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Fly Away Home - Guitar
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Fly Away Home - Guitar
SheetMusicPlus
Sheetmusic to print
31 sheet music found
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1
26
Fly Away Home (film - Incidental Music)
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Piano solo
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ADVANCED
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Mark Isham
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Elyssa Hinrichs-Nelson
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Fly Away Home
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Elyssa Hinrichs-Nelson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1312510 Composed by Mark Isham. Arranged by Elyssa Hinrichs-Nelson. Classical,Film/TV. Score. 3 pages. El...
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Piano Solo - Level 5 - Digital Download SKU: A0.1312510 Composed by Mark Isham. Arranged by Elyssa Hinrichs-Nelson. Classical,Film/TV. Score. 3 pages. Elyssa Hinrichs-Nelson #901368. Published by Elyssa Hinrichs-Nelson (A0.1312510). FLY AWAY HOME - FIRST FLIGHT Arr Elyssa Hinrichs-Nelson Music by Mark Isham, from the 1996 film Fly Away HomeÂ
$9.99
I'll Fly Away - Viola/Cello duet
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Viola, Cello (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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Albert E
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Christopher Bell
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I'll Fly Away - Viola/Cello du
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Silent Home Records
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.812418 Composed by Albert E. Brumley. Arranged by Christopher Bell. ...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.812418 Composed by Albert E. Brumley. Arranged by Christopher Bell. Christian,Gospel,Sacred. Score and parts. 3 pages. Silent Home Records #5769561. Published by Silent Home Records (A0.812418). I'll Fly Away. Both parts are Level 2. There are some accidentals. Approximately 2.5 minutes long. Key of G Major.
$2.99
I'll Fly Away - Violin/Cello duet
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Violin, Cello (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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Albert E
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Christopher Bell
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Both parts are Level 2
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I'll Fly Away - Violin/Cello d
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Silent Home Records
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.812419 Composed by Albert E. Brumley. Arranged by Christopher Bell....
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.812419 Composed by Albert E. Brumley. Arranged by Christopher Bell. Christian,Gospel,Sacred. Score and parts. 3 pages. Silent Home Records #5769559. Published by Silent Home Records (A0.812419). I'll Fly Away. Both parts are Level 2. There are some accidentals. Approximately 2.5 minutes long. Key of G Major. .
$2.99
I'll Fly Away
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Handbells
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INTERMEDIATE
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Albert E
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Albert E
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Cathy Moklebust
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I'll Fly Away
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 octave handbells with optional 3-5 octave handchimes - Level 3 - Digital Download SKU: H1.2773DP Composed by Albert E. Brumley. Arranged by...
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Handbells 3-5 octave handbells with optional 3-5 octave handchimes - Level 3 - Digital Download SKU: H1.2773DP Composed by Albert E. Brumley. Arranged by Cathy Moklebust. General Worship. Handbell score. 12 pages. Hope Publishing - Digital #2773DP. Published by Hope Publishing - Digital (H1.2773DP). By Albert E. Brumley.Country gospel song by Albert E. Brumley Albert E. Brumley's beloved country gospel song is given a peaceful, soothing treatment by arranger Cathy Moklebust. Simple melodic lines and harmonies, random ringing and LV combine to create an ethereal, flowing style. The use of handchimes is optional, but they will greatly enhance the gentle feel. This arrangement will be a beautiful and thoughtful addition to services or concerts of remembrance, memorial, home or peace.
$7.00
[Moore] Flowers of Darkness
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Tenor voice
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Contemporary
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Dorothy Rudd Moore
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[Moore] Flowers of Darkness
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American Composers Alliance Inc.
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SheetMusicPlus
Tenor Voice,Vocal Solo - Digital Download SKU: A0.952534 Composed by Dorothy Rudd Moore. 20th Century. 37 pages. American Composers Alliance Inc. #460813...
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Tenor Voice,Vocal Solo - Digital Download SKU: A0.952534 Composed by Dorothy Rudd Moore. 20th Century. 37 pages. American Composers Alliance Inc. #4608139. Published by American Composers Alliance Inc. (A0.952534). Six songs for tenor and piano on texts by African-American poets. Includes: Flowers of Darkness (Frank Marshall Davis), Creole Girl (Leslie M. Collins), Harlem Sweeties (Langston Hughes), At Early Morn (Binga Dismond), The Glory of the Day Was in Her Face (James Weldon Johnson), O Daedalus Fly Away Home (Robert E. Hayden).
