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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violin, Clarinet, Piano (trio)
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ADVANCED
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Adam Lenhart
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Two Scenes from The Rubáiyát
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 p...
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
America The Beautiful
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Piano solo
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INTERMEDIATE/ADVANCED
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Barbra Streisand
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Timothy Stapay
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America The Beautiful
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,...
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Piano Solo - Level 4 - Digital Download SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,Historic,Holiday,Patriotic,Singer/Songwriter. Score. 4 pages. Timothy Stapay #848195. Published by Timothy Stapay (A0.1254594). This is an arrangement of America The Beautiful, written for upper intermediate level piano. It contains an introduction using Battle Hymn Of The Republic.America the Beautiful is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met.In 1893, at the age of 33, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem.Lyrics:O beautiful for spacious skiesFor amber waves of grainFor purple mountain majestiesAbove the fruited plain!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for pilgrim feetWhose stern impassioned stressA thoroughfare of freedom beatAcross the wilderness!America! America!God mend thine every flawConfirm thy soul in self-controlThy liberty in law!O beautiful for heroes provedIn liberating strifeWho more than self their country lovedAnd mercy more than life!America! America!May God thy gold refineTill all success be noblenessAnd every gain divine! O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for halcyon skiesFor amber waves of grainFor purple mountain majestiesAbove the enameled plain!America! America!God shed his grace on theeTill souls wax fair as earth and airAnd music-hearted sea!O beautiful for pilgrims feetWhose stem impassioned stressA thoroughfare for freedom beatAcross the wilderness!America! America!God shed his grace on theeTill paths be wrought throughWilds of thoughtBy pilgrim foot and knee! O beautiful for glory-taleOf liberating strifeWhen once and twiceFor man's availMen lavished precious life!America! America!God shed his grace on theeTill selfish gain no longer stainThe banner of the free!O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeTill nobler men keep once againThy whiter jubilee!
$5.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Organ
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano solo
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INTERMEDIATE/ADVANCED
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
(ghost) Riders In The Sky (a Cowboy Legend)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du T...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
Across The Years
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Easy Piano
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BEGINNER
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Michael Hoppe
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Across The Years
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Chordially Yours Music
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.951268 Composed by Michael Hoppe. 20th Century,Concert,Spiritual. Score. 1 pages. Chordially Yours Music ...
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Easy Piano - Level 1 - Digital Download SKU: A0.951268 Composed by Michael Hoppe. 20th Century,Concert,Spiritual. Score. 1 pages. Chordially Yours Music #5724731. Published by Chordially Yours Music (A0.951268). Across The Years is a short hymn-like composition for solo piano
$3.99
The Old Palmer Song
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Choral SATB
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EASY
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandr...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
The Landowner
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Choral SATB
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ADVANCED
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Christian Humcke
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The Landowner
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Christian Humcke
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humck...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humcke #6404851. Published by Christian Humcke (A0.1023766). Instrumentation: SATB a cappella choir (with divisi)Duration: 6'Completed: January 2017I wrote the poem The Landowner a few years ago in a poetry class at my undergraduate alma mater, Bucknell University. When I heard that there was an opportunity to write for a student formed choir at Peabody, I thought it would be a perfect opportunity to set one of my previously written poems to music. I looked back at poems which I had written, and came across The Landowner. It continues to intrigue me to this day since I am still uncertain as to what it is about. This enigmatic, earthy, and hauntingly repetitive poem poses more questions than it does provide answers. This is something which fascinates me, and which I sought to depict in the music.The Landowner:The landowner sends out his three servants.Each go to work in separate fields;To rake the leaves,to harvest the crops,to pluck the fruits from the tree.Working endlessly,They turn their heads from each other.They refuse to help,they refuse to talk.Good work is done,but for what purpose?The landowner plucks fresh leavesfrom a papaya tree.Although he is blind,he still sees the sun.The mooing of cows andcrowing of roosters ceases.He stands in the shade,waiting for his servants.They offer him papaya,He shakes his head
$2.99
The Palatka Port March - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart ...
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
The Palatka Port March
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Concert band
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INTERMEDIATE/ADVANCED
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Publis...
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Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
Three Images from the Hubble Telescope
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Trumpet
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ADVANCED
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Amy Dunker
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Three Images from the Hubble T
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Amy Dunker
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SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Pu...
