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1948
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1552
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485
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218
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217
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112
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69
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116
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101
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41
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19
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17
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17
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12
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11
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11
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9
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2695
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1200
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398
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260
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206
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94
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43
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40
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38
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19
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16
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11
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10
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930
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376
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373
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358
Clarinet
348
Flute
314
Flute, Oboe, Clarinet, Bassoon
292
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269
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268
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242
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209
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200
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190
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171
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170
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145
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144
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136
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100
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98
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94
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88
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85
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84
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79
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79
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75
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72
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66
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62
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60
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58
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52
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52
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49
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49
Flute, Violin
47
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43
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41
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39
Flute, Clarinet and Bassoon.
38
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37
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34
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34
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33
Flute and Guitar
33
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33
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32
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31
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30
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27
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26
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22
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18
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5
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5
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3
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99
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94
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23
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19
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17
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14
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10
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9
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8
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8
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6
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6
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5
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5
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Trumpet and Guitar
4
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4
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4
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4
Instruments en Sol
4
Trombone, Horn (duet)
4
F Instruments
3
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1
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String Quartet: 2 violins, viola, cello
976
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674
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421
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369
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328
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299
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277
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243
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240
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209
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204
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183
2 Violins (duet)
162
String Trio: violin, viola, cello
153
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133
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124
String Quintet: 2 violins, viola, cello, bass
116
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114
Double Bass
111
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109
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106
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88
2 Violas (duet)
85
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47
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47
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32
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24
String Trio: 3 cellos
24
Violin, Guitar (duet)
23
Piano Trio: Violin, Viola, Piano
20
2 Harps (duet)
18
String Trio: 3 violins
18
Harp, Voice
18
2 Double basses (duet)
17
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16
4 Cellos
13
Violin, Clarinet, Piano (trio)
12
String Trio: 2 violins, viola
10
Cello, Guitar (duet)
8
Flute, Doublebass (duet)
8
Harp (band part)
8
String Trio: 3 violas
8
String quartet: 4 violins
8
String trio
8
String Quartet : 4 violas
7
Viola and Harp
6
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5
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5
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4
Violin, Organ
3
Cello Ensemble
3
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3
String Quintet: 2 violins, 2 violas, cello
3
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3
2 Cellos, Piano
2
Viola, Guitar (duet)
2
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2
2 Violins, Piano
2
4 Double Basses
2
Harp, Trombone (duet)
2
String Quintet: 2 violins, viola, 2 cellos
2
Viola, Organ
1
4 Harps
1
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1
Cello, Orchestra
1
Violin ensemble
1
Harp and mandolin
1
Viola ensemble
1
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Concert band
4223
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792
String Orchestra
683
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402
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319
Jazz Ensemble
272
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238
Drums
139
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128
Chamber Orchestra
128
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116
Jazz combo
81
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55
Percussion
51
Percussion Ensemble
43
Timpani
34
Marimba
28
Xylophone
19
Xylophone, Piano
12
Vibraphone
10
Woodwind Quintet
6
Piano and Orchestra
3
2 Marimbas
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Snare drums
2
2 Xylophones
1
Vibraphone (band part)
1
Symphonic Band
1
Orchestra, Violin
1
Vibraphone and Marimba
1
Marimba, Piano (duet)
1
Xylophone (band part)
1
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Light
Chamber Orchestra
Sheetmusic to print
128 sheet music found
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126
Into The Sunlight (String Quartet w/Mixed Ensemble)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.855393 Composed by Joseph Pu…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.855393 Composed by Joseph Pugh. 20th Century,Contemporary,Pop,Rock,Standards. Score and parts. 11 pages. Joseph Pugh #6688513. Published by Joseph Pugh (A0.855393). Light ballad style with strings and help from easy piano, drums and, bass.
$19.99
18.6 €
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Chamber Orchestra
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Joseph Pugh
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Into The Sunlight
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Joseph Pugh
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SheetMusicPlus
Moonlight In Vermont
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1266551 By Frank Sinatra. By John Blac…
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Chamber Orchestra - Digital Download SKU: A0.1266551 By Frank Sinatra. By John Blackburn and Karl Suessdorf. Arranged by Ricardo Machota. Classical,Jazz,Standards. Score and Parts. 15 pages. Ricardo Machota #859226. Published by Ricardo Machota (A0.1266551). The idea of this project was to arrange the song for 15 instruments, mixing orchestral sections to create different textures and colors, highlighting the beautiful melodies and harmonic changes.
$49.99
46.52 €
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Chamber Orchestra
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Frank Sinatra
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Moonlight In Vermont
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Ricardo Machota
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.3 €
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Chamber Orchestra
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Last Door of Light
Chamber Orchestra
1.2.0.2-2.2.0.0-timp-str(7.6.5.4.3) chamber orchestra - Digital Download SKU: S9.Q19150…
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1.2.0.2-2.2.0.0-timp-str(7.6.5.4.3) chamber orchestra - Digital Download SKU: S9.Q19150 For chamber orchestra. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 293. Duration 20 minutes. Schott Music - Digital #Q19150. Published by Schott Music - Digital (S9.Q19150). Peter Maxwell Davies was thinking of individual and communal vulnerability when composing this piece, especially in relation to the problem of climate change and his home in the Orkney Islands, which is under threat from rising sea levels. However, this theme is not a completely negative one: Davies claims we must all enter the last door of light but the journey is full of light and joy. The melody at the start of the work, which Davies composed in the ‘70’s and never used, could be an Island folk melody and is subject to constant transformation throughout the piece before reaching apotheosis at the end.
