Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
60
Digital
Sheet Music
3,069
Sheet Music
Books
168
Music
Equipment
21,558
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
86766
PIANO & KEYBOARDS
Piano solo
258817
Piano, Vocal and Guitar
152267
Piano, Voice
106674
Easy Piano
66443
Big Note Piano
9649
1 Piano, 4 hands
7677
Piano Accompaniment
6454
Organ
5984
Piano (band part)
2897
C Instruments
2492
Piano Trio: piano, violin, cello
2010
2 Pianos, 4 hands
1425
Piano Quartet: piano, violin, viola, cello
559
Piano Quintet: piano, 2 violins, viola, cello
533
Piano Quartet: piano, 2 violins, cello
481
Accordion
413
Organ, Piano (duet)
379
1 Piano, 6 hands
238
Organ, Trumpet (duet)
156
Harpsichord
119
Keyboard
98
2 Pianos, 8 hands
86
Melody line, Piano
43
2 Accordions
20
Organ, Voice
17
Piano ensembles
14
Accordion, Piano
13
Accordion, Voice
12
Solo instrument and Organ
10
2 Organs (duet)
10
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion and Orchestra
5
Accordion ensemble
4
All Instruments
3
3 Pianos
2
Accordion - Piano, Voice, Guitar chords
2
Piano Trio: mixed chamber instrumentation
2
Accordion, String(s)
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
9185
Guitar notes and tablatures
7363
Guitar
2671
Lyrics and Chords
1801
Ukulele
1261
Piano, Guitar (duet)
884
Bass guitar
676
2 Guitars (duet)
392
Guitar (band part)
221
4 Guitars (Quartet)
116
Banjo
106
Mandolin
90
Dulcimer
85
Mandolin, Piano (duet)
79
3 Guitars (trio)
69
Guitar Ensemble
59
Electric Bass (band part)
35
Guitar, Violin, Cello (trio)
18
Mandolin, Guitar (duet)
18
Lap Steel Guitar
11
Ukulele Ensemble
11
Band Scores
9
2 Ukuleles
8
2 Dulcimers (duet)
8
Baritone Ukulele
8
Guitar, Orchestra
4
2 Mandolins (duet)
4
Guitar, String Quartet
4
Guitar, Flute, Clarinet
3
2 Guitars and Piano
2
Dobro
1
Plectrum Orchestra
1
Lute
1
2 Guitars and Orchestra
1
Zither
1
Bouzouki
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
28031
Choral 3-part
10969
Choral 2-part
8198
Choral Unison
4411
Voice solo
3813
Vocal duet, Piano
3413
Choral TTBB
3124
Choral
1771
Choral SSAA
1389
High voice
1323
Vocal duet
1105
Soprano voice, Piano
791
Low voice, Piano
490
Tenor voice, Piano
383
Medium voice, Piano
341
Alto voice, Piano
288
Baritone voice, Piano
195
Mezzo-Soprano voice, Piano
194
Tenor voice
104
High voice, Piano
65
Soprano voice
63
Voice, Guitar
54
Choral SSATB
53
Choral SSAB, Piano
43
Children choir
42
Choral SSAATTBB
42
Medium Voice
41
Soli, Mixted choir and accompaniment
36
Low voice
31
Choral SSATTB
29
Choral, Organ
27
Choral SSATBB
11
Choral SSAB a cappella
10
Choral SATTB
6
Vocal duet, Organ
5
Choral SSAATB
4
Baritone voice
3
Children choir, Piano
2
Soprano voice, Orchestra
2
Voix Masculines
2
Voice, Basso continuo
2
Choral SATTBB, keyboard
1
Choral SAATB A Cappella
1
Choral SATTBB A Cappella
1
Choral SSAATB A Cappella
1
Choral SATBB
1
Instrumentations suivantes
Retracter
WOODWIND
Flute and Piano
13400
Clarinet and Piano
7970
Alto Saxophone and Piano
7152
Oboe, Piano (duet)
7016
Tenor Saxophone and Piano
5312
Clarinet
5147
Flute
3869
Saxophone (band part)
3118
Saxophone Quartet: 4 saxophones
3116
Soprano Saxophone and Piano
3069
2 Saxophones (duet)
