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Medium voice, Piano
Sheetmusic to print
4 sheet music found
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1
My God Is a Rock (solo)
Medium voice, Piano
Medium Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1360491 Composed by Sp…
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Medium Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1360491 Composed by Spiritual. Arranged by Curtis Hanson. Religious,Sacred,Spiritual. 4 pages. Curtis Hanson #943355. Published by Curtis Hanson (A0.1360491). Here is an arrangement of a familiar spiritual for mid-range solo voice. The feel is one of a relaxed, easy swing. The melodic range is minimal from F4 - C5 so is very accessible to nearly any voice. The biggest challenge will be to feel the syncopation correctly, but the accompaniment is very supportive both melodically and rhythmically.
$4.99
4.66 €
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Medium voice, Piano
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Spiritual
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My God Is a Rock
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Curtis Hanson
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SheetMusicPlus
Trusting Jesus, That is All (Vocal Solo, Piano Accompaniment)
Medium voice, Piano
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.780811 Composed by Lyr…
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.780811 Composed by Lyrics: Edgar P. Stites and Music: Ira D. Sankey. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Wedding. 5 pages. Cathy Stamegna #5370737. Published by Cathy Stamegna (A0.780811). A hymn of trust and consolation based on John 14:1 and Psalm 37:5 (Treble Range C4-D5). This arrangement begins with an arpeggiated accompaniment, lending a contemplative spirit to the lyrics. Verse two transitions to an upbeat triple meter with some syncopation, adding a confident, positive character. Lyrics to verses 3 and 4 are inserted on the last page of music, allowing performers to add or substitute verses. This hymn is appropriate for many occasions, including General Worship, Lent, or a Wedding service. Piano Accompaniment track sold separately. Part of the Hymns of Comfort collection.
$4.99
4.66 €
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Medium voice, Piano
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Lyrics: Edgar P
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Trusting Jesus, That is All
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Cathy Stamegna
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SheetMusicPlus
How Beautiful
Medium voice, Piano
Composed by Twila Paris. Arranged by Lloyd Larson. Piano Accompaniment with Optional…
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Composed by Twila Paris. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestration. Ring & Sing Series. Communion - NO USE!, Contemporary, Wedding NO USE!, Commemoration, Wedding, Lent, Good Friday, General Worship, Communion, Cross of Christ, Discipleship, Life of Christ, Lord's Supper, Sacrifice, Trust & Unity. Vocal score. 8 pages. Hope Publishing - Digital #8526DP. Published by Hope Publishing - Digital
By Twila Paris. Isaiah 52:7 - John 13:1 - John 13:2 - John 13:3 - John 13:4 - John 13:5 - John 13:6 - John 13:7 - John 13:8 - John 13:9 - John 13:10 - John 13:11 - John 13:12 - John 13:13 - John 13:14 - John 13:15 - John 13:16 - John 13:17 - Ephesia.
Popular ballad by Twila Paris This exquisite ballad by Twila Paris has been set by arranger Lloyd Larson in a new 2-part mixed setting with a new 3-5 octave handbell accompaniment (compatible with all voicings). With both Lenten and communion themes, this best-selling arrangement is a useful reflection for a variety of occasions. The original, lush orchestration by Mark Kellner is also available. This includes a Conductor's Score and parts for: Flute, Oboe, 2 Horns, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, and Rhythm (Guitar & Electric Bass).
New for 2012, Lloyd offers a dramatic new vocal solo (medium voice) setting of this popular song. This piece is also included in Lloyd's extensive collection of vocal solos, The Essential Collection for the Church Soloist (#8508).
$7.95
7.42 €
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Medium voice, Piano
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Twila Paris
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Sing Series
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How Beautiful
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Hope Publishing - Digital
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SheetMusicPlus
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Medium voice, Piano
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by…
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Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. ?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerney??s music: ??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerney??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the ??Fantasie pour piano? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerney??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95
18.62 €
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Medium voice, Piano
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Jacques Leguerney
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Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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