$21.99
20.47 €
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Chamber Orchestra
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Sir Peter Maxwell Davies
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Last Door of Light
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Schott Music - Digital
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SheetMusicPlus
ETERNAL SOURCE OF LIGHT DIVINE - HWV 74) for Soprano, trumpet, Strings and Harpsichord
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597276 By George Frideric Ha…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday,Sacred,Wedding. Score and Parts. 20 pages. Flavio Regis Cunha #5002105. Published by Flavio Regis Cunha (A0.597276). Ode for the Birthday of Queen Anne (HWV 74) is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, Eternal source of light divine, provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. It was originally written in the key of D major for a tenor or alto soloist.
$18.99
17.67 €
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Chamber Orchestra
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George Frideric Handel
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ETERNAL SOURCE OF LIGHT DIVINE - HWV 74) for Soprano, trumpet, Strings and Harpsichord
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Flavio Regis Cunha
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SheetMusicPlus
Amber Light on a Blue Night
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1292420 Composed by Zoe Felt…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1292420 Composed by Zoe Felton. 21st Century,Contemporary. Score and Parts. 34 pages. Zoe Felton #882991. Published by Zoe Felton (A0.1292420). A short piece of atmospheric music for orchestra.
$10.00
9.31 €
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Chamber Orchestra
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Zoe Felton
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Amber Light on a Blue Night
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Zoe Felton
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SheetMusicPlus
Caressing The Light
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1025249 Composed by Valezka Meeroff. 2…
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Chamber Orchestra - Digital Download SKU: A0.1025249 Composed by Valezka Meeroff. 20th Century,Contemporary. Score and parts. 6 pages. V. Meeroff #5207365. Published by V. Meeroff (A0.1025249).
$2.00
1.86 €
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Chamber Orchestra
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Valezka Meeroff
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Caressing The Light
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V. Meeroff
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SheetMusicPlus
Perky Polka (light orchestral)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1301095 Composed by Tilly Lo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1301095 Composed by Tilly Lockwood. 19th Century. Score and Parts. 26 pages. Surrey Dance Music #890773. Published by Surrey Dance Music (A0.1301095). I've stopped short of full symphony orchestra (omitting trumpets, tuba, harp and percussion), to give this the small-European-orchestra feel that a piece with polka in the title needs. Great for a young orchestra.
$29.99
27.91 €
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Chamber Orchestra
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Tilly Lockwood
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Perky Polka
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Surrey Dance Music
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SheetMusicPlus
Heaven's Light
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1152430 Composed by Alan Men…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1152430 Composed by Alan Menken and Stephen Schwartz. Arranged by Robert Bradshaw. 20th Century,Pop. Score and parts. 16 pages. Robert Bradshaw #752656. Published by Robert Bradshaw (A0.1152430). For reduced orchestra and solo voice.
$49.99
46.52 €
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Chamber Orchestra
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Alan Menken and Stephen Schwartz
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Heaven's Light
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Robert Bradshaw
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SheetMusicPlus
I See The Light
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311520 Composed by Alan Men…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311520 Composed by Alan Menken and Glenn Slater. Arranged by David RodrÃguez. Children,Film/TV,Pop,Singer/Songwriter,Wedding. 42 pages. David Rodram #900525. Published by David Rodram (A0.1311520).
$65.00
60.49 €
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Chamber Orchestra
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Alan Menken and Glenn Slater
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I See The Light
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David Rodram
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SheetMusicPlus
Sink into The Light - for Students-Teachers Ensemble
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1341997 Composed by Ahsan Fa…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1341997 Composed by Ahsan Fathoni. 21st Century,Chamber,Classical,Multicultural,Video Game,World. 31 pages. A Suburb Violinist #927509. Published by A Suburb Violinist (A0.1341997). An original piece meant to be played by an ensemble consist of students and teachers. Written for: flute, percussion, piano, violin 1 2 3, cellos, and double bass.Score and parts are included within one PDF.
$6.99
6.51 €
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Chamber Orchestra
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Ahsan Fathoni
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Sink into The Light - for Students-Teachers Ensemble
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A Suburb Violinist
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SheetMusicPlus
Jeanie With The Light Brown Hair, for voice and string quartet
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.917352 Composed by Stephen Foster. Arr…
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Chamber Orchestra - Digital Download SKU: A0.917352 Composed by Stephen Foster. Arranged by Gary S. Fagin. Folk. Score and parts. 7 pages. Gary Fagin #4626823. Published by Gary Fagin (A0.917352). One of six Stephen Foster arrangements for voice and string quartet.