2762
Flute, Oboe, Clarinet, Bassoon
2509
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2416
Alto Saxophone
2109
2 Flutes (duet)
2034
Clarinet Quartet: 4 clarinets
1487
2 Clarinets (duet)
1446
Baritone Saxophone, Piano
1359
Saxophone Quintet: 5 Saxophones
1180
Oboe (band part)
1138
English horn, Piano
1072
Flute Quartet: 4 flutes
927
Clarinet (band part)
893
Flute, Clarinet (duet)
822
Tenor Saxophone
757
3 Saxophones (trio)
703
Clarinet Ensemble
695
3 Clarinets (trio)
640
Bass Clarinet, Piano
601
Flute and Guitar
518
Flute Trio: 3 flutes
498
Saxophone
474
2 Oboes (duet)
458
Recorder
437
Flute ensemble
437
Flute (band part)
424
Descent (Soprano) Recorder, Piano
377
Saxophone ensemble
362
Treble (Alto) Recorder, Piano
352
Clarinet Quintet: 5 clarinets
351
Flute, Clarinet, Piano (trio)
341
Piccolo, Piano
330
2 Recorders (duet)
319
Recorder Quartet
312
Oboe, Bassoon (duet)
312
Clarinet, Violin (duet)
308
Saxophone, Clarinet (duet)
304
Descant (Soprano) Recorder
299
Flute, Cello, Piano (trio)
297
Flute, Violin, Piano
291
Oboe
281
Recorder, Piano
274
Flute, Violin
274
2 Saxophones, Piano
270
2 Flutes, Piano
266
Oboe, Clarinet (duet)
251
Tenor Recorder
211
Saxophone and Piano
208
Clarinet, Trumpet (duet)
198
Clarinet, Bassoon (duet)
192
Flute, Clarinet and Bassoon.
177
Treble (Alto) Recorder
175
Flute, Bassoon, and Piano
174
2 Clarinets, Piano
172
Soprano Saxophone
171
3 Recorders (trio)
155
Flute, Oboe, Bassoon
150
Clarinet and Viola
150
Flute Quintet : 5 flutes
148
Flute, Oboe, Clarinet (trio)
140
Flute, Viola (duet)
135
Flute, Violoncello
135
Oboe, Clarinet, Bassoon (trio)
123
Oboe, Flute
120
Flute, Saxophone (duet)
120
English Horn
118
Clarinet, Cello, Piano (trio)
114
Flute, Oboe (duet)
110
Clarinet, Guitar (duet)
106
Pennywhistle
104
Flute, Trumpet (duet)
102
5 Recorders
94
Clarinet, Cello (duet)
87
Recorder Ensemble
84
Flute, Violin and Violoncello
82
Piccolo
79
Eb Instruments
77
Clarinet, Bassoon, Piano (trio)
75
Flute, Oboe, Piano (trio)
72
3 Oboes
70
Baritone Saxophone
65
Flute, Violin, Violoncello and Piano
65
Oboe, Cello
63
Flute, Viola and Piano
57
Harmonica
47
Saxophone and Organ
46
Harmonica, Piano
45
Clarinette, Viola and Piano (trio)
45
4 Oboes
43
Flute, Trombone (duet)
39
Saxophone and Guitar
39
Flute, Clarinet, Horn and Bassoon (Quartet)
37
2 English horns and Pianoforte
35
Clarinet, Harp (duet)
34
Flute, trombone and piano
33
Oboe, Violin (duet)
32
Oboe, Bassoon and Piano
32
Oboe and viola (duet)
31
Ocarina
28
Oboe, Cello and Piano
28
Flute, Oboe, Violin
27
2 Recorders, Piano
27
Clarinet, trumpet and piano
25
Flute, Organ (duet)
24
2 Clarinets, Bassoon
24
2 Oboes, Piano
22
Flute, Clarinet, Violin (trio)
21
English Horn, Guitar (duet)
20
Oboe, Trombone (duet)
19
Oboe, Violin, Piano
19
Flute, harp and violin
19
Flute, French horn (duet)
18
Clarinet, Trombone (duet)
18
Oboe, Harp
16
Clarinet, Tuba
16
Treble (Alto) Recorder, Basso continuo
15
Oboe, Guitar (duet)
15
Flute and Strings Trio
15
Bass Clarinet
14
Flute, Tuba (duet)
13
Wind ensemble
13
Oboe ensemble
12
Flute, Cello, Guitar
11
Saxophone, Bassoon (duet)
11
Flute, Orchestra
11
Clarinet Quintet: Clarinet, String Quartet
10
