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You've selected:
Quartal to Four
Sheetmusic to print
33 sheet music found
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1
26
Quartal Scherzo
Piano solo
Piano solo - Intermediate - Digital Download SKU: F0.W9161 Composed by Wynn-Anne Ro…
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Piano solo - Intermediate - Digital Download SKU: F0.W9161 Composed by Wynn-Anne Rossi. Sheet Music. Written For You. Visions of fiddlers and square dancers will be the result of this rousing duet. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9161. Published by The FJH Music Company - Digital (F0.W9161). UPC: 674398210657.The word quartal refers to harmony that is based on the fourth. That only begins to capture the playful spirit of this Scherzo. Changing meters, quick exchanges between hands, and a four octave range give Quartal a broad, improvisational sound. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
2.34 €
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Piano solo
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Wynn-Anne Rossi
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Quartal Scherzo
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The FJH Music Company - Digital
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SheetMusicPlus
Rag in Fourths
Alto Saxophone and Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano and Keyboard - Interactive Downlo…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano and Keyboard - Interactive Download SKU: A0.479220 Composed by Sam Spear. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 96. Published by Sam Spear Music (A0.479220). A duet for alto sax and piano inspired by Ragtime rhythms and quartal harmony. Listen to a recording here: https://samspearmusic.bandcamp.com/track/rag-in-fourths Learn more about my Ragtime Project here: https://samspearmusic.com/ragtime-project-2/.
$9.99
9.35 €
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Alto Saxophone and Piano
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Sam Spear
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Rag in Fourths
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Sam Spear Music
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SheetMusicPlus
MAYA MARRIAGE MARIMBA MARIACHI--Soprano and marimba
Instrumental Duet Instrumental Duet,Marimba,Voice - Level 5 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Marimba,Voice - Level 5 - Digital Download SKU: A0.903757 Composed by Ah Bam (lyrics, Alan Edgar (music), and edited). Concert,Contemporary,Wedding. Score and parts. 8 pages. Alan Edgar Ted Moon #3055783. Published by Alan Edgar Ted Moon (A0.903757). I have edited two ancient Mayan poems by Ah Bam about the Receiving of the Flower, that is, the wedding ceremony, and set them as a very short song for soprano and marimba. A young woman looks forward to her wedding. The first song has quartal harmony and the second is in 12-note serial. I require a 4-octave marimba, c-c4. I have assumed the marimba has a 4-octave range, c to c4. In the first section I use only four-note quartals.
$2.00
1.87 €
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Ah Bam
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MAYA MARRIAGE MARIMBA MARIACHI--Soprano and marimba
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Alan Edgar Ted Moon
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SheetMusicPlus
Brass Quartet - A Foregone Conclusion
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Published by Lyons Music Services (A0.767318). This is a brand new work for brass quartet, using brass band instrumentation: Cornet (doubling Flugelhorn), Tenor Horn, Baritone Horn and Euphonium.It was written as a submission for a new brass quartet (A4 Brass Quartet) comprising musicians from the RNCM, but didn't get selected. Each movement is based on the ensemble's name and contains a pun on A4. Each movement also has fourths involved in it somewhere.The first movement is called Aforethought (because it contains my initial ideas) and it uses a mixture of tonal and quartal harmonies. Melodies and harmony are based around fourths and fifths. It requires all players to be able to flutter-tongue. After the opening fanfare, there is a march-like melody on the cornet, accompanied by the rest of the ensemble. This is followed by a contrasting tune using intervals of a fourth. These ideas are developed over several keys until the first march-like melody returns. The fanfare idea closes the movement.The second movement is called Aforementioned. It takes its ideas from the first movement, but gives them a bluesy style. The cornet player changes to the flugelhorn for this movement which has a beautiful languid melody. The horn shares some of the glory towards the end.The third and final movement is called Aphorhythm (A4 rhythm) and is in 7/8 time. The jerky little melody plays with the pulse of the 7/8 and smoothly morphs into a steadier 'middle 8' section before reprising the opening music.Altogether, this is an enjoyable and exciting piece for brass quartet..
