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You've selected:
Almost Heard for solo piano
Sheetmusic to print
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Almost Heard for solo piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.782639 Composed by Ashlee T Busch. …
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Piano Solo - Level 3 - Digital Download SKU: A0.782639 Composed by Ashlee T Busch. 20th Century,Contemporary. Score. 8 pages. Ashlee T Busch #4781317. Published by Ashlee T Busch (A0.782639). Commissioned for the 2019 Arizona State University Dance/Composition Collaborative Premieres Concert, Almost Heard is a gentle, mournful musical exploration of lost love. The accompanying dance was choreographed and premiered by Elisa Reed. Premiere piano performance by Rosa LoGuidice.
$4.99
4.46 €
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Piano solo
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Ashlee T Busch
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Almost Heard for solo piano
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Ashlee T Busch
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.27 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Ruggiero Leoncavallo: Brise de Mer for Clarinet and Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1499100 Composed by Rugg…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1499100 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 10 pages. Colin Kirkpatrick Publications #1075149. Published by Colin Kirkpatrick Publications (A0.1499100). When Leoncavallo’s beautiful solo piece Brise de Mer (“Sea Breeze”) was first published in Berlin in 1906, he was already an established opera composer, largely due to his first opera Pagliacci, which had become an international success. An Impromptu is an informal piece usually for solo instrument. This French word can be translated loosely as “off-hand” and it’s used to describe relatively short pieces which sometimes have a partly improvised style, a simple structure and an emphasis on melody. Piano pieces entitled Impromptu first appeared in the early 19th century and remained popular for decades. This is a simplified edition of the piece and about ABRSM Clarinet grade 6 - 7 standard (UK). The work has been transposed down to concert E flat major (written F major) from the original. The clarinet part retains the phrasing of the original cello part. The music uses almost the entire clarinet range from low written E to top F above the staff, though this note occurs only once in the piece. The piano part has been simplified by reducing the number of notes in many of the chords, especially those played by the left hand. This is a lovely piece which deserves to be heard more often, with its lyrical melody, elegant changes of harmony and contrasting moods. It would make an excellent item for a clarinet recital. The piece runs for four minutes.
$11.99
10.71 €
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Clarinet and Piano
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Ruggiero Leoncavallo
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Ruggiero Leoncavallo: Brise de Mer for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Sunsets I Almost Missed - Violin & Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.573190 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.573190 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. 8 pages. James M Stevens Music ASCAP #5001337. Published by James M Stevens Music ASCAP (A0.573190). This is an original composition for violin & piano in a reflective style in the key of D minor. There is a separate violin part in the score. The piano part as seen can be played as a stand alone solo. The track as heard can be found under Sunsets I Almost Missed Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Please follow Stevens' music on Spotify, Pandora Radio, and other outlets.
$6.99
6.24 €
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Violin and Piano
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James Michael Stevens
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Sunsets I Almost Missed - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
The Mansion - for Guitar and Orchestra - reduction
Piano, Guitar (duet)
Solo Guitar - Level 5 - Digital Download SKU: A0.971794 Composed by Britt Andrew Bu…
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Solo Guitar - Level 5 - Digital Download SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #41347. Published by Indie Classical Publications (A0.971794). THE MANSION was composed in 2011. The inspiration for the work came from a reoccurring dream (or nightmare) I would have about being lost in a large, haunted mansion. The mansion would be abandoned, yet would be full of unexpected noises and surprises around every corner. Because of this, the music is intended to sound a little haunting, yet adventurous at the same time, because both of these emotions were strong in the dreams. I no longer have this reoccurring dream, and I have never come to understand why I used to have this dream. I have been a student of the guitar for over 18 years, and I wanted to write a concerto-like work for the nylon string guitar and orchestra. Because an orchestra can be overpowering to the acoustic guitar, I have suggested that the guitarist use an acoustic guitar amplifier. The volume can be adjusted to the performers discretion, but the guitar needs to always be heard. Although the work is also technically challenging, I tried to write something that would still be accessible for the audience. Almost all of the thematic material comes from a simple 5-note motive that can be heard at the beginning of the piece in the piano and guitar. This work does not follow a specific form, although many of the sections do repeat. Originally for guitar and orchestra, this arrangement is for guitar and piano.Difficulty: grade 5Duration: 7:45
$12.00
10.72 €
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Piano, Guitar (duet)
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Britt Andrew Burns
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The Mansion - for Guitar and Orchestra - reduction
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Indie Classical Publications
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SheetMusicPlus
Not Forgotten - Piano Solo
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.913987 Composed by Arthur Breur. Ch…
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Piano Solo - Level 2 - Digital Download SKU: A0.913987 Composed by Arthur Breur. Children,Contemporary. Score. 5 pages. Floating Home Music #4823219. Published by Floating Home Music (A0.913987). Simple harmonies move from major to minor and this lovely piece opens up in to a harp-like verse and a lightly syncopated chorus.From the composer:In 2013 I found an old sequence with the first part of this piece, and suddenly the whole thing came rushing back to me-I had not heard nor even thought of it for probably sixteen years! I ran to the piano and sat down to play it, and could nearly play it all the way through from memory. It's what someone with amnesia must feel when they suddenly remember something about themselves. I remember the piece now, and can play it almost without thinking, but it had been completely missing from my mind for years.DURATION: 3m10s.