Recorder, Guitar (duet)
10
Clarinet, Organ
9
Saxophone and Harp
9
Flute and String Quartet
8
Flute, Guitar, Piano
7
Clarinet Quartet: Clarinet, Violin, Viola, Cello
7
Oboe, Violin, Viola and Violoncello (Quartet)
6
Clarinet, Orchestra
5
Flute, Basso continuo
5
Saxophone and cello
5
Flute, Harp and Cello
4
Flute, Viola and harp
4
Clarinet, Double bass (duet)
4
Flute, Violin, Guitar
3
Oboe and Orchestra
3
2 Oboes and Basson
3
Clarinet, Saxophone, Piano
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe, Clarinet, Bassoon and Piano
3
3 Recorders, Piano
2
2 Flutes, Basso continuo
2
Oboe, Organ
2
2 Flutes and Guitar
2
English horn, Harp (duet)
2
Oboe and String quartet
2
Bagpipe
2
Pan Flute
2
2 Flutes and Harp
2
Saxophone, Violin (duet)
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Viola and Cello
1
Descant (Soprano) Recorder, Basso continuo
1
2 Recorders, Guitar
1
Recorder, Harp
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet, Piano
6664
Trombone and Piano
5603
French Horn and Piano
3967
Trumpet
3500
Brass Quintet: 2 trumpets, horn, trombone, tuba
2759
Tuba and Piano
1886
Trombone
1796
Brass quartet : 2 trumpets, trombone, tuba
1383
Trumpet (band part)
1350
Euphonium, Piano (duet)
1246
Trombone (band part)
1161
English horn, Piano
1072
French horn
1061
2 Trumpets (duet)
1001
2 Trombones (duet)
888
Brass Quartet: 2 trumpets, horn, trombone
837
Tuba
646
Brass Quartet
635
Trumpet, Trombone (duet)
587
French horn (band part)
519
2 French horns (duet)
439
Brass Quartet: 4 trombones
321
Trumpet, Horn (duert)
292
Bass Trombone and Piano
271
Euphonium
265
Tuba (band part)
261
Trumpet, Saxophone (duet)
235
Brass Quartet: 4 horns
214
Trombone ensemble
182
Tuba and Organ
153
2 Trumpets, Keyboard (piano or organ)
150
Brass Trio
143
Trumpet ensemble
133
2 Tubas (duet)
127
English Horn
118
2 Euphoniums and 2 Tubas
107
3 Trumpets (trio)
96
Brass Quartet: 4 trumpets
94
3 Trombones (trio)
91
Bb Instruments
88
Bass Clef Instruments
85
Brass Quartet: 2 trumpets, 2 trombones
72
4 Tubas
67
Trumpet, Trombone, Piano
49
Horn Ensemble
48
Trumpet, Tuba (duet)
46
Euphonium, Tuba (duet)
42
Trombone, Violin (duet)
41
Trombone, Horn (duet)
39
Trombone, Organ
38
Trombone, Tuba (duet)
35
2 English horns and Pianoforte
35
2 Trombones, Piano
35
F Instruments
27
2 Euphoniums (duet)
27
Trumpet, Cello, Piano
26
Trumpet, Cello (duet)
25
3 French horns (trio)
25
Trumpet, Bassoon (duet)
23
Cornet
22
Bass Trombone
20
Horn, Cello (duet)
20
English Horn, Guitar (duet)
20
Horn, Tuba (duet)
18
Cornet and Piano
17
2 French horns, Piano
17
French horn and Basson (duet)
16
Horn and Organ
15
3 Tubas (trio)
14
French Horn and Harp
12
Clarinet, Horn (duet)
11
Tuba or Euphonium or Saxhorn
10
Tuba ensemble
9
Trumpet, Harp
8
Horn, Cello and Piano
7
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Trumpet, violin (duet)
6
Trumpet, Orchestra
6
Euphonium or Saxhorn and Piano
5
Trombone and Orchestra
4
3 Euphoniums
4
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
4
Trumpet and Guitar
4
Trombone, Viola (duet)
3
Bass Saxhorn or Euphonium or Tuba and Piano
3
4 Euphoniums
3
English horn, Harp (duet)
2
Horn and Orchestra
2
Cornet and Orchestra
1