$25.00
23.39 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - A Foregone Conclusion
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Lyons Music Services
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SheetMusicPlus
Quartal to Four
Piano solo
By Bruce Dudley. For Piano. Jazz. Advanced Intermediate. Solo Part. Published by Digital P…
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By Bruce Dudley. For Piano. Jazz. Advanced Intermediate. Solo Part. Published by Digital Print Publishing
$2.99
2.8 €
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Piano solo
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Bruce Dudley
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Quartal to Four
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Digital Print Publishing
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SheetMusicPlus
TWO NEW MEDITATIONS for Piccolo
Piccolo
Instrumental Solo,Piccolo - Level 4 - Digital Download SKU: A0.1405073 Composed by …
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Instrumental Solo,Piccolo - Level 4 - Digital Download SKU: A0.1405073 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988111. Published by Alan Edgar Ted Moon (A0.1405073). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Piccolo
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Alan Edgar
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TWO NEW MEDITATIONS for Piccolo
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for TREBLE or Spranino Recorder
Recorder Solo,Treble Recorder - Level 4 - Digital Download SKU: A0.1405063 Composed…
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Recorder Solo,Treble Recorder - Level 4 - Digital Download SKU: A0.1405063 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988099. Published by Alan Edgar Ted Moon (A0.1405063). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Alan Edgar
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TWO NEW MEDITATIONS for TREBLE or Spranino Recorder
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for solo Clarinet
Clarinet
Clarinet Solo - Level 3 - Digital Download SKU: A0.1404967 Composed by Alan Edgar. …
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Clarinet Solo - Level 3 - Digital Download SKU: A0.1404967 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988003. Published by Alan Edgar Ted Moon (A0.1404967). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$20.00
18.71 €
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Clarinet
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Alan Edgar
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TWO NEW MEDITATIONS for solo Clarinet
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for Bassoon or Cello
Bassoon
Bassoon Solo - Level 4 - Digital Download SKU: A0.1405069 Composed by Alan Edgar. 2…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1405069 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988105. Published by Alan Edgar Ted Moon (A0.1405069). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Bassoon
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Alan Edgar
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TWO NEW MEDITATIONS for Bassoon or Cello
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for Recorder (Garklein, Descant or Tenor)
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1404969 Compose…
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Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1404969 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988005. Published by Alan Edgar Ted Moon (A0.1404969). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$20.00
18.71 €
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Descant (Soprano) Recorder
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Alan Edgar
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TWO NEW MEDITATIONS for Recorder
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for Flute
Flute
Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1404972 Composed by A…
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Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1404972 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988008. Published by Alan Edgar Ted Moon (A0.1404972). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Flute
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Alan Edgar
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TWO NEW MEDITATIONS for Flute
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for Violin Solo
Violin
Violin Solo - Level 4 - Digital Download SKU: A0.1405070 Composed by Alan Edgar. 20…
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Violin Solo - Level 4 - Digital Download SKU: A0.1405070 Composed by Alan Edgar. 20th Century. 4 pages. Alan Edgar Ted Moon #988108. Published by Alan Edgar Ted Moon (A0.1405070). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Violin
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Alan Edgar
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TWO NEW MEDITATIONS for Violin Solo
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Alan Edgar Ted Moon
#
SheetMusicPlus
TWO NEW MEDITATIONS for Viola
Viola
Viola Solo - Level 4 - Digital Download SKU: A0.1405068 Composed by Alan Edgar. 20t…
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Viola Solo - Level 4 - Digital Download SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Published by Alan Edgar Ted Moon (A0.1405068). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Viola
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Alan Edgar
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TWO NEW MEDITATIONS for Viola
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Alan Edgar Ted Moon
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SheetMusicPlus
TWO NEW MEDITATIONS for Oboe, Cor Anglais or Sax
Soprano Saxophone
Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.1404973 Composed by Ala…