$24.95
Take Off
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Piano solo
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ADVANCED
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Mark Isham
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Elyssa Hinrichs-Nelson
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Take Off
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Elyssa Hinrichs-Nelson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1311594 Composed by Mark Isham. Arranged by Elyssa Hinrichs-Nelson. Classical,Film/TV. Score. 3 pages. El...
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Piano Solo - Level 5 - Digital Download SKU: A0.1311594 Composed by Mark Isham. Arranged by Elyssa Hinrichs-Nelson. Classical,Film/TV. Score. 3 pages. Elyssa Hinrichs-Nelson #900602. Published by Elyssa Hinrichs-Nelson (A0.1311594). FLY AWAY HOME - FIRST FLIGHT.
$9.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
A Soldier's Carol (Downloadable)
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Choral SATB
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INTERMEDIATE
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Christmas
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Sacred music
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred....
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
$2.85
Fly Away Home
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Choral SATB
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Sacred music
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Pepper Choplin
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Fly Away Home
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Lorenz Publishing Company
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SheetMusicPlus
Composed by Pepper Choplin. Sacred Anthem, All Saints' Day, General, Transfiguration. Octavo. 12 pages. Published by Lorenz Publishing Company (LX.10-4691L)....
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Composed by Pepper Choplin. Sacred Anthem, All Saints' Day, General, Transfiguration. Octavo. 12 pages. Published by Lorenz Publishing Company (LX.10-4691L). - octavo - Sacred Anthem, All Saints' Day, General, Transfiguration - Lorenz Publishing Company
$2.50
Fly Away Home - Acoustic Bass
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Albert E
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Mary Mcdonald
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Concert
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Fly Away Home - Acoustic Bass
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 2 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet M...
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By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 2 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet Music
$7.00
Fly Away Home - Violin
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Violin (band part)
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Albert E
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Mary Mcdonald
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Concert
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Fly Away Home - Violin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 2 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet M...
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By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 2 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet Music
$7.00
Fly Away Home - Drum Set
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Albert E
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Mary Mcdonald
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Concert
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Fly Away Home - Drum Set
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 2 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet M...
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By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 2 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet Music
$7.00
Fly Away Home
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Choral SATB
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Alfred Brumley
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Mary Mcdonald
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Spiritual
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Fly Away Home
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Alfred Brumley. Arranged by Mary Mcdonald. SATB. Concert; Spiritual; Traditional. Choral. 3 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet Mu...
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By Alfred Brumley. Arranged by Mary Mcdonald. SATB. Concert; Spiritual; Traditional. Choral. 3 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet Music
$2.50
Fly Away Home - Score
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Albert E
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Mary Mcdonald
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Fly Away Home - Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 15 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet ...
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By Albert E. Brumley and Alfred Brumley. Arranged by Mary Mcdonald. Christian; Concert. EPak. 15 pages. Duration 2:59. Published by Hal Leonard - Digital Sheet Music
$7.00
I'm Forever Blowing Bubbles
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Piano solo
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INTERMEDIATE/ADVANCED
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George Gershwin
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Timothy Stapay/George Gershwin
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I'm Forever Blowing Bubbles
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Fil...
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Piano Solo - Level 4 - Digital Download SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #1031803. Published by Timothy Stapay (A0.1452471). Here is George Gershwin's version of I'm Forever Blowing Bubbles, which I arranged based on a Gershwin piano roll from the early 20th century. It was held in a private collection for decades. Here for the first time is my sheet music arrangement for this classic from long ago. Before he was famous, George was what was known as a song plugger. He would play newly composed songs to help generate record sales. In the early 20th century, many homes had player pianos. George's performance was preserved on such a roll and is only now available to the general public.Composed in 1918 by John W. Collette. The phrase “blowing bubbles” symbolizes the act of chasing dreams, hopes, and aspirations. Just like soap bubbles that float away and disappear, dreams can be elusive, fleeting, and transient. Famously covered by Doris Day.Lyrics:[Verse 1]I'm dreaming dreamsI'm scheming schemesI'm building castles highThey're born anewTheir days are fewJust like a sweet butterflyAnd as the daylight is dawningThey come again in the morning[Chorus]I'm forever blowing bubblesPretty bubbles in the airThey fly so highNearly reach the skyThen like my dreams.
