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You've selected:
Just Stay Still
Sheetmusic to print
35 sheet music found
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26
Just Stay Still
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.963021 Composed by Asia Meirovich. …
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Piano Solo - Level 3 - Digital Download SKU: A0.963021 Composed by Asia Meirovich. Contemporary. Score. 1 pages. Blue Sustain Music #3517343. Published by Blue Sustain Music (A0.963021). A quiet and meditative place of acceptance, stillness and peace of mind. Playing with sparse phrases and non-tonal yet palatable, jazz inspired harmonic choices, I was interested in creating a piece that would bridge both abstract and accessible musical ideas.
$5.99
5.52 €
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Piano solo
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Asia Meirovich
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Just Stay Still
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Blue Sustain Music
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SheetMusicPlus
Still, still, still carol voice & guitar
Small Ensemble Cello,Flute,Guitar,Oboe,Voice - Level 2 - Digital Download SKU: A0.92826…
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Small Ensemble Cello,Flute,Guitar,Oboe,Voice - Level 2 - Digital Download SKU: A0.928265 Composed by Traditional Austrian. Arranged by Simon James. Christian,Christmas,Contemporary. Score and parts. 18 pages. DML #6099595. Published by DML (A0.928265). Still, still, still is an Austrian Christmas carol and lullaby. The words describe the peace of the infant Jesus and his mother as the baby is sung to sleep. There are various English translations but this one is my own and I have tried to stay close to the original German version supporting the idea of a lullaby. The carol can be played with just the guitar part but I have added a flute, an oboe and a cello to allow more performers to be used if desired.
$6.99
6.44 €
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Traditional Austrian
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Still, still, still carol voice & guitar
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DML
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SheetMusicPlus
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
Choral Unison
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915827 Composed by Renee Al…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music #4795863. Published by Renee Allsbrook Music (A0.915827). Looking for the perfect song for your Christmas Eve service? As music director and pianist at my church, I was too! So one year I decided to write this one. Perhaps the ideal way to present this song is with a soloist who is joined by a choir of adults (or children!) singing in unison on the second and third choruses--emulating a choir of angels. When used this way, this song provides an easy way to stretch your rehearsal time at the Christmas season, as the choir can easily participate, yet there is no learning of extra parts. Brimming with worship of the Christ Child from the very first lyric, Heaven's Here to Stay begins by quietly evoking the atmosphere of the stable. When the chorus arrives, the jubilant singing of the angels arrives as well: Glory in the highest, for the Peace of heaven comes to earth! Glory in the highest--Hope itself was born in Jesus's birth. For Death is dying, Fear is cowering, Light is chasing Night away. The burning love of heaven's here to stay. The second verse takes us from the manger scene to the hills of Judea, where we hear Jesus's words: Come, you weary ones to me, I will give you rest. Trade your tattered rags for my robes of purest white. Come, you hungry, eat, be satisfied. You're all need, but I'm all giving; be still and just receive. The PDF contains parts in this order: 1.Voice/Piano full score in C 2.Violin part in C 3.Lead Sheet in C 4.Lead Sheet in D 5.Violin part in D 6.Piano/Violin/Voice full score in C.
$4.99
4.6 €
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Choral Unison
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Renee Allsbrook
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be still and just receive
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Heaven's Here to Stay
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Renee Allsbrook Music
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SheetMusicPlus
Paisley's Sonata
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brow…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
4.6 €
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Piano solo
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Waltz for Martha for Violin (with optional Clarinet)
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Butt…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
10.09 €
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Violin and Piano
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
It Is Cold!
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.906748 Composed by Joy Gilmore, Hsi…
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Piano Solo - Level 1 - Digital Download SKU: A0.906748 Composed by Joy Gilmore, Hsin Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #3426901. Published by Joyful Sound Music (A0.906748). It is Cold for Beginner Level The story behind this song:I installed a brand new AC and heating unit at my house during the summer of 2014. The person who installed the system did not do a good job. I had a lot of problems with the brand new ac unit after they came to install it. One of the problems is that every year, when the temperature outside goes down to 30 degrees, the brand new installed heating system would not go above 65 degrees. Normally, it stays at 61 degrees. I was and still am very frustrated about this. This new heating and ac system costs a lot of money. (A person use the same amount of money to buy a nice small car.) Because the temperature has not gone above 65 degrees inside, I have had to wear two sweat shirts, one coat, one feather jacket, two pairs of cotton pants, two pairs of socks, and two warm hats almost every single day for about one month. I have been so cold every winter. A lot of times during the coldest days in the winter, I have to stay in my 1998 Toyota Sienna van. Because it is warmer in my van than in my house. One day, while I was driving, I thought about writing a song about how cold I have been.In this song, I used many seconds including Major 2nd and Minor 2nd. The Major and Minor seconds sound very sharp, like the cold that is cutting through your skin. It is very uncomfortable, and that is the idea behind this song. This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99
2.76 €
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Piano solo
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Joy Gilmore, Hsin Gilmore
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It Is Cold!