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Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
$10.00
Love is the Answer
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Choral SATB
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EASY
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Michael Hoppe
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Richard Bronskill
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Love is the Answer
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Chordially Yours Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.951334 Composed by Michael Hoppe. Arranged by Richard Bronskill. 20th Century,Concert,Contempora...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.951334 Composed by Michael Hoppe. Arranged by Richard Bronskill. 20th Century,Concert,Contemporary,Spiritual,Wedding. Octavo. 3 pages. Chordially Yours Music #6133725. Published by Chordially Yours Music (A0.951334). Love is the Answer is an SATB choral version of the Across The Years melodywhich is available on this site. Lyrics are by Andrew Osta.A beautiful encore piece!
$5.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Choral TTBB
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EASY
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Q...
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Voice (TTBB) - Level 2 - Digital Download SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
Here I Am To Worship (light Of The World)
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Cello
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INTERMEDIATE
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Sacred music
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Tim Hughes
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Sarah Cellobat Chaffee
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Here I Am To Worship
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.526308 By Tim Hughes. By Tim Hughes. Arranged by Sarah Cellobat Chaffee. Contemporary,Praise & Worship. I...
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Cello Solo - Level 3 - Digital Download SKU: A0.526308 By Tim Hughes. By Tim Hughes. Arranged by Sarah Cellobat Chaffee. Contemporary,Praise & Worship. Individual part. 1 pages. Sarah Cellobat Chaffee #6442643. Published by Sarah Cellobat Chaffee (A0.526308). Here I Am To Worship was written by Tim Hughes in 1999, with lyrics describing the humility of Jesus Christ as he came down from Heaven and sacrificed Himself for us. The song has since become a ubiquitously popular worship anthem, and was #1 on the Christian Copyright Licensing charts for two years in a row -- so you can't go wrong having this one in your gig books! I originally wrote this arrangement for solo cello to play for a funeral, but it will also be perfect for church services or any other occasion you need some soul-stirring worship music. Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
Color Chorded I Am Trusting Thee, Lord Jesus
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Choral Unison
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BEGINNER
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Traditional
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Lauran Delancy
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Color Chorded I Am Trusting Th
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Headless Mallets
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.862074 Composed by Traditional (Havergal and Baker). Arranged by Lauran Delancy. Children,Chri...
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.862074 Composed by Traditional (Havergal and Baker). Arranged by Lauran Delancy. Children,Christian,Instructional,Sacred. Octavo. 6 pages. Headless Mallets #5020531. Published by Headless Mallets (A0.862074). I Am Trusting Thee, Lord Jesus is another addition to the Color Chorded catalog by Headless Mallets Publishing. Lyrics from the traditional hymn to the hymn tune of STEPHANOS. Color Chorded makes handbells and handchimes immediately accessible! Color Chorded is a system for ringing handbells and/or handchimes with singing. The system works well for non-music readers of all ages on both handbells and handchimes. The director points to each colored block as the music progresses across the page. Instructions and tips are included in each packet which contains an Assignments/Equipment Page, notated Melody, a Lyrics Lead Sheet, and Color Chorded Chart. More titles are available in the Color Chorded catalog through Headless Mallets Publishing (www.LauranDelancy.com/headless-mallets-publishing). The Color Chorded system has been used by creator Lauran Delancy with children’s chime choirs as young as 3 years old and also with older adults with great success.