$6.99
Cat Mewsik
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Piano solo
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ADVANCED
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Michael Close
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Cat Mewsik
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1510561 Composed by Michael Close. 21st Century,Classical,Comedy,Contemporary. Score. 20 pages. Abundant ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1510561 Composed by Michael Close. 21st Century,Classical,Comedy,Contemporary. Score. 20 pages. Abundant Silence #1085760. Published by Abundant Silence (A0.1510561). Cat Mewsikby Michael Close For Solo Piano, Early Advanced, 18 Pages I have four cats at home, which qualifies me as a borderline crazy cat man. If I neglect to close the piano lid, I’ll sometimes hear them walk across the piano keys in the middle of the night, waking up the house with dissonant clusters of notes going high to low, or low to high- this was the initial inspiration for these three pieces for piano about cats.Birds at the Window - We have hung our birdfeeder outside our window. The windowsill is a favorite spot for the kitties to relax and stretch in the sun. When the birds come to feed, the cats bristle with excitement as they chatter and swat at the window. The birds seem to know they are safe and fly around freely.Kitty’s Dream - Housecats spend most of their life sleeping or dozing. I’ve read that cats do dream. I wonder what they dream of.The Laser Pointer - The kitties seem to know that we are teasing them with the laser pointer, but they can’t fight the instinct to chase it. They feign disinterest, hoping to catch the dot off guard. In a flash they leap for the dot, skidding wildly. Of course, they never catch it. I almost feel bad for laughing. Eventually, they will become frustrated and disgusted with this game and slink away.-Michael Close.
$24.00
Heaven - an original hymn for SATB voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Heaven - an original hymn for
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701682 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octav...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701682 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3245791. Published by Kevin G. Pace (A0.701682). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/0zU2uLfKZ4EHeaven is not a place where you fly on angel wings.Heaven is not a race, nor is found in glittering things.Heaven is finding your family return, when they have been far away.Heaven means never having need to roam,For Heaven is right here at home.Heaven is in the praise of a melody from above.Heaven is in the gaze of the one you call your love.Heaven is everything good in the world which flows from our glorious King.Heaven means never will you live apart,For Heaven is here in your heart.Heaven is in your hands when a covenant you make.Heaven can break the bands when your sins you truly forsake.Heaven is praying in temples of God and knowing that He hears your plea.Heaven is yours if you hold the rod:As Heavenly children of God.
$1.99
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Rom...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Moment Musicaux for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Pe...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Liz Und Ein Blauer Vogel The First Movement "arifureta Hibi"
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Film/TV
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Akito Matsuda
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Ernesto F
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Liz Und Ein Blauer Vogel The F
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T&R Music
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet,English Horn,Flute,Oboe,Picc...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet,English Horn,Flute,Oboe,Piccolo,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1320238 Composed by Akito Matsuda. Arranged by Ernesto F. Herrera A. Film/TV. 111 pages. T&R Music #908749. Published by T&R Music (A0.1320238). The first out of four movement of the work Liz And The Blue Bird arranged for woodwind ensemble.Liz And The Blue Bird is a four-movement work based on a fictional German fairytale from a movie, both of the same name. Liz is the name of a lonely girl who sells bread at a bakery and socializes with the forest animals. After a big thunderstorm, she finds an unnamed blue-haired girl lying outside. She quickly takes her into her home and, the two become close friends. After a while, Liz started noticing the girl sneaking out at night and coming back before dawn. Liz noticed how the girl would look at the birds freely flying in the sky when they fed the animals. Liz becomes conflicted with her emotions but eventually decides to release her from the cage that is her home. Liz confronts the girl and tells her that she needs to be free and spread her wings. Although distraught by Liz's decision, the girl comes to respect it. The girl then transforms into a blue bird and flies away, spreading her wings.Instrumentation-C Piccolo Flute-C Flute 1&2-Oboe 1&2-F Alto Oboe (English Horn)-Bassoon 1&2-B flat Clarinet 1,2,3-E flat Tenor Clarinet (Alto Clarinet)-B flat Bass Clarinet-E flat Alto Saxophone 1&2-B flat Tenor Saxophone-E flat Baritone Saxophone-Contrabass Woodwind (Contrabassoon/Contrabass Clarinet/Bass Saxophone).
$35.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Concert band
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INTERMEDIATE/ADVANCED
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A
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Stephen Davies
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"Clarinet Concert Concertino"
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
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