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Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.1404973 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988009. Published by Alan Edgar Ted Moon (A0.1404973). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
20.58 €
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Soprano Saxophone
#
Alan Edgar
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TWO NEW MEDITATIONS for Oboe, Cor Anglais or Sax
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Alan Edgar Ted Moon
#
SheetMusicPlus
Suite for Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1010790 Composed by Steven Trinkl. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1010790 Composed by Steven Trinkl. 20th Century,Contemporary. Score. 21 pages. Steven J. Trinkl, Jr. #2836771. Published by Steven J. Trinkl, Jr. (A0.1010790). This four-movement suite is designed to be a modest challenge for the advanced pianist and utilizes techniques associated with 21st century music, yet in a decidedly tonal and accessible form. Each of the four movements, while utilizing the same quartal- and quintal-based harmonic language, has a unique feel. The movements are as follows:I. SKAThis movement draws its rhythm and form from Jamaican ska music of the 1960s, but it is also imbued with a sense of chaos and panic contrary to the relaxed feel of its namesake. It demands rhythmic fluidity and precise hand placement, but rhythmically, it is the simplest of the four movements.II. BERCEUSEThis movement draws its inspiration from the lullabies of Chopin and Liszt, yet subverts the expectations given by its name considerably. Dark, mysterious, and suspenseful harmonies contrast over the sweet rocking motions of the rhythm before giving way to a stormy climax before the piece fades back to its original theme. In contrast to the almost mechanical nature of the first movement, this movement is overly expressive and lyrical, even during its most turbulent sections.III. MARCHA playful reference to the marches of John Philip Sousa, this movement makes rhythmic references to a few different pieces, including Fairest of the Fair. It is a return of sorts to the chaotic atmosphere of the first movement, and it ends rather abruptly, providing a sense of suspense before the final movement.IV. TOCCATAThe longest and most complex of the movements, Toccata combines the tonal and harmonic structures of the first three movements with complicated, syncopated rhythms and unusual time signatures. A number of themes are manipulated via augmentation, inversion, retrograde, and diminution, and abrupt changes in texture and tempo grab the listener's attention.
$9.99
9.35 €
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Piano solo
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Steven Trinkl
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Suite for Piano
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Steven J. Trinkl, Jr.
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
196.48 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
196.48 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
The Lilter
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1236811 By Ted Hogarth. By Michael Watson Moore. Arranged by Glenn Broadhead. Celtic,Chamber,Contemporary,Irish,Jazz. 19 pages. Four Mile Music LLC #832342. Published by Four Mile Music LLC (A0.1236811). Irish lilting is a highly rhythmic form of vocal music to accompany dancers, often using nonsense lyrics or what might be called folk vocalese. This little arrangement for clarinet quartet plays Michael Watson Moore's catchy, lilting melody three times--first in unison, then in traditional harmony, and finally in quartal harmony. The piece is scored for three Bb clarinets and a bass clarinet, but alternative parts are available for Eb clarinet (replacing Bb clarinet 1), as well as Eb Alto Clarinet and Basset Horn in F (replacing Bb Clarinet 3).
$4.99
4.67 €
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Clarinet Quartet: 4 clarinets
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Ted Hogarth
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The Lilter
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Four Mile Music LLC
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SheetMusicPlus
Songs of My Aims - for soprano and piano
Voice solo
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.886113 Composed by Jason McCh…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.886113 Composed by Jason McChristian. Arranged by Text by Walt Whitman. Concert,Contemporary,Folk,Patriotic. 26 pages. Jason Gary McChristian #238175. Published by Jason Gary McChristian (A0.886113). I. Germs - Referencing the idea of small details making up larger formations, as expressed in the Whitman poem, I created a brief gesture made of cascading pitches. This gesture progresses throughout the work and varies texturally and harmonically. ​ ​II. Voices - This song features flourishes of arpeggios and flowing triplets signifying the joy expressed by the poem’s narrator. ​ ​III. When I Heard the Learn’d Astronomer - The narrator of this poem was not swayed by the lecturer’s sterile and purely academic approach to astronomy, but instead found wonder in the stars by simply gazing upward. This song begins with alternating couplings of fourths and fifths in the highest register of the piano, depicting the uninspiring calculations of the lecturer. Bell-like gestures mark a return to a more awe-inspiring and sincere fascination of the stars. ​ ​IV. Thoughts - This final song conveys a musical sense of finality expressed in tits text. Utilizing quartal and quintal sonorities, this song takes on a patient and passive quality. As the narrator of the poem alludes to mortality, then finally states Death, the music becomes more chromatic, creating tense agitation. The passive quality returns quickly, however, and the work gently comes to a close.
