by the Jonas Brothers, will bring a smile to your face every time you play through it.  Written for two different levels of playing ability, it's perfect when played by a teacher and student, or a parent and child. You can find other duets like this one at:  Prudon String Ensembles Sheet Music, where you'll also find tons of nice arrangements for strings.
$5.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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