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Joyful Sound Music
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SheetMusicPlus
Cygnus X-1 Book Ii: Hemispheres
Bass guitar
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, …
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99
5.52 €
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Bass guitar
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Rush
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Cygnus X-1 Book Ii: Hemispheres
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Tracy Dean McCallum
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
I Sit Here on the Barren Hill
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.9 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.6 €
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Piano, Voice
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
YOU ALONE ARE WORTHY
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028747 Composed by Leviti…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028747 Composed by Leviticus D. Thomass. Christian,Gospel,Praise & Worship,Sacred. Octavo. 12 pages. Leviticus D. Thomas, Songs of Levi #4112375. Published by Leviticus D. Thomas, Songs of Levi (A0.1028747). Start the new year off just right by stretching your music ministry's vocals and overall musicianship by adding YOU ALONE ARE WORTHY to your repertoire in 2019. This song weaves in and out of easy-to-learn catchy unison lines and harmonic phrases just before shifting to a choral bridge with modulations. The anointed piece then transcends to a robust vamp that takes you higher vocally/worshipfully until it seems as if Heaven opens up with Ah--- as the song begins to climax. If you are looking for a new song that is balanced with simple melodies, yet challenging enough, but not overwhelming, then you are bound to enjoy teaching/learning/ministering YOU ALONE ARE WORTHY.Originally taught to Georgetown University Gospel Choir years ago after serving as the Director over the choir nearly 5 years, this song is suitable for high school, college, church, community, district, convention and even recording choirs, etc Even though it is composed for SATB, SAT is still effective. Close to 5:25 in duration this diverse piece is a so refreshing to sing/play no matter the size or skill set of the music ministry. Inspired by GOD, this song is Biblically based and penned from a willing vessel, a psalmist/gospel music singer-songwriter with over 37 years of church music ministry experience . Please stay tuned for more dynamic pieces (Songs of Levi) to be released by this ASCAP member in the near future. .    Social Media Channels and Contact Information: https://www.facebook.com/LeviticusThomas.JoyfulNoise/ leviticust@hotmail.com Leviticus.booking@gmail.com
$2.40
2.21 €
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Choral SATB
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Leviticus D
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YOU ALONE ARE WORTHY
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Leviticus D. Thomas, Songs of Levi
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SheetMusicPlus
Maria, My Own
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1405342
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1405342 Composed by Ernesto Lecuona and L. Wolfe Gilbert. Arranged by Peet du Toit. Folk. 16 pages. Peet du Toit #988395. Published by Peet du Toit (A0.1405342). Please don't tell me dearLet my heart stay freeIf this love you effortIs not long to beI'm not dreaming ofJust one a night of loveI'll be waiting to youOne sir me kissMaria my ownNow that we'll caressAre you mine a loveWill our love be blessAfter night has flevFashion glow has goneWill the love ableSee you messy pain wheedle doveAfter thrills have pastWill your heart once moreBeat for me as fastAs he still beforeHold me ghostTell me againMaria my ownYou'll love me dineHold me gosTell me againMaria my ownYou'll love me them.
$13.00
11.98 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Ernesto Lecuona and L
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Maria, My Own
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Peet du Toit
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SheetMusicPlus
HOLY THOU ART GOD
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028745 Composed by Leviti…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028745 Composed by Leviticus D. Thomas. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Leviticus D. Thomas, Songs of Levi #4112331. Published by Leviticus D. Thomas, Songs of Levi (A0.1028745). If you need a song to help set the atmosphere for a mighty move of God, then HOLY THOU ART GOD is a great recommendation for anointed choir music to add to your repertoire in 2019. Declaring God is Holy, Righteous and Mighty, this song's repeated theme, There is none like You in all that You do compels those present to give Him glory and praise His Holy name. Although it is composed for SATB, SAT is still effective. The duration of song is 5:13, but that stat can be ignored where the spirit of Lord dwells and moves. Every music ministry deserves a let go and let God have His way song. This worshipful piece does just that. This divine composition is a sincere blessing to sing/play no matter the size or skill set of the music ministry desiring to experience a more meaningful relationship with God. Inspired by God, this song is Biblically based and penned from a willing vessel, a psalmist/gospel music singer-songwriter with over 37 years of church music ministry experience. Please stay tuned for more dynamic pieces (Songs of Levi) to be released by this ASCAP member in the near future. Social Media Channels and Contact Information:https://www.facebook.com/LeviticusThomas.JoyfulNoise/leviticust@hotmail.comLeviticus.booking@gmail.com
$2.20
2.03 €
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Choral SATB
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Leviticus D
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HOLY THOU ART GOD
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Leviticus D. Thomas, Songs of Levi
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SheetMusicPlus
Amazing Grace • super easy flute and clarinet sheet music with piano accompaniment
Piano Accompaniment
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 1 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1229640 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 6 pages. Benzaiten Editions #825402. Published by Benzaiten Editions (A0.1229640). Flute and clarinet sheet music with easy piano accompaniment for Amazing Grace. Arranged by Benzaiten Editions.Hey! Are you a musician who wants to learn to play Amazing Grace? Stay with us!Amazing Grace • easy flute and clarinet sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're looking for an easy flute and clarinet in Bb arrangement of the classic hymn Amazing Grace, look no further! I have created a simple yet beautiful version of this beloved song that is perfect for beginner flute and clarinet players or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Amazing Grace is sure to inspire and uplift. About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century.It reflects on his personal journey from a life of sin to one of faith and redemption.The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune.The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