$4.00
3.57 €
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Piano solo
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Arthur Breur
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Not Forgotten - Piano Solo
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Floating Home Music
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SheetMusicPlus
The Months of 2021 Piano Book
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.518018 By James Michael Stevens. By…
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Piano Solo - Level 3 - Digital Download SKU: A0.518018 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Score. 643 pages. James M Stevens Music ASCAP #128746. Published by James M Stevens Music ASCAP (A0.518018). In January of 2021 I set out a goal to release 12 piano albums/books of original piano compositions for each month of the year. It was a mammoth task, but finished with the final December album released on Dec. 27. The book is written exactly as played for the albums and actually played from the sheet music contain within and can be heard on all streaming platforms including: Spotify, Pandora Radio, Amazon Music, Apple Music, Deezer, and others. This book contains every month exactly as previously published. Each has it's own original cover and page numbers, however, I've included separate page numbers at the bottom of every page to show where each book begins as represented by the contents on the cover. This book contains 186 songs, 642 pages, and almost 9 hours of listening/playing enjoyment. Each book is available separately as is every single individual composition as well. Thanks for all those who have used and supported my music! James Michael Stevens is a prolific composer residing in Nashville, TN.
$99.00
88.44 €
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Piano solo
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James Michael Stevens
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The Months of 2021 Piano Book
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James M Stevens Music ASCAP
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SheetMusicPlus
I Heard the Bells on Christmas Day
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jea…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726539. Published by Niska Music Publishing (A0.1125799). I must admit that I was far more familiar with the 1956 setting of this poem as sung by Bing Crosby to music by Johnny Marks than I was to the one found in many hymnals. It was on several of the Christmas albums that would be played on the phonograph in our house during the holiday season. However, I chose to arrange the carol setting for this collection as it resonated more deeply with me and seemed to better capture the essence of the poem by Longfellow. He wrote it during the Civil War, on Christmas Day of 1863, and several of the verses make reference to the war. While I did not set any of the Civil War verses, there is an almost martial quality to the opening music and one can almost hear the brass choir ringing out in the first verse. With each subsequent verse, the rhythm of the right hand becomes quicker, moving from half notes to quarter note triplets to eighth notes and finally to eighth note triplets in the final verse. For the most part, the left hand maintains the steady beat of quarter notes, with the exception of the final verse where it begins to move in eighth notes setting up a two-against-three pattern between the hands. It is the most jubilant of the verses and feels like an explosion of sound as the bells ring out across all the land proclaiming God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men..
$3.99
3.56 €
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Piano solo
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Michael Swedberg
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I Heard the Bells on Christmas Day
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Niska Music Publishing
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SheetMusicPlus
Sunsets I Almost Missed - Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.573193 Composed by James Michael S…
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Piano,Viola - Level 3 - Digital Download SKU: A0.573193 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #5001495. Published by James M Stevens Music ASCAP (A0.573193). This is an original composition for viola and piano in a reflective style in the key of D minor. There is a separate viola part in the score. The piano part as seen can be played as a stand alone solo. The track as heard can be found under Sunsets I Almost Missed Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Please follow Stevens' music on Spotify, Pandora Radio, and other outlets.
