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EVERYTHING LIKE BEFORE
Sheetmusic to print
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EVERYTHING LIKE BEFORE
Piano solo
Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00
4.59 €
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Piano solo
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
To Everything There Is a Season
Handbells
3, 4, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB489 Composed b…
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3, 4, or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB489 Composed by Arnold B Sherman. Christmas. With Narrator. Score. 12 pages. Chorister's Guild - Digital #CGB489. Published by Chorister's Guild - Digital (C7.CGB489). UPC: 749193012086.This musical setting of Ecclesiastes 3:1-8, complete with optional narration, paints a picture of the time-honored text that begins To everything there is a season... The music moves from a contemplative theme to a dance-like middle section before returning to the opening theme once again. This original composition is appropriate for both worship and concert settings.
$4.95
4.55 €
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Handbells
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Arnold B Sherman
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To Everything There Is a Season
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Chorister's Guild - Digital
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SheetMusicPlus
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.42 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Sunday Bloody Sunday
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
18.36 €
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String Quartet: 2 violins, viola, cello
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U2
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
30.26 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
18.32 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Light Is You
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1009750 Composed by Hilmar…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755. Published by Hilmar Leujes (A0.1009750). A spiritual song in four part harmony, but you could also use the soprano line and chords to perform it as a normal song. In the audio file I have used strings instead of vocals to emphasize the harmony. The Light Is You No one here knows who you are No one knows your name No one likes the things that you like No one plays your game No one tells you everything And knows just what to say No one asks you what you want And no one finds a way No one finds a way And it’s overflowing When you think of all that’s going for you And it keeps on growing Knowing there is someone to adore You open up ever so slightly Let a tiny light wade through Nurse it till it shines so brightly That you find the light in you You will find the light is you No one here knows who you are No one takes the blame No one’s standing here before you No one be my name No one is my name.
$4.99
4.58 €
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Choral SATB
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Hilmar Leujes
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The Light Is You
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Hilmar Leujes
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SheetMusicPlus
#WeToo
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.83 €
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Choral SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Silent Night: From Austria to Africa
Guitar notes and tablatures
Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
4.58 €
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Guitar notes and tablatures
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Franz Xaver Gruber
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Silent Night: From Austria to Africa
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Richard Hirsch
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SheetMusicPlus
"Christmas Waltz" Original for For Clarinet Duet and Piano. Intermediate level
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1293499 By Grant Horsle…
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1293499 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Christmas,Classical,Holiday,Wedding. 2 scores. 15 pages. Grant Horsley #883985. Published by Grant Horsley (A0.1293499). I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert B flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note although it is moderately high- hence it has been set at intermediate level. I wanted 2 equal instrumental parts so there is no number 1 and 2! The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length. Price is for score and parts.
$6.50
5.97 €
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2 Clarinets (duet)
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Grant Horsley
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"Christmas Waltz" Original for For Clarinet Duet and Piano. Intermediate level
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Grant Horsley
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SheetMusicPlus
"Christmas Waltz" Original for Violin Duet and Piano
2 Violins (duet)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1293696 Composed by Grant H…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1293696 Composed by Grant Horsley. Christmas,Classical,Holiday,Standards,Wedding. 15 pages. Grant Horsley #884171. Published by Grant Horsley (A0.1293696). I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus.The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.I wanted 2 equal instrumental parts so there is no number 1 and 2! The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length. Price is for score and parts.
$6.50
5.97 €
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2 Violins (duet)
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Grant Horsley
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"Christmas Waltz" Original for Violin Duet and Piano
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Grant Horsley
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SheetMusicPlus
"Christmas Waltz" Original for Flute, Bassoon and Piano.
Flute, Bassoon, and Piano
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - Digital Download…
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Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1294870 Composed by Grant Horsley. Christmas,Classical,Holiday,Standards,Wedding. 15 pages. Grant Horsley #885187. Published by Grant Horsley (A0.1294870). I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level. I wanted 2 equal instrumental parts. The whole piece is on the youtube link for you to assess suitability. Ideal to be added to a Christmas concert list!3min 15 in length. Price is for score and parts.
$6.50
5.97 €
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Flute, Bassoon, and Piano
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Grant Horsley
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"Christmas Waltz" Original for Flute, Bassoon and Piano.
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Grant Horsley
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SheetMusicPlus
Over The Rainbow
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1164828 By Judy Garland. By E.Y. Yi…
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Piano Solo - Level 4 - Digital Download SKU: A0.1164828 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Thomas Gunther. Film/TV,Jazz,Standards. Score. 3 pages. Thomas Gunther Music Productions #765152. Published by Thomas Gunther Music Productions (A0.1164828). This is my (Thomas Gunther’s) Solo Piano Arrangement of Over The Rainbow. (Also see PopJazzKeys.com/Over-The-Rainbow).I believe the arrangement is suited for intermediate to advanced players. There are different technically demanding elements to it, from polyphony (which require great finger independence), to the techniques associated with the Romantic period (like the ability to work the sustain pedal, arpeggios, and playing thick chords). The video below shows me performing it (with close-up of hands and sheet music), followed by important practice tips!) WHO IS IT FOR?I think classical and jazz pianists will both love it for different reasons. Classical musicians might like to play something more contemporary with a jazzy touch. And jazz musicians might like to studying it for inspiration, or to improve their sight reading and technical skills, or simply because they love it.ABOUT THE SONG Over The Rainbow is one of my favorite classic jazz standards. Most of you might know it from the classic movie The Wizard Of Oz, for which it was actually composed (and sung by Judy Garland).I love everything about this song, it’s melody (which is so cleverly based on a descending diatonic stepwise motion during the [A] section), the harmony, and of course the lyrics that inspire us to believe there might actually be more to life than what we are experiencing day in and day out, well worth dreaming about and searching for.ABOUT THE IMPORTANCE OF LYRICSTo me it is important to study the lyrics of a song before I start arranging it. The lyrics guide me in my search for how I want the arrangement to impact the listener emotionally.Â
$4.99
4.58 €
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Piano solo
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Judy Garland
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Over The Rainbow
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Thomas Gunther Music Productions
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SheetMusicPlus
"Christmas Waltz" Original for Flute Ensemble (6 C Flutes) Early Intermediate.