$10.00
9.31 €
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Chamber Orchestra
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Stephen Foster
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Jeanie With The Light Brown Hair, for voice and string quartet
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Gary Fagin
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SheetMusicPlus
Beethoven: Adagio sostenuto from the Moonlight Sonata for Piano Sextet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.552179 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.552179 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Classical,Concert,Holiday,Love,Standards,Wedding. Score and parts. 24 pages. Jmsgu3 #6259493. Published by jmsgu3 (A0.552179). Beethoven: Adagio from Sonata Op. 27 No. 2 for Piano Sextet.Duration: 5:30, Score: 9 pages.
$32.95
30.67 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven: Adagio sostenuto from the Moonlight Sonata for Piano Sextet
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jmsgu3
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.26 €
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.26 €
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Chamber Orchestra
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
37.23 €
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Chamber Orchestra
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Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.11 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Johann Nepomuk Hummel: Hummel Concerto in B-flat Major for Trumpet and Piano - chamber ensemble
Chamber Orchestra
Instantly printable sheet music by Johann Nepomuk Hummel for chamber ensemble of EASY/MEDI…
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Instantly printable sheet music by Johann Nepomuk Hummel for chamber ensemble of EASY/MEDIUM skill level. / classical,concert,light concert
$9.97
9.28 €
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Chamber Orchestra
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Johann Nepomuk Hummel
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Virtualsheetmusic
Wolfgang Amadeus Mozart: Mozart Concerto in B-flat Major for Bassoon and Piano KV 191 (186E) - chamber ensemble
Chamber Orchestra
Instantly printable sheet music by Wolfgang Amadeus Mozart for chamber ensemble of EASY/ME…
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Instantly printable sheet music by Wolfgang Amadeus Mozart for chamber ensemble of EASY/MEDIUM skill level. / classical,concert,light concert
$9.97
9.28 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Gone Fishin' - score and parts
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.872644 Composed by Philip Or…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.872644 Composed by Philip Orem. Contemporary. Score and parts. 43 pages. Philip Orem #3591699. Published by Philip Orem (A0.872644). A bit of whimsy. Imagine a small barefoot boy in overalls with a cane pole and a can of worms headed down a dusty road. A evocative piece of light music perfect for a summer concert. Scored for a small orchestra including ocarina.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$45.00
41.88 €
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Chamber Orchestra
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Philip Orem
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Gone Fishin' - score and parts
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Philip Orem
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SheetMusicPlus
DANCE SYMPHONY - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1024007 Composed by Ron Levy…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1024007 Composed by Ron Levy. 20th Century,Baroque,Contemporary. Score and parts. 70 pages. Thinkling Music #6208249. Published by Thinkling Music (A0.1024007). Dance Symphony is a light and charming chamber symphony in three movements. Duration is approximately 14 minutes. The ï¬rst movement is in arch form, with three highly contrasting themes. The second movement is dance-inspired, more a Ländler than a Waltz. The Trio portrays a lone fiddler with a gathering crowd. The third movement begins with a fanfare and ends with whimper, with plenty of action in between. It was originally composed as a wedding processional. The mp3 is of the entire 3-movement work; Movement 2 begins at about 05:00, and Movement 3 at about 10:00.
$25.00
23.27 €
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Chamber Orchestra
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Ron Levy
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DANCE SYMPHONY - Score Only
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Thinkling Music
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SheetMusicPlus
Concerto No.1 for Violin and Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Che…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
32.55 €
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Chamber Orchestra
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David Chesky
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Concerto No.1 for Violin and Orchestra
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Pamaluc Music
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SheetMusicPlus
A First Suite from the Lorry Driver's Lunch
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1096753 Composed by Rupert K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1096753 Composed by Rupert Kirby. Contemporary,Folk. Score and parts. 65 pages. Rupert Geoffrey Kirby #700747. Published by Rupert Geoffrey Kirby (A0.1096753). A light orchestral arrangement of pieces from the Lorry Driver's Lunch fiddle tunes.
$5.00
4.65 €
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Chamber Orchestra
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Rupert Kirby
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A First Suite from the Lorry Driver's Lunch
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Rupert Geoffrey Kirby
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.96 €
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Chamber Orchestra
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David Warin Solomons
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
"Grand Fugue" for Orchestra from MASS in D Major (1790)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1073832 By Paul Ferington. B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1073832 By Paul Ferington. By Vincenzo Righini. Arranged by Paul Ferington. Classical,Praise & Worship,Sacred. Score and parts. 52 pages. Paul K Ferington #678081. Published by Paul K Ferington (A0.1073832). An orchestral transcription (3:00) of the final fugal chorus The Light of the World to Come from Righini's MASS in D Major (1790)....a celebratory piece appropriate as concert or church prelude or postlude with optional Organ; full score and set 2/1/2+bcl/1 2/2/2/1 Timp/opt Organ and Strings.
$18.95
17.64 €
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Chamber Orchestra
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Paul Ferington
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"Grand Fugue" for Orchestra from MASS in D Major
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Paul K Ferington
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SheetMusicPlus
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