$2.99
2.76 €
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Piano Accompaniment
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John Newton
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Amazing Grace • super easy flute and clarinet sheet music with piano accompaniment
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Benzaiten Editions
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
23.05 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Arcanum
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler…
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Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$124.99
115.23 €
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Concert band
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Helmut Kogler
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Arcanum
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Pentharmonics
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SheetMusicPlus
Divertimento in D K136
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216331 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Adrian Gurung. Classical,Romantic Period. 17 pages. Adrian Gurung #812939. Published by Adrian Gurung (A0.1216331). This movement from Mozart's from Divertimento in D K136 is a beautiful piece that captures the essence of the early Romantic Period. The ebb and flow, and the distribution of lines going in and out of the foreground give the piece forward movement which makes it gentle yet captivating. The arranger has tried to stay true to the composer's intentions while still making adjustments here and there to create the best presentation for the ensemble. Â
$5.99
5.52 €
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Wolfgang Amadeus Mozart
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Divertimento in D K136
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Adrian Gurung
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SheetMusicPlus
One of the Ninety and Nine - an original hymn for SATB voices
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701509 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701509 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3142493. Published by Kevin G. Pace (A0.701509). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/mhGcdfOKW0s I am one of the ninety and nine; I did not go to the desert to pine; I followed the Master, and stayed in the pasture, When He went out the lost sheep to find. The Good Shepherd gently calls my name, Though I’m not one of wealth or fame, Just common stock, just one of the flock, One of the faithful who steadfast remained. There’s no celebration for me coming ‘round, Like the black sheep who with diligence was found; I’ve been loyal and true, valiantly obedient to My Master’s teachings profound. Still the Shepherd says You are mine, In a voice so gentle and kind, So loyal I’ll be for all eternity, One of the faithful nine and nine.
$1.99
1.83 €
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Kevin G
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One of the Ninety and Nine - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Suit & Tie
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlak…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.877207 By Justin Timberlake. By Charles Still, James Fauntleroy, Jerome Harmon, Johnny Wilson, Justin Timberlake, Shawn Carter, Terry Stubbs, and Tim Mosley. Arranged by Tim Brent. Dance,Pop. Octavo. 24 pages. Tim Brent Music #4600471. Published by Tim Brent Music (A0.877207). This unique and interesting take on the iconic Justin Timberlake song is the perfect feature for your tenors and basses. With lots of solo opportunities, grooves ranging from swing to that rhythmic style only JT can capture, this arrangement is a guaranteed crowd pleaser!The piano and bass parts are written out and include chord symbols.The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
59.92 €
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Choral TTBB
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Justin Timberlake
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Suit & Tie
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Tim Brent Music
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SheetMusicPlus
Sogno - For Piano Solo
Piano solo
Piano Solo - Digital Download SKU: A0.982521 Composed by Francesco Paolo Tosti. Arr…
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Piano Solo - Digital Download SKU: A0.982521 Composed by Francesco Paolo Tosti. Arranged by Christina Pepper. Romantic Period. Score. 4 pages. Christina Pepper #6427135. Published by Christina Pepper (A0.982521). Paolo Tosti, composed Sogno in 1886, one of many great Italian 'salon' songs. It was originally written for voice and piano, but has been re-arranged here as a piano solo so that pianists may enjoy playing this masterpiece themselves. The translated Italian text:I dreamt that you were on your knees Like a saint praying to the Lord. You were looking deep into my eyes, With a glowing look of love. You were speaking quietly, Asking me sweetly for forgiveness. That she be allowed just one glance, You begged, curled at my feet. I stayed silent and, with a strong will, Fought the irresistible desire. I had faced martyrdom and death; Still, I forced myself to say no. But then your lips touched my face, And my heart betrayed me. I closed my eyes, reached out to you; But I had been dreaming, and that beautiful dream vanished.
$5.95
5.49 €
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Piano solo
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Francesco Paolo Tosti
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Sogno - For Piano Solo
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Christina Pepper
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SheetMusicPlus
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Lo…
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Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
41.48 €
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Ma Shui Long 馬水é¾
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《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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SpringAutumnmusic
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SheetMusicPlus
Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wol…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Jokeâ€, though the correct translation is “Some Musical Funâ€. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Showâ€. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!
$2.99
2.76 €
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Wolfgang Amadeus Mozart
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Presto
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Derek Hasted
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SheetMusicPlus
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