$5.00
Just The Right Amount of Wrong
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Alto voice, Piano
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INTERMEDIATE
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Music: Joel Evans, Lyrics: Adr
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CDBaby
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Just The Right Amount of Wrong
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One Hundred Percent Pub. Co.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. On...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. One Hundred Percent Pub. Co. #3436797. Published by One Hundred Percent Pub. Co. (A0.930354). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Tami Damiano, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Adryan Russ conceived and wrote music and lyrics for Inside Out, an award-winning off-Broadway musical, with multi-talented playwright Doug Haverty. Inside Out was published by Samuel French, and the original cast CD distributed by DRG Records. It has been produced across the U.S., and twice in Europe. In her cabaret life, Adryan participated in a tribute to Charles Strouse, with Michael Feinstein, at Carnegie Hall; and at Chicago Humanities Festival’s ASCAP Cabaret: Her Turn with Karen Mason. LML Music (www.lmlmusic.com) released Everyone Has A Story: The Songs of Adryan Russ, produced by Bruce Kimmel and arranged by Grant Geissman, featuring Susan Egan, Jason Graae, David Burnham, Joan Ryan, Tami Tappan Damiano and Sharon McNight. For the past ten years, Adryan has received an ASCAP Award for Popular Music. She is a member of The Dramatists Guild, the Academy for New Musical Theatre (ANMT), the National Academy of Recording Arts & Sciences (NARAS), and currently serves on the Board of the Society of Composers & Lyricists (SCL). Adryan & Joel's songs are heard in films ranging from Doubt, starring Meryl Streep, to Lifetime's Sorority Nightmare, and TV shows ranging from The Mindy Project to The Young & Restless.
$3.99
Show Me the Way to Go Home / Home Sweet Home (Baritone Ukulele - Partner Song - Extended Version)
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Ukulele
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EASY
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John Meola Lindhorst & Irving
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John Meola Lindhorst
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Show Me the Way to Go Home / H
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John Meola Lindhorst
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SheetMusicPlus
Ukulele - Level 2 - Digital Download SKU: A0.1400434 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwr...
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Ukulele - Level 2 - Digital Download SKU: A0.1400434 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 3 pages. John Meola Lindhorst #983630. Published by John Meola Lindhorst (A0.1400434). You have just come across the perfect closing song for your ukulele club gatherings.Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.“Home, Sweet Home†is an original song written by John Meola Lindhorst in 2024 as a partner song to “Show Me the Way to Go Homeâ€. This special version was arranged for the Rock River Strummers, a popular ukulele group in Oregon, Illinois. John Meola Lindhorst’s arrangement is an easy-to-read format for voice and Baritone Ukulele. The chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels. This “extended†version features each song individually before the partner song section is presented. This arrangement has become the “ultimate closing song†for many popular ukulele clubs worldwide.
$5.99
Show Me the Way to Go Home / Home Sweet Home (Partner Song - Extended Version)
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Ukulele
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EASY
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John Meola Lindhorst & Irving
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John Meola Lindhorst
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Show Me the Way to Go Home / H
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John Meola Lindhorst
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SheetMusicPlus
Ukulele - Level 2 - Digital Download SKU: A0.1400432 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwr...
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Ukulele - Level 2 - Digital Download SKU: A0.1400432 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 3 pages. John Meola Lindhorst #983626. Published by John Meola Lindhorst (A0.1400432). You have just come across the perfect closing song for your ukulele club gatherings.Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.“Home, Sweet Home†is an original song written by John Meola Lindhorst in 2024 as a partner song to “Show Me the Way to Go Homeâ€. This special version was arranged for the Rock River Strummers, a popular ukulele group in Oregon, Illinois. John Meola Lindhorst’s arrangement is an easy-to-read format for voice and standard ukulele. The ukulele chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels. This “extended†version features each song individually before the partner song section is presented. This arrangement has become the “ultimate closing song†for many popular ukulele clubs worldwide.
$5.99
Show Me the Way to Go Home / Home Sweet Home (Partner Song Simplified Version)
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Ukulele
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EASY
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John Meola Lindhorst & Irving
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John Meola Lindhors
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Show Me the Way to Go Home / H
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John Meola Lindhorst
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SheetMusicPlus
Ukulele - Level 2 - Digital Download SKU: A0.1400424 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhors. Folk,Singer/Songwri...
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Ukulele - Level 2 - Digital Download SKU: A0.1400424 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhors. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 2 pages. John Meola Lindhorst #983619. Published by John Meola Lindhorst (A0.1400424). You have just come across the perfect closing song for your ukulele club gatherings.Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.“Home, Sweet Home†is an original song written by John Meola Lindhorst in 2024 as a partner song to “Show Me the Way to Go Homeâ€. This special version was arranged for the Rock River Strummers, a popular ukulele group in Oregon, Illinois. John Meola Lindhorst’s arrangement is an easy-to-read format for voice and standard ukulele. The ukulele chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels. This “simple†version presents both songs sung simultaneously in partner-song fashion.