$6.99
6.24 €
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Viola, Piano
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James Michael Stevens
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Sunsets I Almost Missed - Viola & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Sunsets I Almost Missed - Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573191 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573191 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #5001371. Published by James M Stevens Music ASCAP (A0.573191). This is an original composition for flute and piano in a reflective style in the key of D minor. There is a separate flute part in the score. The piano part as seen can be played as a stand alone solo. The track as heard can be found under Sunsets I Almost Missed Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Please follow Stevens' music on Spotify, Pandora Radio, and other outlets.
$6.99
6.24 €
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Flute and Piano
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James Michael Stevens
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Sunsets I Almost Missed - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Sunsets I Almost Missed - Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.573192 Composed by James Michael St…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.573192 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #5001381. Published by James M Stevens Music ASCAP (A0.573192). This is an original composition for oboe and piano in a reflective style in the key of D minor. There is a separate oboe part in the score. The piano part as seen can be played as a stand alone solo. The track as heard can be found under Sunsets I Almost Missed Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Please follow Stevens' music on Spotify, Pandora Radio, and other outlets.
$6.99
6.24 €
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Oboe, Piano (duet)
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James Michael Stevens
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Sunsets I Almost Missed - Oboe & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Angels We Have Heard On High
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.950908 Composed by Traditional Fren…
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Piano Solo - Level 5 - Digital Download SKU: A0.950908 Composed by Traditional French Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6211243. Published by Niska Music Publishing (A0.950908). Based on a traditional French melody, this arrangement of Angels We Have Heard on High runs the gamut from a George Winston-inspired opening to a closing more akin to the grand works of Handel. The driving rhythm of the left hand sets the foundation for the bell-like right hand of the intro. The pulsating energy continues as the melody rings out over the unceasing flow of eighth notes. A sense of unbridled joy permeates the music culminating in a grand finale that is fitting for the coronation of a King! I was drawn to arrange this hymn by memories of singing the wonderful Gloria section at Christmas concerts throughout my school years. There is something almost infectious about the cascade of notes, each melisma feeling like an explosion of happiness that cannot be contained. It is this quality that I tried to capture in my arrangement.
$3.99
3.56 €
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Piano solo
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Traditional French Melody
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Angels We Have Heard On High
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Niska Music Publishing
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SheetMusicPlus
Suddenly, He Heard Footsteps Approaching
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1495484 By Damien Gauci. By Damien …
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Piano Solo - Level 4 - Digital Download SKU: A0.1495484 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072001. Published by Damien Gauci (A0.1495484). Whiskers ears prick up as he hears that he is not the only creature inside this mysterious house. His little heart begins to race which is reflected in the opening of this piece. Whiskers knows that he isn’t the only one in this house but he is curious as to who else might be in here. He finds a safe spot under a table but keeps his ears and eyes out to hear who might be creeping around.The footsteps stop and start, they sound small but he’s not too sure. Whiskers once again can’t help his curious nature and he decides to venture out and find who or what this other creature is that has the same idea to explore this house. He makes sure to keep his footsteps light to not bring any attention to himself and not scare away the other creature. He looks around one room, and then another, covering almost the entire house except the attic. Whiskers decides to climb up into to the attic to find out once and for all what this other creature is.
$6.00
5.36 €
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Piano solo
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Damien Gauci
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Suddenly, He Heard Footsteps Approaching
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Damien Gauci
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.35 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.39 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Angels We Have Heard on High (Instrumental Solo Accompaniment)
Clarinet,Flute,Piano,Soprano Saxophone,Violin - Digital Download SKU: A0.1069137 Co…
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Clarinet,Flute,Piano,Soprano Saxophone,Violin - Digital Download SKU: A0.1069137 Composed by Michael Ware. Arranged by MusicWare Press. Christian,Christmas,Concert,Sacred. Accompaniment. Duration 173. Michael Ware Music #6638483. Published by Michael Ware Music (A0.1069137). Angels We Have Heard on High is a much beloved French carol. This energetic mixed meter arrangement by Michael Ware for Solo Instrument and Piano is sure to add a festive flair to any celebration of Christmas. You can almost see the angels dancing in the sky! This download is the Piano Accompaniment MP3.