Flügelhorn
1
Trumpet, Euphonium (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
18178
Cello, Piano
11300
String Quartet: 2 violins, viola, cello
8389
Viola, Piano
8244
Violin
5462
Viola
1938
Cello (band part)
1798
Harp
1739
Violin, Cello (duet)
1683
Cello
1628
Double bass, Piano (duet)
1538
2 Violins (duet)
1467
2 Cellos (duet)
1251
String Trio: violin, viola, cello
1235
String Quintet: 2 violins, viola, cello, bass
1058
Violin (band part)
995
Violin, Viola (duet)
906
Piano Trio: Violin, Viola, Piano
813
2 Violas (duet)
784
Viola (band part)
693
Double Bass
583
Doublebass (band part)
514
String Trio: 2 violins, cello
362
Viola, Cello (duet)
357
2 Violins, Piano
344
4 Cellos
295
Violin, Guitar (duet)
223
String Trio: 3 cellos
205
2 Harps (duet)
142
Harp, Flute (duet)
142
String Trio: 3 violins
135
String trio
121
String quartet: 4 violins
117
2 Cellos, Piano
117
Cello, Guitar (duet)
116
Harp and Piano
103
Violin, Clarinet, Piano (trio)
100
2 Double basses (duet)
96
Cello, String Bass (duet)
85
String Quartet : 4 violas
82
Harp, Violin (duet)
82
Viola, Guitar (duet)
82
String Trio: 3 violas
74
2 Violas, Piano
72
String Trio: 2 violins, viola
72
Violin, Bassoon (duet)
72
Harp (band part)
60
Viola and Bassoon
59
Harp, Cello (duet)
39
Cello, Organ
37
Harp, Voice
35
Violin, Organ
32
Viola and Harp
32
Cello Ensemble
30
Violin ensemble
27
Violin, Tuba (duet)
23
String Quintet: 2 violins, 2 violas, cello
23
Viola ensemble
22
Cello, Orchestra
19
4 Double Basses
19
Violin, Basso continuo
17
Cello and Marimba
15
Violin, Trumpet and Piano
13
Flute, Doublebass (duet)
10
Harp, Violin, Violoncello
10
String Quintet: 2 violins, viola, 2 cellos
8
Viola and orchestra
8
2 Violins and Basso
7
Viola, Organ
7
Violoncello, Basso continuo
5
3 double basses
5
Harp and mandolin
4
Violin, Cello, Clarinet
4
Harp, String quartet
4
Autoharp
4
Harp, Trombone (duet)
3
Double basses ensemble
3
4 Harps
3
Harp and Organ
1
Violin, Clarinet and Guitar
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
8662
Orchestra
4073
String Orchestra
3460
Jazz Ensemble
2581
Handbells
1840
Brass ensemble
1671
Chamber Orchestra
1272
Jazz combo
1072
Drums
591
Percussion (band part)
588
Marching band
363
Percussion Ensemble
314
Percussion
269
Drum (band part)
246
Marimba
172
Piano and Orchestra
145
Xylophone, Piano
130
Timpani (band part)
116
Timpani
84
Woodwind Quintet
84
Vibraphone
70
Snare drums
68
Xylophone
50
Vibraphone (band part)
49
Woodwind Quartet: any 4 woodwinds
46
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
37
Vibraphone, Piano
29
2 Marimbas
17
Marimba, Piano (duet)
17
Flexible Instrumentation
14
Orchestra, Violin
12
School Ensemble
11
Vibraphone and Marimba
7
Brass Quintet: other combinaisons
7
Big band
7
Symphonic Band
4
Mariachi
4
3 Marimbas
4
Woodwind Trio: any 3 woodwinds
3
Marimba or Xylophone and Piano
3
Drums-Marching band
2
Xylophone or Marimba or Vibraphone
2
Marimba and Organ
2
Bongos
1
2 Percussions
1
4 Percussions
1
Cajon
1
Voice and Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
62
Music Theory
7
Stationery
1
You've selected:
Ian
Soprano Saxophone and Piano
Sheetmusic to print
3,069 sheet music found
<
1
26
51
....