$4.99
Show Me the Way to Go Home / Home Sweet Home (Baritone Ukulele - Partner Song Simplified Version)
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Ukulele
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EASY
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John Meola Lindhorst & Irving
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John Meola Lindhorst
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Show Me the Way to Go Home / H
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John Meola Lindhorst
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SheetMusicPlus
Ukulele - Level 2 - Digital Download SKU: A0.1400425 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwr...
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Ukulele - Level 2 - Digital Download SKU: A0.1400425 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 2 pages. John Meola Lindhorst #983620. Published by John Meola Lindhorst (A0.1400425). You have just come across the perfect closing song for your ukulele club gatherings.Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.“Home, Sweet Home†is an original song written by John Meola Lindhorst in 2024 as a partner song to “Show Me the Way to Go Homeâ€. This special version was arranged for the Rock River Strummers, a popular ukulele group in Oregon, Illinois. John Meola Lindhorst’s arrangement is an easy-to-read format for voice and Baritone Ukulele. The chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels. This “simple†version presents both songs sung simultaneously in partner-song fashion.
$4.99
Show Me the Way to Go Home
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Ukulele
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BEGINNER
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Jimmy Campbell and Reg Connell
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John Meola Lindhorst
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Show Me the Way to Go Home
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John Meola Lindhorst
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SheetMusicPlus
Ukulele - Level 1 - Digital Download SKU: A0.1399358 Composed by Jimmy Campbell and Reg Connelly. Arranged by John Meola Lindhorst. Folk,Singer/Songwrite...
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Ukulele - Level 1 - Digital Download SKU: A0.1399358 Composed by Jimmy Campbell and Reg Connelly. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 1 pages. John Meola Lindhorst #982641. Published by John Meola Lindhorst (A0.1399358). You have just come across the perfect closing song for your ukulele club gatherings. It has been arranged in an easy-to-read format for voice and standard ukulele. The ukulele chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels.  Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.This song can be performed as a stand-alone piece or can be “partnered†with Lindhorst’s original song “Home Sweet Homeâ€.
$2.99
Show Me the Way to Go Home (Baritone Ukulele Version)
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Ukulele
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BEGINNER
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Jimmy Campbell and Reg Connell
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John Meola Lindhorst
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Show Me the Way to Go Home
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John Meola Lindhorst
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SheetMusicPlus
Ukulele - Level 1 - Digital Download SKU: A0.1400422 Composed by Jimmy Campbell and Reg Connelly. Arranged by John Meola Lindhorst. Folk,Singer/Songwrite...
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Ukulele - Level 1 - Digital Download SKU: A0.1400422 Composed by Jimmy Campbell and Reg Connelly. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 1 pages. John Meola Lindhorst #983616. Published by John Meola Lindhorst (A0.1400422). You have just come across the perfect closing song for your ukulele club gatherings. It has been arranged in an easy-to-read format for voice and Baritone Ukulele. The chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels.  Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.This song can be performed as a stand-alone piece or can be “partnered†with Lindhorst’s original song “Home Sweet Homeâ€.
$2.99
A Thousand Years
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Violin
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INTERMEDIATE/ADVANCED
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Pop music
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Christina Perri
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Sarah Cellobat Chaffee
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A Thousand Years
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.526215 By Christina Perri. By Christina Perri and David Hodges. Arranged by Sarah Cellobat Chaffee. Cont...
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Violin Solo - Level 4 - Digital Download SKU: A0.526215 By Christina Perri. By Christina Perri and David Hodges. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 2 pages. Sarah Cellobat Chaffee #6027439. Published by Sarah Cellobat Chaffee (A0.526215). The book and movie vampire fantasy series Twilight has been a smash hit for audiences of all ages, and Christina Perri's catchy love song written for the movie has become a widely requested tune. This arrangement for solo violin is a beautiful string rendition of this popular song, with soaring vocal lines and dramatic octave and dynamic changes. Originally written for a wedding ceremony, it's also perfect for receptions, proposals, pop concerts, or just to play for fun! No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This arrangement is rated advanced-intermediate for some tricky rhythms throughout; it will be learnable for more advanced students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
The Center Of The Universe
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Jazz Ensemble
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ADVANCED
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George Willson
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The Center Of The Universe
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and ...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
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