$14.99
14.03 €
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Voice solo
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Jason McChristian
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Songs of My Aims - for soprano and piano
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Jason Gary McChristian
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SheetMusicPlus
Altered Dominant Scale 3
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.963454 Composed by Cristiano Vecchi…
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Piano Solo - Level 3 - Digital Download SKU: A0.963454 Composed by Cristiano Vecchi. Instructional,Jazz. Score. 6 pages. Cristiano Vecchi #5361207. Published by Cristiano Vecchi (A0.963454). An exercise in all keys about the altered dominant jazz scale largely used in jazz harmony, with quartal chords on the left hand and parallel fourths on the right hands, written in a enharmonic notation respect to the bass.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$1.99
1.86 €
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Piano solo
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Cristiano Vecchi
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Altered Dominant Scale 3
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Cristiano Vecchi
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SheetMusicPlus
Fragment III
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.998874 Composed by Robert A. Howard…
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Piano Solo - Level 2 - Digital Download SKU: A0.998874 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #6383275. Published by Robert A. Howard (A0.998874). The Fragment series of short piano pieces was conceived for pianists of almost any standard. As suggested in the title, each piece is based on a single compositional fragment or sketch that had otherwise remained incomplete and dormant. Fragment III is in a simple ternary shape. The outer sections focus on multiple unrelated arpeggiated reharmonisations of an initial four note motif. The opening section does this via an exploration of flat keys, while the final section does so through a sequence of sharp keys. A contrasting middle section is more chordal but continues to develop the key motif, building to a climax on quartal harmony. The piece is highly accessible and is appropriate for almost all standards of pianist, including students and more advanced players. Other works from the Fragment cycle are also available via Sheet Music Plus.Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.33 €
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Piano solo
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Robert A
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Fragment III
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Robert A. Howard
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SheetMusicPlus
Festival
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
51.46 €
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Orchestra
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
String Quartet No.1
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.997516 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.997516 Composed by Nick Elliott. Contemporary. Score and parts. 25 pages. Nick Elliott #5791563. Published by Nick Elliott (A0.997516). First Movement:In many ways this first movement can be summed up in one word: introspective. It is also a piece that reflects on landscapes of nature. A slow movement, it is essentially written around one main motif that is the driving force behind the movement. This motif becomes longer in the second movement eventually becoming the theme of the string quartet serving as a device to unify all of the movements.Second MovementThis movement is faster than the first, the melodies more fragmentary, more rhythmically driven. It is less introspective and more extroverted and restless. Exploring and expanding on the harmony of the first movement by exploring sound clusters, secundal and quartal harmony, while also playing with tonality more than the first movement did. The idea of rhythmic cells are also briefly explored inspired by Aleatoric music. The movement ends with the serene sound of the first violin in solo combining all three motifs to reveal the theme of the string quartet.The idea of thematic unity is a concept that is explored heavily with this string quartet and will be explored even more in the third and fourth movements.
$11.75
10.99 €
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String Quartet: 2 violins, viola, cello
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Nick Elliott
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String Quartet No.1
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Nick Elliott
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SheetMusicPlus
Spring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1236977 By Andrew Howes. By Andrew…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1236977 By Andrew Howes. By Andrew Howes. 21st Century,Classical,Contemporary. Individual part. 2 pages. Andrew Howes #832513. Published by Andrew Howes (A0.1236977). Spring: The fourth movement from my suite for classical guitar, written as a response to a seasonal cycle of poems by my friend David Dayson, centred on Eyeworth Pond at Fritham in the New Forest.This movement is energetic and capricious, episodic in nature, juxtaposing wind and rain, storm and quietude. It makes use of quartal and triadic harmonies, note-clusters. the remaining movements are available as single-sheet publications or as the complete work, in this case with or without tab.
$4.00
3.74 €
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Guitar
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Andrew Howes
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Spring
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Andrew Howes
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SheetMusicPlus
Sonata for Alto Saxophone and Piano, Op. 4
Alto Saxophone and Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.102…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
$20.00
18.71 €
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Alto Saxophone and Piano
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Tyler J
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Sonata for Alto Saxophone and Piano, Op. 4
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TJHoltMusic
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SheetMusicPlus
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