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1291961 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1291961 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882575. Published by Grant Horsley (A0.1291961). Christmas Waltz is a short gentle waltz for flute ensemble scored for 6 C Flutes.I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
$12.99
11.93 €
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Flute ensemble
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Grant Horsley
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"Christmas Waltz" Original for Flute Ensemble
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Grant Horsley
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SheetMusicPlus
"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1291975 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882595. Published by Grant Horsley (A0.1291975). Christmas Waltz is a short gentle waltz for Clarinet choir scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet. I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert E flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level. The whole piece is on the youtube link for you to assess suitability. Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length.Price is for score and all parts.
$12.99
11.93 €
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Clarinet Ensemble
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Grant Horsley
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"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
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Grant Horsley
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SheetMusicPlus
"Christmas Waltz" Original for Flute Choir. Early Intermediate.
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1291955 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882562. Published by Grant Horsley (A0.1291955). Christmas Waltz is a short gentle waltz for flute choir scored for 4 C Flutes, Alto and Bass Flute ( A version for 6 C flutes is also available)I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
$12.99
11.93 €
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Flute ensemble
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Grant Horsley
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"Christmas Waltz" Original for Flute Choir. Early Intermediate.
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Grant Horsley
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SheetMusicPlus
Three Pieces for Piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.924215 Composed by Sibylle Kuder. R…
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Piano Solo - Level 4 - Digital Download SKU: A0.924215 Composed by Sibylle Kuder. Romantic Period,Standards. Score. 18 pages. Sibylle Kuder #6210437. Published by Sibylle Kuder (A0.924215). I. Piacevole Pleasing, pleasant, smiling, playful scampering along without much sense of urgency. Doesn't require advanced technical or reading skills other than being familiar with reading and playing in the key of A flat. It does require the ability to play very evenly though, nothing bumpy in this piece! Level 6. II. AgitatoLike a wildly spinning top that only twice comes to an abrupt stop, the A section pressing forward and unforgiving, the B section playful and light, this needs to be played Allegrissimo which is very fast but with a different character than Presto. It requires a well-developed technique that can handle RH passage work with ease. Level 8, due to the very fast tempo. III. FantasiaStarts very sweet and gentle, softly like a Nocturne - though without the lilting character - but quickly changes character, several times, before developing into a fff coda-like ending which after just a few measures disappears into nothingness. Key changes and chromatic writing as well as unexpected harmonic shifts make this piece potentially not easy to read. However, rhythmically it is uncomplicated, and technically, everything fits the hands very well. For instance, LH arpeggiated accompaniment patterns over more than one octave are always ascending and hardly ever fill the entire measure. What this piece requires is a well-developed sense of flair and an intuitive ability to create drama and suspense, both with touch and timing. Level 8.IV. FugaceNote-wise identical to the first piece, Piacevole, but played much faster, in a fleeting manner, flying away. Needs an extremely light touch. Level 7, due to tempo and the need for subtle shading.
$9.99
9.17 €
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Piano solo
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Sibylle Kuder
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Three Pieces for Piano
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Sibylle Kuder
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SheetMusicPlus
You Raise Me Up
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1459257 By Josh…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1459257 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Homco/Crinion. Celtic,Folk,Irish,Praise & Worship,Wedding. 3 pages. Homco/Crinion #1038197. Published by Homco/Crinion (A0.1459257). This song was first composed in 2001 as an instrumental piece, and it wasn't until about a year later that an Irish novelist added the lyrics. That's why the music speaks so emotionally and provaocatively in and of itself - even without words. It is definitely Celtic-influenced music, but it wasn't until American up-and-coming singer Josh Groban recorded it in 2003 that it gained worldwide fame. In fact, Groban performed You Lift Me Up at Super Bowl XXXVIII and also at many national events of note. The Cello opens this Duo arrangement with the melody in the Irish-Tenor range. The Violin then plays it in the soprano register before re-stating it an octave higher - like unto an Irish flute. The final reprise of the melancholy melody comes back one last time as a toned-down, soft-spoken voicing before a definitive cadence brings everything to a close.
$7.99
7.34 €
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Violin, Cello (duet)
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Josh Groban
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You Raise Me Up
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Homco/Crinion
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SheetMusicPlus
Crossing Jordan: Three Spirituals for soprano, piano and cello
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1272498 By Maria Thompson Co…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$27.00
24.79 €
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Piano, Voice
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for soprano, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284047 Composed by Spiritua…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditional. Score. 15 pages. Maria Thompson Corley #875219. Published by Maria Thompson Corley (A0.1284047). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
11.93 €
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Piano, Voice
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Spiritual
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"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.55 €
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.77 €
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Spiritual
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"Deep River," from Crossing Jordan, for soprano, piano and cello
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284049 Composed by Spiritua…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284049 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. Score. 7 pages. Maria Thompson Corley #875222. Published by Maria Thompson Corley (A0.1284049). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
11.93 €
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Piano, Voice
#
Spiritual
#
"Deep River," from Crossing Jordan, for soprano, piano and cello
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Maria Thompson Corley
#
SheetMusicPlus
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritua…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
11.93 €
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Piano, Voice
#
Spiritual
#
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
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Maria Thompson Corley
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SheetMusicPlus
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