3051
Pustit' Do Khaty Kolyaduvaty (Ukrainian Folk Song)
Soprano Saxophone and Piano
Composed by Traditional Ukrainian Folk Song. Arranged by Robert Steadman. 21st Centu…
(+)
Composed by Traditional Ukrainian Folk Song. Arranged by Robert Steadman. 21st Century, Contemporary Classical, Modern, European, Recital. Score, Set of Parts, Solo Part. 7 pages. Published by Robert Steadman
A traditional Ukrainian folk song, 'Let Christmas in the House', arranged by composer Robert Steadman.
Download includes solo part and piano accompaniment.
$6.50
6.07 €
#
Soprano Saxophone and Piano
#
Traditional Ukrainian Folk Song
#
Pustit' Do Khaty Kolyaduvaty
#
SheetMusicPlus
HOLY, HOLY, HOLY! LORD GOD ALMIGHTY (For Soprano Saxophone and Piano)
Soprano Saxophone and Piano
Soprano Saxophone and Piano - Advanced Intermediate - Digital Download Composed by Jo…
(+)
Soprano Saxophone and Piano - Advanced Intermediate - Digital Download Composed by John Bacchus Dykes. Arranged by Flávio Régis Cunha. Christian, Contemporary Christian, Sacred, Praise & Worship, Wedding. Individual Part, Score, Set of Parts, Solo Part. 9 pages. Published by Flavio Regis Cunha
This is a beautiful arrangement for Soprano Saxophone with piano accompaniment. The piano does not act simply as an accompanying instrument, but performs solo parts in this much-loved hymn. This arrangement can be used in services, during preludes or postludes, weddings and other liturgical situations. For an intermediate-advanced level.
Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
$5.99
5.59 €
#
Soprano Saxophone and Piano
#
John Bacchus Dykes
#
Worship, Wedding
#
HOLY, HOLY, HOLY! LORD GOD ALMIGHTY
#
Flavio Regis Cunha
#
SheetMusicPlus
The First Noel (Soprano Saxophone and Piano)
Soprano Saxophone and Piano
Piano Accompaniment, Soprano Sax - Early Intermediate - Digital Download Composed by …
(+)
Piano Accompaniment, Soprano Sax - Early Intermediate - Digital Download Composed by Traditional, Johann Pachelbel. Arranged by Stephen DeCesare. Christian, Sacred, Praise & Worship, Jazz, Christmas. Score, Set of Parts. 14 pages. Published by Exultet Music
One of the most widely used traditional English Christmas carols of all time has now been freshly arranged with jazz harmonies and also utilizes Johann Pachelbel's "Canon In D" and scored for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.66 €
#
Soprano Saxophone and Piano
#
Traditional, Johann Pachelbel
#
Worship, Jazz, Christmas
#
The First Noel
#
SheetMusicPlus
A Thousand Years (for Soprano Saxophone and Piano)
Soprano Saxophone and Piano
Piano Accompaniment, Soprano Sax - Intermediate - Digital Download By Christina Perri…
(+)
Piano Accompaniment, Soprano Sax - Intermediate - Digital Download By Christina Perri. Arranged by Harry Walker. Score, Set of Parts. 8 pages. Published by SCORE EDITIONS
"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn ? Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99
5.59 €
#
Soprano Saxophone and Piano
#
Christina Perri
#
A Thousand Years
#
SheetMusicPlus
Chemtrails Over The Country Club - Lana Del Rey (soprano saxophone and piano accompaniment)
Soprano Saxophone and Piano
Piano Accompaniment, Soprano Sax - Easy/Beginner - Digital Download By Lana Del Rey. …
(+)
Piano Accompaniment, Soprano Sax - Easy/Beginner - Digital Download By Lana Del Rey. Arranged by Renan Valdez. Individual Part, Score, Set of Parts. 13 pages. Published by Renan Valdez
Chemtrails Over The Country Club, by Lana Del Rey, arranged for easy tenor saxophone with piano accompaniment. Easy to play, ideal for begginers at the instruments.
