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Chamber Orchestra
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3 sheet music found
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1
Requiem
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Chamber Orchestra
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Hans Werner Henze
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Piano solo, concert trumpet and chamber orchestra - Digital Download SKU: S9.Q3049 Neun geistliche Konzerte. Composed by Hans Werner Henze. This e...
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Piano solo, concert trumpet and chamber orchestra - Digital Download SKU: S9.Q3049 Neun geistliche Konzerte. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 70 minutes. Schott Music - Digital #Q3049. Published by Schott Music - Digital (S9.Q3049). Gesamtbesetzung: 2 (1. auch Picc., 2. auch Picc. u. Altfl.) * 1 * Engl. Hr. * 1 (auch Es-Klar.) * Bassklar. (auch Kb.-Klar.) * Sopransax. (auch Altsax. u. Baritonsax.) * 1 (auch Kfg.) - 2 * 2 * 2 Basstrp. * 1 * Basspos. (auch Kb.-Pos.) * 0 - P. S. (Trgl. * 3 hg. Beck. * Beckenpaar * 3 Tamt. * Tamb. * 3 Tomt. * Ruhrtr. * gr. Tr. [m. u. o. Beck.] * gr. Tr. * Donnerblech * Woodbl. * Tempelbl. * Matraca * Rute * Peitsche * Guiro * Ratsche * Mar. * Kast. * Flex. * Handgl. * Fingerzimb. * Trinidad Steel Drum * Rohrengl. * Glsp. * Vibr. * Marimba) (3 Spieler) - Hfe. * Cel. - Str. (4 * 0 * 3 * 3 * 1) Die geistlichen Konzerte konnen auch einzeln aufgefuhrt werden. The movements can also be played in any desired combination.Gesamtbesetzung: 2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 1 · Engl. Hr. · 1 (auch Es-Klar.) · Bassklar. (auch Kb.-Klar.) · Sopransax. (auch Altsax. u. Baritonsax.) · 1 (auch Kfg.) - 2 · 2 · 2 Basstrp. · 1 · Basspos. (auch Kb.-Pos.) · 0 - P. S. (Trgl. · 3 hg. Beck. · Beckenpaar · 3 Tamt. · Tamb. · 3 Tomt. · Rührtr. · gr. Tr. [m. u. o. Beck.] · gr. Tr. · Donnerblech · Woodbl. · Tempelbl. · Matraca · Rute · Peitsche · Guiro · Ratsche · Mar. · Kast. · Flex. · Handgl. · Fingerzimb. · Trinidad Steel Drum · Röhrengl. · Glsp. · Vibr. · Marimba) (3 Spieler) - Hfe. · Cel. - Str. (4 · 0 · 3 · 3 · 1) Die geistlichen Konzerte können auch einzeln aufgeführt werden. The movements can also be played in any desired combination.
$55.99
Concerto Grosso in F minor.
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
One Second to the Future - Guitar Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Ro...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
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