$4.99
4.46 €
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Michael Ware
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Angels We Have Heard on High
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Michael Ware Music
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SheetMusicPlus
Sleepy Tide
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.904867 Composed by Pam Asberry. 20t…
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Piano Solo - Level 3 - Digital Download SKU: A0.904867 Composed by Pam Asberry. 20th Century,Children,Concert,Contemporary,New Age. Score. 4 pages. Pamela C Asberry #3385341. Published by Pamela C Asberry (A0.904867). Sleepy Tide is a lullaby of ocean sounds: incredibly peaceful and hypnotic - almost magical. (Kathy Parsons, MainlyPiano.com).First heard on the solo piano album Seashells in My Pocket and reprised on All Through the Night. Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50
4.91 €
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Piano solo
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Pam Asberry
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Sleepy Tide
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Pamela C Asberry
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
8.92 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
The Dreaming Sea
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski…
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Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
5.35 €
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Piano solo
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Still, Still, Still
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.950930 Composed by Austrian Folk Tu…
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Piano Solo - Level 3 - Digital Download SKU: A0.950930 Composed by Austrian Folk Tune. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #6466305. Published by Niska Music Publishing (A0.950930). I don’t recall when I first heard this Austrian carol, but I immediately fell in love with it and knew that it must be a part of this collection. Written in the somewhat unusual meter of 5/4, (before shifting over to 6/4), this prelude is one of the less technically demanding pieces in the set, though it does make use of much of the piano’s vast range. The simple chordal treatment of the melody over arpeggiated chords imparts an air of tranquility that is maintained throughout the first verse. When it transitions to 6/4 for the second verse, the use of the low octaves in the left hand give an even greater sense of gravity to the prelude and the off-beats in the right hand must be played with an almost clock-like precision to create the impression of stillness and the vastness of eternity. The closing chordal progression is one of my favorite moments in all of these pieces as I tried to capture the uncertainty, yet inevitability of time.
$3.99
3.56 €
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Piano solo
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Austrian Folk Tune
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Still, Still, Still
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Niska Music Publishing
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SheetMusicPlus
The Longest Wait
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.874511 Composed by Gavin Koh. Conce…
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Piano Solo - Level 3 - Digital Download SKU: A0.874511 Composed by Gavin Koh. Concert,Contemporary,Standards. Score. 8 pages. Gavin Koh #5957797. Published by Gavin Koh (A0.874511). The Longest Wait is specially dedicated to Peggy and Billie Harris. Peggy and Billie Harris were married for 6 weeks when her husband went missing in action over France during WWII. It took almost 60 years before Peggy learned that the town of Les Ventes had been honoring her husband after he heroically crashed his plane while avoiding the village. I had first heard of Peggy's and Billie's story on 26th Aug 2019 and decided to dedicate my next piece to them. I hope you love this piece as much as I enjoyed composing it.Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99
3.56 €
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Piano solo
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Gavin Koh
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The Longest Wait
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Gavin Koh
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SheetMusicPlus
I Got Nothin' (to Worry About)
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930353 Composed by Music…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930353 Composed by Music: Joel Evans, Lyrics: Lisa Aschmann. Holiday,Jazz,Love,Traditional. 3 pages. One Hundred Percent Pub. Co. #3436775. Published by One Hundred Percent Pub. Co. (A0.930353). https://youtu.be/UMAznKo6xM0For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Roberta Donnay, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Look for the YouTube Video too! Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Lisa Aschmann is a prolific professional songwriter, singer, educator and author. She has recorded six CDs of her own and has had hundreds of songs recorded by major artists in almost every genre, including bluegrass, jazz, country, folk, inspirational, pop, and R&B. Her book, 1000 Songwriting Ideas is published by Hal Leonard.
$3.99
3.56 €
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Alto voice, Piano
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Music: Joel Evans, Lyrics: Lisa Aschmann
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CDBaby
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I Got Nothin'
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One Hundred Percent Pub. Co.
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SheetMusicPlus
Can You Hear The Nightingale's Sad Song?
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.573377 Composed by James Michael St…
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Piano Solo - Level 4 - Digital Download SKU: A0.573377 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,World. Score. 4 pages. James M Stevens Music ASCAP #5359001. Published by James M Stevens Music ASCAP (A0.573377). Written April 3, 2020, this is an original piano composition in a lyrical, calm, and almost bitter sweet style. Today I heard a newscaster in New York City talking about how he had lived in New York 19 years and as everything is so quiet with people being off the streets because of the virus, for the first time he actually heard the beautiful sound of birds singing… but it feels sad that it took such tragedy to hear the beautiful music that is always there. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99
3.56 €
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Piano solo
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James Michael Stevens
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Can You Hear The Nightingale's Sad Song?
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James M Stevens Music ASCAP
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SheetMusicPlus
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