$4.99
4.66 €
#
Soprano Saxophone and Piano
#
Lana Del Rey
#
Chemtrails Over The Country Club - Lana Del Rey
#
Renan Valdez
#
SheetMusicPlus
10 Easy Classical Pieces For Soprano Saxophone & Piano Vol. 5
Soprano Saxophone and Piano
Piano Accompaniment, Soprano Sax - Easy/Beginner - Digital Download Composed by Vario…
(+)
Piano Accompaniment, Soprano Sax - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Classical Period. 14 pages. Published by Eugene Egorov
Sarabande (George Frideric Handel)
Old French Song (Peter Ilyich Tchaikovsky)
Minuet (In F Major) (Wolfgang Amadeus Mozart)
Hongroise (Adolphe-Charles Adam)
Grand March (Aida) (Giuseppe Verdi)
La Paloma (Sebastian Yradier)
Humoresque (Antonin Dvorak)
Toreador Song (Georges Bizet)
The Skaters Waltz (Emile Waldteufel)
Serenade (Franz Schubert)
$12.99
12.12 €
#
Soprano Saxophone and Piano
#
Various
#
10 Easy Classical Pieces For Soprano Saxophone & Piano Vol. 5
#
SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano
Soprano Saxophone and Piano
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, …
(+)
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two?s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows
· Abide with Me,
· Amazing Grace,
· Blessed Assurance,
· Deep River,
· Down by the Riverside,
· Go Down Moses,
· Go Tell It on the Mountain,
· He?s Got the Whole World in HIs Hands,
· Higher Ground,
· Jesus on the Mainline,
· Joshua Fought the Battle of Jericho,
· Just a Closer Walk with Thee,
· Just as I Am,
· Just Over in the Glory Land,
· Kumbaya My Lord,
· Love Lifted Me,
· Nobody Knows the Trouble I?ve Seen,
· Nothing but the Blood of Jesus.
If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.
There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.92 €
#
Soprano Saxophone and Piano
#
Various
#
Worship
#
18 Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
O Jesus, I Have Promised (Soprano Saxophone and Piano)
Soprano Saxophone and Piano
Composed by Arthur H. Mann. Arranged by Stephen DeCesare. Christian, Contemporary Ch…
(+)
Composed by Arthur H. Mann. Arranged by Stephen DeCesare. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 11 pages. Published by Exultet Music
The well-known Christian hymn has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.66 €
#
Soprano Saxophone and Piano
#
Arthur H
#
Worship, General Worship
#
O Jesus, I Have Promised
#
Exultet Music
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edv…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Edvard Grieg
#
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Wedding March for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Fel…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Wedding March for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edv…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.95 €
#
Soprano Saxophone and Piano
#
Edvard Grieg
#
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edv…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
23.29 €
#
Soprano Saxophone and Piano
#
Edvard Grieg
#
#
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edv…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.29 €
#
Soprano Saxophone and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Italian Polka for Soprano Saxophone & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.669255 Composed by Ser…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278251. Published by Diego Marani (A0.669255). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for soprano sax (or Tenor Sax) with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
7.46 €
#
Soprano Saxophone and Piano
#
Sergei Rachmaninoff
#
Italian Polka for Soprano Saxophone & Piano
#
Diego Marani
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edv…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.29 €
#
Soprano Saxophone and Piano
#
Edvard Grieg
#
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
11.15 €
#
Soprano Saxophone and Piano
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Dvořák: Largo from the New World Symphony for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Ant…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Antonin Dvorak
#
dynamic control
#
Dvořák: Largo from the New World Symphony for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
(+)
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Ant…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.9 €
#
Soprano Saxophone and Piano
#
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
#
Whole Tone Press
#
SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549753 Composed by Pet…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549753 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532707. Published by jmsgu3 (A0.549753). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Peter Ilyich Tchaikovsky
#
Tchaikovsky: Arabian Dance from Nutcracker Suite for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Camille Saint-Saëns
#
Saint-Saens: The Swan for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Johann Sebastian Bach
#
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
11.15 €
#
Soprano Saxophone and Piano
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.75 €
#
Soprano Saxophone and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
3051
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
